Featured Events in Macau in March, 2024 (April Updated)

法朵之夜音樂會將於2024年3月22日至2024年3月24日在中國澳門的崗頂劇院隆重舉行。這場音樂會將為觀眾帶來一場絕美動人的音樂饗宴，讓您沉浸在音樂的海洋中。崗頂劇院位於澳門崗頂前地，交通便利，讓您輕鬆前往享受音樂之夜。門票售價為180元，讓您以親民的價格欣賞高品質的音樂表演。法朵之夜音樂會絕對是音樂愛好者不容錯過的精彩活動，為您帶來難忘的音樂體驗。立即預定門票，和您的親朋好友一同共度一個充滿音樂與感動的夜晚。讓法朵之夜音樂會成為您美好回憶的一部分。

梁詠琪時間遇上我們演唱會-澳門站將於2024年3月23日在中國澳門的銀河綜藝館隆重舉行。這將是一場難得的音樂盛會，梁詠琪將帶來精彩紛呈的演出，讓觀眾沉浸在音樂的海洋中。演唱會將在澳門路氹望德聖母灣大馬路上演，屆時觀眾將有機會欣賞到梁詠琪獨特的音樂魅力。票價範圍從368澳門元至1198澳門元不等，觀眾可根據喜好選擇適合的座位。這將是一個難能可貴的機會，讓您近距離感受梁詠琪的音樂魅力，感受音樂帶來的震撼與感動。不容錯過，立即購票，和梁詠琪一起度過一個難忘的音樂之夜。

《澳門國際環境合作論壇暨展覽會2024》將於2024年3月28日在盛名遠播的澳門威尼斯人隆重舉行。本次大會致力於推動環境保護合作，共同探討可持續發展的策略與解決方案。專業人士、學者、政府官員及企業代表將齊聚一堂，交流心得，共謀環保未來。進入論壇現場，與會者將有機會深入瞭解最新環保科技及創新理念，並在展覽區親身體驗領先的環保產品和服務。此活動不僅是澳門展示國際合作決心的平台，更是推進全球環保議程的重要里程碑。莫失良機，預留您的時間，參與這場影響深遠的環保盛會。

2024 TVXQ! CONCERT [20&2] IN MACAU將於2024年3月30日在中國澳門隆重舉行。這場盛事將在倫敦人綜藝館舉行，位於中國澳門路氹城填海區金光大道。這將是一個難得的機會，讓粉絲們與他們崇拜的偶像親密接觸。票價範圍從1280元至1980元不等，讓更多的愛好者有機會參與這場音樂盛事。2024 TVXQ! CONCERT [20&2] IN MACAU將帶給觀眾難忘的夜晚，充滿音樂和熱情。無論您是樂迷還是對音樂充滿熱愛，這將是一場您不能錯過的精彩演出。立即購票，和TVXQ!一起度過一個難忘的夜晚！

關心妍演唱會2024澳門站即將在澳門百老匯盛大舉行。這場音樂盛事將於2024年3月30日登場，地點位於澳门蓮花海濱大馬路，為觀眾帶來一場音樂饗宴。關心妍將在此次演出中奉獻出她的精湛演唱技巧，讓觀眾沉浸在音樂的海洋中。此次演唱會的門票售價為HK$369，讓您以親民的價格欣賞到這場難得一見的音樂盛事。踴躍購票，和關心妍一同度過一個充滿音樂與熱情的夜晚。這將是一場讓人際遇難忘的演唱會，不容錯過。立即購票，與我們共同見證這場難得的音樂盛會。

FirstKhaotung澳門粉絲見面會2024將於2024年3月30日在澳門葡京人H853娛樂館隆重舉行。此次活動是歌手FirstKhaotung與粉絲近距離互動、分享音樂的絕佳機會。無疑，此次見面會將是一場獨一無二的音樂饗宴，讓粉絲們盡情沉浸在音樂的海洋中。演唱會門票售價為HK$668，位置優越，地點位於澳门溜冰路澳門葡京人。立即購票，與FirstKhaotung共度美好時光，感受音樂帶來的力量和感動。不容錯過的精彩活動，讓我們共同期待FirstKhaotung澳門粉絲見面會2024帶來的震撼體驗！

王心凌澳門演唱會2024將於2024年3月30日在澳門銀河綜藝館隆重舉行。這將是一個難得的機會，讓樂迷們能親身感受這位才華洋溢的歌手的現場演出。澳門銀河綜合度假城將成為這場音樂盛會的主要舉辦地點，營造出一個熱情洋溢、充滿活力的音樂氛圍。票價方面，每張門票售價為HK$466，讓更多的歌迷有機會共襄盛舉。王心凌將在這次演唱會上呈現最精彩的演出，無疑將為觀眾帶來一場難忘且感動人心的音樂饗宴。立即購票，和王心凌一起共度美好時光，共同享受這場難得的音樂盛事。

First Khaotung 1st FanMeeting in Macau將於2024年3月30日在中國澳門隆重舉行。此次活動將在澳門葡京人的H853娛樂館舉行，地址位於澳門特別行政區路氹填海區澳門路氹溜冰路。粉絲們將有機會與偶像近距離互動，共同度過一個難忘的夜晚。票價範圍從654元至1794元不等，讓更多的粉絲有機會參與此次盛會。不容錯過的First Khaotung 1st FanMeeting in Macau將為粉絲們帶來前所未有的感動和難忘回憶。立即抓住機會，共同見證這場獨一無二的精彩演出！

2024年3月30日，美高梅劇院將迎來一場備受矚目的音樂盛會——“鄭伊健與你在一起美高梅音樂會”。這場音樂會將由知名歌手鄭伊健傾情演繹，他將在澳門路氹美獅美高梅-美高梅劇院為觀眾呈現一場充滿激情與感動的演出。屆時，觀眾將有幸聆聽到鄭伊健獨特的音樂風格，感受他那獨具魅力的舞台魅力。從票價來看，門票價格區間廣泛，從538澳門元到1588澳門元不等，滿足了不同觀眾的需求。鄭伊健的粉絲和音樂愛好者們不容錯過這場美高梅音樂會，這將是一次難忘的音樂之夜，定會為在場的每一位觀眾帶來感動與震撼。趕緊搶購門票，與鄭伊健一同共度這個難以忘懷的音樂之夜！

《CEO-DOL MART》FANMEETING《社長愛豆超市》粉絲見面會將於2024年3月31日在澳門百老匯舞台隆重舉行。這將是一場匯聚粉絲熱情的盛大活動，地點位於澳門金光大道，為觀眾締造一個與偶像近距離互動的難得機會。票價範圍從450元至1360元，讓喜愛《CEO-DOL MART》的支持者們都能共襄盛舉。屆時，粉絲們將有機會欣賞到精彩的表演，感受偶像的魅力，並與其他同好一同共度美好時光。這將是一個難忘的夜晚，讓人期待不已。立即預定門票，融入這場熱情奔放的音樂盛宴，與《CEO-DOL MART》共同度過一個難忘的時刻。

《社長愛豆超市》是一部有趣的青春喜劇，該劇主演將在澳門通過粉絲見面會和大家見面。這次見面會將於2024年3月31日在澳門百老匯TM舉行，地點位於澳门蓮花海濱大馬路的百老匯舞台。這將是一個難得的機會，讓粉絲朋友們和劇中主演見面交流。見面會門票售價為HK$474，不容錯過。社長愛豆超市將帶來一個充滿活力和熱情的晚會，讓觀眾沉浸在優質舞臺中，感受主演人員所帶來的無限魅力。無論您是樂迷還是音樂愛好者，社長愛豆超市粉絲見面會都將為您帶來前所未有的視聽體驗。抓住這個難得的機會，和社長愛豆一同度過難忘的一夜。

This is a salon of madness, often operating with the accompaniment of piano music, until one day the piano comes to a sudden stop, and the hidden ‘hairdresser’ commits the crime under the nose of audience members. The suspect is among those who enter and exit the hair salon, including award-winning hairdressers and mysterious customers. The entire audience is drawn into this mysterious murder, and the show becomes more than simply just a show. Join us in the thrilling ride of this murder mystery!

This is a salon of madness, often operating with the accompaniment of piano music, until one day the piano comes to a sudden stop, and the hidden ‘hairdresser’ commits the crime under the nose of audience members. The suspect is among those who enter and exit the hair salon, including award-winning hairdressers and mysterious customers. The entire audience is drawn into this mysterious murder, and the show becomes more than simply just a show. Join us in the thrilling ride of this murder mystery!

This is a salon of madness, often operating with the accompaniment of piano music, until one day the piano comes to a sudden stop, and the hidden ‘hairdresser’ commits the crime under the nose of audience members. The suspect is among those who enter and exit the hair salon, including award-winning hairdressers and mysterious customers. The entire audience is drawn into this mysterious murder, and the show becomes more than simply just a show. Join us in the thrilling ride of this murder mystery!

The performance delves into the physical routine of football and elevates the aesthetic aspects of its insanity. It comments the difference between “common sports” and “eloquent arts”, likewise the concept of working-class football and upper-class ballet. Reviews: A complete and utter success. I’d see it again in a heartbeat. The Gazette, Canada It’s fun, impressive, and might make a football fan out of a dance enthusiast at the same time as it might make a dance enthusiast out of a football fan. Mooney on Theatre, Toronto The gags are numerous and irresistible, but the choreographer also masters the art of creating inventive movements and beautiful images. Le Figaro, France It’s a cheeky, rumbustious celebration of the physical exuberance of football and dance. The Times, UK Behind the slow-motion replays, crotch-scratching rituals and satirical player stereotypes lurks a sophisticated take on a global obsession that says much about the human condition. The Guardian, UK A marvel of mood and observation. The Independent, UK Awards: Norwegian Critics Award 1998 Scandinavian selection for Bagnolet 1998 IFMC Honorary Diploma, Vitebsk 2012 Cuban Critics Award, Premio Villanueva 2012 Background: Initiated in early 1997, the performance has proven to be the first of its kind. All research on possible earlier dance performances based on football has given no result. Except for a Russian choreographer who made a part-evening ballet in the 1930’s where one of the dancers portrayed a football player. This piece was unfortunately never documented. Apparently it was done with classical technique to classical music. Our extensive tours with such a simple and clear idea produced a surprising stimulus to the creativity of many others. In the time after our impact both on international audiences and the ever so efficient grapevine, numerous football-dance shows started to pop up around the world. Way to numerous to be a coincidence. And mostly with a similar choreographic touch. Sparks from those productions probably gave fire again to even more shows and events. We never knew why Andrew Lloyd Webber appeared on the first row at our London premiere with his producers and scribbling in his notebook during the whole show. We understood more when his football musical premiered in September 2000. We of course never invented neither football or dance, but we still wonder why nobody did the combination in the enormous gap between the Russian in the 1930’s and us in 1997. Contemporary dance in that period was supposed to have broken all barriers. With an increasing amount of football on different stages, we simply decided to close the show down. We risked being copy-cats of ourselves. We did however two co-productions with other companies to fulfill other goals than the artistic ones. SKÅNES DANSETEATER did ”En hyllning til fotbollen” with extensive touring in Sweden specially for young audiences, and TANZENSEMBLE BIELEFELD did ”A Remixed Dance Tribute to Football” to attract new audiences when Germany hosted the World Cup. 12 years after its birth, the show however came back to life again. Due to a never-ending flow of requests and general demand from audiences, it’s has been back on tour from 2009 and on.

The performance delves into the physical routine of football and elevates the aesthetic aspects of its insanity. It comments the difference between “common sports” and “eloquent arts”, likewise the concept of working-class football and upper-class ballet. Reviews: A complete and utter success. I’d see it again in a heartbeat. The Gazette, Canada It’s fun, impressive, and might make a football fan out of a dance enthusiast at the same time as it might make a dance enthusiast out of a football fan. Mooney on Theatre, Toronto The gags are numerous and irresistible, but the choreographer also masters the art of creating inventive movements and beautiful images. Le Figaro, France It’s a cheeky, rumbustious celebration of the physical exuberance of football and dance. The Times, UK Behind the slow-motion replays, crotch-scratching rituals and satirical player stereotypes lurks a sophisticated take on a global obsession that says much about the human condition. The Guardian, UK A marvel of mood and observation. The Independent, UK Awards: Norwegian Critics Award 1998 Scandinavian selection for Bagnolet 1998 IFMC Honorary Diploma, Vitebsk 2012 Cuban Critics Award, Premio Villanueva 2012 Background: Initiated in early 1997, the performance has proven to be the first of its kind. All research on possible earlier dance performances based on football has given no result. Except for a Russian choreographer who made a part-evening ballet in the 1930’s where one of the dancers portrayed a football player. This piece was unfortunately never documented. Apparently it was done with classical technique to classical music. Our extensive tours with such a simple and clear idea produced a surprising stimulus to the creativity of many others. In the time after our impact both on international audiences and the ever so efficient grapevine, numerous football-dance shows started to pop up around the world. Way to numerous to be a coincidence. And mostly with a similar choreographic touch. Sparks from those productions probably gave fire again to even more shows and events. We never knew why Andrew Lloyd Webber appeared on the first row at our London premiere with his producers and scribbling in his notebook during the whole show. We understood more when his football musical premiered in September 2000. We of course never invented neither football or dance, but we still wonder why nobody did the combination in the enormous gap between the Russian in the 1930’s and us in 1997. Contemporary dance in that period was supposed to have broken all barriers. With an increasing amount of football on different stages, we simply decided to close the show down. We risked being copy-cats of ourselves. We did however two co-productions with other companies to fulfill other goals than the artistic ones. SKÅNES DANSETEATER did ”En hyllning til fotbollen” with extensive touring in Sweden specially for young audiences, and TANZENSEMBLE BIELEFELD did ”A Remixed Dance Tribute to Football” to attract new audiences when Germany hosted the World Cup. 12 years after its birth, the show however came back to life again. Due to a never-ending flow of requests and general demand from audiences, it’s has been back on tour from 2009 and on.

《澳門國際環境合作論壇暨展覽會2024》將於2024年3月28日在盛名遠播的澳門威尼斯人隆重舉行。本次大會致力於推動環境保護合作，共同探討可持續發展的策略與解決方案。專業人士、學者、政府官員及企業代表將齊聚一堂，交流心得，共謀環保未來。進入論壇現場，與會者將有機會深入瞭解最新環保科技及創新理念，並在展覽區親身體驗領先的環保產品和服務。此活動不僅是澳門展示國際合作決心的平台，更是推進全球環保議程的重要里程碑。莫失良機，預留您的時間，參與這場影響深遠的環保盛會。

JADE Live In Macau關心妍-澳門站將於2024年3月30日在中國澳門隆重舉行。這場音樂盛事將在澳門百老匯舞台上演，位於澳門路氹金光大道。觀眾將有幸欣賞到關心妍獨特動人的演出，感受她音樂中的熱情和魅力。票價範圍寬泛，從350元至720元不等，讓更多的音樂愛好者都有機會共襄盛舉。JADE Live In Macau關心妍-澳門站是一場不容錯過的音樂盛宴，定將為澳門的音樂文化帶來璀璨的一夜。立即預定您的門票，與我們共同見證這場音樂盛事的璀璨絢爛！