Featured Events in Seoul in June, 2025 (June Updated)

We want to remember many moments in our lives. We engrave those memories in our hearts, and sometimes we leave them in a form that we can hold in our hands. Commemoration begins with the desire not to forget precious moments. Souvenirs are small evidences of those feelings. Among the overflowing commemorations and souvenirs today, aren’t we forgetting the true meaning of commemoration? To ask ourselves the meaning of commemoration again, we look into the object called a souvenir. The desire to leave behind a special moment, The desire to share memories together, The earnest desire to hold the memories of my life in my hands. Let’s look back at the meaning of commemoration contained in a small object. What is a souvenir to you?

To commemorate the sixtieth anniversary of the normalization of relations between the Republic of Korea and Japan, the National Museum of Korea and the Tokyo National Museum have joined forces to present Japanese Art from Four Perspectives, a special exhibition that shines a new light on Japanese art through four unifying themes. Through the years, these two institutions have closely collaborated on numerous projects aimed at promoting understanding of their respective histories and cultures. These efforts have have now led to this momentous exhibition illuminating Japanese art for a Korean audience. Featuring sixty-two works specially selected by the Tokyo National Museum and the National Museum of Korea, the exhibition is designed to immerse visitors in both the visual beauty and emotional sentiment of Japanese art. To this end, Japanese art is considered from four fascinating perspectives, in terms of its splendid ornamentation (kazari), the contrasting aesthetics of restraint (hankazari), emotions related to the ephemeral transformations of nature (aware), and a light-hearted spirit of humor and leisure (asobi). Here, these four elements are organically interwoven to reflect the lives and worldview of the Japanese people. Thus, the exhibition offers the unique opportunity to experience not only the visual allure of Japanese art, but also the profound insight and emotion that it embodies. It is our hope that these four fundamental perspectives will help to provide visitors with a deeper appreciation of Japanese art and a broader understanding of Japanese culture as a whole.

This year marks the 60th anniversary of the normalization of diplomatic relations between Korea and Japan and the 80th anniversary of liberation, making it a meaningful time to look back on our relationship with Japan. Japan is our closest neighbor, but there are still many issues that need to be resolved in order to further advance our bilateral relationship. As we look back on the past and reflect on the present, we will be able to create a new turning point. 'Communication of the Heart, Aftertaste Like a Wave' illuminates the meaning of trust and exchange between nations and individuals through the Tongsinsa (通信使) of the Joseon Dynasty. Tongsinsa refers to the diplomatic mission and diplomatic system of the Joseon Dynasty, but its essence goes beyond simple diplomacy and cultural exchange. It is because it formed friendship between nations and strengthened the bond between individuals by establishing continuous relationships based on trust, respect, and mutual understanding. History is not simply a record of the past, but a force that connects the present and the future. Through the historical legacy of the communications agency that connects the nation to individuals, diplomacy to cultural exchange, and the past to the present, we look back on the meaning of 'communication agency diplomacy' that sought peace based on trust, and we hope that this will be an opportunity to think about the path forward together.

Perrotin Seoul is pleased to present Time Blossom, a solo exhibition by Kwang Young Chun. Chun has developed a distinctive visual language that bridges tradition and modernity, East and West, through his sculptural exploration of hanji, traditional Korean paper. Expanding beyond ink on paper, he has continually pushed the boundaries between painting and sculpture with his Aggregation series—compositions of tightly clustered, triangular forms wrapped in hanji.

Skipper Gallery presents “Dialogue II,” a two-person exhibition featuring works by Prabhavati Mepail and Lee Soo-kyung, in Seoul on May 27. This exhibition is the second chapter of the “Dialogue” series, which began when the gallery moved to a new location in March this year.

Curated by Sunghui Lee Assisted by Sunju Lee Graphic Design by Eunjoo Hong and Hyungjae Kim Exhibition Architecture: Junho Kim Shipping & Installation: June Art Hosted by HITE Foundation

The 17TH SEOUL JAZZ FESTIVAL 2025 ※ Tickets/Wristbands ·Ticket/Wristband booth opening hours: 10:00 AM - 6:00 PM (local time) on the day of the event. ·All users who placed an order throughTrip.commust present their [Trip.comorder page (not a screenshot) + order phone number + order name] at the [Trip.comticket collection point opposite Gate 1 East, Olympic Park, Seoul] to exchange for paper tickets and wristbands. Entry begins at the designated time at the entrance. Due to the unpredictability of the on-site situation, it may be necessary to collect paper tickets and wristbands at different booths before 12:00 PM. Please consultTrip.combooth staff for specific on-site inquiries. ·Once you wear the entry wristband, you can prepare to enter and move freely within the venue. After wearing the entry wristband, you are allowed to exit and re-enter freely. ·If the paper ticket/wristband is lost or damaged after being received, it will not be reissued, and no refund or compensation will be provided.Trip.comassumes no responsibility. Daily entry wristbands must be used until the end of the event, and 3-day pass wristbands must be worn throughout the entire event period. Please manage them carefully. ※ Audience Guidelines ·All venues are standing only; attendees can manage their entry based on the order of arrival. ·Seat reservation within the venue is strictly prohibited. If items are left in the venue for an extended period, a no-seat-reservation notice may be attached, and items may be moved, damaged, or lost, for which the organizer is not responsible. ·Please prepare sunglasses, hats, portable hand sanitizer, etc., to cope with unpredictable weather and maintain personal hygiene. ·The event will proceed even in the rain, and issues caused by rain will not be grounds for cancellation or refund. ·Parking is limited, so please use public transportation whenever possible. ※ On-site Payment Method The official payment method for the 17th Seoul Jazz Festival is Kakao Pay. On-site payments are limited to Kakao Pay only, which can be used for transactions at official merchandise and various food and beverage stalls. (Excluding the 88 Lawn Snacks and Olympic Park Café within the Olympic Park.) Kakao Pay usage guide:http://pf.kakao.com/_TxdpBV/109524248 ※ Prohibited Items: ·Items that may pose a threat to the safety of others, such as cans/bottles/explosives/drugs/firearms, etc. ·Items that may affect others' viewing experience, such as excessively high chairs/camping gear/photography equipment, etc. ·Outside food/fast food/takeout/insulated containers with a capacity of over 20 liters. The Seoul Jazz Festival (서울재즈페스티벌) is a major music event held annually in May in Seoul, South Korea. Since its inception in 2007, the festival has grown to become one of the most representative music festivals in Asia, celebrating its 17th edition in 2025. Organized by PRIVATE CURVE, the festival centers around jazz but incorporates a variety of music genres, attracting over 60 artists each year. In recent years, its international profile has risen significantly, drawing renowned artists from around the world. The 2025 Seoul Jazz Festival will take place from May 30 (Friday) to June 1 (Sunday), spanning three days. The Olympic Park will host multiple stages, featuring a wide array of performances simultaneously. International artists include LANY, Kamasi Washington, RAYE, Eliane Elias, Thundercat, and Jacob Collier, all of whom are highly acclaimed performers. From South Korea, popular artists such as JANNABI, Doyoung (NCT), Jang Bomjun, Kwon Ji-na, LUCY, and Chae Yuri will also take the stage. The unique performances of these artists are expected to add more excitement to the festival.

The "Car-Free Submarine Bridge Walking Festival" has become a representative festival of the Han River and a healing playground that everyone can enjoy together. This fall, the Car-Free Submarine Bridge Walking Festival will return with more novel and colorful entertainment programs. In the first half of the festival, the talent show "Han River New Star", "Mask Parade" and "Motorboat Parade" and other novel attractions were loved by many people. In this festival, the themes of "Art", "Games", "Health" and "Rest" where you can feel healing while enjoying the rainbow fountain are prepared to meet different preferences.

As part of the "Inside White Cube" initiative, White Cube Seoul will host the first solo exhibition in Asia by American artist Alex Carver (b. 1984, Boise, Idaho) in April 2025. The author explores the inner world of humans wandering in chaos, drawing inspiration from biomedical diagrams, medieval manuscripts, and Botticelli's illustrations for Dante's Divine Comedy to depict the nature of human suffering and oppression. The exhibition will feature new works inspired by the opening of Dante's Inferno, the first part of Dante's 14th-century epic poem. "Inside White Cube," a project that showcases works by unaffiliated artists active in the contemporary art world but not exhibited at White Cube, aims to examine the multi-layered nature of contemporary art from various perspectives.

Seoul Summer Vibe Festival is an annual summer event held by the city of Seoul, South Korea, which aims to provide citizens and tourists with a colorful summer experience. The event usually includes concerts, art exhibitions, outdoor movie screenings, food stalls, and various interactive entertainment projects. The festival uses Seoul's urban spaces, especially parks, squares, and riversides, to create a vibrant and creative summer atmosphere. This festival not only showcases the cultural charm of Seoul, but also provides participants with a chance to relax and enjoy summer fun.

The "Korea Car-Free Submerged Bridge Hiking Festival" is a special event in Korea, usually held on specific submerged bridges. These bridges are closed to vehicles during specific time periods and are open exclusively for walkers. The purpose of the event is to encourage people to get close to nature and enjoy the fun of hiking, while raising awareness of environmental protection and sustainable transportation methods. Participants can experience the unique feeling of walking across the bridge and appreciate the surrounding natural scenery during the event. The event is usually accompanied by various cultural and entertainment activities, such as music performances, local food exhibitions, etc., aiming to provide participants with a rich experience.

R.LUX, Coupang's luxury beauty vertical, will collaborate with the Seoul Museum to host a special exhibition titled "The Art of Luxury" until June 1. The exhibition was planned to commemorate the launch of Aluxe and aims to reinterpret the essential values ​​pursued by luxury beauty brands through a new perspective of art and convey the profound meaning of luxury to customers.

Around 1467, the Joseon royal family established the official kiln, or royal porcelain kiln, in Gwangju, Gyeonggi-do, to produce white porcelain for the palace. Geumsa-ri was the kiln that operated from 1734 to 1751. Geumsa-ri is famous for producing milky white, i.e. milky white white purple, and moon jars. By collecting the fragments of the golden relic, you can learn about the white porcelain produced by the golden relic, such as the moon jar.

The exhibition presents the 60-year painting career and major works of Kang Myung-hee (1947- ). Kang Myung-hee established his own painting realm by capturing the relationship between existence and nature on canvas through long-term and in-depth exploration of the essence of the natural scenery he encountered. The paintings of the artist, who has been active at home and abroad since leaving Korea in 1972, are full of influences from different cultures, as well as colors and emotions that transcend the East and the West. "Visiting" is the exhibition title borrowed from the artist's works, telling the nomadic attitude of the artist who does not settle in one place but constantly moves around to create, and the artistic inspiration he gets from brief encounters. Although this work looks like an abstract painting full of light and color, it originates from very specific elements in nature and is the condensed result of long-term training, meditation and repeated "emptying" behavior. Kang Myung-hee's footprints are all over the world, including the Gobi Desert in Mongolia, Patagonia in South America, Antarctica, India, Hong Kong, China, Taiwan, etc., persistently exploring the essence of nature and looking for primitive scenery. Brushstrokes and fragments vibrate, collide and accumulate on the plane, similar to the movement of nature. The painting seems calm and peaceful, but in fact, it is a long and repeated painting, an intense dialogue with the world or nature. In an era when the existence of nature itself is threatened, his paintings contain the history and memory of the land, destruction and death, creation and extinction, and after repeated practice and purification, they bring us into the finished picture. In front of Kang Myung-hee's huge paintings, the audience will encounter nature reinterpreted by the artist, and feel as if walking in boundless nature. In 2007, the artist returned to his homeland and lived in Jeju Island, continuing to create abstract paintings depicting diverse natural scenery. Kang Myung-hee's works, which have entered the mature stage of creation, bring deep thinking about nature and human beings. His works stand on the opposite side of modern civilization and cutting-edge technology, exuding a powerful energy of life and rebirth, and comforting and soothing the pain of the times with the power of art. "Kang Myung-hee - Interview" is not arranged in chronological order, but is roughly divided into three parts according to the author's time and space experience and stream of consciousness. The titles of all sections of this exhibition are derived from the titles of the works, and recent works centered on Jeju Island are presented under the theme of ‘1. Living in Seogwang-dong’ and ‘2. Works centered on works created while working in France and traveling around the world. Visits’ and ‘3. Introducing early works that serve as the starting point for the current works and provide clues for their interpretation. It consists of the ‘Secret Garden’ section.

International Conference on Economics, Management and Social Study South Korea 2023 provides opportunities for the delegates to exchange new ideas and application experiences face to face, to establish business or research relations and to find global partners for future collaboration International Conference on Economics, Management and Social Study South Korea provides opportunities for the delegates to exchange new ideas and application experiences face to face, to establish business or research relations and to find global partners for future collaboration. The idea of the conference is for the scientists, scholars, engineers and students from the Universities all around the world and the industry to present ongoing research activities, and hence to foster research relations between the Universities and the industry. Information Source: International Society for Engineering Research and Development (ISERD) | expotobi

Explore accurate Korea Republic v Kuwait sporting information for 10th June, as well as links for Football news, tickets and more with Fixture Calendar. The Korean Republic national football team, also known as the Taeguk Warriors, is one of the most successful football teams in Asia. Established in 1948, the team has appeared in 10 FIFA World Cups, most recently in 2018. They have also competed in the AFC Asian Cup 14 times, winning it twice in 1956 and 1960. The team has also had success in the Summer Olympics, winning bronze medals in 2012 and 2016. Some notable players who have represented Korea Republic include Tottenham Hotspur forward Son Heung-min and former Manchester United midfielder Park Ji-sung. The team's home stadium is the Seoul World Cup Stadium, with a capacity of over 66,000 spectators. With their strong record and talented players, the Taeguk Warriors are a force to be reckoned with in the world of football. The Football team of Kuwait, also known as The Blue , represents the nation in international football competitions. The team has a strong history, having won the Gulf Cup of Nations in 1982 and 2003, as well as qualifying for the FIFA World Cup in 1982 and 1986. The team has also achieved success in the AFC Asian Cup, finishing as runners-up in 1976 and reaching the semifinals in 1980 and 1996. Some notable players who have represented Kuwait include Bader Al Mutawa, who holds the record for most appearances and goals for the national team. The team plays their home games at the Jaber Al-Ahmad International Stadium, with a seating capacity of 60,000. The stadium has hosted several important matches, including the 1996 AFC Asian Cup final. With a talented lineup and a strong history, the Kuwait national football team continues to be a force to be reckoned with in the international football arena. Information Source: fixturecalendar.com