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The Formula 1® Exhibition | London
Aug 23, 2024–Mar 2, 2025 (UTC)
London
Calling all Formula 1 fans! Strap in for an epic journey through the world of F1 at The Formula 1® Exhibition London. Explore cars driven by F1 legends, interactive activities, never-before-seen memorabilia, and other spectacular surprises! Don’t miss out!
Anthony McCall. Solid Light | Tate Modern
Jun 27, 2024–Apr 27, 2025 (UTC)
London
Your movements and interactions bring artworks to life insideSolid Light, a focused exhibition dedicated to the immersive works ofAnthony McCall.
Beams of light projected through a thin mist create large three-dimensional forms in space, which slowly shift and change. As you move through these translucent sculptures of light, you’ll create new shapes and discover your own mesmerising perspectives.
Occupying a space between sculpture, cinema, drawing, and performance, McCall is known for his innovative installations of light. In 1973, his seminal work Line Describing a Cone redefined the possibilities of sculpture.
Anthony McCall is presented in The George Economou Gallery.
Curated by Gregor Muir, Director of Collection, International Art, Tate Modern and Andrew de Brún, Assistant Curator, International Art, Tate Modern.
Arsenal Home Matches “Premier League” season 24-25:Tickets, Dates, Stadiums and Lineup | London
Aug 16, 2024–May 25, 2025 (UTC+1)
London
Get ready for the 2024/2025 Premier League season! This exhilarating competition will kick off on August 16, 2024, and conclude on May 25, 2025. The Premier League attracts fans from around the globe with its fast-paced matches and high level of competition. In recent seasons, Arsenal has narrowly missed out on the championship. This new season, they will face numerous formidable opponents at the Emirates Stadium. From Liverpool to Tottenham, and then to Manchester City, every match promises to be an intense showdown, thrilling fans with every play. How will Arsenal perform this season? Let's wait and see! Whether you are a loyal Arsenal supporter or a football enthusiast, Trip.com offers convenient ticket services and a variety of ticket options. Don't miss these exciting matches—secure your tickets now and experience the thrill of Arsenal football firsthand!
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Chelsea Home Matches “Premier League” season 24-25:Tickets, Dates, Stadiums and Lineup | London
Aug 16, 2024–May 25, 2025 (UTC+1)
London
The 2024/2025 Premier League season is set to launch with a bang this August, and fans, this is the moment you’ve been waiting for! On August 16, 2024, the world's most prestigious and fiercely competitive football league will commence, concluding on May 25, 2025. This new season, Chelsea will host numerous thrilling matchups at Stamford Bridge. The season opener features a showdown against the defending champions, Manchester City, a clash sure to be one of the highlights of the season. Every home game at Stamford Bridge promises excitement, immersing fans in the intense atmosphere of Premier League football.To witness these top-tier teams in action, Trip.com offers convenient ticket links and a variety of ticket options. Act now and secure your tickets to experience Chelsea's exciting season firsthand!
Wildlife Photographer of the Year | Natural History Museum
Oct 11, 2024–Jun 29, 2025 (UTC)
London
See the world through a new lens.
Experience the miracle of life on Earth through the world's best wildlife photography. Now in its 60th year, our photography exhibition aims to reveal more of nature's stories. It will take you on a visual adventure through different environments and give you a window into the wild animals that call them home.
Witness firsthand how our activities, for good or bad, shape the natural worldExplore stunning imagery, from majestic predators on the hunt to breathtaking compositionsWitness powerful stories of survival, fragility, and life's delicate balanceEach photograph is a reminder of the wonder of the natural world.
As well as stunning photography, you'll discover through soundscapes, films and expert insights the diversity and beauty of life on Earth, and what we can do together to protect it.
Watch this (VR) Space | London
May 14, 2020–Dec 31, 2030 (UTC)
London
A Virtual Reality Art Exhibition that you can view in any location and on any device.
Please see the above picture instructions for how you can view it on a tablet/mobile.
You can view the exhibition with or without a virtual reality headset.
Copy this link to view the Virtual Reality Art Exhibition on a computer/laptop:
https://edu.cospaces.io/PMB-KAV
The Virtual Private View of the Exhibition was held on Thursday 14th of May 2020 at 8:15pm on Zoom (Virtual drinks provided.)
Feeling Blue, Alberta Whittle | Greenwich
Oct 5, 2023–Dec 31, 2030 (UTC)
Greenwich
The artwork is displayed on powder-coated steel gates, designed by Whittle and made at Glasgow Sculpture Studios. It was unveiled on 5 October 2023 at the Queen’s House in Greenwich.
Feeling Blue has been developed in response to RMG’s large and varied collections, as well as the history and cultural significance of Greenwich. The 160 x 155 cm tapestry is filled with richly evocative textures, symbolic shapes, and tropical colours. It was woven by hand over a period of six months by Naomi Robertson and Elaine Wilson at Dovecot Studios. They used a variety of techniques, yarns, and over 150 colour mixes to add variety and depth to the surface of the tapestry.
Dominating the tapestry is the phrase ‘feeling blue’ which stands out from a background of blues and greens, the combination of different shades resembling water in motion. Blue is immediately associated with oceans and seas but there are also more emotive connotations which Whittle chose to explore. The colour blue, and in particular the term ‘feeling blue’, is used to describe sadness or depression. While the exact origin of the term is uncertain it has been suggested that it comes from the tradition of ships flying blue flags and officers bearing a painted blue band when a captain or officer died. For others, blue symbolises tranquillity. In the Queen’s House the colour blue is used throughout for decoration, notably the balustrade of the Tulip Stairs.
Drawing on her research of the British naval uniform, Whittle also reflects on the legacies of British colonialism. From the mid-eighteenth-century, the Royal Navy introduced a uniform for officers made from a deep blue fabric. The colour was achieved using a dye from the indigo plant that was native to India. Until the end of the eighteenth century the indigo plant was grown, harvested and processed by enslaved people on North American plantations. Indentured labourers in India and modern-day Bangladesh also produced indigo for the East India Company. Today, Navy blue endures as a colour of authority from police to military officers, though the history of the colour and connection to colonialism is little known.
Whittle continues her exploration of maritime worlds by the inclusion of coloured ropes – reminiscent of those used on ships. For Whittle, rope is a symbol of both hope and oppression. Ropes are associated with bondage, imprisonment and even execution but are equally symbolic of lifelines for people in distress. Whittle’s ongoing engagement with the climate crisis is found in the decorative coral that frames the tapestry. The delicate pastel pinks and vibrant yellows evoke the beauty of tropical oceans and are a reminder of the importance of reefs. Decorative cultured freshwater pearl beads have also been stitched onto the tapestry. As well as representing an oceanic realm, Whittle connects Feeling Blue with two sixteenth-century paintings the Armada Portrait and Sir Francis Drake which will be displayed alongside the tapestry. In both portraits, pearls are used as a symbol of wealth, some of which was derived from colonial trade and exploitation.
The tapestry is hung on a set of blue ‘gates’, which are an important component of Whittle’s work. Whittle sees the ‘gates’ as reminiscent of fencing, suggesting containment and control. Placed within the gallery space the gates no longer act as a barrier. Instead, Whittle uses the gates to expand rather than restrict as visitors are free to walk around them and view the tapestry from both sides. The decorative fretwork on the panels evokes the architecture of the Queen’s House, in particular the Tulip Stairs.
Alberta Whittle, said: “The commission has been a wonderful opportunity to think deeply about maritime histories and consider the powers in place that decide how these histories are portrayed. This new tapestry is a chance to explore these ideas of power alongside the rhythms of the ocean and its vulnerability under climate colonialism. The commission has also provided me with the opportunity to continue to work with Naomi Robertson and Elaine Wilson at Dovecot Studios and the rest of the fantastic weaving team.”
Celia Joicey, Director of Dovecot Studios, said: "This commission represents the contemporary significance of tapestry as a collective medium. Started in the midst of the 2021 lockdown, it is testimony to a group of people responding creatively and collaboratively to the Museum collections. Feeling Blue embodies the passion, focus and skill of Dovecot’s weavers, Alberta Whittle’s endlessly interesting ideas and the care and enterprise of the commissioning team."
Katherine Gazzard, Curator of Art, Royal Museums Greenwich, said: “At Royal Museums Greenwich, we are committed to working with contemporary artists whose practice engages with our historic sites and collections, as well as with the present challenges facing our communities and our planet. The opportunity to commission a contemporary tapestry from Alberta Whittle and Dovecot Studios spoke powerfully to this ethos. The finished tapestry will go on public display in the Queen’s House, our flagship art gallery. When the Queen’s House was built in the early 17th century, it was at the cutting edge of art and design. Commissions like Feeling Blue help us to honour that legacy, ensuring that, four centuries after the building’s completion, the Queen’s House continues to showcase artistic innovations and new perspectives.”
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Feeling Blue
Alberta Whittle
Tapestry by Dovecot Studios
2023, cotton, linen, synthetic yarn, cultured freshwater pearl beads
Tapestry woven for Dovecot by Naomi Robertson, Master Weaver, and Elaine Wilson
Displayed on powder coated steel gates made by Glasgow Sculpture Studios
Purchased with assistance from the Contemporary Art Society
Colin Davidson: Silent Testimony | London
Apr 22, 2024–Feb 23, 2025 (UTC)
London
Connected by the theme of loss, the display reveals – through portraiture – the personal stories and experiences of those whose lives were impacted, and continue to be affected, by the Troubles, a 30-year period of conflict in Northern Ireland.
Painted between 2014 and 2015, the portraits are connected by each sitter’s shared experience of personal loss and speak to the ongoing impact of conflict on individuals, as well as wider communities in Northern Ireland and beyond.
Colin Davidson: Silent Testimony is on display in Room 14, Floor 3.
The sitters are:
John Gallagher
Flo O’Riordan
Mo Norton
Thomas O’Brien
Anna Cachart
Maureen Reid
Damien McNally
Walter Simons
Johnnie Proctor
Margaret Yeaman
Virtue Dixon
Jeff Smith
Paul Reilly
Mary Finnis
Jean Caldwell
Fiona Kelly
Emma Anthony
Stuart McCausland
About the artist:
Colin Davidson received an Art and Design degree from the University of Ulster (1987-91) and an Honorary Degree in Art from Queen's University (2016). His many portrait sitters have included HM The Late Queen Elizabeth II, President Bill Clinton, Brad Pitt and Ed Sheeran. He has participated in the Gallery’s acclaimed painting competition – now named the Herbert Smith Freehills Portrait Award – three times, winning the Visitor's Choice Award in 2012. In 2021, he was installed as Chancellor of Ulster University.
Silent Testimony was first displayed at the Ulster Museum in Belfast and most recently exhibited at Stormont’s Parliament Buildings and the Irish Arts Center in New York. This display at the National Portrait Gallery was made possible with the assistance of WAVE Trauma Centre Belfast and National Museums NI.
Jean Prouvé: Maison Démountable | Carpenters Workshop Gallery London
May 16, 2024–May 16, 2025 (UTC)
London
Carpenters Workshop Gallery presents Maison Démountable, one of Jean Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in Ladbroke Hall’s Garden.
NAOMI In Fashion | Victoria and Albert Museum
Jun 22, 2024–Apr 6, 2025 (UTC)
London
This is the first exhibition to explore the extraordinary career of fashion model Naomi Campbell. Through the work of leading designers and photographers around the world, we celebrate her creative collaborations, activism and lasting cultural impact.
Barbie | London
Jul 5, 2024–Feb 23, 2025 (UTC)
London
Opening to coincide with the 65th anniversary of the Barbie brand in 2024, the exhibition will map the Barbie legacy that started in 1959 when Ruth Handler wanted to craft a different narrative for her daughter, Barbara. It will explore the story of Barbie through a design lens, including fashion, architecture, furniture and vehicle design.
Through a new partnership with Mattel Inc., we have been granted special access to the extensive Barbie archives in California, and dozens of rare and unique items will go on show alongside other key loans and acquisitions to tell the story of the iconic brand over the past six-and-a-half decades.
A Ripple in Time | Twickenham
Jul 6, 2024–Feb 23, 2025 (UTC)
Twickenham
Gary explains his process of digging through the archives as an ‘excavation’ which intertwines history and modernity. The centrepiece of the exhibition is an audio-visual montage. It rises from his excavation – a collective sonic space, a ripple in time, weaving together past stories and imagined futures.
Gary’s research culminates in a show that invites us to reflect on our shared past and contemplate the threads that connect us. No two histories are ever the same. We each bring our own ideas, memories, opinions, analyses, and emotions.
The exhibition opens in July 2024. Gary’s research and creativity unfurls at Orleans House Gallery.
RSVP to the opening celebration of A Ripple in Time.
About Gary Stewart
Gary Stewartis an interdisciplinary artist working at the intersection of sound, moving image and computational creativity. His work examines social and political issues of identity, culture, and technology. Through the application of innovative technologies and practices he is part of a global network of collaborators who are advocates for equality, climate justice and better health through the arts, especially those from marginalised communities. Operating through a range of theoretical, fictional, and artistic frames, his work traverses media art, experimental music, and research.
Gary Stewart is a founding member with Trevor Mathison of the London-based artist group Dubmorphology whose work over the last two decades has emerged from their direct response to different sites and environment that frequently incorporate historical and contemporary material and content reworking historical, political and scientific archives.
Chelsea FC Home Matches [Premier League] season 24-25 | London
Aug 16, 2024–May 25, 2025 (UTC)
London
Arsenal Home Matches [Premier League] season 24-25 | London
Aug 16, 2024–May 25, 2025 (UTC)
London
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Tottenham Hotspur Home Matches [Premier League] season 24-25 | Haringey
Aug 16, 2024–May 25, 2025 (UTC)
Haringey
Tottenham
Hotspur Stadium
English Premier League -
Tottenham Home Match Tickets
Game Information
1. Address:
Tottenham Hotspur Stadium ,782 High Rd, London N17 0BX , United Kingdom
2. Date::
Everton
24/08/2024
pending
Arsenal
14/09/2024
pending
Brentford
21/09/2024
pending
West
Ham United
19/10/2024
pending
Aston
Villa
02/11/2024
pending
Ipswich Town
09/11/2024
pending
Fulham
30/11/2024
pending
Chelsea
07/12/2024
pending
Liverpool
21/12/2024
pending
Wolverhampton Wanderers
29/12/2024
pending
Newcastle United
04/01/2025
pending
Leicester City
25/01/2025
pending
Manchester United
15/02/2025
pending
Manchester City
25/02/2025
pending
AFC
Bournemouth
08/03/2025
pending
Southampton
05/04/2025
pending
Nottingham Forest
19/04/2025
pending
Crystal
Palace
10/05/2025
pending
Brighton & Hove Albion
25/05/2025
pending
About 1-3 days before the match, you will receive a complete
confirmation disclosing the exact timeslot and the date of the match. You can
also visit the official website to check the kick-off time.
Seating
Information
Club Level
1.
General Longside
(1)
INCLUDE:
a.
Match ticket only
b.
Neutral seating area (no away colours)
(2) NOT INCLUDE:
a.
Side by side seating guaranteed
b.
All other services / products not described above
2.
General Shortside
(1)
INCLUDE:
a.
Match ticket only
b.
Neutral seating area (no away colours)
(2) NOT INCLUDE:
a.
Side by side seating guaranteed
b.
All other services / products not described above
3. East
Premium Longside
(1)
INCLUDE:
a. Opens 2.5 hours prior to kick
off
b.
Includes complimentary grazing menu buffet served pre-match in stadium
lounge.
c.
Complimentary half time drink
d. Match day ex-players to visit (subject
to availability)
e. Neutral seating area (no away
colours)
(2) NOT INCLUDE:
a.
Side by side seating guaranteed
b.
All other services / products not described above
4. East
Premium Halfway Line
(1) INCLUDE:
a. Opens 2.5 hours prior to kick
off
b.
Includes complimentary grazing menu buffet served pre-match in stadium
lounge.
c.
Complimentary half time drink
d. Match day ex-players to visit
(subject to availability)
e. Neutral seating area (no away
colours)
(2) NOT INCLUDE:
a.
Side by side seating guaranteed
b.
All other services / products not described above
Seating Area
1. YELLOW_General
Longside: Block 503, 506, 507, 508, 521, 522, 528, 529
2. GREEN_General
Shortside: Block Block 517 to 520
3.
PURPLE _East Premium Longside: East Premium seating Tier 3, Blocks 314/315
4. PINK_East Premium Halway line: East Premium
seating Lower Tier Halfway line, Blocks 02/03
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TURNER PRIZE 2024 | Tate Britain
Sep 25, 2024–Feb 16, 2025 (UTC)
London
Pio Abad, Claudette Johnson, Jasleen Kaur and Delaine Le Bas are the four artists shortlisted for the 2024 Turner Prize. They will showcase their eclectic work at Tate Britain from 25 September 2024, with the winner announced on 3 December 2024. Named after the radical painter JMW Turner, the Turner Prize was first awarded in 1984. Each year, it is given to a British artist who has created an outstanding exhibition or other presentation of their work.
Silk Roads Exhibition | London
Sep 26, 2024–Feb 23, 2025 (UTC)
London
The Silk Roads have been in use for thousands of years, but this visually stunning exhibition focuses on a defining period in its history, between around 500 and 1000 AD. This period saw a major leap in connectivity, and the rise of universal religions that linked communities across continents.
Working in partnership with 29 national and international partners, the exhibition displays objects from many regions and cultures, alongside collections from the British Museum, offering a unique opportunity to see objects from along the Silk Roads. From Indian garnets found in Suffolk to Iranian glass unearthed in Japan, they reveal the astonishing influence of these networks.
A focus on objects from Uzbekistan and Tajikistan, never before seen in the UK, also emphasises the importance of Central Asia to this transcontinental story.
MIKE KELLEY GHOST AND SPIRIT | Tate Modern
Oct 3, 2024–Mar 9, 2025 (UTC)
London
Discover the elaborate, provocative and imaginary worlds created by experimental artist Mike Kelley. From the late 1970s to 2012, Kelley made a diverse body of work using drawing, collage, performance, found objects, and video. Spanning Kelley’s entire career, the exhibition features his breakthrough 'craft' sculptures made from textile and plush toys through to his multi-media installations such as Day Is Done. Drawing on references from popular and underground culture, literature, and philosophy, Kelley explores how the roles we play in society are entangled with historical fact and imaginary characters from the films and images we consume. Over a decade since his passing, Kelley’s reflections on identity and memory continue to resonate. Organised by Tate Modern in collaboration with Bourse de Commerce, Paris, K21, Kunstsammlung Nordrhein-Westfalen, Dusseldorf and Moderna Museet, Stockholmpt., 26 lip 2024, 18:00
Esther Mahlangu: Umuntu ngumuntu ngabantu | Serpentine North Gallery
Oct 4, 2024–Sep 28, 2025 (UTC)
London
Serpentine unveils a new site-specific mural by artist Esther Mahlangu. On view in the garden at Serpentine North, the monumental painting celebrates concepts of community and unity. Umuntu ngumuntu ngabantu, which translates directly from Ndebele as ‘I am because you are’, marks her first public artwork in the UK.
Hyundai Commission Mire Lee: Open Wound | Tate Modern
Oct 9, 2024–Mar 16, 2025 (UTC)
London
Drawing inspiration from Tate Modern's history as a power station, Mire Lee transforms the Turbine Hall with fabric hanging sculptures and epic mechanical installations, reimagining the space as a living factory. A fascinating mix of materials such as silicone and chains bring her creations to life and challenge our ideas of what is beautiful, perverse, provocative and desirable. Open Wound invites us to revel in contradictory emotions: from awe and disgust to compassion, fear and love.
HYUNDAI COMMISSION MIRE LEE: OPEN WOUND | Tate Modern
Oct 9, 2024–Mar 16, 2025 (UTC)
London
Drawing inspiration from Tate Modern’s history as a power station, Meixuan Li has transformed the Turbine Hall with fabric hanging sculptures and epic mechanical installations, reimagining the space as a living factory. A fascinating combination of materials such as silicone and chain brings her work to life and challenges our perceptions of what is beautiful, perverse, provocative and desirable. Open Wound invites us to revel in contradictory emotions: from awe and disgust to sympathy, fear and love.
Lauren Halsey: emajendat | London
Oct 11, 2024–Mar 2, 2025 (UTC)
London
Serpentine presents emajendat, the first UK exhibition of Lauren Halsey (b. 1987, Los Angeles, USA). On view at Serpentine South, the exhibition transforms the gallery into an immersive environment that responds to Serpentine’s location in Kensington Gardens.
The World of Tim Burton | the Design Museum
Oct 25, 2024–Apr 21, 2025 (UTC)
London
The creative force behind some of the most celebrated films of the past four decades, Tim Burton is internationally recognised as a master of the comically grotesque and the lovable misfit.
This major exhibition will invite visitors to enter his world through an exploration of his unique aesthetic. Although best known for his film work, this exhibition will showcase his full range of work as an illustrator, painter, photographer and writer, and explore his significant collaborations with designers. As an interdisciplinary artist, his practice transcends the limitations of medium and format.
Drawing from Tim Burton's personal archive, the collection of drawings, paintings, photographs, sketchbooks, moving image works, sculptural installations, set and costume designs represents the artist's work from childhood to the present day, focusing on recurring visual themes and motifs in the distinctive characters and worlds of Burton's art and films.
Felicity Aylieff: Expressions in Blue | Shirley Sherwood Gallery
Oct 26, 2024–Mar 25, 2025 (UTC)
Richmond upon Thames
acclaimed ceramic artist Felicity Aylieff brings a major solo exhibition of porcelain vessels, architectural in scale, to the Shirley Sherwood Gallery of Botanical Art at Kew Gardens. One of the UK’s leading artists working in clay, Aylieff is renowned for her longstanding collaboration with the porcelain production workshops and artisan craftspeople of Jingdezhen, China, where she has continued her extensive research and produced works on a monumental scale. Her large-scale works, all hand-thrown and hand painted, are a towering testament to the centuries-old traditions which established Jingdezhen as the “Porcelain Capital” of the world.
Felicity Aylieff: Expressions in Blue | Shirley Sherwood Gallery
Oct 26, 2024–Mar 25, 2025 (UTC)
Richmond upon Thames
acclaimed ceramic artist Felicity Aylieff brings a major solo exhibition of porcelain vessels, architectural in scale, to the Shirley Sherwood Gallery of Botanical Art at Kew Gardens. One of the UK’s leading artists working in clay, Aylieff is renowned for her longstanding collaboration with the porcelain production workshops and artisan craftspeople of Jingdezhen, China, where she has continued her extensive research and produced works on a monumental scale. Her large-scale works, all hand-thrown and hand painted, are a towering testament to the centuries-old traditions which established Jingdezhen as the “Porcelain Capital” of the world.
Rotimi Fani-Kayode: The Studio – Staging Desire | Autograph
Oct 31, 2024–Mar 22, 2025 (UTC)
London
A new photography exhibition exploring a radical vision of culture, intimacy, desire and pain
Rotimi Fani-Kayode: The Studio – Staging Desire | Autograph
Oct 31, 2024–Mar 22, 2025 (UTC)
London
A new photography exhibition exploring a radical vision of culture, intimacy, desire and pain
Abi Morocco Photos: Spirit of Lagos | Autograph
Oct 31, 2024–Mar 22, 2025 (UTC)
London
The first exhibition of these remarkable portraits capturing the rich style and joyous spirit of Lagos in the 1970s
Panel with Polly Crosby and Kate Griffin | Jarrold, Book Department
Oct 10, 2024 (UTC+0)ENDED
London
Join us for an enchanting evening that delves into the world of gothic fiction and historical intrigue with acclaimed authors Kate Griffin, shortlisted for Crime Writers Association Endeavour Historical Dagger and Polly Crosby, author of Vita and the Birds. Perfect for fans of dark, atmospheric stories, this event offers a rare chance to hear directly from the minds behind the gripping new novels Fyneshade and The House of Fever. Kate Griffin’s Fyneshade, named a Sunday Times Historical Fiction Book of 2023, offers a dark gothic tale set in a decaying mansion. The story follows Marta, a governess with a sinister past, as she navigates a world filled with silent servants and forbidden secrets. This twisted narrative is perfect for fans of gothic fiction. Polly Crosby’s The House of Fever takes readers to 1935 and Hedone House, a luxurious sanatorium where high society meets the creative elite. Agnes Templeton, the doctor’s new wife, finds herself drawn into the house’s mysteries, caught between a past she wants to escape and a future full of regret. Crosby’s novel is a haunting exploration of desire and deception. This panel will explore the authors’ writing processes, the gothic and historical elements in their work, and their unique approaches to storytelling. Don’t miss this opportunity to uncover the secrets behind Fyneshade and The House of Fever.
Information Source: Jarrolds | eventbrite