Featured Events in Los Angeles in December, 2024 (May Updated)

The exhibition explores the aesthetic connections between nearly 60 artists from Africa, Europe and America. The 70 paintings, sculptures, photographs and works on paper are divided into several different themes, including speech and silence, movement and transformation, imagination and expression.

The exhibition explores the aesthetic connections between nearly 60 artists from Africa, Europe and America. The 70 paintings, sculptures, photographs and works on paper are divided into several different themes, including speech and silence, movement and transformation, imagination and expression.

Experience the futuristic vibes and immerse yourself in the electrifying atmosphere of Afterlife: A Cyberpunk 2077 DJ Dance Party in Los Angeles. Join fellow enthusiasts at Bar Franca on South Main Street for a night of pulsating beats and cutting-edge visuals. The event is scheduled to take place from December 21st to December 22nd, 2024. Get ready to dance the night away to the latest tracks spun by talented DJs. Tickets are available for $0 to $8.78, offering an affordable opportunity to be part of this one-of-a-kind cyberpunk experience. Gear up for an unforgettable night of music, lights, and cyberpunk fun.

In his luscious paintings, Ana Segovia (b. 1991, Mexico City, where he lives) twists assumptions of masculinity through a queer lens. Working with an aggressive palette of neon colors, daring compositions, and cinematographic framing and cropping, Segovia undermines the gendered basis of Mexican national identity built around male stereotypes standardized by film. The artist often develops specific display strategies for his paintings, borrowing from the language of installation, theater, dance, and video art to effectively situate them in the exhibition space. MOCA Focus: Ana Segovia will feature a new painting commissioned for the exhibition plus two recent bodies of work, including I’ve Been Meaning to Tell You (2023), a suite of eight paintings depicting film stills from a non-existent queer film the artist wished to have seen in his formative years.

Experience the magic of Andrea Bocelli in concert at the Kia Forum in Inglewood on December 8, 2024. The renowned Italian tenor will mesmerize the audience with his powerful voice and emotional performances. Located at 3900 W Manchester Blvd., Inglewood, CA, 90305, the venue provides the perfect setting for an unforgettable night of music. Don't miss this opportunity to witness one of the greatest singers of our time live on stage. Secure your tickets now for a truly unforgettable evening with Andrea Bocelli.

Experience the electrifying lineup of Greet Death, Prize Horse, and Bad Light at Knucklehead Hollywood in Los Angeles. This not-to-be-missed event will take place from December 12th to December 13th, 2024. Immerse yourself in the mesmerizing performances of these talented bands at 6202 Santa Monica Boulevard, Los Angeles, CA 90038. Tickets are priced at $18.91. Don't miss out on this incredible opportunity to witness a night of unforgettable music and entertainment.

Santa Runs Griffith Park is an annual festive event held in Los Angeles, at the iconic Griffith Park. Participants of all ages are invited to join in the holiday spirit and dash through the scenic park while dressed as jolly old St. Nick. The event, scheduled for December 15, 2024, offers a range of ticket prices starting from $20, making it an affordable and fun-filled activity for families and friends looking to celebrate the season together. With the address set at 4800 Crystal Springs Drive, Los Angeles, CA 90027, attendees can easily locate the venue and enjoy a day of merry running in the heart of the city. Santa Runs Griffith Park promises a memorable experience for all who take part, spreading joy and cheer throughout the community.

Experience the electrifying performance by D. Savage on his 'Road To WLDS Show' presented by High Tolerance Ent. Set to take place at The Regent Theater in Los Angeles, this event promises an unforgettable evening filled with mesmerizing music and entertainment. Join us on December 20, 2024, at 448 S. Main St., Los Angeles, CA, 90013, for a night you won't want to miss. Get ready to immerse yourself in the talent and passion of D. Savage at this exclusive event.

This sprawling exhibit explores the profound impact and influence that hip-hop music and culture has had on the United States and the world since it burst forth in the Bronx 50 years ago. The Mixtape Exhibit delves deep into the sounds, scenes and history of hip-hop music, dance, graffiti, fashion, business, and activism. On view are rarely displayed artifacts from Tupac Shakur, Notorious B.I.G., MC Lyte, Lil Wayne, Slick Rick, Egyptian Lover, Eminem, and many others, and visitors can make their own hip-hop music with five unique interactives. The exhibit was curated by a team of four co-curators who bring a deep knowledge of hip-hop, academic rigor and creativity to the project: Felicia Angeja Viator, associate professor of history, San Francisco State University, author of To Live And Defy In LA: How Gangsta Rap Changed America, and one of the first women DJs in the Bay Area hip-hop scene; Adam Bradley, professor of English and founding director of the Laboratory for Race and Popular Culture (the RAP Lab) at UCLA, and co-editor of The Anthology of Rap; Jason King, dean, USC Thornton School of Music and former chair of the Clive Davis Institute of Recorded Music at NYU; and Dan Charnas, associate arts professor, NYU Clive Davis Institute of Music, and author of Dilla Time: The Life And Afterlife Of The Hip-Hop Producer Who Reinvented Rhythm. The co-curators worked in conjunction with GRAMMY Museum Chief Curator and VP of Curatorial Affairs Jasen Emmons as well as a 20-member Advisory Board.

Pinto Gallery is an LA-based contemporary art gallery, showcasing the most impressive and innovative Japanese artists.

Pinto Gallery is an LA-based contemporary art gallery, showcasing the most impressive and innovative Japanese artists.

Pinto Gallery is an LA-based contemporary art gallery, showcasing the most impressive and innovative Japanese artists.

This February ‘DRIVE’ will open with The Parking Space, featuring a Chevrolet Caprice and Impala, a Ferrari 328 GTS and a Ligier microcar, parked in the gallery alongside a video in which Rhoades fervidly discourses on his concept of the Car Projects. While driving around Los Angeles in 1998, Rhoades explains the relationship of cars to his art (parking is equated with sitting in a sculpture) and to daily practice (driving between the house, the studio and stores is time and space for the mind to race and wander). He expounds on cars as icons of art history (Marcel Duchamp and Francis Picabia speeded modern art forward with their mechanized abstractions), identifiers of class (you are what you drive) and environments of control. The radio is tuned to Power 106 FM and as the world streams by to the propulsive hip-hop beat, the romance of cars seems irresistible. In April, the installation will be reconfigured to accommodate a lounge and become The Pit. An influx of archival materials will be key to unpacking the various episodes of Rhoades’ Car Projects, starting with the Caprice and the 1996 exhibition ‘Traffic.’ Not only did the artist cut a deal with CAPC musée d’art contemporain de Bordeaux, France the organizers of the show, to go in on buying him the car as a transactional work of art, he later leveraged its symbolic value by trading the Caprice for a Ferrari. This summer the exhibition’s focus will swerve onto The Racetrack. A set of half-scale NASCAR-style cars, custom jackets and colorfully painted tire barriers are among what remains of ‘The Snowball.’ Staged in California as a daylong racing event at Willow Springs speedway, ‘The Snowball’ was ultimately destined for the 2000 Venice Biennale and Rhoades’ collaborative work for the Danish Pavilion. In September, The Garage will cover the final stretch of ‘DRIVE’ with a selection of framed works on paper and a major sculptural installation. Throughout the year, the line-up for ‘DRIVE’ will feature a range of public programs. A film series centered on cars and the city of Los Angeles will be curated by film historian and critic Elvis Mitchell. A theatrical staging of the playwright Charles Mee’s ‘Under Construction,’ which was inspired by Rhoades’ art in its collage depiction of America today, will be presented as part of Hauser & Wirth’s Performance Project. Organized as an investigation in real time, ‘DRIVE’ invites people to approach the exhibition like a garage of art and ideas, in which cars are coming and going and tinkering is a productive state of mind. As an artist, Rhoades was keenly attuned to sources of cultural power and weakness. When he put the internal combustion engine on art’s pedestal, was he presciently placing the car where it belongs for a greener tomorrow? The car as a subject in Rhoades’ art continues to drive and trouble the imagination today.

Nancy Baker Cahill’s multifaceted augmented reality (AR) public art project, Mushroom Cloud, is a project focused on accountability; one that values sharing and conserving resources, and strengthening networked systems through participation, communication, and advocacy. The work speaks to rising waters, to viewers raising their gaze to witness the sky-covering mycelial network, and to collectively rising to the opportunity to combat the climate crisis through distributed support, mutual accountability, and environmental stewardship. Mushroom Cloud acknowledges the imminence of this cataclysmic crisis while offering hope that through cooperative and constructive action, a vibrant and vital future is still possible.

Climate Changeis a visceral, charged work of 21st-century expanded cinema. In this vision, which could be called dystopian but in truth is terrifyingly near, a catastrophic sea-level rise has inundated the world’s coasts, unleashing a flood of hundreds of millions traumatized refugees. What happens in a world where the systems built to sustain and extend capitalist enterprise and global hegemony melt down their own foundations? Kline opens the door to such a future, inviting us to place ourselves within it and consider the rear view. Josh Kline: Climate Changeis organized by Rebecca Lowery, Associate Curator, with Emilia Nicholson-Fajardo, Curatorial Assistant, The Museum of Contemporary Art, Los Angeles. Lead support is provided by the MOCA Environmental Council, Cameron Winklevoss and Tyler Winklevoss, and Nora McNeely Hurley and Manitou Fund.

Magdalena Suarez Frimkess: The Finest Disregard is the first museum exhibition of L.A.-based and Venezuelan-born artist Magdalena Suarez Frimkess (b. 1929). Trained in painting, print-making, and sculpture in Venezuela, Chile, and New York, Suarez Frimkess’s most recognized works are made in clay. Spanning over five decades, The Finest Disregard features ceramics, paintings, and drawings, including an important selection of works made collaboratively with her husband, Michael Frimkess. Although her work is usually considered to stand outside the California ceramic tradition, this exhibition demonstrates otherwise. With many works shown in public for the first time, The Finest Disregard offers insights into the artist's fascination with art history books, popular media, cartoons, animation, autobiography, and the humor found in the folds between the layers of everyday life.

This immersive exhibition tells the story of a unique mid-20th-century collaboration between artists and engineers. It explores the beginnings of the organization Experiments in Art and Technology, or E.A.T., as well as two of its most pivotal projects: 9 Evenings: Theatre and Engineering and the iconic Pepsi-Cola Pavilion at the 1970 World Exposition in Osaka, Japan, both of which pursued groundbreaking integrations of theater, dance, technology, and interactive, multimedia art.

The spectacular French microscope from Getty’s collection is a unique testament to scientific advances and Rococo design in the Age of Enlightenment. It allowed science enthusiasts to immerse themselves in the recently discovered world of the microscopically small. New study and conservation present the cultural and historical context of this magnificent object and reveal its technical complexity in a display which includes its lavish tooled-leather case and specimen slides of natural curiosities.

New York-based artist Firelei Báez has achieved wide acclaim over the past decade for her rigorous paintings, drawings and immersive installations that explore the influences of the Afro-Caribbean diaspora. Conjuring forgotten narratives, Báez carefully fills history’s lacunae with joyful rebellion. In her first exhibition with Hauser & Wirth since joining the gallery in 2023, Báez presents new large-scale canvases, drawings and her first-ever bronze sculpture at the gallery’s Downtown Arts District center in Los Angeles. Complex and layered, Báez’s work depicts fantastical hybrid figures and reimagined worlds. Employing beauty to reprocess the enduring effects of violence and trauma, Báez challenges traditional representations of history, nationality, gender and race. United by common cause, the paintings incorporate a wide range of subjects including art history, science fiction, anthropology, pop culture, folklore and fantasy. ‘The fact that it amazes me does not mean I relinquish it’ is a reference to the work of Martinican writer and philosopher Édouard Glissant, a key figure in shaping theories informing the Caribbean’s influence on the global stage. Drawing inspiration from Glissant’s text, ‘Poetics of Relation’ (1990)—from which the title directly quotes—Báez navigates the tensions between identity and place, using Glissant’s concept of opacity to explore modes of resistance, namely the ability to navigate the world freely within a refusal of being fully understood—both to others and to oneself. Báez considers mythology an important tool, ‘a way of correcting the past and projecting a different future.’ Growing up in the Dominican Republic, the artist heard local folk stories about a mythic femme trickster called a ‘ciguapa’ who was known for her elusiveness. While such lore was shared to discourage unruly and wild behavior, Báez has embraced the ciguapa in her work as a figure of endless possibility. Ever-morphing and multiplying, her composite creatures are often depicted with human legs, a coat of delicate fur and backwards facing feet so that she remains traceless and ultimately unknowable. In the ciguapa, Báez explores the body as a living archive, a shape-shifting repository of meaning and history, whose continuous transformation is inherently defiant.

With snowy peaks and rock formations spanning through eight countries, from France and Switzerland in the west to Austria and Slovenia in the east, the Alps have long captured the imagination of artists, being Europe’s largest mountain range. This focused exhibition highlights the different ways in which later 19th-century artists explored and depicted the Alps, particularly Giovanni Segantini’s monumental pastel Study for “La Vita” depicting the Alpine peaks that ringed his home in the Engadine Valley in Switzerland. Themes include the joys and difficulties of working outdoors and the connections between the land and its inhabitants. This exhibition is presented in English and Spanish. Esta exhibición se presenta en inglés y en español.

David Zwirner is pleased to present The Last Dyes, an exhibition of new dye-transfer prints by William Eggleston opening at the gallery’s 606 N Western Avenue location in Los Angeles. The works on view are from Eggleston’s celebrated Outlands and Chromes series, as well as several images that were first shown in the artist’s groundbreaking exhibition of color photography at The Museum of Modern Art, New York, in 1976, and the concurrent publication William Eggleston’s Guide. The presentation is the last major group of photographs ever to be produced using the dye-transfer printing method, making it a unique opportunity to see a number of works by Eggleston in the format in which he originally presented them. Eggleston, in consultation with his sons William and Winston, chose this group of images for his final dyes as a representative selection of the immense photographic project he undertook between 1969 and 1974 during his travels through the American South and West. The Last Dyes is presented as part of PST ART: Art & Science Collide, a landmark regional event exploring the intersections of art and science, both past and present. PST ART is presented by Getty.

German artist Joseph Beuys is one of the most famous and controversial figures in the international art world in the second half of the 20th century. From teaching students to inspiring countless later artists, his influence on contemporary art is immeasurable. In this exhibition, from newspaper articles to bottled river water, Beuys's desire to change the world through art is condensed. His art is not captured through media such as painting or drawing. Instead, Beuys draws inspiration from the world around him, transforming seemingly simple, organic media into important works of art.

David Zwirner is pleased to present Pearl Lines, the gallery’s first exhibition with Brooklyn-based artist Walter Price (b. 1989) since the announcement of his representation earlier this year. Price is known for his richly vibrant paintings and drawings, which bypass strict allegiances to representational or abstract modes. His canvases and works on paper not only experiment freely with color, line, and space, but also reveal emphatic shifts in perspective, suggesting scenes and imagery that the artist ultimately leaves for viewers to absorb and contemplate on their own.

The exhibition aims to show the evolution of the Photorealism movement in the 1970s and further explore works related to Photorealism today, presenting works by figurative painters such as Gina Beavers and Serge Gomez.

In his luscious paintings, Ana Segovia (b. 1991, Mexico City, where he lives) twists assumptions of masculinity through a queer lens. Working with an aggressive palette of neon colors, daring compositions, and cinematographic framing and cropping, Segovia undermines the gendered basis of Mexican national identity built around male stereotypes standardized by film. The artist often develops specific display strategies for his paintings, borrowing from the language of installation, theater, dance, and video art to effectively situate them in the exhibition space. MOCA Focus: Ana Segovia will feature a new painting commissioned for the exhibition plus two recent bodies of work, including I’ve Been Meaning to Tell You (2023), a suite of eight paintings depicting film stills from a non-existent queer film the artist wished to have seen in his formative years.

The exhibition aims to show the evolution of the Photorealism movement in the 1970s and further explore works related to Photorealism today, presenting works by figurative painters such as Gina Beavers and Serge Gomez.

This winter, enjoy a new and enchanting Christmas experience for the whole family! Say hello to the holidays at Los Angeles’ first-ever Christmas Market! Welcome to Skylight ROW DTLA, a bustling Christmas market in Germany complete with strings of lights, freshly baked goodies, festive activities and holiday music! Explore dozens of open-air stalls and sample seasonal treats like soft pretzels, hot chocolate, crispy schnitzel, and handmade crafts from local artisans.