Calligraphy art, one of China's three major countries, encounters the first calligraphy art museum in China, free to visit, register, walk into the museum, quite shocking. In addition to the famous ink treasures of all generations, the most essence is the Qin Dynasty sealing art special exhibition area, the pieces are boutique. Sealing mud, originated in the Spring and Autumn Warring States period, has a long origin, is the ancient letter and document sealing physical remains, in the Qin and Han periods, with the main writing carrier of Jane, widely used in sealing objects and sealing books, similar to Western fire paint, after the Wei, Jin, Tang, and the paper appeared and prevailed. Sealing mud gradually withdrew from the historical stage, although the history has a sage, the later life is rare, until the end of Qing Dynasty, Sealing mud again saw the sky. The structure of the sealing text, or square flat, or convenient rate, changes are extremely rich, lines or tough, or strong, or the sidebar is false, or quiet, the museum displays Qin Feng mud boutiques with 251 pieces, is the "Treasure of the Town Hall". A comprehensive view of the mud seal, like the dumplings to accommodate the Sumi, the small mud ball contains the Qin Dynasty culture and art, social life, historical politics of the infinite cave sky.
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Calligraphy art, one of China's three major countries, encounters the first calligraphy art museum in China, free to visit, register, walk into the museum, quite shocking. In addition to the famous ink treasures of all generations, the most essence is the Qin Dynasty sealing art special exhibition area, the pieces are boutique. Sealing mud, originated in the Spring and Autumn Warring States period, has a long origin, is the ancient letter and document sealing physical remains, in the Qin and Han periods, with the main writing carrier of Jane, widely used in sealing objects and sealing books, similar to Western fire paint, after the Wei, Jin, Tang, and the paper appeared and prevailed. Sealing mud gradually withdrew from the historical stage, although the history has a sage, the later life is rare, until the end of Qing Dynasty, Sealing mud again saw the sky. The structure of the sealing text, or square flat, or convenient rate, changes are extremely rich, lines or tough, or strong, or the sidebar is false, or quiet, the museum displays Qin Feng mud boutiques with 251 pieces, is the "Treasure of the Town Hall". A comprehensive view of the mud seal, like the dumplings to accommodate the Sumi, the small mud ball contains the Qin Dynasty culture and art, social life, historical politics of the infinite cave sky.
The "Xi'an Chinese Calligraphy Art Museum" with a total area of 3,300 square meters, consists of the exhibition area of Chinese Calligraphy, the special exhibition area of calligraphy in the Tang Dynasty, the exhibition area of calligraphy archaeological achievements, the exhibition area of calligraphy and French houses, the exhibition area of the Nangong Wall soil site, the exhibition area of Chinese and foreign special calligraphy and paintings, Calligraphy engraving interactive experience area, artist Avenue of Stars and other eight regions. Collecting more than 2,000 calligraphy cultural relics and famous calligraphy works, not only including Chinese calligraphy famous works, but also calligraphy works by artists from Japan, South Korea, Singapore and other countries, is an important position for inheriting and protecting Chinese calligraphy and engraving of human intangible cultural heritage. It is Xi'an Youth Calligraphy Education and Training Base, China Calligraphy Archaeology Exchange and Exhibition Center, and the designated training institution for Chinese Calligraphy and Painting Grade Examination. The exhibition area of Chinese calligraphy is precious to ancient calligraphy. Calligraphy works include Tang Taizong's hot spring inscription, Tang Xuanzong Li Longji's affiliation, Yan Zhenqing, Liu Gongquan's sham, Wu Zetian Shengxian Prince Monument, Cao Sheng Zhang Yu, Huai Su's cursive book, etc. In addition to the long-term display of 100 pieces of Qin seal mud of the "Town Hall", the display area of calligraphy archaeological achievements has also launched the "Tang Dynasty epitaph calligraphy series", "Qin brick and Han tile text calligraphy series" and so on. In 1995, Xi'an Han Chang'an City site unearthed a large number of Qin seal mud, our museum collection of the best more than 600 pieces, is the Qin Shihuang Yulan bamboo brief documents of the relics, the content covers many aspects of Qin cultural history, such as official system, geography, inscription, text and so on. The exhibition area of Chinese and foreign special calligraphy and painting, calligraphy engraving interactive experience area, artist's avenue of starlight and artist's gallery are the four main exhibition areas open to the public. Xi'an Chinese calligraphy and art museum training is "harmonious, innovative, honest and dedicated"; The overall goal is to "shape a first-class team, provide first-class service, strive to create first-class performance, create first-class museums"; the famous text is the book of Yan Zhenqing, a big calligrapher in the Tang Dynasty; the "book" of the museum emblem is the book of Yan Zhenqing; the book of the museum "Chinese calligraphy and engraving".
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It is worth everyone to play, this is a place full of literary atmosphere
The 100 pieces of Qin seal in the museum are among the finest in the collection