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solo exhibition "Sopheap Pich: Cambodian Metal" Axel Vervoordt Hong Kong, Hong Kong | Axel Vervoordt Gallery Hong Kong
2025年3月22日–5月24日 (UTC+8)
Hong Kong
A Cambodian-American contemporary artist, his sculptures use traditional Cambodian materials and reflect the country's history and the artist's relationship to his own identity.
《 xi shuo cong tou 》 ya ba dian jie de yin yi chuan qi zhan | PMQ
2025年3月22日–8月31日 (UTC+8)
Hong Kong
solo exhibition "Sopheap Pich: Cambodian Metal" Axel Vervoordt Hong Kong, Hong Kong | Axel Vervoordt Gallery Hong Kong
2025年3月22日–5月24日 (UTC+8)
Hong Kong
A Cambodian-American contemporary artist, his sculptures use traditional Cambodian materials and reflect the country's history and the artist's relationship to his own identity.
Richard Hawkins:“The Garden of Loved Ones” | Empty Gallery
Mar 23–May 24, 2025 (UTC+8)
Hong Kong
The exhibition will present a series of videos and collage works created by the artist around Hijikata Tatsumi, the founder of Japanese Butoh.
Dominique Fung Beneath the Golden Canopy | Hong Kong
2025年3月24日–5月16日 (UTC+8)
Hong Kong
Dominique Fung (born 1987, works in New York) is a Canadian artist with ancestry in Hong Kong and Shanghai, whose practice explores the subliminal liminal territory in which tradition, memory and legacy seep through our collective subconsciousness. Through her interest in casting light on overlooked or forgotten stories and her use of specific historical artifacts she infuses with living qualities and complex non-linear narrative paths, she models a new, broader, alternative space of belonging.
Dominique Fung Beneath the Golden Canopy | Hong Kong
2025年3月24日–5月16日 (UTC+8)
Hong Kong
Dominique Fung (born 1987, works in New York) is a Canadian artist with ancestry in Hong Kong and Shanghai, whose practice explores the subliminal liminal territory in which tradition, memory and legacy seep through our collective subconsciousness. Through her interest in casting light on overlooked or forgotten stories and her use of specific historical artifacts she infuses with living qualities and complex non-linear narrative paths, she models a new, broader, alternative space of belonging.
luo bo te · yin di an na ge zhan 《 wan xiang zhi xing 》 | Pace Gallery
2025年3月25日–5月9日 (UTC+8)
Hong Kong
Pace is pleased to present Robert Indiana: The Shape of the World, an exhibition of work by celebrated American artist Robert Indiana (1928–2018), who first emerged as a key figure in the Pop art movement, at its Hong Kong gallery.
On view from March 25 to May 9, this presentation, coinciding with the 2025 edition of Art Basel Hong Kong, will include important sculpture, paintings, and prints from throughout Indiana’s career, showcasing his graphic visual vocabulary that made him one of the most inventive and enduring figures in the history of American art. Robert Indiana: The Shape of the World will focus on Indiana’s deep interest in numerology, literature, geometry, color, and form, and will be Pace’s first exhibition of the artist’s work since it began representing The Robert Indiana Legacy Initiative in 2024.
儀式、創傷與寓言 | 當代唐人藝術中心
2025年3月25日–5月10日 (UTC+8)
Hong Kong
當代唐人藝術中心榮幸地宣佈,將於2025年3月25日在香港中環空間推出國際藝術家群展《儀式、創傷與寓言》,展出了艾紐克·拉姆·艾紐克,喬納斯·伯格特,吉格·克魯斯,吉列爾莫·洛爾卡,冷廣敏,拉菲·納佩,埃德加·普蘭斯,羅德爾·塔帕雅,禹國元,許宏翔這十位藝術家的精彩繪畫創作。
當代繪畫在全球化與技術裂變中,不斷經歷物理與隱喻層面的暴力語法革命——從畫布的物質撕裂到文化符號的衝突解構,再到身份敘事的破碎重組。 這種革命絕非簡單的美學姿態,而是藝術家們在文明斷層帶上發起的認知游擊。 此次群展選擇八位來自不同文化背景的藝術家,透過“破壞儀式”、“創傷考古”、“寓言抵抗”三個視角,揭示繪畫如何透過自我毀滅完成新生。 聚焦他們對繪畫物質性、文化身份及存在困境的激進探索,我們目睹的不僅是繪畫媒介的自反性實驗,更是對文明創口的詩性縫合。
Louise Bourgeois. Soft Landscape | Hauser & Wirth
2025年3月25日–5月10日 (UTC+8)
Hong Kong
Louise Bourgeois was born in Paris in 1911, moved to New York to work and live in 1938, and died in 2010. Best known for her large-scale sculptures, she is recognized as one of the most important and influential artists of the last century. Louise Bourgeois is generally classified as an Abstract Expressionist artist, but there are also elements of Surrealism and Feminism in her work. She went her own way and was not associated with any art movement in her life.
According to the British TATE Museum, one of the reasons why Louise Bourgeois's works are so powerful is that she suffered childhood trauma, including her mother who had always been sick and died when she was 22 years old. Her father was unfaithful to his wife and had multiple mistresses, which caused great harm to both mother and son. Because of the fear of being abandoned, there is often a theme of fear of abandonment in Louise Bourgeois's works. She was only 3 years old when World War I broke out, and the war had a great impact on her.
Louise Bourgeois's most famous works are her spiders. She began painting as early as 1947. By the 1990s, she created large spider works several stories high. She once said that spider sculptures were the "most successful objects" in her life. She used spiders to represent her mother. In her eyes, spiders are both predators and protectors.
This exhibition is her second solo exhibition in Hong Kong. The exhibition is jointly curated by the gallery and The Easton Foundation. It will present a selection of her works from the 1960s to 2008, including some rarely exhibited sculptures and works on paper. Among them, a three-meter-long fountain installation "Mamelles [fountain]" (1991) and a steel and marble sculpture "Spider" (2000) will be exhibited in Asia for the first time.
guo ji yi shu jia qun zhan 《 yi shi 、 chuang shang yu yu yan 》 | Tang Contemporary Art Hong Kong
2025年3月25日–5月10日 (UTC+8)
Hong Kong
luo bo te · yin di an na ge zhan 《 wan xiang zhi xing 》 | Pace Gallery
2025年3月25日–5月9日 (UTC+8)
Hong Kong
Pace is pleased to present Robert Indiana: The Shape of the World, an exhibition of work by celebrated American artist Robert Indiana (1928–2018), who first emerged as a key figure in the Pop art movement, at its Hong Kong gallery.
On view from March 25 to May 9, this presentation, coinciding with the 2025 edition of Art Basel Hong Kong, will include important sculpture, paintings, and prints from throughout Indiana’s career, showcasing his graphic visual vocabulary that made him one of the most inventive and enduring figures in the history of American art. Robert Indiana: The Shape of the World will focus on Indiana’s deep interest in numerology, literature, geometry, color, and form, and will be Pace’s first exhibition of the artist’s work since it began representing The Robert Indiana Legacy Initiative in 2024.