Featured Events in Madrid in January, 2025 (May Updated)

This exhibition explores the concept of the grotesque, a core of aesthetic thought capable of offering new perspectives on reality. Developed by the writer Ramón María del Valle-Inclán (1866-1936) as a tool of critical questioning in response to the backwardness and moral despair that plagued Spain in the first half of the 20th century, the grotesque confronts the country’s social, political and cultural constraints, insisting on the distance of the gaze and a range of aesthetic strategies to deform with maximum efficiency. Unlike other cultural representations of the grotesque that emerged in Europe, in which horrific distortions embodied the absurdity of life during that period, the grotesque proposed a new aesthetic that needed to be dedicated to the renewal of social structures. Through extensive documentation and various works of art, this exhibition explores the main themes and strategies that express the grotesque, emphasizing that it is an aesthetic proposal that survived Valle-Inclán’s time and thought. The exhibition is divided into eight main sections. It begins with the Antes del esperpento of the last decades of the 19th century, which displayed a selection of satirical news, drawings and popular optical devices of the time, which were forerunners of anamorphosis.

Isabel Muñoz, one of the greatest photographers of our time, visits MNA again after "Women of the Congo" (2017). Now he presents his latest major project that gives us insight into the profound anthropological values ​​of the formation of Neolithic societies through his impressive photographs of four archaeological sites in Anatolia: Göbekli Tepe, Karahan Tepe, Nevalichori and Seburç. In recent years, the excavations of these "sanctuaries" have not ceased to surprise us, the discoveries of which are changing our knowledge of societies in transition between nomadism and sedentarism: their chronology, their organization and way of life, their megalithic architecture, their artistic expressions and their concept of the "sacred". This exhibition kicks off a special program for the 150th anniversary of the National Museum of Anthropology (1875-2025), thus evoking the very first stages of its life, in which it was also a prehistoric museum. In fact, the project now links the MNA with three major museums dedicated to the dawn of man: the Pera Museum in Istanbul and the Museum of Civilization in Ankara, where it began, and the National Museum of Altamira, where it will stop next spring. The Altamira Museum was then the destination of most of the MNA's prehistoric collection, since part of the objects, mainly stone tools collected throughout the 19th century in different archaeological "sites", came from Cantabria. In this way, the exhibition, while opening a phase of renovation of the museum, also closes a kind of "magic circle". The powerful images created by Isabel Muñoz are meant to look back to the distant past, but they challenge us from the most palpitating contemporaneity and connect us to questions that are still very valid. Humanity has travelled a path since then, are we really fundamentally different from the people who created and used those sacred spaces 9,000 years ago? Have we not forgotten the fundamental things that these people knew and felt about our relationship with the universe? Is it possible to rediscover those fundamental identities that have been lost by establishing a connection with the invisible dimension of these creations mediated by Isabel Muñoz? There is only one way to examine it...

Isabel Muñoz, one of the greatest photographers of our time, visits MNA again after "Women of the Congo" (2017). Now he presents his latest major project that gives us insight into the profound anthropological values ​​of the formation of Neolithic societies through his impressive photographs of four archaeological sites in Anatolia: Göbekli Tepe, Karahan Tepe, Nevalichori and Seburç. In recent years, the excavations of these "sanctuaries" have not ceased to surprise us, the discoveries of which are changing our knowledge of societies in transition between nomadism and sedentarism: their chronology, their organization and way of life, their megalithic architecture, their artistic expressions and their concept of the "sacred". This exhibition kicks off a special program for the 150th anniversary of the National Museum of Anthropology (1875-2025), thus evoking the very first stages of its life, in which it was also a prehistoric museum. In fact, the project now links the MNA with three major museums dedicated to the dawn of man: the Pera Museum in Istanbul and the Museum of Civilization in Ankara, where it began, and the National Museum of Altamira, where it will stop next spring. The Altamira Museum was then the destination of most of the MNA's prehistoric collection, since part of the objects, mainly stone tools collected throughout the 19th century in different archaeological "sites", came from Cantabria. In this way, the exhibition, while opening a phase of renovation of the museum, also closes a kind of "magic circle". The powerful images created by Isabel Muñoz are meant to look back to the distant past, but they challenge us from the most palpitating contemporaneity and connect us to questions that are still very valid. Humanity has travelled a path since then, are we really fundamentally different from the people who created and used those sacred spaces 9,000 years ago? Have we not forgotten the fundamental things that these people knew and felt about our relationship with the universe? Is it possible to rediscover those fundamental identities that have been lost by establishing a connection with the invisible dimension of these creations mediated by Isabel Muñoz? There is only one way to examine it...

On display in Room 16B of the Villanueva Building until 16 February 2025 and benefiting from the collaboration of the Comunidad de Madrid, this exhibition features more than 30 works including paintings executed by Rubens himself, works by his assistants and others resulting from different degrees of collaboration between them. Through the figure of Peter Paul Rubens, one of the most prolific and successful painters of the Early Modern age, the exhibition aims to reveal how European artists produced their paintings in workshops, making use of numerous collaborators.

On display in Room 16B of the Villanueva Building until 16 February 2025 and benefiting from the collaboration of the Comunidad de Madrid, this exhibition features more than 30 works including paintings executed by Rubens himself, works by his assistants and others resulting from different degrees of collaboration between them. Through the figure of Peter Paul Rubens, one of the most prolific and successful painters of the Early Modern age, the exhibition aims to reveal how European artists produced their paintings in workshops, making use of numerous collaborators.

Curated by French thinker Georges Didi-Huberman, the exhibition “In the moved air…” articulates a political anthropology of emotion in poetic terms, outlining ways of breathing and resistance that confront the persuasive culture of capitalism that has permeated everything. Its title, taken from Federico García Lorca’s Romancero gitano, appeals to overflowing emotion that is not restricted to a single subject, where Lorca’s idea of ​​the “duende” comes into play. In this way, emotion is understood here as a movement that is transmitted to the community through a singular body and that is capable of leading to a “commotion,” that is, a concatenation of emotions that affects a group, an environment, a relationship.

Curated by French thinker Georges Didi-Huberman, the exhibition “In the moved air…” articulates a political anthropology of emotion in poetic terms, outlining ways of breathing and resistance that confront the persuasive culture of capitalism that has permeated everything. Its title, taken from Federico García Lorca’s Romancero gitano, appeals to overflowing emotion that is not restricted to a single subject, where Lorca’s idea of ​​the “duende” comes into play. In this way, emotion is understood here as a movement that is transmitted to the community through a singular body and that is capable of leading to a “commotion,” that is, a concatenation of emotions that affects a group, an environment, a relationship.

Juvenalia will focus on areas such as theater, video games, robotics, traditional games, creative area, dining space, sports, magic, music and much more Juvenalia will focus on areas such as theater, video games, robotics, traditional games, creative area, dining space, sports, magic, music and much more. Information Source: IFEMA | expotobi

尤維納利亞 2025將於2025年1月2日至1月4日在西班牙馬德里的IFEMA展覽中心隆重舉行。作為一個重要的國際盛會，尤維納利亞 2025將匯聚來自全球的專業人士和企業，展示最新的技術創新和行業趨勢。IFEMA展覽中心位於馬德里市的Feria de Madrid，這裡是西班牙最具影響力的展覽場地之一，提供一流的設施和便利的交通連接，確保參展商和訪客能夠獲得最佳的參展體驗。 尤維納利亞 2025將涵蓋多個行業領域，包括但不限於科技、醫療、環保和教育。參與者將有機會參加各種專題研討會、技術展示和商務洽談，從而拓展業務網絡，發掘合作機會。該活動不僅是行業內領袖展示最新產品和服務的平台，也是專業人士交流知識和經驗的重要場所。 尤維納利亞 2025的舉辦地點IFEMA展覽中心以其先進的基礎設施和優越的地理位置聞名，距離馬德里市中心僅數分鐘車程，周邊擁有豐富的酒店和餐飲選擇，為參展者提供了極大的便利。參加尤維納利亞 2025，將使您置身於一個充滿創新和機遇的環境中，為未來的發展奠定堅實的基礎。

《卡門》是由西班牙馬德里弗拉門戈舞蹈團呈獻的一場精彩演出。這場活動將於2025年01月03日在成都城市音樂廳·歌劇廳上演。觀眾可從100元起的票價中選擇入場，演出場地位於成都市武侯區一環路南一段45號。在購票前，觀眾應詳細閲讀以下須知：根據相關法規，演出門票一經售出，不支持退換，丟失不補，過期作廢。觀眾取得門票後應妥善保管，劇院不承擔任何遺失責任。兒童觀眾需一人一票入場，懷抱嬰兒謝絕入內。請留意以上規定，購票即視為同意遵守。【成都·】西班牙馬德里弗拉門戈舞蹈團《卡門》將為觀眾帶來一場難忘的文藝饗宴，敬請期待。

西班牙馬德里弗拉門戈舞團的《卡門》將於2025年01月04日在重慶國泰藝術中心大劇場上演。演出場地位於重慶市渝中區臨江路3號。票價範圍從108元至680元不等。觀眾在購票時需留意劇院三、四樓座位視線情況，部分座位可能存在遮擋。另外，演出當晚樂池加座不對外開放，階梯座位則從第9排開始。觀眾購票時須注意以下事項：票品一經購買，非因不可抗力或演出變更取消等情況，不接受退換；入場需兑換成紙質門票，請攜帶購票二維碼至售票處換票；未滿1米的兒童不允許入場；觀眾應當妥善保管演出門票，避免遺失；演出當天必須準時入場觀賞，遲到觀眾需在場外等候，待幕間工作人員安排後方可入座。為了您的觀賞體驗，請務必遵守以上規定，感受西班牙馬德里弗拉門戈舞團《卡門》帶來的精彩演出。

C！打印2025，馬德里印刷界的盛會即將閃耀登場。2025年1月14日，這個創新的展會將在IFEMA - Feria de Madrid舉行，為業界專業人士帶來前沿的印刷技術展示和交流機會。坐落於西班牙馬德里社會自治區的心臟地帶，這場展會將吸引來自世界各地的專家和參觀者。作為印刷行業的重要盛事，C！打印2025 承諾將提供一個充滿洞察力的平台，展示最新的行業動態和未來趨勢。對於有意了解如何將印刷技術轉化為業務增長動力的專業人士來說，這是一個不容錯過的機會。立即預留您的席位，親身體驗印刷業的革新之旅。

C！打印2025，馬德里印刷界的盛會即將閃耀登場。2025年1月14日，這個創新的展會將在IFEMA - Feria de Madrid舉行，為業界專業人士帶來前沿的印刷技術展示和交流機會。坐落於西班牙馬德里社會自治區的心臟地帶，這場展會將吸引來自世界各地的專家和參觀者。作為印刷行業的重要盛事，C！打印2025 承諾將提供一個充滿洞察力的平台，展示最新的行業動態和未來趨勢。對於有意了解如何將印刷技術轉化為業務增長動力的專業人士來說，這是一個不容錯過的機會。立即預留您的席位，親身體驗印刷業的革新之旅。

Promo Gift is one of the most profitable business platforms and a valuable commercial tool, where all the agents of the PTO sector, claimers, advertising and communication agencies, signage and graphic arts are located Promo Gift is one of the most profitable business platforms and a valuable commercial tool, where all the agents of the PTO sector, claimers, advertising and communication agencies, signage and graphic arts are located. Information Source: IFEMA | expotobi