Featured Events in Berlin in October, 2024 (April Updated)

The Berlinische Galerie has devoted over 1000 square metres to presenting its collection. Waiting to be discovered among the roughly 250 works on show are paintings, prints, photographs, architecture and archive materials rarely or never displayed before. Walking around this exhibition is like time travel and takes visitors through Berlin in 17 chapters: the Kaiser’s era, the Weimar Republic, the Nazi dictatorship, the new beginnings after 1945, Cold War in the divided city, and the counter-cultures and unconventional lifestyles that evolved in East and West under the shadow of the Wall. In East Berlin, an alternative art community developed from the late 1970s. In West Berlin from the late 1970s, aggressive art by the “Neue Wilden” placed the divided city back in the international limelight.

The International Spy Museum is proud to host this official exhibition of iconic vehicles, all used on-screen by 007 and his many allies and adversaries. While James Bond is a fictional character, he embodies the spirit of many real spies in this museum. These men and women, from around the world, were inspired by over six decades of the Bond film franchise and its enduring cultural influence. Bond In Motion is a celebration of six decades of 007 vehicles. The exhibition features 17 iconic pieces from the EON Productions Archive and the Ian Fleming Foundation. Props, models scale and clips from the films are also on show alongside cars, motorcycles, submarines, and more from the Q Branch garage.

The exhibition is aimed at gamers of all ages, but also at visitors who have little experience with computer games. The fact that computer games have developed into a leading medium is no longer a daring thesis. The social and aesthetic significance of the interactive and multimedia medium can no longer be overlooked. The computer game has freed itself from its origins as a laboratory experiment and toy and has become "the" medium of digital society, somewhere between pop culture, entertainment and art. With the opening of the exhibition »The World of Games« in the fall of 1997, the ZKM was one of the first art institutions worldwide to give video game culture a permanent public platform in an art context. Since then, the ZKM has repeatedly reshaped the presentation of games in a series of different exhibitions.

The Berlinische Galerie has devoted over 1000 square metres to presenting its collection. Waiting to be discovered among the roughly 250 works on show are paintings, prints, photographs, architecture and archive materials rarely or never displayed before. Walking around this exhibition is like time travel and takes visitors through Berlin in 17 chapters: the Kaiser’s era, the Weimar Republic, the Nazi dictatorship, the new beginnings after 1945, Cold War in the divided city, and the counter-cultures and unconventional lifestyles that evolved in East and West under the shadow of the Wall. In East Berlin, an alternative art community developed from the late 1970s. In West Berlin from the late 1970s, aggressive art by the “Neue Wilden” placed the divided city back in the international limelight.

The central work in the exhibition is the series Birkenau (2014), consisting of four large-format, abstract paintings. Birkenau is the result of Richter’s long and in-depth engagement with the Holocaust and the possibilities of representing it. The works are based on four photographs taken in the concentration camp Auschwitz-Birkenau, which the artist transposed to four canvases before gradually painting over them. With each layer of paint, the depiction of the photographic original disappeared a little more, until it eventually became invisible. The work also includes a large four-part mirror, which is positioned opposite the four Birkenau canvases, creating another level of reflection. Alongside the Birkenau series, other loaned works from various phases of Richter’s career will be exhibited, among them Squatters’ House (1989), 6 Standing Panes (2002), and 4,900 Colours (2007). There is also another large group of works from Richter’s striking series of overpainted photographs.

The central work in the exhibition is the series Birkenau (2014), consisting of four large-format, abstract paintings. Birkenau is the result of Richter’s long and in-depth engagement with the Holocaust and the possibilities of representing it. The works are based on four photographs taken in the concentration camp Auschwitz-Birkenau, which the artist transposed to four canvases before gradually painting over them. With each layer of paint, the depiction of the photographic original disappeared a little more, until it eventually became invisible. The work also includes a large four-part mirror, which is positioned opposite the four Birkenau canvases, creating another level of reflection. Alongside the Birkenau series, other loaned works from various phases of Richter’s career will be exhibited, among them Squatters’ House (1989), 6 Standing Panes (2002), and 4,900 Colours (2007). There is also another large group of works from Richter’s striking series of overpainted photographs.

LAS Art Foundation is pleased to present Pollinator Pathmaker, a living artwork and participatory project conceived by artist Alexandra Daisy Ginsberg. This impactful initiative in interspecies art uses algorithmic technology to generate planting schemes for gardens, computed to support the greatest diversity of pollinating insects possible. It signals a shift toward the post-anthropocentric thinking necessary to face the current climate and biodiversity crises, and toward the non-human aesthetics and experimental formats that pave the way. Ambitious and future-minded, it is exemplary of how art can act as a driver for change, and offer new perspectives on our shared planet. Growing in the forecourt of the Museum für Naturkunde Berlin, the LAS- commissioned garden will be the first edition outside of the UK. LAS has committed to amplifying Pollinator Pathmaker’s impact by undertaking an extensive public campaign, which calls upon local communities, hobby gardeners and activists to get involved in pollinator protection by planting their own version of the artwork – what the artist refers to as DIY Editions – via Ginsberg’s free online tool: www.pollinator.art. Responding to the alarming decline in pollinator populations in recent decades, Ginsberg has worked with horticulturalists, pollinator experts and an AI scientist to devise an algorithmic tool that designs bespoke gardens for pollinating insects. Supported by the Museum für Naturkunde Berlin, the LAS Edition will be customised for Continental Europe, and will feature more than 7,000 plants of 80 different varieties, planted over a 722-square-metre plot.

LAS Art Foundation is pleased to present Pollinator Pathmaker, a living artwork and participatory project conceived by artist Alexandra Daisy Ginsberg. This impactful initiative in interspecies art uses algorithmic technology to generate planting schemes for gardens, computed to support the greatest diversity of pollinating insects possible. It signals a shift toward the post-anthropocentric thinking necessary to face the current climate and biodiversity crises, and toward the non-human aesthetics and experimental formats that pave the way. Ambitious and future-minded, it is exemplary of how art can act as a driver for change, and offer new perspectives on our shared planet. Growing in the forecourt of the Museum für Naturkunde Berlin, the LAS- commissioned garden will be the first edition outside of the UK. LAS has committed to amplifying Pollinator Pathmaker’s impact by undertaking an extensive public campaign, which calls upon local communities, hobby gardeners and activists to get involved in pollinator protection by planting their own version of the artwork – what the artist refers to as DIY Editions – via Ginsberg’s free online tool: www.pollinator.art. Responding to the alarming decline in pollinator populations in recent decades, Ginsberg has worked with horticulturalists, pollinator experts and an AI scientist to devise an algorithmic tool that designs bespoke gardens for pollinating insects. Supported by the Museum für Naturkunde Berlin, the LAS Edition will be customised for Continental Europe, and will feature more than 7,000 plants of 80 different varieties, planted over a 722-square-metre plot.

LAS Art Foundation is pleased to present Pollinator Pathmaker, a living artwork and participatory project conceived by artist Alexandra Daisy Ginsberg. This impactful initiative in interspecies art uses algorithmic technology to generate planting schemes for gardens, computed to support the greatest diversity of pollinating insects possible. It signals a shift toward the post-anthropocentric thinking necessary to face the current climate and biodiversity crises, and toward the non-human aesthetics and experimental formats that pave the way. Ambitious and future-minded, it is exemplary of how art can act as a driver for change, and offer new perspectives on our shared planet. Growing in the forecourt of the Museum für Naturkunde Berlin, the LAS- commissioned garden will be the first edition outside of the UK. LAS has committed to amplifying Pollinator Pathmaker’s impact by undertaking an extensive public campaign, which calls upon local communities, hobby gardeners and activists to get involved in pollinator protection by planting their own version of the artwork – what the artist refers to as DIY Editions – via Ginsberg’s free online tool: www.pollinator.art. Responding to the alarming decline in pollinator populations in recent decades, Ginsberg has worked with horticulturalists, pollinator experts and an AI scientist to devise an algorithmic tool that designs bespoke gardens for pollinating insects. Supported by the Museum für Naturkunde Berlin, the LAS Edition will be customised for Continental Europe, and will feature more than 7,000 plants of 80 different varieties, planted over a 722-square-metre plot.

The International Spy Museum is proud to host this official exhibition of iconic vehicles, all used on-screen by 007 and his many allies and adversaries. While James Bond is a fictional character, he embodies the spirit of many real spies in this museum. These men and women, from around the world, were inspired by over six decades of the Bond film franchise and its enduring cultural influence. Bond In Motion is a celebration of six decades of 007 vehicles. The exhibition features 17 iconic pieces from the EON Productions Archive and the Ian Fleming Foundation. Props, models scale and clips from the films are also on show alongside cars, motorcycles, submarines, and more from the Q Branch garage.

The International Spy Museum is proud to host this official exhibition of iconic vehicles, all used on-screen by 007 and his many allies and adversaries. While James Bond is a fictional character, he embodies the spirit of many real spies in this museum. These men and women, from around the world, were inspired by over six decades of the Bond film franchise and its enduring cultural influence. Bond In Motion is a celebration of six decades of 007 vehicles. The exhibition features 17 iconic pieces from the EON Productions Archive and the Ian Fleming Foundation. Props, models scale and clips from the films are also on show alongside cars, motorcycles, submarines, and more from the Q Branch garage.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

The exhibition is aimed at gamers of all ages, but also at visitors who have little experience with computer games. The fact that computer games have developed into a leading medium is no longer a daring thesis. The social and aesthetic significance of the interactive and multimedia medium can no longer be overlooked. The computer game has freed itself from its origins as a laboratory experiment and toy and has become "the" medium of digital society, somewhere between pop culture, entertainment and art. With the opening of the exhibition »The World of Games« in the fall of 1997, the ZKM was one of the first art institutions worldwide to give video game culture a permanent public platform in an art context. Since then, the ZKM has repeatedly reshaped the presentation of games in a series of different exhibitions.

The exhibition is aimed at gamers of all ages, but also at visitors who have little experience with computer games. The fact that computer games have developed into a leading medium is no longer a daring thesis. The social and aesthetic significance of the interactive and multimedia medium can no longer be overlooked. The computer game has freed itself from its origins as a laboratory experiment and toy and has become "the" medium of digital society, somewhere between pop culture, entertainment and art. With the opening of the exhibition »The World of Games« in the fall of 1997, the ZKM was one of the first art institutions worldwide to give video game culture a permanent public platform in an art context. Since then, the ZKM has repeatedly reshaped the presentation of games in a series of different exhibitions.

The Berlinische Galerie has devoted over 1000 square metres to presenting its collection. Waiting to be discovered among the roughly 250 works on show are paintings, prints, photographs, architecture and archive materials rarely or never displayed before. Walking around this exhibition is like time travel and takes visitors through Berlin in 17 chapters: the Kaiser’s era, the Weimar Republic, the Nazi dictatorship, the new beginnings after 1945, Cold War in the divided city, and the counter-cultures and unconventional lifestyles that evolved in East and West under the shadow of the Wall. In East Berlin, an alternative art community developed from the late 1970s. In West Berlin from the late 1970s, aggressive art by the “Neue Wilden” placed the divided city back in the international limelight.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Already 2,000 years ago, the emperors of China had portraits of loyal officials and generals made in order to display them in their palaces. This presentation features depictions of meritorious officers that the Qianlong Emperor (r. 1736–1795) had commissioned for their display in the hall of fame Ziguangge to demonstrate his power and legitimacy. In the 20th century they became spoils of war not one but two times. Located adjacent to the Forbidden City in Beijing, the Ziguangge is a two-storey pavilion. During the reign of the Qianlong Emperor (r. 1736 – 1795), the building was a venue for military rituals and banquets and housed paintings with battle scenes of the imperial military campaigns and portraits of meritorious officers.

Already 2,000 years ago, the emperors of China had portraits of loyal officials and generals made in order to display them in their palaces. This presentation features depictions of meritorious officers that the Qianlong Emperor (r. 1736–1795) had commissioned for their display in the hall of fame Ziguangge to demonstrate his power and legitimacy. In the 20th century they became spoils of war not one but two times. Located adjacent to the Forbidden City in Beijing, the Ziguangge is a two-storey pavilion. During the reign of the Qianlong Emperor (r. 1736 – 1795), the building was a venue for military rituals and banquets and housed paintings with battle scenes of the imperial military campaigns and portraits of meritorious officers.

Already 2,000 years ago, the emperors of China had portraits of loyal officials and generals made in order to display them in their palaces. This presentation features depictions of meritorious officers that the Qianlong Emperor (r. 1736–1795) had commissioned for their display in the hall of fame Ziguangge to demonstrate his power and legitimacy. In the 20th century they became spoils of war not one but two times. Located adjacent to the Forbidden City in Beijing, the Ziguangge is a two-storey pavilion. During the reign of the Qianlong Emperor (r. 1736 – 1795), the building was a venue for military rituals and banquets and housed paintings with battle scenes of the imperial military campaigns and portraits of meritorious officers.

Mark Bradford, with his layered forms, materials and conceptual complexity, explores the social and political structures that reify marginalized communities and vulnerable groups. As Bradford's first solo exhibition in Germany, it also marks the reopening of the historic Rick Hall of the Hamburger Bahnhof Museum. On display are 19 works he has created over the past 20 years. The exhibition will travel to the Aijulie Pacific Museum in Seoul in August this year and will be exhibited at the Kunstmuseum Bern in Switzerland in February next year.

Mark Bradford, with his layered forms, materials and conceptual complexity, explores the social and political structures that reify marginalized communities and vulnerable groups. As Bradford's first solo exhibition in Germany, it also marks the reopening of the historic Rick Hall of the Hamburger Bahnhof Museum. On display are 19 works he has created over the past 20 years. The exhibition will travel to the Aijulie Pacific Museum in Seoul in August this year and will be exhibited at the Kunstmuseum Bern in Switzerland in February next year.

Mark Bradford, with his layered forms, materials and conceptual complexity, explores the social and political structures that reify marginalized communities and vulnerable groups. As Bradford's first solo exhibition in Germany, it also marks the reopening of the historic Rick Hall of the Hamburger Bahnhof Museum. On display are 19 works he has created over the past 20 years. The exhibition will travel to the Aijulie Pacific Museum in Seoul in August this year and will be exhibited at the Kunstmuseum Bern in Switzerland in February next year.

Mark Bradford, with his layered forms, materials and conceptual complexity, explores the social and political structures that reify marginalized communities and vulnerable groups. As Bradford's first solo exhibition in Germany, it also marks the reopening of the historic Rick Hall of the Hamburger Bahnhof Museum. On display are 19 works he has created over the past 20 years. The exhibition will travel to the Aijulie Pacific Museum in Seoul in August this year and will be exhibited at the Kunstmuseum Bern in Switzerland in February next year.

The VENUS Berlin 2023 features film producers, love toys and lingerie, there are also traders on location presenting furniture, clothing and alcoholic beverages for example, in the exhibition halls under the Funkturm The VENUS Berlin features film producers, love toys and lingerie, there are also traders on location presenting furniture, clothing and alcoholic beverages for example, in the exhibition halls under the Funkturm. Information Source: VENUS Berlin GmbH | expotobi

The Asian Civilisations Museum presents Textile Masters to the World: The global desire for Indian cloth with a selection of exquisite garments and textiles at its Fashion and Textiles Gallery. Featuring 27 pieces from the National Collection and loans, the exhibition spotlights the historic global impact of textile production in India, and its role as evidence of trade and cultural exchange between India and regions such as the Middle East, Southeast Asia, and Europe from the fourteenth to nineteenth century. From fashion and furnishing, to gift exchange and heirlooms, visitors can marvel at the artistry and craftsmanship of early textile masters, and discover how Indian textiles influenced local designs, materials and fashions wherever they were traded.

Ein (Bewegungs-)Chorprojekt mit Frauen nach dem Klassiker von Marlen Haushofer. Von Catherine Jodoin & kainkollektiv in Kooperation mit der Bürger*innen Bühne Dresden. Eine Frau findet sich eines Morgens im Gebirge durch eine unsichtbare Wand von der Zivilisation abgeschottet. Die ambivalente Situation aus Sicherheit und Bedrohung entfaltet ein Spektrum an Bezügen, von feministischer Selbstermächtigung bis zur aktuellen weltpolitischen Situation. An der Grenze zwischen Individuum und Kollektiv setzen sich die Darstellerinnen mit ihren persönlichen ‘Wänden’ auseinander. Was führt zum Bruch zwischen uns und der Welt? Welche Ereignisse verändern plötzlich alles für alle? Based on Marlen Haushofer’s modern classic “The wall”: In the mountains, a woman is suddenly shut off from the world by a mysterious wall. The ambivalence of safety and threat reflects on female esistance and political uncertainty. Information Source: tak - Theater Aufbau Kreuzberg | eventbrite