Featured Events in New York in March, 2025 (February Updated)

Mrs. Robinson doc to screen at Village East Cinemas. Mary Robinson & director Aoife Kellher to attend w/ Q&A after the screening. After reception at SOLAS. Ticket includes film & after party (Complimentary Powers Whiskey & Beer). Must be 2`1+ (no refunds. no exceptions) Information Source: Craic Fest | eventbrite

Ladies it’s your turn to have some Fun! Mark your calendar and bring all of your friends for an epic night of Fun and Excitement with our “WILD NIGHTS!” Whether you’re celebrating a Birthday, Bachelorette, Divorce, Dirty Thirty or your own Sheer Awesomeness, you don’t want to miss the most exciting ladies night out of the year! So Girls come MISBEHAVE in an empowering, fun-filled evening created just for you and embark on an unforgettable night of Fun & Excitement! After all, you deserve a night out with your girlfriends. So what are you waiting for!? Get Your Tickets Today! Check out our social media FB@GIRLSNIGHTOUTTHESHOW INSTAGRAM@GIRLSNIGHTOUTTHESHOW TIKTOK@GIRLSNIGHTOUTLIVE #liveevent #girlsnight #girlsnightout #dance #concert #bacheloretteparty #thingstodo #nightlife #ladiesnight #ladiesnightout #eventsnearme #nightlife #bachelorette #bacheloretteparty #bestnightever NOTE: Tickets are non-refundable unless the show gets canceled. In some circumstances, the show might be rescheduled; the previously purchased tickets will be honored on the new date. In cases of rescheduling, we will inform you via email. Information Source: Girls Night Out the Show | eventbrite

Experience the unforgettable KevOnStage Back Pew Tour in New York at the Christian Cultural Center - Brooklyn Campus on March 9, 2025. This highly anticipated event in Brooklyn promises an evening filled with laughter and entertainment. Don't miss the chance to witness KevOnStage's unique comedy style live on stage. Get your tickets now for a price range between $41.86 and $55.20 and secure your spot for a night of fun and laughter. Join fellow comedy enthusiasts at this exclusive event in Brooklyn.

With a mission to celebrate and promote Asian art in New York City, Asia Week New York is a collaborative effort among the New York metropolitan area's top Asian art specialists, major auction houses, and world-renowned museums and Asian cultural institutions. The Asia Week New York Association is committed to hosting a non-stop, action-packed week each March that attracts collectors and curators from every corner of the United States and international clients from around the world. This annual event fulfills the broader goal of affirming the importance of Asian art on the cultural stage in New York City and across the country.

The 2025 Nike Indoor Nationals takes place March 14, March 15 and March 16. You can choose your favorite seat at this one-of-a-kind track meet at the historic Armory in NYC. Reserve your seat now to this great event! The overwhelming majority of our US elite athletes received their first taste of national competition at this meet. It is the premiere showcase for the the best of high school track and field, with millions of dollars worth of college scholarships and opportunities awarded annually to these amazing student-athletes. TICKET OPTIONS Finish Line Row 1 &2 (Sections 409-412): $70 The finish line! Spectators in these seats will have an unobstructed, birds-eye view of all the spectacular finishes that Nike Indoor Nationals is sure to provide. Finish Line Row 3&4 (Sections 409-412), Backstretch Priority Row 1&2 (Sections 449-452): $60 Spectators in these seats can choose between more premium finish line seating and the best seats on the backstretch, which is often the best place to watch a race unfold. Homestretch Row 1&2 (Sections 405-407 & 413-418), Backstretch Row 1&2 (Sections 443-456): $55 These seats are a great place to watch the race develop, as separation forms coming off the turns, and gaps appear between the contenders and pretenders. First Turn Row 1&2 (Section 464): $50 First Turn Row 3&4 (Section 464): $45 First Turn Row 5 Through 9 (Section 464): $35 The turn provides a unique view of the entire arena, with up-close access as athletes round the bend, and a head-on angle towards the finish line. Don't be fooled by the seating map, these seats put you right next to all of the action! Information Source: National Scholastic Athletics Foundation | eventbrite

One of the most prominent features of art from the late eighteenth century onwards, particularly after World War II, is artists’ tendency to evolve traditional artmaking methods outside the studio’s boundaries. This exhibition examines the ways in which contemporary artists enacted new ideas formed by the social and historical contexts of their time and pushed the boundaries of artmaking and materials as a result. By Way Of offers a suite of works from the museum’s permanent collection inspired by the D.Daskalopoulos Collection Gift. Major artists from the Arte Povera movement of the 1960s and 1970s, like Jannis Kounellis and Mario Merz share the galleries with artists working today, such as Rashid Johnson, Mona Hatoum, and Senga Nengudi.

The JA New York Show is the leading jewelry trade show in the Tristate area The JA New York Show is the leading  jewelry trade show in the Tristate area. Unlike any other show, JA New York is the heart of the industry, offering an intimate and easy to navigate high-end show and marketplace for new and established retail buyers from around the world. This is your chance to use NYC premier jewelry trade show to reach desired buyers, connect with top brands, and shape the future success of your retail business or company. Information Source: Emerald Expositions, LLC. | expotobi

Mark the calendar for an unforgettable night as Disturbed, Three Days Grace, and Sevendust take the stage at Madison Square Garden in New York City on March 21, 2025, at 6:30 PM. This powerhouse lineup promises an electrifying performance that will resonate with rock enthusiasts. Disturbed, known for their intense energy and chart-topping hits, will headline the event, delivering a set that’s sure to leave the audience in awe. Three Days Grace, with their compelling lyrics and dynamic sound, will add to the evening's excitement, while Sevendust’s raw and gritty performance will set the tone for a night of unparalleled rock music. Tickets are priced at a reasonable $50, making this an accessible opportunity to witness some of the most influential bands in the rock scene today. Don’t miss the chance to experience Disturbed, Three Days Grace, and Sevendust in New York City’s iconic venue, Madison Square Garden.

Singer-songwriter HWASA announced her highly anticipated first solo tour across the U.S. and Canada, the HWASA LIVE TOUR [Twits] in North America. Produced by Live Nation, the 11-city tour kicks off on Tuesday, March 11 at Moore Theatre in Seattle, WA, making additional stops in Los Angeles, Dallas, Atlanta, Brooklyn and more before wrapping up on Thursday, April 3 in Chicago, IL at The Auditorium. The highliy anticipatedHWASA Live Tour [Twits] in Brooklynwill take place in Brooklyn on 27 March 2025 at Brooklyn Paramount.

Fox Trot: Run Like a Fox!Join the Fox Runners Club Race for all the runners who band together and run at a pace we're proud of. It doesn't matter how fast we get there, all that matters is we get there. Join this super fun unique 5K, 10K, or 13.1 Half-Marathon run where there is NO time limit!Overview: Run will sell-out QUICK! We will close off waves the moment they fill up. If waves are sold out, you can sign-up for the virtual run option or wait list.This is a smaller, private group run with a cap per wave.All paces and ages (under 18 with guardian) are welcome - Run or Walk!There's no equipment or setup, this is a pure run with our coordinators to support you in a warm, stress-free setting!When you sign-up, we give you the support you need to help you achieve your goals and fitness. We also invite you to be part of our local run clubs that supports your fitness journey. Timing:- Timing is Optional: You may track your time on an app (Strava, RunKeeper, Nike Run, etc) and submit your times with our easy form to be posted online. Or you can ask our coordinators to help keep track of your time.- No timing chips (This is a stress free run to support you in achieving your goals)!What You Get (Swag Bag):-Running T-Shirt (Shipped to the address you register with - US only)- Finisher's Towel or Giveaway- Finisher's Medal!- Digital Training Pack- Online Results & Certificate of Completion-Invitation to Join one of our Local Running Clubs- We now have Technical Running Shirts (Optional). These lightweight, moisture wicking shirts can be upgraded for just $5 more.Packet Pickup:No hassle of picking up packets required!-Swag shipped direct to your address (Please make sure you provide your full, correct US mailing address including apartment number and check spelling)- Race bibs are provided on race dayWhen will I get my Swag?You will get your shirt at your mailing address the week of your race.Race Updates:We will email you a final update the Wednesday before the race with final details and course maps.Do you accept last minute registrations? (For those signing up 2 weeks before the race)Yes, but please note that it takes time for us to ship your shirt. Your shirt will likely arrive after the run. You can wear any shirt you find appropriate to run the race! Wave Times: (Email Us Your Desired Wave Time:info@thebestraces.com) (Waves filled on a First Come, First Serve Basis) Wave A: 7:30AM Wave B: 8:00AM Wave C: 8:30AMLate runners can run upon arrival (Please note our coordinators stay 3 hours after the first wave)Are there any other Questions we missed? https://www.thebestraces.com/faq/Virtual Run Option: - Our Virtual Run uniquely offers a Training Pack with Digital Tools to support your run.Virtual runs can be done any time and place of your choosing using any tracking device (optional). After you finish, you can submit your results to info@thebestraces.com to receive your medal!Race Bundle:Sign-up for more races and get a discount!Sponsorships & Promoting your Business:If you're looking to become a sponsor, we'd love showcase your business! https://www.thebestraces.com/events Team Glo Volunteers:If you're interested in helping put on runs for the Community and helping people achieve their goals, we invite you to join our team of volunteers, fill out the form here: https://www.thebestraces.com/volunteer-form/ Be part of the Journey!Our Charity Initiatives. Find out more @ www.thebestracesjourney.com Keep running. Every mile you log after the race, we'll donate $1 to one of the charities we work with! (Note that Fundraising is Optional) Information Source: The Best Races | eventbrite

A large art project called Day's End now stands in the Hudson River near Pier 52. Created by David Hammond, it's made of slender steel pipes and pays tribute to artist Gordon Matta-Clark, who transformed an abandoned shed on the same pier in 1975. The sculpture changes with the light, connecting to the history of the waterfront as a shipping hub and a gathering place for the gay community. It took seven years to complete the installation, and it's now open to the public for free. The Whitney Museum collaborated with the Hudson River Park Trust on this project, and they will work together on a maintenance plan. To celebrate its completion, the Whitney offers free admission on May 16, and there will be family workshops throughout the day. You can find Day's End at Hudson River Park, across from the Whitney Museum, on the southern edge of the new Gansevoort Peninsula, where it will remain permanently.

A large art project called Day's End now stands in the Hudson River near Pier 52. Created by David Hammond, it's made of slender steel pipes and pays tribute to artist Gordon Matta-Clark, who transformed an abandoned shed on the same pier in 1975. The sculpture changes with the light, connecting to the history of the waterfront as a shipping hub and a gathering place for the gay community. It took seven years to complete the installation, and it's now open to the public for free. The Whitney Museum collaborated with the Hudson River Park Trust on this project, and they will work together on a maintenance plan. To celebrate its completion, the Whitney offers free admission on May 16, and there will be family workshops throughout the day. You can find Day's End at Hudson River Park, across from the Whitney Museum, on the southern edge of the new Gansevoort Peninsula, where it will remain permanently.

Lincoln Center for the Performing Arts is one of the world’s premiere performing arts organizations. On October 8, 2022, David Geffen Hall reopened as a welcoming cultural anchor for New York City, some 60 years after it was first inaugurated as the home of the New York Philharmonic. The new Hall reimagines the concert-going experience by providing more inclusive public spaces for diverse cultural performances and community uses. This initiative includes an annual program of art commissions, where all members of the public are invited to engage with the work of leading contemporary artists free of charge. The democratic approach instills a sense of welcome both indoors and out, beckoning those who may never have interacted with Lincoln Center or the New York Philharmonic, and encouraging those long familiar with the campus to see it afresh. Public Art Fund partnered with The Studio Museum in Harlem to advise Lincoln Center on the selection of artists for this first iteration of the art program. Two prominent sites were identified for the site-specific commissions: the 50-foot Hauser Digital Wall in the lobby, which Jacolby Satterwhite has animated with a richly layered and inclusive celebration of performance that brings into dialogue the past, present and future; and the Hall’s 65th Street façade, which Nina Chanel Abney has transformed into a captivating tribute to the vibrant history and culture of San Juan Hill. Both artists undertook extensive research to develop their works. They emerge as gifted visual storytellers, committed to a more inclusive understanding of the past while giving us all a sense of future potential at a moment of reopening and reinvention. The artworks are commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund. Nina Chanel Abney, Nina Chanel Abney’s monumental work of art for the façade of David Geffen Hall pays homage to San Juan Hill. In the 1940s and 50s, this predominantly Black and Brown neighborhood was forcibly displaced to make way for redevelopment, including what would become Lincoln Center for the Performing Arts. Abney’s constellation of figures, words, shapes, and symbols reflects the thriving community that lived here. Featured residents include pioneering healthcare workers Edith Carter and Elizabeth Tyler. Also pictured are James P. Johnson, whose music gave rise to the Charleston dance craze, and Thelonious Monk, a pioneer of Bebop and other jazz styles. Reclaiming this important history in her bold and vibrant style, Abney aims to spark curiosity and inspire a more inclusive future. Jacolby Satterwhite, Jacolby Satterwhite’s commission for David Geffen Hall reconsiders the past, present, and future of Lincoln Center and the New York Philharmonic. weaves together archival images, live action footage, and digital animation. We see a colorful and densely layered festival of performance that traverses historical periods through virtual space. Satterwhite’s inclusive cast represents artists since the Philharmonic’s founding in 1842, while featuring young musicians and dancers from across New York City. They play instruments and dance on stages and sculptural monuments set into a landscape inspired by Central Park and surrounded by buildings covered in screens, reminiscent of Times Square. Grounded in a more democratic view of history, Satterwhite’s work offers us his playful and richly inventive vision of a creatively empowered future. is known for combining representation and abstraction. Her paintings capture the frenetic pace of contemporary culture. Broaching subjects as diverse as race, celebrity, religion, politics, sex, and art history, her works eschew linear storytelling in lieu of disjointed narratives. The effect is information overload, balanced with a kind of spontaneous order, where time and space are compressed and identity is interchangeable. Her distinctively bold style harnesses the flux and simultaneity that have come to define life in the 21st century. Through a bracing use of color and unapologetic scale, Abney’s canvases propose a new type of history painting, one grounded in the barrage of everyday events and funneled through the velocity of the internet. Abney’s work is included in collections around the world, including the Brooklyn Museum, The Rubell Family Collection, Bronx Museum, and the Burger Collection, Hong Kong. Her first solo museum exhibition, , curated by Marshall Price, was presented in 2017 at the Nasher Museum of Art, North Carolina. It traveled to the Chicago Cultural Center and then to Los Angeles, where it was jointly presented by the Institute of Contemporary Art, Los Angeles, and the California African American Museum. The final venue for the exhibition was the Neuberger Museum of Art, Purchase College, State University of New York. is celebrated for a conceptual practice addressing crucial themes of labor, consumption, carnality, and fantasy through immersive installation, virtual reality, and digital media. He uses a range of software to produce intricately detailed animations and live action film of real and imagined worlds populated by the avatars of artists and friends. These animations serve as the stage on which the artist synthesizes the multiple disciplines that encompass his practice, namely painting, performance, illustration, sculpture, photography, and writing. Satterwhite draws from an extensive set of references, guided by queer theory, modernism, and video game language to challenge conventions of Western art through a personal and political lens. An equally significant influence is that of his late mother, Patricia Satterwhite, whose ethereal vocals and diagrams for visionary household products serve as the source material within a decidedly complex structure of memory and mythology. Satterwhite received his BFA from the Maryland Institute College of Arts, Baltimore and his MFA from the University of Pennsylvania, Philadelphia. His work has been presented in numerous exhibitions and festivals internationally, including most recently at Haus der Kunst, Munich,2021; Gwangju Biennale, Gwangju,(2021; and Wexner Center for the Arts, Columbus, OH, 2021. Nina Chanel Abney , 2022 Latex ink and vinyl mounted on glass Commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund Photo: Nicholas Knight, courtesy Lincoln Center for the Performing Arts, The Studio Museum in Harlem, and Public Art Fund, NY. Jacolby Satterwhite , 2022 HD color video and 3D animation 27:23 mins Commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund © Jacolby Satterwhite. Courtesy of the Artist and Mitchell-Innes & Nash, New York Photo: Nicholas Knight, courtesy Lincoln Center for the Performing Arts, The Studio Museum in Harlem, and Public Art Fund, NY.

New York is one of the most filmed cities on earth. Generations of moviegoers have seen New York depicted and distorted, celebrated and denigrated, idealized and mocked, built up and demolished over and over again on the big screen. Over the past 100 years, legions of filmmakers have drawn attention to New Yorkers’ joys and struggles, shaping our ideas of what the city is—or could become. You Are Here draws on this rich archive of movies set in New York, combining thousands of cinematic moments across 16 screens. Sources include Hollywood blockbusters, independent films, documentaries, and experimental works. By juxtaposing these multiple visions, the dazzling montages of You Are Here make connections and contrasts that allow movies to comment on each other across time and space. Together, they shed new light on the varied New Yorks of our collective imagination. Sometimes New York stars in these movies; sometimes, a studio set or even another city stands in. In the introductory room, Scenes from the City explores the city as a film set, showing how movies have been captured on location throughout the five boroughs. From there, we invite you to enter the immersive central space, where you can explore a narrative tapestry woven from hundreds of films—one impressionistic storyline that strives to represent the multifaceted realities of our countless New York stories.

What new stories can familiar works of art tell? This exhibition showcases longstanding favorites from The New York Historical's permanent collection alongside recent Museum acquisitions and selected loans. Pointed juxtapositions raise questions, create unexpected resonances, and shift established meanings.Martin Wong’s Canal Street (1992) and Oscar yi Hou’s Far Eastsiders, aka: Cowgirl Mama A.B & Son Wukong (2021) establish a longstanding lineage for queer Asian diasporic artists in New York City. And the juxtaposition of Thomas Cole’s five-painting series The Course of Empire (ca. 1834–1836) with Contact 2,021 (2021) by contemporary Shinnecock artist Courtney M. Leonard exposes the racial and gender politics of the Hudson River School landscape tradition. The groupings aim to center long-marginalized experiences and prompt a rethinking of both American art and the way museums tell history. Curated by Wendy Nālani E. Ikemoto, senior curator of American art.

What new stories can familiar works of art tell? This exhibition showcases longstanding favorites from The New York Historical's permanent collection alongside recent Museum acquisitions and selected loans. Pointed juxtapositions raise questions, create unexpected resonances, and shift established meanings.Martin Wong’s Canal Street (1992) and Oscar yi Hou’s Far Eastsiders, aka: Cowgirl Mama A.B & Son Wukong (2021) establish a longstanding lineage for queer Asian diasporic artists in New York City. And the juxtaposition of Thomas Cole’s five-painting series The Course of Empire (ca. 1834–1836) with Contact 2,021 (2021) by contemporary Shinnecock artist Courtney M. Leonard exposes the racial and gender politics of the Hudson River School landscape tradition. The groupings aim to center long-marginalized experiences and prompt a rethinking of both American art and the way museums tell history. Curated by Wendy Nālani E. Ikemoto, senior curator of American art.

Public Art Fund presents Huma Bhabha: Before The End, an exhibition featuring a series of four new large-scale bronze sculptures set against the verdant backdrop of Brooklyn Bridge Park. Drawing inspiration from a diverse array of influences, Bhabha’s works blend aesthetic, cultural, and psychological elements, probing the intersections of art, science fiction, horror, and mythology.

Eighteenth- and nineteenth-century landscape artists often sketched outdoors in oil paint on paper to capture nature from direct observation. Yet as natural as these scenes look, the vantages were chosen or augmented to draw the viewer into the composition. Whether through adding a prescribed path, capturing flecks of light glinting off a winding river, or presenting a series of plateaus receding into the distance, artists created a point of entry and route along which the viewer could journey. These small-scale oil sketches—including a work by one of the few female European landscape painters of her era, Louise-Joséphine Sarazin de Belmont—illustrate how artists synthesized the real and ideal to evoke the experience of encountering nature.

Edra Soto (b. 1971, Puerto Rico) explores the relationship between our private, interior lives and shared public history and culture. Graft is the latest in an ongoing series of installations based on rejas, wrought iron screens frequently seen outside homes in Puerto Rico. Rejas often feature repeating geometric motifs that can be traced to West Africa’s Yoruba symbol systems, in contrast to the Spanish architecture celebrated in official Puerto Rican tourism. Graft investigates how Puerto Rican cultural memory often masks the Black heritage of the island as folklore.

Edra Soto (b. 1971, Puerto Rico) explores the relationship between our private, interior lives and shared public history and culture. Graft is the latest in an ongoing series of installations based on rejas, wrought iron screens frequently seen outside homes in Puerto Rico. Rejas often feature repeating geometric motifs that can be traced to West Africa’s Yoruba symbol systems, in contrast to the Spanish architecture celebrated in official Puerto Rican tourism. Graft investigates how Puerto Rican cultural memory often masks the Black heritage of the island as folklore.

For the 2024 Genesis Facade Commission, South Korean artist Lee Bul (born 1964, Yeongju, based in Seoul) has created four new sculptures that combine figurative and abstract elements. The Genesis Facade Commission: Lee Bul,Long Tail Halois the artist’s first major project in the United States in more than twenty years and the fifth in the series of contemporary commissions for The Met Fifth Avenue’s facade niches. With a career that spans four decades, Lee is widely recognized as the preeminent artist from South Korea. She is known for her sophisticated use of both highly industrial and labor-intensive materials, incorporating artisanal practices as well as technological advancements into her work. Her sculptures, often evoking bodily forms that are at once classical and futuristic, address the aspirations and disillusions that come with progress. The Genesis Facade Commission is part of The Met’s series of contemporary commissions in which the Museum invites artists to create new works of art, establishing a dialogue between the artist’s practice, The Met collection, the physical Museum, and The Met’s audiences.

This groundbreaking exhibition explores the everyday clothing of ordinary women, from worn-out housecoats to psychedelic micro miniskirts and modern suits to the uniforms of fast-food workers. On view in the Joyce B. Cowin Women’s History Gallery and featuring objects from Smith College’s Historical Costume Collection on display for the first time in a museum, the exhibition traces how women’s roles have changed and evolved across race and class over the decades. Each garment holds a rich story about the women who wore it and made it, the materials used, and the context of place and time. Whether homemade or ready-made, many of the garments on display are modest and inexpensive, rarely preserved or displayed in a museum setting. Some are one-of-a-kind pieces; others are examples of clever makeshift pieces, and many were influenced by the popular styles and trends of their day. Visitors to Real Clothes, Real Lives will learn about the "real" women who worked and dressed in America for two centuries.

The Metropolitan Museum of Art has launched its first-ever major museum exhibition to examine the career of influential 20th-century architect Paul Rudolph, a second-generation Modernist architect who came to prominence in the 1950s and 1960s alongside peers such as Eero Saarinen and I.M. Pei. Materialized Space: The Architecture of Paul Rudolphexhibits the full breadth of Rudolph’s important contributions to architecture—from his early experimental houses in Florida to his civic commissions rendered in concrete, from his utopian visions of urban megastructures and mixed-use skyscrapers to his extraordinary immersive New York interiors. The exhibition offers visitors the opportunity to experience the evolution and diversity of Rudolph’s legacy and to better understand how his work continues to inspire ideas for urban renewal and reconstruction around the world. The exhibition features more than 80 artifacts of varying scales, ranging from small objects collected throughout his life to a wide range of materials produced in his office, including drawings, models, furniture, material samples, and photographs.

Public Art Fund partnered with The Studio Museum in Harlem to advise Lincoln Center on the selection of artists for this first iteration of the art program. Two prominent sites were identified for the site-specific commissions: the 50-foot Hauser Digital Wall in the lobby, which Jacolby Satterwhite has animated with a richly layered and inclusive celebration of performance that brings into dialogue the past, present and future; and the Hall’s 65th Street façade, which Nina Chanel Abney has transformed into a captivating tribute to the vibrant history and culture of San Juan Hill. Both artists undertook extensive research to develop their works. They emerge as gifted visual storytellers, committed to a more inclusive understanding of the past while giving us all a sense of future potential at a moment of reopening and reinvention.

Public Art Fund partnered with The Studio Museum in Harlem to advise Lincoln Center on the selection of artists for this first iteration of the art program. Two prominent sites were identified for the site-specific commissions: the 50-foot Hauser Digital Wall in the lobby, which Jacolby Satterwhite has animated with a richly layered and inclusive celebration of performance that brings into dialogue the past, present and future; and the Hall’s 65th Street façade, which Nina Chanel Abney has transformed into a captivating tribute to the vibrant history and culture of San Juan Hill. Both artists undertook extensive research to develop their works. They emerge as gifted visual storytellers, committed to a more inclusive understanding of the past while giving us all a sense of future potential at a moment of reopening and reinvention.

Otobong Nkanga has changed the way we understand the Earth and our place in it. “Humans are only a small, minute part of the ecosystem,” the artist has said. “My works connect us to our shared histories, not just through land and geography, but through emotions shaped by events and encounters. These are the cadences of life.” Otobong Nkanga: Cadence presents a new commission by the artist: an all-encompassing environment of tapestry, sculpture, sound, and text that explores the turbulent rhythms of nature and society. Created specifically for MoMA’s Marron Family Atrium, the installation centers on a monumental, multi-paneled tapestry that suggests sprawling ecosystems and galaxies.

Barbie®: A Cultural Icon charts the 65-year history of Barbie and the doll’s global impact on fashion and popular culture through an expansive display of more than 250 vintage dolls, life-size fashion designs, advertisements, and other ephemera, along with exclusive video interviews with the doll's designers. Visitors to the exhibition will trace the evolution of Barbie from a child’s toy to a global icon, exploring the style trends, careers, and identities that Barbie has embodied and popularized since her debut in 1959.

Pets and the City explores the visual history of New Yorkers and their animal companions over the last two and a half centuries, tracing the ever-evolving relationship between Gotham’s people and its animals as the city grew increasingly urbanized and industrialized. Through a broad spectrum of works of art, objects, documents, memorabilia, and clips from film and television, the exhibition surveys the evolution of pets—from their presence among the Lenape and Haudenosaunee and the hunting culture of settlers through their insinuation into the urban family and onto the pampered pets of today, which enjoy their own public rights.

To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum presents a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950). Widely recognized as an authority on illuminated manuscripts and deeply respected as a cultural heritage executive, Greene was one of the most prominent librarians in American history. She was the daughter of Genevieve Ida Fleet Greener (1849–1941) and Richard T. Greener (1844–1922), the first Black graduate of Harvard College, and was at birth known by a different name: Belle Marion Greener. After her parents separated in the 1890s, her mother changed the family surname to Greene, Belle and her brother adopted variations of the middle name da Costa, and the family began to pass as white in a racist and segregated America.