Quansheying Gallery Review

The current exhibition of full photography is: OFOTO&ANART | laugh at a solo exhibition of Zhang Moliu, the turtle directly calls "good guy", the appalling ～～ Zhang Moliu's work, I have seen it in full photography before, that time seems much better, this time it is a strange in the tricky hanging, the tricky sandwiched in the tricky, the whole speechless 🙄.

The full photography gallery has not seen the OK exhibition for a long time, and the last tea-related exhibition seems to be OK. This time the dust in the hometown of the exhibition, I personally feel very general, plus the reflection, I can't see it at all, so I come to ～～ Suggestion can ignore ～ You can look at it when you pass by.

Even in M50, the style of full photography is still relatively avant-garde. This time, a person directly stood like a Tao doll sculpture in it, and I was surprised when I entered the door, with a visual impact. A honey, I can't tell why, I feel that I can see the exhibition of full photography.

Chinese-American independent photographer Liu Yunping's exhibition is critical, this work is black and white, there is no rich color but very visual shock. For example, the big bird with wings, such as the tree with shoes hanging, such as the traces of the wheels on the dry land, such as the two plastic stools on the beach, etc. His work has no name, only the year of shooting and the country of shooting.

Legend has it that a dyer's daughter in ancient Greece, named Alakne, was very good at textile embroidery. One day she declared, "Neither mortal nor Athena can surpass me in textile technology." Athena was incensed and confronted with her. Athena weaves four scenes in which God punishes humans who consider themselves equal to God, arrogant, and Arakne weaves scenes in which the gods abuse humanity. The goddess was even more angry, throwing Herkat's potion into Arakne, turning her into a spider, punishing her for never-ending weaving for generations. Reminiscent of the recent sightings and hearings of many things, I feel that the times have improved, but the state of the never-ending weaving of women for generations seems to have always existed, and the freedom and comfort of living for themselves is still owned by the few women who live transparently. Women's restraints on themselves are precisely what they "woven" out. Although the work has a strange atmosphere, it still expresses this theme, and it feels in place. (Extension until September 9 🔚)

The exhibition name is [burning], the artist practiced East Asian works, but these exhibits are not my dishes, a bit violent aesthetic taste, especially the few people who squeezed out of their hearts and lungs are a bit creepy, it is not suitable for the old aunt love and peace 😂. Moreover, the glass reflection in front of the work is particularly serious, which affects the appreciation (and taking pictures 😂).