Featured Events in Seoul in February, 2025 (February Updated)

2024.12.20 Permanent exhibition "Gustav Klimt: Eternal Beauty" tells the story of the golden painter Klimt's life of pursuing true beauty through his works. Freedom and love shine with golden light, from the mysterious birth of life to the noble death. Klimt's timeless and beautiful story begins here.

2024.12.20 Permanent exhibition "Gustav Klimt: Eternal Beauty" tells the story of the golden painter Klimt's life of pursuing true beauty through his works. Freedom and love shine with golden light, from the mysterious birth of life to the noble death. Klimt's timeless and beautiful story begins here.

Connected Bodies: Asian Women Artists (hereinafter referred to as Connected Bodies) aims to re-examine the contemporary significance of Asian women's art since the 1960s from the perspective of "bodily nature". This exhibition is part of the National Gallery of Modern Art's Asian Art Project, which crosses borders to conduct comparative research and display contemporary Asian art. The body is a place where various ideologies and situations meet, and where differences and diversity emerge. In order to think about this theme together, the exhibition brings together about 130 works by female artists from 11 countries in Asia.

"Poetry written on fabric, embracing special memories in everyday life" The textile design brand "minä perhonen", which weaves special memories in everyday life into fairytale-like fabrics, will hold the exhibition "Minä Perhonen Design Journey: Cycle of Memory" for the first time in Korea. This exhibition will show the process of remembering bits and pieces of daily life, such as clouds over fields, swelling buds, and sounds of the coast, incorporating them into designs and making them into fabrics. The founder Akira Minagawa's philosophy of cherishing people and memories is also reflected in his works. I hope you will have a precious opportunity to discover the charm of textile design and a feast of beautiful textiles during your design journey with Minä Perhonen.

Maria Svarbova, a photographer from Slovakia, has been recognized internationally for her work and popularity, starting with winning the International Photography Award in 2016, being selected as one of Forbes' 30 Most Influential People Under 30, and ranking first on the Hasselblad Masters List in the Art category in 2018. Reception Photographer. "Maria Svarbova: Yesterday's Future" is an exhibition that showcases 174 different works by Maria Svarbova, stimulating a sense of futurism and retro. The exhibition consists of 5 parts in total and is held at Ground Seoul, located in the Seoul Culture Center. An immersive exhibition is presented in a unique large space. Through a variety of media and exhibition presentation methods, you can feel the artist's unique trend sensibility, including the artist's representative works, the swimming pool series and the wall series, as well as photography, video and installation works. Various photo-taking areas with a sense of movie sets are set up in the exhibition hall, giving visitors the opportunity to participate and become the subject of the work. In addition, various educational programs and related events will be held to help you understand the exhibition more easily and enjoy it more deeply.

"Cinema Paradiso (Immersive Special Exhibition)" is a global touring exhibition jointly planned by Korea Forest International and Italy's Crossmedia Group to celebrate the 140th anniversary of the establishment of diplomatic relations between South Korea and Italy in 2024.

The most popular photography exhibition among Koreans!

The departure hall of the airport is a place where many people gather with excitement and anticipation. The starting point is the same, but each person's journey unfolds differently. This exhibition is an exhibition that looks back on the past 10 years of Seoul Design Foundation open curating that has provided creative opportunities to creators and supported their journeys at that starting point. What paths have the artists walked, and what meaning do their experiences in their journeys contain? What will the next 10 years look like? So, shall we go together to DDP Gallery Moon? This moment of departure together will be the starting point of new creation!

Seoul International Electric Fair features Electric transformers and parts, Switchgear/ Switchboard, Switches and Breakers, Wires and Wiring Equipment Seoul International Electric Fair features Electric transformers and parts, Switchgear/ Switchboard, Switches and Breakers, Wires and Wiring Equipment, Connecting Material, Substation Automation, HVDC Related Equipment, Battery Protective System, Surge Protection Device, Energy Management and Storage Technology, Test and Monitoring Equipment, Section Heat and etc. Information Source: Korea Electrical ManufacturersAssociation (KOEMA) | expotobi

Korea Smart Grid Week, which has grown together with Korea's smart grid industry Korea Smart Grid Week, which has grown together with Korea's smart grid industry. It will provide a place for mutual exchange of strategies, cases, market opportunities, and the latest technologies into global markets. Information Source: Kmart Gorae Srid Association | expotobi

Korea Build Seoul is a building material and interior design exhibition that deals with everything about architecture Korea Build Seoul is a building material and interior design exhibition that deals with everything about architecture. Korea Build boasts the highest number of attendees and exhibition scale in the housing fair industry. The product like Industrial Products, Furniture, Interior Design, Home Interior Decorators, Architecture & Designing and much more. Information Source: eSang Networks Co., Ltd | expotobi

ART ON LOOP - SEOUL, SOUTH KOREA - Digital Exhibition Show is set to captivate art enthusiasts in Yongsan District, Seoul. The event kicks off with a Private Viewing on Friday, February 22, 2025, from 7:30 PM to 10:00 PM at 38 Sowol-ro 44-gil. This exclusive glimpse showcases a diverse array of mediums, including video art and 2D/3D works, by top artists worldwide. Admission is free, allowing attendees to witness exceptional talent up close. The exhibition opens to the public from 11:00 AM to 5:00 PM on February 23rd and 24th, 2025. Don't miss this extraordinary opportunity to experience an IMMERSIVE EXPERIENCE featuring some of the world's most gifted artists all under one roof.

The ICEF Japan – Korea Agent Roadshow is the most efficient and cost-effective way to conveniently meet a large number of quality agents With the number of outbound international students from Japan and South Korea showing continued growth, the ICEF Japan-Korea Roadshow provides the unique opportunity for educators to meet, and leverage the expertise of ICEF-screened agents to recruit students from both of these important markets. Information Source: ICEF GmbH | expotobi

The National Museum of Modern and Contemporary Art's MultiArt 2024 "Space Elevator" is a project that explores another reality universe and the feelings associated with it. The project will be held every month from May this year to February next year. What is the "reason" and "methodology" that humans should leave the self-satisfied earth and move towards a new reality-the universe? MultiArt 2024 may be unfamiliar to us, but surprisingly, we focus on the interesting concept of "space elevator" that has been discussed for a long time in engineering.

Around 1467, the Joseon royal family established the official kiln, or royal porcelain kiln, in Gwangju, Gyeonggi-do, to produce white porcelain for the palace. Geumsa-ri was the kiln that operated from 1734 to 1751. Geumsa-ri is famous for producing milky white, i.e. milky white white purple, and moon jars. By collecting the fragments of the golden relic, you can learn about the white porcelain produced by the golden relic, such as the moon jar.

Steidl, a living legend in art books The world's best museums and luxury brands, the go-to place for books by leading contemporary artists, Steidl began as a small printing house in 1968 and is now considered a legend in art books as a publishing company that elevates paper books to the level of art.

The National Museum of Modern and Contemporary Art preserves and manages more than 10,000 collections and displays works through various exhibitions. In addition, we strive not only to manage the collections but also to systematize auxiliary information related to the works. Information such as titles, specifications, and materials are located in the exhibition's proposition sheet and help to assist in understanding the works. In particular, the title is like a messenger between the artist, the work, and the audience. In fact, the name is also related to the birth of the museum. As art museums moved from private to public ownership, property rights became a necessary condition for managing and guiding works, and the technical standards and information systematization of collection works as public goods also became one of the important roles of art museums. The exhibition "The Art of Naming" aims to classify the titles in the collections of the National Museum of Modern and Contemporary Art that visitors may find difficult, question their practicality, and clarify naming in the creative field. In works of art, titles directly affect the interpretation of the work more than other genres. In particular, the titles of modern art sometimes inspire philosophical thinking by becoming objects of suspicion rather than clearly expressing their meaning. The three types of titles for this exhibition (Untitled, Symbol, and Sentence) capture the characteristics of each era and medium, and examine the expansion of the function of titles in artistic phenomena. In addition, the participation program "Name Game" that allows visitors to change the title of the work will widely expand the experience of viewing the work. Through this exhibition, we hope to re-recognize the title of the work, which is considered to be auxiliary information of the work, and discover various relationships between the work and the title.

Public experience exhibition with Olympic sculpture as the theme

A permanent exhibition held at the Bank of Korea Gallery on the second floor of the Currency Museum. Masterpieces of modern and contemporary art history are carefully selected and displayed as permanent exhibitions. Compare the painting styles of the East and the West through a variety of works and walk the path of thinking and strolling.

People, living things will die. Death covers the faces of those who survived the eternal years. So I always feel strange about death. Death is the beginning of a journey to an unknown place. Facing death, the living are heartbroken, That journey cannot be taken together. You can only provide a companion for those who are leaving. The only friend on that road with no solution is. Just like the midwife accepted me and my parents guided me when I was born The moment this life ends and the underworld begins to breathe, the existence that accepts me and guides me, has prepared an exhibition introducing "puppets". The ancestors used the word "passing away" to describe it. This means that the place we go after death is ultimately where we came from. With various puppets on the journey of our souls returning home and the traditional worldview of Koreans now transformed into a beautiful cultural heritage display material I hope it will be a time to think about life and death

People, living things will die. Death covers the faces of those who survived the eternal years. So I always feel strange about death. Death is the beginning of a journey to an unknown place. Facing death, the living are heartbroken, That journey cannot be taken together. You can only provide a companion for those who are leaving. The only friend on that road with no solution is. Just like the midwife accepted me and my parents guided me when I was born The moment this life ends and the underworld begins to breathe, the existence that accepts me and guides me, has prepared an exhibition introducing "puppets". The ancestors used the word "passing away" to describe it. This means that the place we go after death is ultimately where we came from. With various puppets on the journey of our souls returning home and the traditional worldview of Koreans now transformed into a beautiful cultural heritage display material I hope it will be a time to think about life and death

The Korean Artist Award is a prize system and support program jointly organized by the National Museum of Contemporary Art (MMCA) and the SBS Foundation. Since its establishment in 2012, the award has selected four artists each year, provided support and exhibition opportunities for their new artistic creations, and continued to help them carry out international activities to showcase the potential of Korean contemporary art. Unlike previous exhibitions that mainly featured new works, starting in 2023, new works and artists' previous works will be organized together to broadly illuminate the artists' working worlds.

The Korean Artist Award is a prize system and support program jointly organized by the National Museum of Contemporary Art (MMCA) and the SBS Foundation. Since its establishment in 2012, the award has selected four artists each year, provided support and exhibition opportunities for their new artistic creations, and continued to help them carry out international activities to showcase the potential of Korean contemporary art. Unlike previous exhibitions that mainly featured new works, starting in 2023, new works and artists' previous works will be organized together to broadly illuminate the artists' working worlds.

As you walk around the Seoul Museum of Craft, you will come across a variety of craft works. Just as each form was created to suit its use, the colors were not created by chance. The colors of each work reflect the artist’s thoughts and feelings. Artists devote themselves to research to find the most unique colors and repeat experiments to apply the desired colors to their works. No color is simple and can never be easily expressed. This exhibition is a record of the process in which craftsmen create their own colors, and a story about the time and dedication they put into it. The archive materials, including research notes on colors, poems, materials, and tools, are like looking at a palette filled with the unique colors that the artists wanted to express through their works. The three craftsmen in different fields, Noh Kyung-jo in ceramics, Lee Byeong-chan in dyeing, and Kim Heon-cheol in glass, all obtain colors from nature. Baking colors from the earth, dyeing colors from plants, and making colors shine more colorfully with light transmitted through glass. Creating colors is another way that craftsmen relate to nature. The colors they create enrich our daily lives and stimulate our senses. And these colors will meet you and create another relationship. I hope you will rediscover the colorful colors you witnessed in this exhibition and treasure them in your hearts. ※ ​​The Craft Archives exhibition is only open on weekdays (Tuesday to Friday). Please take note when viewing.

The exhibition "Lee Kang So: When the Wind Blows the Water" re-examines a unique series of works created over six decades by Lee Kang So (b. 1943), a seminal figure in the development of Korean contemporary art. As a leading artist in the Korean art scene, Lee Kang So has been conducting conceptual experiments on image perception and recognition. The exhibition title "When the Wind Blows the Water" is inspired by the work "Qing Ye Yin" by the Song Dynasty Neo-Confucianist Shao Yong (Shao Yong, 1011-1077). In his work, Shao Yong metaphorically describes a state of epiphany when encountering a new world. Shao Yong's title summarizes the oeuvre of Lee Kang So, who has long questioned the many different ways we see the world around us and continues to conduct conceptual experiments on perception in a variety of media such as painting, sculpture, installation, printmaking, video and photography. Lee Kang So's artistic philosophy, as he himself described his work for the 1975 Paris Biennale, is described in this way. At the time he said: “I do not intend to depict images in a traditional way, away from the subject-object relationship, but rather to present an open structure that reveals the order and relationships in the universe that are usually invisible, making these invisible states naturally visible.” (“Participating in the 9th Paris Biennale”, Space, January 1976)