2024台北九月熱門活動：台北演唱會、必看展覽、音樂節活動一覽(May Updated)

There are many "silent voices" in history. They may not be recorded in detail in documents, but they have walked the land, participated in the times, and have unique life stories. In the traditional male-centered society of the past, women were often a relatively silent group. However, how do women gain a foothold in history? What footprints do they leave? This regular exhibition starts from the theme of women's history and takes the "Princess of the Qing Dynasty" that is still familiar in novels or dramas as the theme to try to explore these topics. The exhibition content is mainly based on the archives and documents of the Qing Palace in our collection, presenting the identity system, interpersonal relationships, life stories of the princesses of the Qing Dynasty, and their position and significance in the political operation of the Qing Empire. In these various documents, perhaps we can find out what kind of voices and gestures people outside the mainstream narrative of history have left in the past and present.

2024年台灣國際潛水及水上運動展將於2024年9月11日至13日在台北世界貿易中心隆重舉行。作為亞洲地區最具影響力的潛水及水上運動盛會之一，此展覽匯聚了來自全球的專業人士、愛好者及業界領袖。參展者將有機會探索最新的潛水裝備、水上運動器材及相關技術，並參與多場專題講座和現場示範。台北世界貿易中心位於台北市的核心地帶，交通便利，設施完善，為參展者提供了理想的交流平台。無論是潛水愛好者還是水上運動的狂熱分子，2024年台灣國際潛水及水上運動展都將是一個不容錯過的年度盛事。

2024年台灣國際水週將於2024年9月11日至13日在台北世界貿易中心隆重舉行。這一年度盛會旨在匯聚全球水資源管理專家、企業領袖及相關產業從業者，共同探討水資源的可持續發展與創新技術。台北世界貿易中心位於台北市的核心地帶，交通便利，設施齊全，為參展商和參觀者提供了理想的交流平台。 本次活動將涵蓋多個主題，包括水質管理、污水處理、海水淡化技術及水資源保護等。參與者將有機會參加高端論壇、技術研討會及產品展示，深入了解最新的行業趨勢和技術創新。此外，2024年台灣國際水週還將邀請多位國際知名專家進行專題演講，分享他們在水資源管理領域的前沿研究成果。 作為亞太地區最具影響力的水資源展覽會之一，2024年台灣國際水週不僅提供了一個展示和交流的平台，更促進了跨國界的合作與技術轉移。無論是政府機構、學術研究單位還是企業代表，都能在這裡找到契機，共同推動水資源的可持續發展。參加2024年台灣國際水週，將為您帶來無限的商機與啟發。

2024台灣國際農業冷鏈技術展將於2024年9月12日至14日在台北南港展覽館隆重舉行。此展覽會是亞洲地區最具影響力的農業冷鏈技術專業展覽之一，旨在展示最新的冷鏈技術、設備及解決方案。參展商將來自全球各地，涵蓋冷藏運輸、冷凍儲存、溫控包裝等領域，為業界專業人士提供一個交流與合作的平台。台北南港展覽館作為此次活動的舉辦地，擁有先進的設施和便利的交通，為參觀者提供了理想的參展環境。2024台灣國際農業冷鏈技術展不僅是技術展示的盛會，更是行業趨勢的風向標，吸引了眾多專業觀眾和媒體的關注。無論是尋求最新技術的企業，還是希望拓展市場的供應商，此次展覽都將是不可錯過的機會。

The exhibition features more than 80 bird photography works by the "World Wild Bird Photography Team of Heroes", including species endemic to Taiwan, endemic subspecies, raptors, lost birds, endangered bird species in the world, and raptors or other bird species photographed abroad, etc., showing the rich and fascinating wild bird ecology around the world. Through image creation, the public is led to understand various common or rare endangered birds around their lives, and convey the importance of natural ecological conservation to the public.

This is the longest journey, to the place where I started before──Hu Defu’s ‘The Longest Road’ The solo exhibition “The Wind on the Mountain is Still Fragrant” by Taiwanese Paiwan artist Yidan Bawawalon, which will be held at Asia Art Center (Taipei) from September 14 to November 10, 2024, is a continuation and response to the concept of his solo exhibition “The Wind on the Mountain is Very Fragrant” at the Taipei Art Center in 2014. It was Yidan’s first solo exhibition after the 2009 Typhoon Morakot, and it was also the first large-scale and well-organized solo exhibition in his creative career. After 10 years, this solo exhibition “The Wind on the Mountain is Still Fragrant” uses the two images of “wind” and “spiritual bird” to allegorize Yidan’s worldview in art. In Yidan's concept, the spirit bird symbolizes eternal existence. Even though things change over time, life and all things inevitably flow and change with time, but because of the eternal pull, the wind blowing from the mountain is still fragrant.

Asia Art Center is pleased to announce Blind Spot, the first solo exhibition by American artist Katja Farin in Asia, from September 14 to November 10. Katja Farin’s keen observations bring local elements such as fishing boats, window grilles, animals, insects and plants to life in her paintings, using her recognizable orange, red, green and blue tones to create everyday scenes of the local area. Farin’s works are mostly presented in bright colors and dramatic images. Through the seemingly expressionless protagonists in the pictures, he explores the unconscious, the collective unconscious and the relationship between the self, space and the surrounding environment through figurative paintings. In this exhibition, Farin also brought a number of ceramic works for the first time. The ceramics, which are mainly glazed in gray, brown, green and white, are decorated with spikes, chains and mirrors made of ceramic and metal, which are three-dimensional symbols that appear repeatedly in his paintings. Through the interpretation of two-dimensional and three-dimensional works, the artist examines the emotional blind spots hidden in the subconscious that are unwilling to be mentioned, the lingering trauma, and the controversy that has yet to be clarified. The two works of different media are closely combined through the reflection of the mirror, and the viewer's reflection is trapped in this dream-like vortex, as if it has become part of the disturbing space.

The exhibition features works by contemporary Taiwanese artists Liu Wenxuan, Hong Xuan, Fu Ning and Peng Wei, exploring how works can evoke the viewer's perceptual experience and materialize the world in the artist's eyes between viewing and being viewed. The works in this exhibition present the artists' creative deconstruction of daily life elements, expressing poetic and philosophical dialectical thinking in the process of material and pigment practice, leading the viewer to perceive the unique world created by the artist while viewing.

Asia Art Center is pleased to announce Blind Spot, the first solo exhibition by American artist Katja Farin in Asia, from September 14 to November 10. Katja Farin’s keen observations bring local elements such as fishing boats, window grilles, animals, insects and plants to life in her paintings, using her recognizable orange, red, green and blue tones to create everyday scenes of the local area. Farin’s works are mostly presented in bright colors and dramatic images. Through the seemingly expressionless protagonists in the pictures, he explores the unconscious, the collective unconscious and the relationship between the self, space and the surrounding environment through figurative paintings. In this exhibition, Farin also brought a number of ceramic works for the first time. The ceramics, which are mainly glazed in gray, brown, green and white, are decorated with spikes, chains and mirrors made of ceramic and metal, which are three-dimensional symbols that appear repeatedly in his paintings. Through the interpretation of two-dimensional and three-dimensional works, the artist examines the emotional blind spots hidden in the subconscious that are unwilling to be mentioned, the lingering trauma, and the controversy that has yet to be clarified. The two works of different media are closely combined through the reflection of the mirror, and the viewer's reflection is trapped in this dream-like vortex, as if it has become part of the disturbing space.

The exhibition features works by contemporary Taiwanese artists Liu Wenxuan, Hong Xuan, Fu Ning and Peng Wei, exploring how works can evoke the viewer's perceptual experience and materialize the world in the artist's eyes between viewing and being viewed. The works in this exhibition present the artists' creative deconstruction of daily life elements, expressing poetic and philosophical dialectical thinking in the process of material and pigment practice, leading the viewer to perceive the unique world created by the artist while viewing.

This is the longest journey, to the place where I started before──Hu Defu’s ‘The Longest Road’ The solo exhibition “The Wind on the Mountain is Still Fragrant” by Taiwanese Paiwan artist Yidan Bawawalon, which will be held at Asia Art Center (Taipei) from September 14 to November 10, 2024, is a continuation and response to the concept of his solo exhibition “The Wind on the Mountain is Very Fragrant” at the Taipei Art Center in 2014. It was Yidan’s first solo exhibition after the 2009 Typhoon Morakot, and it was also the first large-scale and well-organized solo exhibition in his creative career. After 10 years, this solo exhibition “The Wind on the Mountain is Still Fragrant” uses the two images of “wind” and “spiritual bird” to allegorize Yidan’s worldview in art. In Yidan's concept, the spirit bird symbolizes eternal existence. Even though things change over time, life and all things inevitably flow and change with time, but because of the eternal pull, the wind blowing from the mountain is still fragrant.

The exhibition features works by contemporary Taiwanese artists Liu Wenxuan, Hong Xuan, Fu Ning and Peng Wei, exploring how works can evoke the viewer's perceptual experience and materialize the world in the artist's eyes between viewing and being viewed. The works in this exhibition present the artists' creative deconstruction of daily life elements, expressing poetic and philosophical dialectical thinking in the process of material and pigment practice, leading the viewer to perceive the unique world created by the artist while viewing.

Asia Art Center is pleased to announce Blind Spot, the first solo exhibition by American artist Katja Farin in Asia, from September 14 to November 10. Katja Farin’s keen observations bring local elements such as fishing boats, window grilles, animals, insects and plants to life in her paintings, using her recognizable orange, red, green and blue tones to create everyday scenes of the local area. Farin’s works are mostly presented in bright colors and dramatic images. Through the seemingly expressionless protagonists in the pictures, he explores the unconscious, the collective unconscious and the relationship between the self, space and the surrounding environment through figurative paintings. In this exhibition, Farin also brought a number of ceramic works for the first time. The ceramics, which are mainly glazed in gray, brown, green and white, are decorated with spikes, chains and mirrors made of ceramic and metal, which are three-dimensional symbols that appear repeatedly in his paintings. Through the interpretation of two-dimensional and three-dimensional works, the artist examines the emotional blind spots hidden in the subconscious that are unwilling to be mentioned, the lingering trauma, and the controversy that has yet to be clarified. The two works of different media are closely combined through the reflection of the mirror, and the viewer's reflection is trapped in this dream-like vortex, as if it has become part of the disturbing space.

Tina Keng Gallery is pleased to present Ava Hsueh: Within the Pulse of Time, her latest solo exhibition at the gallery after a four-year hiatus. The exhibition encapsulates the artist’s years of contemplation of abstract art, her navigation of thought and creative practice, and her exploration of postmodern era abstract painting.

Tina Keng Gallery is pleased to present Ava Hsueh: Within the Pulse of Time, her latest solo exhibition at the gallery after a four-year hiatus. The exhibition encapsulates the artist’s years of contemplation of abstract art, her navigation of thought and creative practice, and her exploration of postmodern era abstract painting.

Since the 20th century, when exhibitions have become the core venue for displaying artworks, a strong sense of space has also become an important characteristic of calligraphers' creations. The name of the exhibition "When the Big Waves Come" is based on this. It is not only about the huge space, but also the huge sight. It explores how artists respond to the towering white walls and the viewing perspectives from different cultural backgrounds through calligraphy creation. This time, four artists, Bu Zi, Li Maocheng, Wada Hiroshi, and Yu Tongsheng, are invited to participate in the exhibition. Through changes in size, style, content, number of words, color, and material, they have created new ideas for traditional calligraphy and reflected the myriad aspects of contemporary calligraphy art.

Since the 20th century, when exhibitions have become the core venue for displaying artworks, a strong sense of space has also become an important characteristic of calligraphers' creations. The name of the exhibition "When the Big Waves Come" is based on this. It is not only about the huge space, but also the huge sight. It explores how artists respond to the towering white walls and the viewing perspectives from different cultural backgrounds through calligraphy creation. This time, four artists, Bu Zi, Li Maocheng, Wada Hiroshi, and Yu Tongsheng, are invited to participate in the exhibition. Through changes in size, style, content, number of words, color, and material, they have created new ideas for traditional calligraphy and reflected the myriad aspects of contemporary calligraphy art.

Since the 20th century, when exhibitions have become the core venue for displaying artworks, a strong sense of space has also become an important characteristic of calligraphers' creations. The name of the exhibition "When the Big Waves Come" is based on this. It is not only about the huge space, but also the huge sight. It explores how artists respond to the towering white walls and the viewing perspectives from different cultural backgrounds through calligraphy creation. This time, four artists, Bu Zi, Li Maocheng, Wada Hiroshi, and Yu Tongsheng, are invited to participate in the exhibition. Through changes in size, style, content, number of words, color, and material, they have created new ideas for traditional calligraphy and reflected the myriad aspects of contemporary calligraphy art.