Featured Events in London in August, 2024 (May Updated)

Get excited about the Boxing Class with NYCC in London, at the Edmonton Green venue on August 29, 2024! This class is open to everyone and is free of charge! It offers a useful introduction to boxing techniques and fitness. The class will take place from 2 PM to 3 PM GMT+1. NYCC, or Northside Youth and Community Connexions, is a well-known youth charity in Enfield. They have recently launched a new boxing and fitness room at the Edmonton Green Shopping Centre as part of their mission to provide positive activities for young people and keep them engaged in constructive pursuits. The facility was created through a partnership with the Ignite Foundation, which focuses on community development and youth empowerment. The Boxing Class with NYCC will be led by professional coaches who will guide participants through various boxing techniques, emphasizing discipline, fitness, and focus. This session is part of a broader initiative to support community well-being and provide opportunities for personal growth. Participants will have access to all necessary equipment, including gloves and pads. In addition to boxing, NYCC offers a range of activities, including dance, arts, and educational workshops, aimed at fostering a supportive and vibrant community. Their goal is to create a safe and engaging environment where young people can develop their skills and build confidence. Join the Boxing Class with NYCC in London at Edmonton Green for a comprehensive and energetic workout session. This event is perfect for anyone looking to learn boxing techniques, improve fitness, and engage with the community in a positive setting. For more information, please stay tuned on Trip.com.

Mark your calendars for the highly anticipated DigiMarCon UK 2024, set to take place at the luxurious Sofitel London Heathrow Hotel in Hounslow. This premier digital marketing conference, scheduled from August 29th to August 30th, promises to be an unparalleled event for industry professionals. Attendees can expect to be wowed by a lineup of expert speakers who will share insights and strategies on the latest trends and innovations in digital marketing. With a focus on networking, learning, and collaboration, DigiMarCon UK 2024 is the must-attend event for anyone looking to stay ahead of the curve in the ever-evolving digital landscape. Don't miss out on the opportunity to connect with like-minded individuals and gain valuable knowledge that can propel any business to new heights.

Lemonade Türkçe Komedi Club'ın sezon sonu etkinliği konuk komedyen Baturay Özdemir ! 🎤 Lemonade Türkçe Komedi Ekibi Sunar: 30 Ağustos'ta Baturay Özdemir'le Kahkaha Dolu Bir Gece! Londra'nın Türkçe komedi sahnesine yepyeni bir soluk getiren Lemonade Türkçe Komedi Ekibi, sizi unutulmaz bir geceye davet ediyor! 30 Ağustos'ta, Türkiye'nin sevilen komedyeni Baturay Özdemir'i sahnemizde ağırlıyoruz. Hazır olun, kahkahalara boğulacaksınız! Bu özel gecede, sahne öncesinde iki yetenekli komedyen Cem Kater ve Eren Erdoğan da sizlerle olacak. Enerjileri ve esprileriyle geceye harika bir başlangıç yapacaklar. Etkinliğimiz, Hackney'in en popüler mekanlarından biri olan Fabwick'te gerçekleşecek. Samimi atmosferi ve keyifli ortamıyla bu mekanda unutulmaz anlar sizi bekliyor! Tarih: 30 Ağustos 2024 Yer: Fabwick, Hackney, Londra Kapı Açılış: 19:30 Gösteri Başlangıç: 20:00 Komedi dolu bu geceyi kaçırmayın! Biletlerinizi hemen alın ve kahkaha dolu bir akşamın tadını çıkarın Information Source: Lemonade Comedy Club | eventbrite

Step into the intriguing world of The Traitors at The Wellington by Blue Orchid Hotels in London's West End. Delve into a murder mystery while savoring a delicious 3-course dinner. Immerse yourself in the suspenseful game between loyalists and traitors, challenging your detective skills to solve a thrilling case. Professional actors will portray suspects for you to interrogate, leading you to uncover the truth behind the mystery. This in-person event guarantees an unforgettable experience filled with suspense, humor, and delectable food. Optionally, come dressed in Traitor-style attire for added excitement. Gather your friends and family to celebrate a special occasion and seize the opportunity to unveil the Traitor among you. Your ticket includes a welcome drink, a 3-course dinner with coffee, murder mystery entertainment, half a bottle of wine, a fancy dress competition, and the chance to win prizes by catching the murderer. Don't miss this exclusive event on August 30, 2024, at Vincent Square, London, for £97.14 per ticket.

隆重推介，2024年倫敦動漫和遊戲展將於八月底在英國首都倫敦西部諾富特酒店舉行。本次活動為所有動漫愛好者和遊戲發燒友帶來一場別開生面的盛會，匯聚了眾多國際級的展商和講者，為參與者呈獻最前沿的動漫和遊戲文化交流平台。是年度不容錯過的盛事，將集結來自世界各地的粉絲一同慶祝對這些流行文化的熱愛。倫敦西部諾富特酒店因其地理位置優越以及純熟的會議服務而被選為本屆展會的舉辦地。展會的詳細資訊及票價即將公佈，請密切留意網站更新，準備與我們在2024年8月31日共襄盛舉。

周慧敏演唱會2024澳門站將于2024年8月31日在澳門倫敦人綜藝館隆重舉行。這將是一場讓樂迷們引頸期盼的音樂盛事。周慧敏將在倫敦人綜藝館的四樓及五樓獻唱，帶來一系列令人心碎的經典歌曲，觀眾們定將沉浸在她動人的歌聲中。演唱會的門票定價為HK$ 571，讓您以親民的價格欣賞到這位天后級歌手的現場演出。抓住這個難得的機會，在這個音樂之夜與周慧敏一同燃燒熱情，共同感受音樂帶來的震撼和感動。無論您是周慧敏的忠實粉絲還是音樂愛好者，這將是一場不容錯過的音樂盛事，定會讓您流連忘返，留下難忘的回憶。赶緊搶購門票，一起見證周慧敏的音樂魅力！

隆重推介，2024年倫敦動漫和遊戲展將於八月底在英國首都倫敦西部諾富特酒店舉行。本次活動為所有動漫愛好者和遊戲發燒友帶來一場別開生面的盛會，匯聚了眾多國際級的展商和講者，為參與者呈獻最前沿的動漫和遊戲文化交流平台。是年度不容錯過的盛事，將集結來自世界各地的粉絲一同慶祝對這些流行文化的熱愛。倫敦西部諾富特酒店因其地理位置優越以及純熟的會議服務而被選為本屆展會的舉辦地。展會的詳細資訊及票價即將公佈，請密切留意網站更新，準備與我們在2024年8月31日共襄盛舉。

Une ex-future star du rap devenu humoriste. Dony London trouve sa route dans l'humour grâce à sa pertinence et sa facilité d'écriture développée par la musique. Son humour grotesque, son regard, son autodérision et ses questionnements sur ce qui l'entoure donnent à réfléchir autant qu'à rire. Pertinent, il bouleverse les codes, fort d'un humour naturel ayant la réalité d'une vie bien remplie. 🎟: Entrée gratuite - sortie au chapeau Information Source: Abdelk | eventbrite

This Pageant Show consists of Various Contestants showcasing different Talents and modeling different style of outfits on stage in front of judges and a live audience. Judges will vote for who will win the title of Little Miss London pageant 2024, first runner up, second runner up, best smile, best talent and most intelligent. There will be a live DJ and Contestant Group Dance. There will be an Audience Talent show/Dance competition with an oppurtunity to win prizes. There will be snacks, Afro Caribbean food and drinks on sale! Tickets are also available at the door Information Source: eventbrite

A shuffle dance workshop brought to you by guest teacher from Estonia JKarjus and Chiara from London. Teaming up flows and energies! Are you ready for it? JKarjus x Chiara present to you a unique workshop experience :: Get ready to follow that flow, embrace your energy and shape it through a 8x8 counts choreography: you'll learn new steps, combos, and technique. :: Bring all the energy, we can't wait! :: Information Source: Chiara | eventbrite

Experience the Dunesi's incredible Coffee Table Book, "DUNESI - Desert Dreams," at the exclusive launch event in London. This event will be held at 102 Berwick St on August 31, 2024, from 3:00 PM to 6:00 PM. "DUNESI - Desert Dreams" is a visual masterpiece that brings together Dubai's desert landscapes and unique denim creations by Dunesi. Dunesi is a fashion brand known for its innovative denim designs that blend contemporary fashion with artistic elements. The brand's creations often feature intricate details and creative techniques that reimagine traditional denim wear. The book is a collaboration with renowned photographer Debbie Hatchett. Debbie Hatchett's work is characterized by its artistic vision and ability to capture the beauty and essence of natural environments. Her photography in "DUNESI - Desert Dreams" highlights the stunning desert scenery and complements Dunesi's denim pieces with fashion and nature. During the Dunesi: Coffee Table Book Launch - London, attendees will have the chance to see Dunesi's denim pieces up close. The event will also provide insights into the creative process behind the book and the brand's design philosophy. Admission to this event is free! Let's see the Dunesi's reimagined denim designs and the captivating photography of Debbie Hatchett. For more information, please stay tuned on Trip.com.

Improve cycling skills, confidence, and bike maintenance in our off-road class. Learn new techniques & how to fix your bike on your own. If you’re a cyclist (young or old) looking to boost your skills or confidence, or if you want to learn or refine your techniques in a safe, off-road environment, our class is perfect for you. We cover essential aspects of road safety, and maintenance, including checking, cleaning, and fitting your bike; removing a wheel and tyre to fix a puncture; and adjusting various types of brakes. Additionally, we offer guidance on marking your bike to deter thieves and increase the chances of recovering it if it’s stolen. Food & snacks to be provided so let us know if you have any allergies. What you will learn from this session: • ride with more confidence • look after your bike & save money What to bring: Bring your bike if you have one, but don’t worry if you don’t. You can still participate and learn valuable insights about bike maintenance and repair in this session. Address: Caledonian Road Estate Playground, 408 - 416 Caledonian Road, N7 8TH Session partner: Dr Bike & Islington Council What to do next: Reserve your spot on this page and sign up for our Whatsapp community page to stay updated on our exciting popup community events: https://chat.whatsapp.com/I4d6MlifosqHeL7XVqfGDL Information Source: Cally Road Sharing Space | eventbrite

According to Brown, the title questions not so much what a leisure centre is but what might be the centre of our leisure. What is the point at which relaxation and non-functional activity allows the mind to freely wander, when we can indulge in activities or thoughts simply for the pure pleasure of doing so. When does sex go beyond procreation, when does food satisfy more than hunger or when does furniture become more than functional - arguably, the point at which it becomes art. The Leisure Centre combines the works of Glenn Brown, with artists from the past and present which are in his collection, of which the full list is below. The exhibition asks the viewer to become a flaneur, travelling through time and place around the rooms of The Brown Collection; questioning which century a work was made, who made it and why. Philip Akkerman (Dutch, b.1957), Abraham Bloemaert (Dutch, 1566-1651), Glenn Brown (British, b. 1966), Gillis Claesz. de Hondecoeter (Dutch, 1575/80-1638), Cornelis Cornelisz van Haarlem (Dutch, 1562-1638), Morris Cox (British, 1903-1998), Henri Fantin-Latour (French, 1836-1904), Gaetano Gandolfi (Italian, 1734-1802), Mauro Gandolfi (Italian, 1764-1834), Ubaldo Gandolfi (Italian, 1728-1781), Jean-Baptiste Greuze (French, 1725-1805), Hans Hartung (German-French, 1904-1989), Grace Pailthorpe (British, 1883-1971), Fiona Rae, R.A. (British, 1963), Austin Osman Spare (British, 1886-1956), Andries Jacobsz Stock (Dutch, 1580-1648), Jan Saenredam (Dutch, 1565-1607), Jan Toorop (Dutch, 1858-1928), Gillian Wearing (British, b. 1963)

According to Brown, the title questions not so much what a leisure centre is but what might be the centre of our leisure. What is the point at which relaxation and non-functional activity allows the mind to freely wander, when we can indulge in activities or thoughts simply for the pure pleasure of doing so. When does sex go beyond procreation, when does food satisfy more than hunger or when does furniture become more than functional - arguably, the point at which it becomes art. The Leisure Centre combines the works of Glenn Brown, with artists from the past and present which are in his collection, of which the full list is below. The exhibition asks the viewer to become a flaneur, travelling through time and place around the rooms of The Brown Collection; questioning which century a work was made, who made it and why. Philip Akkerman (Dutch, b.1957), Abraham Bloemaert (Dutch, 1566-1651), Glenn Brown (British, b. 1966), Gillis Claesz. de Hondecoeter (Dutch, 1575/80-1638), Cornelis Cornelisz van Haarlem (Dutch, 1562-1638), Morris Cox (British, 1903-1998), Henri Fantin-Latour (French, 1836-1904), Gaetano Gandolfi (Italian, 1734-1802), Mauro Gandolfi (Italian, 1764-1834), Ubaldo Gandolfi (Italian, 1728-1781), Jean-Baptiste Greuze (French, 1725-1805), Hans Hartung (German-French, 1904-1989), Grace Pailthorpe (British, 1883-1971), Fiona Rae, R.A. (British, 1963), Austin Osman Spare (British, 1886-1956), Andries Jacobsz Stock (Dutch, 1580-1648), Jan Saenredam (Dutch, 1565-1607), Jan Toorop (Dutch, 1858-1928), Gillian Wearing (British, b. 1963)

According to Brown, the title questions not so much what a leisure centre is but what might be the centre of our leisure. What is the point at which relaxation and non-functional activity allows the mind to freely wander, when we can indulge in activities or thoughts simply for the pure pleasure of doing so. When does sex go beyond procreation, when does food satisfy more than hunger or when does furniture become more than functional - arguably, the point at which it becomes art. The Leisure Centre combines the works of Glenn Brown, with artists from the past and present which are in his collection, of which the full list is below. The exhibition asks the viewer to become a flaneur, travelling through time and place around the rooms of The Brown Collection; questioning which century a work was made, who made it and why. Philip Akkerman (Dutch, b.1957), Abraham Bloemaert (Dutch, 1566-1651), Glenn Brown (British, b. 1966), Gillis Claesz. de Hondecoeter (Dutch, 1575/80-1638), Cornelis Cornelisz van Haarlem (Dutch, 1562-1638), Morris Cox (British, 1903-1998), Henri Fantin-Latour (French, 1836-1904), Gaetano Gandolfi (Italian, 1734-1802), Mauro Gandolfi (Italian, 1764-1834), Ubaldo Gandolfi (Italian, 1728-1781), Jean-Baptiste Greuze (French, 1725-1805), Hans Hartung (German-French, 1904-1989), Grace Pailthorpe (British, 1883-1971), Fiona Rae, R.A. (British, 1963), Austin Osman Spare (British, 1886-1956), Andries Jacobsz Stock (Dutch, 1580-1648), Jan Saenredam (Dutch, 1565-1607), Jan Toorop (Dutch, 1858-1928), Gillian Wearing (British, b. 1963)

To mark Cugoano's 250th anniversary, Trinidad-based artist Che Lovelace has been selected to create paintings to be installed in the entrance of the church. Seen by all visitors to St James’s it will be the first permanent art commission to commemorate Cugoano’s life anywhere in the world. Lovelace paints the intersecting lives of the people and natural beauty of Trinidad. Infused with rich colours and bold shapes, his paintings straddle the boundary between magical realism, abstraction and the beauty of the natural world. Quobna Ottobah Cugoano described his personal experience of being trafficked at the age of 13 to work on a plantation in Grenada and bought by a merchant to England where he gained his freedom in 1772, in his book Thoughts and Sentiments on the Evil of Slavery published in 1787. His baptism, in 1773, was an act which promised his ongoing freedom; however he didn’t live long enough to see slavery abolished by the UK Parliament. With his exact dates of birth and death unknown, Cugoano’s baptism on 20 August 1773 at St James’s is the only place and date that is clearly and verifiably part of his story. Lovelace was selected by a process led by curator Ekow Eshun and involving members of the church’s congregation and clergy. The commission is supported by generous donations from international lawyer and philanthropist Dr Tai-Heng Cheng and his husband, gallerist Mr Cole Harrell, both American Friends of St James’s Piccadilly. The commission is part of St James’s cultural programme overseen by Creative Director Richard Parry, previously Director, Glasgow International. The commission is the cornerstone of St James’s programme of events commemorating Cugoano’s baptismal anniversary year, which includes: Friday 22 September, 7-9pm – opening event and artist Che Lovelace ‘In Conversation’ with Rector of St James’s Lucy Winkett Thursday 5 October, 7pm – Author Ben Okri will read from recent works and discuss the legacy and resonance of Cugoano today with writer and curator Ekow Eshun Saturday 7 October, from 5.30pm – Visualising Britain’s Black Past an evening exploring the life, legacy and contemporary resonance of Ottobah Cugoano. Desireé Baptiste will perform her short play, Incidents in the Life of an Anglican Slave, inspired by a 1723 letter from an anonymous enslaved Virginian housed discovered in Lambeth Palace Library. Screening of Palimpsest: Tales Spun From Sea And Memories by Billy Gerard Frank artist-film maker and shown in the Grenada National Pavilion at 59th Venice Biennale. Followed by a panel discussion led by curator Ekow Eshun exploring the life, legacy and contemporary resonance of Ottobah Cugoano with the artists joined by Paterson Joseph, actor and author of The Secret Diaries of Charles Ignatius Sancho (2022). Saturday 14 October, 7pm - Julianknxx presents a special performance with a choir songs which echo the notion of ‘flight’ in relation to Africa, coinciding with his exhibition Chorus in Rememory of Flight at Barbican

To mark Cugoano's 250th anniversary, Trinidad-based artist Che Lovelace has been selected to create paintings to be installed in the entrance of the church. Seen by all visitors to St James’s it will be the first permanent art commission to commemorate Cugoano’s life anywhere in the world. Lovelace paints the intersecting lives of the people and natural beauty of Trinidad. Infused with rich colours and bold shapes, his paintings straddle the boundary between magical realism, abstraction and the beauty of the natural world. Quobna Ottobah Cugoano described his personal experience of being trafficked at the age of 13 to work on a plantation in Grenada and bought by a merchant to England where he gained his freedom in 1772, in his book Thoughts and Sentiments on the Evil of Slavery published in 1787. His baptism, in 1773, was an act which promised his ongoing freedom; however he didn’t live long enough to see slavery abolished by the UK Parliament. With his exact dates of birth and death unknown, Cugoano’s baptism on 20 August 1773 at St James’s is the only place and date that is clearly and verifiably part of his story. Lovelace was selected by a process led by curator Ekow Eshun and involving members of the church’s congregation and clergy. The commission is supported by generous donations from international lawyer and philanthropist Dr Tai-Heng Cheng and his husband, gallerist Mr Cole Harrell, both American Friends of St James’s Piccadilly. The commission is part of St James’s cultural programme overseen by Creative Director Richard Parry, previously Director, Glasgow International. The commission is the cornerstone of St James’s programme of events commemorating Cugoano’s baptismal anniversary year, which includes: Friday 22 September, 7-9pm – opening event and artist Che Lovelace ‘In Conversation’ with Rector of St James’s Lucy Winkett Thursday 5 October, 7pm – Author Ben Okri will read from recent works and discuss the legacy and resonance of Cugoano today with writer and curator Ekow Eshun Saturday 7 October, from 5.30pm – Visualising Britain’s Black Past an evening exploring the life, legacy and contemporary resonance of Ottobah Cugoano. Desireé Baptiste will perform her short play, Incidents in the Life of an Anglican Slave, inspired by a 1723 letter from an anonymous enslaved Virginian housed discovered in Lambeth Palace Library. Screening of Palimpsest: Tales Spun From Sea And Memories by Billy Gerard Frank artist-film maker and shown in the Grenada National Pavilion at 59th Venice Biennale. Followed by a panel discussion led by curator Ekow Eshun exploring the life, legacy and contemporary resonance of Ottobah Cugoano with the artists joined by Paterson Joseph, actor and author of The Secret Diaries of Charles Ignatius Sancho (2022). Saturday 14 October, 7pm - Julianknxx presents a special performance with a choir songs which echo the notion of ‘flight’ in relation to Africa, coinciding with his exhibition Chorus in Rememory of Flight at Barbican

32 St. George at LAMB is pleased to present Magnetic Midnight Maison: A personal anthology of Colombian craft - a yearlong installation of Colombian designer Lucia Echavarria’s debut furniture collection, opening 16 November 2023. Lucia Echavarria’s Magnetic Midnight Maison: A personal anthology of Colombian craft is a collection of over 120 one-of-kind, handmade pieces, which culminates after 3 years of research by the designer into traditional Colombian craft aesthetics and techniques. Echavarria’s 32 St. George at LAMB installation, which is situated in the heart of Mayfair, showcases the work of over 80 artisans across 10 regions in Colombia who specialise in more than 12 distinct crafting styles and methods. Fascinated by the material culture of her home country, Echavarria’s project has evolved from her exploration of artisanal practices. The result is an anthology of Colombian craft, where visitors are invited to move freely within the space to experience the practical utility and visionary design aesthetics of Echavarria’s furniture. Through close collaboration with 32 St. George at LAMB and its founder Lucinda Bellm, Magnetic Midnight Maison will be a yearlong installation at the gallery. The collection will be accompanied by a catalogue designed and published by Mestiza Estudio and photographs by Tinko Czetwertynski, delving into the processes and influences of Colombian craft on Echavarria’s collection debut. Echavarria is the founder and designer of Magnetic Midnight, a lifestyle brand of statement pieces that reflect a unique aesthetic imbued with a love for tradition and craftmanship. Echavarria elaborates on her creative ethos and the motivations behind her brand and its aesthetic: “I have always loved artisanal objects - they are a true material representation of a country’s traditions. I have known and worked with many of the artisans for several years, and it is always an incredible experience working alongside them, learning in more depth about the processes behind the techniques and the materials as well as their own personal stories. Colombia has an immensely rich history and such beautiful crafts, I really wanted to showcase the workmanship and talent that is so intrinsic to the country’s culture. It is such a special legacy that we have, and therefore important to find ways to preserve and celebrate it. Being able to present all these crafts in dialogue with one another at the gallery is amazing, and for me, furniture is a whole new canvas on which to explore the possibilities and show the incredible diversity of artistry that Colombia has”. From chairs, sofas and ottomans, to lamps, tables, screens and backgammon boards, Magnetic Midnight Maison illuminates the artisanal practices and rich heritage of Colombian techniques, including straw marquetry, werregue weaving and Sikuani wood carving. With these techniques paired with Echavarria’s modern practical approaches and intricate design style, the collection forms a truly unique body of work which explores pattern and material, oscillating between tradition and modernity. Techniques used in conventional furniture making, such as wrought iron, carpentry and inlay, are juxtaposed with traditional Colombian crafts. The art of inlay and the 18th century Italian pietra dura marble ‘specimen’ tables are explored through werregue and wood, creating them with varying designs and patterns using woven palm fibres. Similarly, the patchwork present in both the Ghanaian Kente cloth and American quilts emerge in Echavarria’s work as patterns woven from cañaflecha palm.From chairs, sofas and ottomans, to lamps, tables, screens and backgammon boards, Magnetic Midnight Maison illuminates the artisanal practices and rich heritage of Colombian techniques, including straw marquetry, werregue weaving and Sikuani wood carving. With these techniques paired with Echavarria’s modern practical approaches and intricate design style, the collection forms a truly unique body of work which explores pattern and material, oscillating between tradition and modernity. Techniques used in conventional furniture making, such as wrought iron, carpentry and inlay, are juxtaposed with traditional Colombian crafts. The art of inlay and the 18th century Italian pietra dura marble ‘specimen’ tables are explored through werregue and wood, creating them with varying designs and patterns using woven palm fibres. Similarly, the patchwork present in both the Ghanaian Kente cloth and American quilts emerge in Echavarria’s work as patterns woven from cañaflecha palm. Drawing heavily upon on her artisanal collaborators to create her designs, Echavarria’s straw marquetry lamps are a prime example of the deep-rooted research that informs her practice. Imbued with craft traditions from Pasto, one of the oldest cities in Colombia, Echavarria transforms the Colombian straw marquetry technique ‘enchape de tamo’ to incorporate Italian design influences. The ‘Enchape de tamo’ process consists of inlaying individual fibres from the stalk of a wheat plant on wooden surfaces to create decorative patterns. Echavarria’s reverence of the infinite patterns and textures created by the delicate straw strips when assembled, culminates in her deployment of the adeptness of this material to mirror others, like a trompe l’oeil or Italian marbleized paper. The tamo lamps speak to how Magnetic Midnight Maison respectfully plays on tradition and evolution, by upholding and honouring the materials and techniques and combining them in new and surprising ways. Ultimately, the collection finds inspiration in the intrinsic beauty of craft, its manual production processes and the diversity of materials and techniques used to facilitate them. Echavarria’s deep respect and understanding of the history and cultural significance of each craft, and the people and communities that have kept them alive over time, enables her designs to embrace the traditional motifs and patterns of the applied technique whilst staying true to their provenance.

32 St. George at LAMB is pleased to present Magnetic Midnight Maison: A personal anthology of Colombian craft - a yearlong installation of Colombian designer Lucia Echavarria’s debut furniture collection, opening 16 November 2023. Lucia Echavarria’s Magnetic Midnight Maison: A personal anthology of Colombian craft is a collection of over 120 one-of-kind, handmade pieces, which culminates after 3 years of research by the designer into traditional Colombian craft aesthetics and techniques. Echavarria’s 32 St. George at LAMB installation, which is situated in the heart of Mayfair, showcases the work of over 80 artisans across 10 regions in Colombia who specialise in more than 12 distinct crafting styles and methods. Fascinated by the material culture of her home country, Echavarria’s project has evolved from her exploration of artisanal practices. The result is an anthology of Colombian craft, where visitors are invited to move freely within the space to experience the practical utility and visionary design aesthetics of Echavarria’s furniture. Through close collaboration with 32 St. George at LAMB and its founder Lucinda Bellm, Magnetic Midnight Maison will be a yearlong installation at the gallery. The collection will be accompanied by a catalogue designed and published by Mestiza Estudio and photographs by Tinko Czetwertynski, delving into the processes and influences of Colombian craft on Echavarria’s collection debut. Echavarria is the founder and designer of Magnetic Midnight, a lifestyle brand of statement pieces that reflect a unique aesthetic imbued with a love for tradition and craftmanship. Echavarria elaborates on her creative ethos and the motivations behind her brand and its aesthetic: “I have always loved artisanal objects - they are a true material representation of a country’s traditions. I have known and worked with many of the artisans for several years, and it is always an incredible experience working alongside them, learning in more depth about the processes behind the techniques and the materials as well as their own personal stories. Colombia has an immensely rich history and such beautiful crafts, I really wanted to showcase the workmanship and talent that is so intrinsic to the country’s culture. It is such a special legacy that we have, and therefore important to find ways to preserve and celebrate it. Being able to present all these crafts in dialogue with one another at the gallery is amazing, and for me, furniture is a whole new canvas on which to explore the possibilities and show the incredible diversity of artistry that Colombia has”. From chairs, sofas and ottomans, to lamps, tables, screens and backgammon boards, Magnetic Midnight Maison illuminates the artisanal practices and rich heritage of Colombian techniques, including straw marquetry, werregue weaving and Sikuani wood carving. With these techniques paired with Echavarria’s modern practical approaches and intricate design style, the collection forms a truly unique body of work which explores pattern and material, oscillating between tradition and modernity. Techniques used in conventional furniture making, such as wrought iron, carpentry and inlay, are juxtaposed with traditional Colombian crafts. The art of inlay and the 18th century Italian pietra dura marble ‘specimen’ tables are explored through werregue and wood, creating them with varying designs and patterns using woven palm fibres. Similarly, the patchwork present in both the Ghanaian Kente cloth and American quilts emerge in Echavarria’s work as patterns woven from cañaflecha palm.From chairs, sofas and ottomans, to lamps, tables, screens and backgammon boards, Magnetic Midnight Maison illuminates the artisanal practices and rich heritage of Colombian techniques, including straw marquetry, werregue weaving and Sikuani wood carving. With these techniques paired with Echavarria’s modern practical approaches and intricate design style, the collection forms a truly unique body of work which explores pattern and material, oscillating between tradition and modernity. Techniques used in conventional furniture making, such as wrought iron, carpentry and inlay, are juxtaposed with traditional Colombian crafts. The art of inlay and the 18th century Italian pietra dura marble ‘specimen’ tables are explored through werregue and wood, creating them with varying designs and patterns using woven palm fibres. Similarly, the patchwork present in both the Ghanaian Kente cloth and American quilts emerge in Echavarria’s work as patterns woven from cañaflecha palm. Drawing heavily upon on her artisanal collaborators to create her designs, Echavarria’s straw marquetry lamps are a prime example of the deep-rooted research that informs her practice. Imbued with craft traditions from Pasto, one of the oldest cities in Colombia, Echavarria transforms the Colombian straw marquetry technique ‘enchape de tamo’ to incorporate Italian design influences. The ‘Enchape de tamo’ process consists of inlaying individual fibres from the stalk of a wheat plant on wooden surfaces to create decorative patterns. Echavarria’s reverence of the infinite patterns and textures created by the delicate straw strips when assembled, culminates in her deployment of the adeptness of this material to mirror others, like a trompe l’oeil or Italian marbleized paper. The tamo lamps speak to how Magnetic Midnight Maison respectfully plays on tradition and evolution, by upholding and honouring the materials and techniques and combining them in new and surprising ways. Ultimately, the collection finds inspiration in the intrinsic beauty of craft, its manual production processes and the diversity of materials and techniques used to facilitate them. Echavarria’s deep respect and understanding of the history and cultural significance of each craft, and the people and communities that have kept them alive over time, enables her designs to embrace the traditional motifs and patterns of the applied technique whilst staying true to their provenance.

Discover works from Siân Davey’s The Garden in a free outdoor exhibition in the Soho Photography Quarter just outside the Gallery. Starting in 2020, British photographer Siân Davey transformed her abandoned garden over three summers into a vibrant space, filled with wildflowers, birdsong and people. Together with her son, Luke, Davey cultivated a space rooted in love. They researched native flowers and encouraged biodiversity, sourcing seeds and plants locally. When the flowers bloomed, they called in the community. Everyone had a place in The Garden; the mothers and daughters, the lonely, the marginalised, lovers, the traumatised and heartbroken and those that had concealed a lifetime of shame. The space became an expression of yearning, defiance, joy and interconnectedness.

Discover works from Siân Davey’s The Garden in a free outdoor exhibition in the Soho Photography Quarter just outside the Gallery. Starting in 2020, British photographer Siân Davey transformed her abandoned garden over three summers into a vibrant space, filled with wildflowers, birdsong and people. Together with her son, Luke, Davey cultivated a space rooted in love. They researched native flowers and encouraged biodiversity, sourcing seeds and plants locally. When the flowers bloomed, they called in the community. Everyone had a place in The Garden; the mothers and daughters, the lonely, the marginalised, lovers, the traumatised and heartbroken and those that had concealed a lifetime of shame. The space became an expression of yearning, defiance, joy and interconnectedness.

Discover works from Siân Davey’s The Garden in a free outdoor exhibition in the Soho Photography Quarter just outside the Gallery. Starting in 2020, British photographer Siân Davey transformed her abandoned garden over three summers into a vibrant space, filled with wildflowers, birdsong and people. Together with her son, Luke, Davey cultivated a space rooted in love. They researched native flowers and encouraged biodiversity, sourcing seeds and plants locally. When the flowers bloomed, they called in the community. Everyone had a place in The Garden; the mothers and daughters, the lonely, the marginalised, lovers, the traumatised and heartbroken and those that had concealed a lifetime of shame. The space became an expression of yearning, defiance, joy and interconnectedness.

With the hottest headliners and music legends both past and present, this is the ultimate festival experience that you do not want to miss!

London West End Opera's Tina Turner The Musical is a tribute show to the story and hits of artist Tina Turner, a singer whose touching songs and legends have drawn countless audiences to the theatre. The show takes place at the Aldwych Theatre, which was listed as a Grade II listed building in the UK in 1971. The theatre has three tiers of seating and an estimated capacity of 1,200.

London West End Opera's Tina Turner The Musical is a tribute show to the story and hits of artist Tina Turner, a singer whose touching songs and legends have drawn countless audiences to the theatre. The show takes place at the Aldwych Theatre, which was listed as a Grade II listed building in the UK in 1971. The theatre has three tiers of seating and an estimated capacity of 1,200.

London West End Opera's Tina Turner The Musical is a tribute show to the story and hits of artist Tina Turner, a singer whose touching songs and legends have drawn countless audiences to the theatre. The show takes place at the Aldwych Theatre, which was listed as a Grade II listed building in the UK in 1971. The theatre has three tiers of seating and an estimated capacity of 1,200.