Latest Events in Zurich(May Updated)

Megadeth Zurich is set to electrify the Hallenstadion in Zurich on October 4, 2025, at 20:00. This highly anticipated event promises an unforgettable evening of heavy metal, featuring the legendary band Megadeth. Known for their powerful performances and iconic hits, Megadeth will deliver a show that fans will not want to miss. The Hallenstadion, located in the heart of Zurich, Switzerland, provides the perfect venue for this monumental concert, offering excellent acoustics and a vibrant atmosphere. Tickets are priced at 183 USD, reflecting the premium experience attendees can expect. With a reputation for selling out quickly, securing tickets early is advisable. Megadeth Zurich is poised to be a standout event in Zurich's 2025 concert calendar, drawing metal enthusiasts from near and far to witness a night of unparalleled musical prowess.

Wilhelm Lehmbruck (1881 Duisburg – 1919 Berlin), one of the most important sculptors of his generation, moved to Zurich from Germany in 1916. During the First World War, the city became a meeting place for international artists. It was in this inspiring environment that Lehmbruck reached another peak of his powers: his last works in particular reveal him to be a visionary, charting out a new course with his ‘mental’ sculptures. Joining him in a visual dialogue is the contemporary Swiss artist Yves Netzhammer (b. 1970 Schaffhausen), whose drawings, spatial installations and computer-generated video films are a captivating blend of corporeal appearance and pictorial narrative. Netzhammer will conceive the overall spatial design of the exhibition and develop new works in resonance with Lehmbruck. The exhibition is a cooperation with the Kunstmuseum Moritzburg in Halle (Saale), in collaboration with the Lehmbruck Museum, Duisburg.

Wilhelm Lehmbruck (1881 Duisburg – 1919 Berlin), one of the most important sculptors of his generation, moved to Zurich from Germany in 1916. During the First World War, the city became a meeting place for international artists. It was in this inspiring environment that Lehmbruck reached another peak of his powers: his last works in particular reveal him to be a visionary, charting out a new course with his ‘mental’ sculptures. Joining him in a visual dialogue is the contemporary Swiss artist Yves Netzhammer (b. 1970 Schaffhausen), whose drawings, spatial installations and computer-generated video films are a captivating blend of corporeal appearance and pictorial narrative. Netzhammer will conceive the overall spatial design of the exhibition and develop new works in resonance with Lehmbruck. The exhibition is a cooperation with the Kunstmuseum Moritzburg in Halle (Saale), in collaboration with the Lehmbruck Museum, Duisburg.

The Collection of Prints and Drawings at the Kunsthaus is a true treasure trove, hardly known to its visitors. In 2025 we highlight a selection of remarkable works from the extensive holdings of prints. Printing is far more than simply a reproductive medium. The use of printer’s ink and the play of line and surface invariably also bring unique qualities to the fore. Our selection comprises artists whose works literally ‘made an impression’ on generations that followed, by setting standards in the technique of printmaking: figures from Dürer to Munch and Kollwitz, and from Rembrandt and Goya to Roth. While this ‘tour d’horizon’ also covers all formats, from XS to XL, we deliberately avoid a hierarchical categorization of works according to size. The fact is that quite often, a print’s appeal only becomes evident when you zoom in on the minute details.

The Collection of Prints and Drawings at the Kunsthaus is a true treasure trove, hardly known to its visitors. In 2025 we highlight a selection of remarkable works from the extensive holdings of prints. Printing is far more than simply a reproductive medium. The use of printer’s ink and the play of line and surface invariably also bring unique qualities to the fore. Our selection comprises artists whose works literally ‘made an impression’ on generations that followed, by setting standards in the technique of printmaking: figures from Dürer to Munch and Kollwitz, and from Rembrandt and Goya to Roth. While this ‘tour d’horizon’ also covers all formats, from XS to XL, we deliberately avoid a hierarchical categorization of works according to size. The fact is that quite often, a print’s appeal only becomes evident when you zoom in on the minute details.

The Collection of Prints and Drawings at the Kunsthaus is a true treasure trove, hardly known to its visitors. In 2025 we highlight a selection of remarkable works from the extensive holdings of prints. Printing is far more than simply a reproductive medium. The use of printer’s ink and the play of line and surface invariably also bring unique qualities to the fore. Our selection comprises artists whose works literally ‘made an impression’ on generations that followed, by setting standards in the technique of printmaking: figures from Dürer to Munch and Kollwitz, and from Rembrandt and Goya to Roth. While this ‘tour d’horizon’ also covers all formats, from XS to XL, we deliberately avoid a hierarchical categorization of works according to size. The fact is that quite often, a print’s appeal only becomes evident when you zoom in on the minute details.

Brazilian artist Lygia Clark (1920 Belo Horizonte – 1988 Rio de Janeiro) radically redefined the concept of art and is one of the most important art practitioners in South America. One of the leading figures in the Neoconcretismo movement established in Rio de Janeiro in 1959, she encouraged a bodily experience of art that involves people in the work and makes them part of it. With installations that visitors could activate, walk through and touch, she challenged conventional notions of sculpture and expanded art into a holistic and sensual experience. Despite the pre-eminence of Abstract Expressionism and later Pop Art, Clark was remarkably successful in asserting her unconventional ideas during Brazil’s military dictatorship from 1964 to 1985 – a time when artistic freedom was under threat. In this exhibition, the first retrospective in a German-speaking country, we celebrate her unconventional and still highly exciting historical work. She herself said: ‘For me, making art is about developing as a person, which is the most important thing of all. Art should not seek to emulate a name or any kind of concept.’ Today, in an age of digital transformation and globalization mingled with self-alienation, her oeuvre speaks more than ever to all the senses. A retrospective in cooperation with the Neue Nationalgalerie in Berlin in collaboration with the Associação Cultural Lygia Clark in Rio de Janeiro. The exhibition is accompanied by a separate presentation in collaboration with Museum Haus Konstruktiv, which focuses on links between Switzerland and Brazil and, in particular, the influence of the Zurich Concrete artist Max Bill on Lygia Clark and her generation, and their emancipation from him.

Brazilian artist Lygia Clark (1920 Belo Horizonte – 1988 Rio de Janeiro) radically redefined the concept of art and is one of the most important art practitioners in South America. One of the leading figures in the Neoconcretismo movement established in Rio de Janeiro in 1959, she encouraged a bodily experience of art that involves people in the work and makes them part of it. With installations that visitors could activate, walk through and touch, she challenged conventional notions of sculpture and expanded art into a holistic and sensual experience. Despite the pre-eminence of Abstract Expressionism and later Pop Art, Clark was remarkably successful in asserting her unconventional ideas during Brazil’s military dictatorship from 1964 to 1985 – a time when artistic freedom was under threat. In this exhibition, the first retrospective in a German-speaking country, we celebrate her unconventional and still highly exciting historical work. She herself said: ‘For me, making art is about developing as a person, which is the most important thing of all. Art should not seek to emulate a name or any kind of concept.’ Today, in an age of digital transformation and globalization mingled with self-alienation, her oeuvre speaks more than ever to all the senses. A retrospective in cooperation with the Neue Nationalgalerie in Berlin in collaboration with the Associação Cultural Lygia Clark in Rio de Janeiro. The exhibition is accompanied by a separate presentation in collaboration with Museum Haus Konstruktiv, which focuses on links between Switzerland and Brazil and, in particular, the influence of the Zurich Concrete artist Max Bill on Lygia Clark and her generation, and their emancipation from him.

Brazilian artist Lygia Clark (1920 Belo Horizonte – 1988 Rio de Janeiro) radically redefined the concept of art and is one of the most important art practitioners in South America. One of the leading figures in the Neoconcretismo movement established in Rio de Janeiro in 1959, she encouraged a bodily experience of art that involves people in the work and makes them part of it. With installations that visitors could activate, walk through and touch, she challenged conventional notions of sculpture and expanded art into a holistic and sensual experience. Despite the pre-eminence of Abstract Expressionism and later Pop Art, Clark was remarkably successful in asserting her unconventional ideas during Brazil’s military dictatorship from 1964 to 1985 – a time when artistic freedom was under threat. In this exhibition, the first retrospective in a German-speaking country, we celebrate her unconventional and still highly exciting historical work. She herself said: ‘For me, making art is about developing as a person, which is the most important thing of all. Art should not seek to emulate a name or any kind of concept.’ Today, in an age of digital transformation and globalization mingled with self-alienation, her oeuvre speaks more than ever to all the senses. A retrospective in cooperation with the Neue Nationalgalerie in Berlin in collaboration with the Associação Cultural Lygia Clark in Rio de Janeiro. The exhibition is accompanied by a separate presentation in collaboration with Museum Haus Konstruktiv, which focuses on links between Switzerland and Brazil and, in particular, the influence of the Zurich Concrete artist Max Bill on Lygia Clark and her generation, and their emancipation from him.

Mumford & Sons Zurich promises to be an unforgettable evening of music and emotion, set against the backdrop of the iconic Hallenstadion in Zurich, Switzerland. Scheduled for November 20, 2025, at 20:00, this event will showcase the band's signature blend of folk rock and heartfelt lyrics. With tickets priced at 147 USD, attendees will experience a night filled with the soulful melodies and powerful performances that Mumford & Sons are renowned for. The Hallenstadion, known for its excellent acoustics and vibrant atmosphere, will provide the perfect venue for this highly anticipated concert. Fans can expect to hear a mix of classic hits and new material, making Mumford & Sons Zurich a must-see event for music lovers.

AQUA Suisse is the swiss trade fair for water, sewage and gas AQUA Suisse is the swiss trade fair for water, sewage and gas. AQUA Suisse offers you a comprehensive overview of the latest technologies and solutions as well as a meeting place where the topics of the future are discussed by experts and practitioners of the Swiss water and gas industry. Join us and make AQUA Suisse your industry forum in the metropolitan region of Zurich. Information Source: Easyfairs Group | expotobi

Pumps and Valves event will focus on industrial pumps and valves and it not only offers trends in the industry but it also provides the platform for business and intensive exchange of information Pumps and Valves event will focus on industrial pumps and valves and it not only offers trends in the industry but it also provides the platform for business and intensive exchange of information. Information Source: Easyfairs Group | expotobi

Rod Stewart Zurich promises to be an unforgettable evening of music and entertainment, set to take place at the renowned Hallenstadion in Zurich, Switzerland. On December 5, 2025, at 20:00, fans will gather to experience the legendary Rod Stewart as he performs his greatest hits. With a career spanning over five decades, Stewart's iconic voice and charismatic stage presence have captivated audiences worldwide. The Hallenstadion, known for its excellent acoustics and modern amenities, provides the perfect backdrop for this highly anticipated event. Tickets are priced at 210 USD, reflecting the high demand and exceptional quality of the performance. Attendees can look forward to a night filled with classic rock anthems, soulful ballads, and the timeless charm that only Rod Stewart can deliver. This event is set to be a highlight of Zurich's cultural calendar, drawing music lovers from near and far to witness a true icon in action.

Sechseläuten (Sechseläuten) is an annual traditional spring celebration in Zurich, Switzerland, usually held on the third Monday of April. This festival marks the end of winter and the arrival of spring, and its history can be traced back to the 16th century. The core activity of the Sechseläuten is the burning of a snowman figure called "Böögg", which symbolizes winter. Böögg is placed on a pile of firewood and, after being lit, the time it takes for the snowman's head to explode is considered a traditional way of predicting the upcoming summer weather: the faster it burns, the better the summer will be. On the day of the festival, members of various guilds in Zurich dress in traditional costumes and participate in a grand parade that starts from the city center and eventually reaches the site of the burning of Böögg. In addition, the festival is accompanied by music, dance and rich food, and is an excellent opportunity to experience Zurich's culture and history.

Sechseläuten (Sechseläuten) is an annual traditional spring celebration in Zurich, Switzerland, usually held on the third Monday of April. This festival marks the end of winter and the arrival of spring, and its history can be traced back to the 16th century. The core activity of the Sechseläuten is the burning of a snowman figure called "Böögg", which symbolizes winter. Böögg is placed on a pile of firewood and, after being lit, the time it takes for the snowman's head to explode is considered a traditional way of predicting the upcoming summer weather: the faster it burns, the better the summer will be. On the day of the festival, members of various guilds in Zurich dress in traditional costumes and participate in a grand parade that starts from the city center and eventually reaches the site of the burning of Böögg. In addition, the festival is accompanied by music, dance and rich food, and is an excellent opportunity to experience Zurich's culture and history.

The Innovation Forum Energy 2024 is a prestigious Swiss event that serves as an independent platform for market participants and decision makers within the energy sector. Held in the vibrant city of Zurich, this forum creates an unparalleled opportunity for industry professionals to gather and exchange insights, foster collaboration, and explore new trends and innovations that are shaping the future of the energy industry. Taking place at the renowned Zurich Marriott Hotel, located at Neumühlequai 42, 8006 Zurich, Switzerland, the event is scheduled from May 16th to May 17th, 2024. With a focus on driving progress and advancements in the energy sector, the Innovation Forum Energy 2024 aims to facilitate meaningful discussions, showcase cutting-edge technologies, and promote sustainable practices that will shape the energy landscape for years to come. By joining the Innovation Forum Energy 2024, participants will gain valuable knowledge, network with industry leaders, and gain insights into the latest trends and developments shaping the energy sector. This event is a must-attend for professionals looking to stay at the forefront of the industry and make informed decisions that will drive positive change. Don't miss the opportunity to be part of this influential event. Mark your calendar for the Innovation Forum Energy 2024 and join industry experts, decision makers, and market participants in Zurich as they shape the future of the energy sector.

We present a unique exhibition that highlights the artistic and biographical parallels between the Chinese-Canadian painter Matthew Wong and Vincent van Gogh. The focus is on 40 imaginary landscapes and interiors by Matthew Wong, which are being shown for the first time in Switzerland, complemented by selected masterpieces by Vincent van Gogh.

Hold onto your hats, folks, because the Berufs Messe Zurich 2024 is just around the corner! Set to take place in the heart of Switzerland, this event promises to be the talk of the town. Picture this: a bustling venue right in the Zurich exhibition center, where industry professionals from all corners of the globe come together in the vibrant city of Zürich. From the 19th to the 23rd of November 2024, attendees will have the chance to rub shoulders with the crème de la crème of the business world, all under one roof. With a plethora of networking opportunities, cutting-edge presentations, and hands-on workshops, the Berufs Messe Zurich 2024 is not just an event – it's the event of the year! So mark the calendars and set the reminders, because when the doors swing open at the Zurich exhibition center, located at the heart of Zürich, Switzerland, it's going to be an affair to remember. Don't miss out on the chance to be a part of this illustrious gathering, where the future of industry is shaped and success stories are written. See you there!

Rockenschaub has been transforming spaces with minimalist multimedia installations for around forty years. With constantly changing shapes, colours, sizes, materials and technologies – sometimes abstract, sometimes simplified figurative, but always with radical reduction and laconic smoothness – his installations create visual sounds and rhythms that relate to the architecture in question, setting it in tension and vibration like a musical composition. Rockenschaub, who has also worked as a techno DJ, composes his art like musical tracks: empty spaces correspond to pauses, settings create sounds and beats. For this new exhibition, the artist has produced rectangular, monochrome lacquered MDF panels of varying colour and size, which he positions above and below a continuous horizontal line on the walls of the exhibition space. In this way he organizes the space and creates a pulsating atmosphere that feels like a soundscape – stimulating visually, physically and emotionally. The idea of painting evoked by the coloured MDF panels is completely removed: In their pointed interplay, the objects experience an enormous expansion and completely transform their surroundings. Instead of looking at pictures, we experience the whole space as a picture. Rockenschaub never thinks in terms of individual works. Each object has a specific function within the overall context of an exhibition. The precise placement of the elements in dialogue with the architecture is crucial to creating dynamism. Although the artist designs his installations precisely on the computer in advance, the final steps are ultimately spontaneous and playful. Despite their edgy coolness, playfulness and subtle humour are the parameters within which Rockenschaub’s works unfold their energy. This is precisely what his work, which emerged in the 1980s in the context of the Neo Geo movement, is all about: using radically reduced means to achieve powerful atmospheric effects that appeal to all the senses. In contrast to classical minimal or conceptual art, he creates a mixture of pop and primary structures that recall traditional genres of art history as well as our thoroughly designed everyday life. Rockenschaub nonchalantly disrupts both – and ends up somewhere between fun, funky and frivolous: with an art that defies any art historical categorization. Gesine Borcherdt Gerwald Rockenschaub was born in 1952 in Linz, Austria. He works and lives in Berlin, Germany. His most recent solo-exhibitions took place in museums such as Belvedere 21, Vienna, AT (2022-2023); Schlossmuseum Linz, Linz, AT (2023), Sammlung Goetz, Munich, DE (2017); Kunstmuseum St. Gallen, CH (2016); Neuer Berliner Kunstverein, Berlin, DE (2016); and The M Building, Miami, FL, US (2014). In 1993 he represented Austria together with Andrea Fraser and Christian Philipp Müller at the 45th Biennale of Venice. Group-shows in major museums include: Faking the Real, Kunsthaus Graz, AT (2022); Wände | Walls, Kunstmuseum Stuttgart, DE (2020); Abstract painting now!, Kunsthalle Krems, Krems an der Donau, AT (2017); Painting 2.0. Malerei im Informationszeitalter, MUMOK Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, AT (2016); Unlimited, Art Basel, Basel, CH (2015); Künstler und Dichter, Secession, Vienna, AT (2015, curated by Ugo Rondinone); and Decorum Carpets & tapestries by artists, Power Station of Art, Shanghai, CN (2014).

FINANZ 2024, held at the StageOne Event and Convention Hall in Zurich, is set to be an extraordinary event in its anniversary year. With a laser focus on professional investors, FINANZ 2024 is establishing a distinct and well-defined profile. In line with this strategic direction, the event program has been meticulously designed to cater exclusively to professionals. Both days of the fair will be exclusively reserved for this target audience, which encompasses asset managers, private bankers, family offices, pension funds, and more. Taking place from April 24th to April 25th, 2024, in the heart of Zurich, FINANZ 2024 promises to be an unparalleled opportunity for professionals in the finance industry. With a serious and official tone, this event aims to provide a calm and conducive environment for networking, knowledge exchange, and business collaborations. Don't miss this exclusive gathering that is tailor-made for professionals seeking to explore the latest trends, expand their network, and drive their financial success. Mark your calendar for FINANZ 2024 in Zurich and join the industry's top professionals.