Latest Events in Zurich(July Updated)

For Luigi Ghirri the phrase encloses many of the meanings and motivations that have always accompanied his work. The exhibition encompasses a precious selection of photographs spanning multiple series by the artist, the earliest of which is from 1974: the most recent from 1990: . Walking the streets of Modena, the small town where the artist had lived since the early 1970s, or driving around the surrounding countryside; Ghirri was interested in capturing Italian life and landscape in its various articulations: piazzas, facades of ordinary houses and ruins; their doors, windows, wall colors, tiles; in short – parts of the everyday – which, to him, precisely because they appeared so anonymous and forlorn at times, seemed to be waiting for someone to give them an identity. In his quest, Ghirri visited many popular places such as urban parks or seaside resorts – a fairground in Modena, Capri, an island in the Tyrrhenian Sea, as well as many beaches along the Adriatic coast. Ghirri's formative years as a topographer brought an essential quality in terms of scale and measurement to his photographic work, a subtle interplay between the immediate, the intermediate and the infinite, that raised the question of what photography stands for when it's not about focusing, the essential decision about what is part of the picture and what is not. Views of views, snippets within snippets, pictures within pictures. Through time, Ghirri became increasingly concerned with this dual reality. Putting us face to face with the reality of familiar environments, that which our eyes encounter, and seeing it with the astonishment of those viewing it for the first time. Ghirri’s view is a complex one, telling the tale of a remaining world that does not elude him. While apparently recording the visible, Luigi Ghirri’s photographs – from the conceptual to ‘magic realism’ – reveal a plurality of languages. This perhaps stems from an ingenuous desire for a return to a state of purity, a ground zero of vision that challenges and suggests a new way for us to read and interpret everything we encounter. Born in Scandiano in 1943, Luigi Ghirri spent his working life in the Emilia Romagna region, where he produced one of the most layered bodies of work – marking the start of something entirely new in the history of photography and the visual culture. Luigi Ghirri was at the height of his career when he passed away in 1992. To this day, his photographs are exhibited extensively both in Italy and abroad. Some of the most notable museum exhibitions in recent years were held at the Castello di Rivoli in Turin (2012), the MAXXI Museum in Rome (2013), and the Instituto Moreira Salles in São Paulo and Rio de Janeiro (2013). In 2018 the first major retrospective of his work outside of Italy opened at the Museum Folkwang in Essen and later traveled to the Museo Reina Sofía in Madrid and the Jeu de Paume in Paris. Luigi Ghirri’s work can also be found in many public collections: The Museum of Modern Art, New York, the Stedelijk Museum, Amsterdam, the Museum of Photography at the University of Parma, the Musée Reattu of Arles as well as the Fotomuseum, Winterthur. For autumn 2024 a retrospective of his work is planned at the MASI Lugano.

Nielsen is known for hybrid paintings and applies latex, leather, silk, and screen-print, which reveal a complex and unexpected dimension to her unique compositions. The works contain a multitude of successive and immersive layers and fictional landscapes. The ‘photo–painter–-artist’ takes photographs of random places and draws from family archives - they are her sources of inspiration and her iconography. The landscapes also inspired two new wallpapers created for the exhibition. The slayers often overlap and create ambiguity about the production process. This mental and technical ambiguity is according to Nielsen the primary path of allowing the viewer to decipher the work. Any viewer who immerses in the landscape experiences distinct colors, light, sound, and scent, which immediately weave a complex network of memories. The series (170 x 120 cm) is the first in which the brush or paint does not have an impact. Karst is a geomorphological structure resulting from the hydro-chemical and hydraulic erosion of soluble rocks. The works were made with scraps of leather from the Roux tannery, with which Nielsen is collaborating as part of her residency at LVMH in 2021. The artist enthusiastically assembled the cuts made by this particular tannery. The random shapes, sewn together by the artisans (from Mains d’oeuvre), create puzzle-like landscapes that are reminiscent of the way rocks clump together. On the sturdy leather Nielsen deploys printed organza sails which act like an illusion making houses appear as if they were on the edge of a cliff. Silk and leather are materials with almost contradictory properties and the cutouts underline this contrast. Something seems both solid, immutable (leather) and fragile, unexpected, elusive (silk). In the artist’s landscapes, the concept of cropping and cutting out the horizon and redefining the environment are structuring elements. Their motifs are constant elements and serve as catalysts to create a contradiction, a tension between the printed trace and the pictorial gesture. The direct experience of the horizon is rare, made even more laborious in urban areas where obstacles to the view, made of steel frames and grilles, sabotage the experience. This is particularly apparent in and (230 x 190 cm each). During her stay in Arles, the artist was captivated by these ornate, vernacular grids. These radial, net-like motifs serve as a filter between the landscape and the viewer, blocked or fragmenting their vision. The Camargue provides a horizontal territory and the disruptive, geometric property of these grids allowed the artist to apply the format of the canvas like a window. It creates a tangible frontier between the corporeality of the observer and the reality of the landscape. (200 x 250 cm, ascian: one that has no shadow. specifically: an inhabitant of the torrid zone where the sun is vertical at noon for a few days every year.), is a utopian vision which is part of Nielsen's research exhibited among others at the Lyon Biennale in 2022. Two fragmentary structures inspired by architecture, indicated by their rocky color, seem to float on a panoramic view at a time at which we do not know if it marks the beginning or the end of the day. These tunnels or underground water conduits that are in the foreground and the black and white screen prints are applied to the bare canvas in both and . The paint is placed on the surface, between masking tapes covering the screen-printed elements. In successive layers, the work is only revealed in its ultimate proposition once the ribbons are removed, usually in a radical motion. These arrangements act by creating an appearance, almost like a mirage, both for the painter, who only discovers the final result at the end, and the viewer is potentially disturbed by these retinal expectations. According to Nielsen, “talking about houses, architecture, landscapes is talking about humans. Moreover, this is only talking about human beings as we are linked to the ecosystem that we interpret, shape, destroy, fantasize about. Our worlds are inhabited by our desires. Habitat, shelter, and construction are linked to this projection”. The series consecrates marsh cabins as spaces of passage, border zones, limbos between land and sea. Shifting territories, whose soaked or cracked soils offer unprecedented effects of textures and reliefs, they inspire the artist to come and deploy the motif of a crumpled mosquito net screen-printed on the canvas or paper depending. This gauze is an additional frame that further blurs the gaze and ultimately embodies the ambiguity of these uncertain and enigmatic landscapes. To Nielsen, the landscape is never neutral. Space, sedimented, is made up of multiple strata; they are all at the same time and simultaneously, geological, political, and social. They are superimposed on the landscape at the same time as they make up its complexity. Accordingly, our experience of the landscape is never neutral. For (80 x 60 cm) and (73 x 55 cm) Nielsen borrows female silhouettes from the family photographic archives. Ink and acrylic are first applied on the canvas. The screen printing follows in a second step to screen the image and creates a grid that prevents the gaze and the gaps between which to observe. Then the printed silk organza is deposited as a transparent veil, a film, a plasma, or an organic hologram. The process is the same for and , in which cabins in the background were photographed in the Camargue on the edges of the marshes. The use of silk makes this admitted ambiguity of the images much more concrete. The lamination mirrors them and offers a unique visual experience, everything appears to be moving and transitioning depending on the point of view adopted by the viewer. Silk is also a distant relative of silkscreen, with which it has a historical link since it was the material originally used to transfer images. Between appearance and disappearance, the experience of this slow fragmented perception is sensitive, impactful, and almost spiritual. In this regard, and (180 x 130 cm each) offer a more disruptive experience. The oil is deposited in gradients, according to the classic sfumato technique. Printed latex is stretched over the background. The work appears like skin heated by the sun, incandescent. The viewer almost feels the warmth of the strange but seductive territories of the Camargue radiating. The very title of this series is rooted in the technique of the underlying photography. Nielsen, as an alchemist accumulates views, superimposes them, adds them, lets them contradict each other, and lets them develop, to finally restore something that echoes the sublime. According to Burke writes about a "terror delicious”: it is the intense feeling of being alive in a landscape that is also alive. The artist translates the experience of life into plural visual propositions. She reveals her obsession with a fragmentary vision and a fragmented, insoluble, imperfect, captivating relationship with the world we experience. To the viewer, the journey is as physical as it is conceptual and their relationship to Nielsen’s work seems to be in its depth and counter-form, to be of an existentialist nature. Eva Nielsen’s work has been exhibited in the following public institutions: Mac/Val, France; LACE, Los Angeles; Plataforma Revolver, Portugal; BNKR, Munich; Perm Museum, Russia; Kunsthal Charlottenborg, Denmark and Palais Pisztory, Bratislava among others. In 2009, she was awarded the Prix des Amis des Beaux-Arts Prize and in 2014 the Art Collector Prize (both in France). Her work is featured in numerous public and private collections including: the Mac/Val, the Musée de Rochechouart, the Musée des Beaux-arts de Paris, The Fiminco Fondation, The Société Générale Collection, the FMAC, the FRAC Auvergne, the Fondation Schneider, the Emerige Collection (all in France), as well as in the MOCA, Los Angeles, USA and the Fondation Thalie, Belgium. In 2021, Eva Nielsen was the laureate of the LVMH Métiers d'Arts prize. In 2022, she was nominated for the 23rd Fondation Pernod Ricard Prize "Horizones" and participated in the 16th Lyon Biennale of Contemporary Art: Manifesto of Fragility in Lyon, France. In 2023, she is the laureate with Marianne Derrien of the BMW Art Makers Prize with the Insolare Project, exhibited in Les Rencontres d’Arles in 2023.

Isabel Nuño de Buen's works appear like enigmatic relics from an unknown civilization. Their material composition and sculptural versatility convey a complex system of references, weaving motifs from the present as well as the past into poetic allusions that pivot around the artist’s personal disposition and the complexities of human experience. For her first solo exhibition at Mai 36 Galerie, Isabel Nuño de Buen (*1985, Mexico City, lives and works in Hannover) presents a selection of six unique reliefs from her ongoing series as well as two large-scale wall pieces that she personally likes to refer to as drawings. As a whole, these works provide us with a fascinating insight into her artistic journey. Besides the fluctuating, ever-evolving process of creation, it is the hybrid nature of a work of art that interests Isabel Nuño de Buen. Presented in the style of a wall tapestry, her work originates from numerous drawings that the artist executed on tracing paper, using charcoal, graphite, and watercolor. Subsequently the drawings were torn, cut, and reconfigured, until patched and sewn together into a fragmented three-dimensional wall piece, distinguished by its textural diversity and extraordinary materiality. Uniting bold imagery and organic depictions, the piece itself resembles a fragment of something larger, like a surviving piece of a historical artifact or manuscript. Characterized by gaping voids that defy clear topographical identification, the work carries a metaphorical potential and timelessness. It appeals to a transhistorical and -cultural view of human creativity in which practices like drawing and sewing are ancient art forms, which at different moments in history served to preserve knowledge and experience. Isabel Nuño de Buen’s intricately crafted are evocative and mysterious wall reliefs that remain open to speculation. It is possible to find formal connections between her work and these reliefs. Not only do they allude to the fragments and drawings at play in , but are similarly articulated by layers of materials that here pile on top of each other: papier maché armatures, segments of glazed ceramics and dyed textiles, including documents or small letters as well as drawings on transparent paper. Tied together with hand-made yarn, string or gauze, they appear like little outlandish gifts or ancient talismans. Indecipherable yet complete, these diffuse formations display a determination and precision in their form and material sensitivity, paralleled only by their intent to encode. They invite close observation but, as fragments, refuse complete clarification. With her distinctive blend of traditional techniques and innovative conceptual approaches, Nuño de Buen's work has garnered critical acclaim for its depth, complexity, and emotional resonance. With its many possible meanings, it dances around the edges of our comprehension, much like former civilizations that exist on the threshold of our understanding, yet somehow remain beyond our grasp. Isabel Nuño de Buen was born in Mexico City in 1985. She completed her studies at the HBK Braunschweig under Bogomir Ecker in 2014. In 2020 she received the Sprengel Prize from Sprengel Museum Hannover. Her works have been featured in galleries, museums and private collections across the globe. Most recently, she has had solo exhibitions at the Kunstverein Hannover, Chris Sharp Gallery LA and Sprengel Museum Hannover. In 2024, she will have a solo exhibition at ICA, Milano.⁠

Harrison is known for his clear block “encapsulations” of found African artifacts that scrutinize and bring a lens to the ineradicable effects of racism and colonialization. With rigorous technical methods, Harrison enshrines the found objects, such as African wooden sculptures and bone, in acrylic resin, plexiglass, and industrial modeling clay that he then sculpts using computer numerical control (CNC) machines. Harrison has also used these manufacturing techniques to encase recent artifacts of the American working class, speaking to labor and inequality, the politics of mass production, and anthropology. Matthew Angelo Harrison was born in 1989 in Detroit, MI, US, where he lives and works. Harrison’s solo exhibition Robota was presented at MIT List Visual Arts Center, Cambridge, MA, US (2022). Furthermore, he has been the subject of solo exhibitions at and SCAD Museum of Art, Savannah, GA, US (2022); Kunsthalle Basel, Basel, CH (2021); Broad Art Museum, Michigan State University, East Lansing, MI, US (2018); Atlanta Contemporary, Atlanta, GA, US (2017); and Museum of Contemporary Art Detroit, Detroit, MI, US (2016).

Mark your calendars, folks! All about Automation in Zurich 2024 is gearing up to be the talk of the town. Set to take place at the Zurich exhibition, nestled in the heart of Switzerland's bustling metropolis, this event promises to be a game-changer in the world of automation. From August 28th to 29th, 2024, industry professionals and enthusiasts alike will converge to explore the latest innovations and trends shaping the future of automation. With a lineup of expert speakers, cutting-edge exhibitors, and interactive workshops, attendees are in for a real treat. Whether one is a seasoned pro or just dipping their toes into the automation waters, this event is not to be missed. So, save the date and get ready to be wowed by the wonders of automation in the charming city of Zurich.

Mark your calendars, folks! All about Automation in Zurich 2024 is gearing up to be the talk of the town. Set to take place at the Zurich exhibition, nestled in the heart of Switzerland's bustling metropolis, this event promises to be a game-changer in the world of automation. From August 28th to 29th, 2024, industry professionals and enthusiasts alike will converge to explore the latest innovations and trends shaping the future of automation. With a lineup of expert speakers, cutting-edge exhibitors, and interactive workshops, attendees are in for a real treat. Whether one is a seasoned pro or just dipping their toes into the automation waters, this event is not to be missed. So, save the date and get ready to be wowed by the wonders of automation in the charming city of Zurich.

The Automation And Electronics Show 2022, taking place in Zurich at the Zurich Exhibition Hall on Wallisellenstrasse 49, is a highly anticipated event that showcases the latest developments in drive technology control engineering, electronics industrial handling, sensor technology robotics, engineering mechatronics, and accessories associations and media. From August 28th to August 29th, 2024, professionals and enthusiasts from around the world will gather to explore the cutting-edge advancements in these fields. The Automation And Electronics Show 2022 offers a unique opportunity to stay up-to-date with the latest trends and innovations in automation and electronics. Attendees will have the chance to connect with industry experts, discover new products and solutions, and gain valuable insights from thought leaders in the field. With its focus on drive technology control engineering, electronics industrial handling, sensor technology robotics, engineering mechatronics, and accessories associations and media, this event is a must-attend for anyone involved in these industries. Whether you are an engineer, a researcher, a technician, or a business professional, the Automation And Electronics Show 2022 has something to offer. Don't miss out on the chance to be part of this important event. Mark your calendars and join us at the Automation And Electronics Show 2022 in Zurich. It promises to be an enlightening and informative experience for all who attend.

Maintenance is a permanent fixture in the diaries of trade visitors from Switzerland and neighbouring countries Maintenance is a permanent fixture in the diaries of trade visitors from Switzerland and neighbouring countries. Visitors will not only encounter a range of exhibitors offering current products and solutions for all sectors of industrial maintenance, they will also witness a top-class supporting programme with various experts and in-depth presentations providing up-to-date insight into the industry. Information Source: Easyfairs Group | expotobi

All About Automation Zurich 2024 is a highly anticipated event taking place in the bustling city of Zurich. This platform offers a unique opportunity for visitors to immerse themselves in the world of industrial automation and industrial communication. Attendees will have the chance to explore cutting-edge systems, components, software, and engineering solutions specifically designed for industrial automation and communication. The event will be held at the prestigious Zurich Exhibition Hall, located at Wallisellenstrasse 49, 8050 Zürich, Switzerland. From August 28 to August 29, 2024, professionals and enthusiasts from various industries will come together to discover the latest advancements and innovations in this rapidly evolving field. All About Automation Zurich 2024 promises to be an informative and engaging experience, providing valuable insights into the future of industrial automation. Don't miss this opportunity to connect with industry experts and expand your knowledge in this critical sector. Mark your calendar and join us at All About Automation Zurich 2024 for an unforgettable event.

Zhang Xuerui uses painting and installation as media to engage in dialogue with her personal experiences, family history, the passage of time, memory and emotions.

The New Energy Investor Summit is an annual meeting for senior management, project developers and investors focusing on investments in Renewable Energy The New Energy Investor Summit is an annual meeting for senior management, project developers and investors focusing on investments in Renewable Energy. The New Energy Investor Summit, an event initiated by Swiss energy providers, brings together a group of hand-picked decision-makers within the Renewable Energy sector. Every year, new stakeholders help shape the event as partners. The Investor Summit remains responsive and always keeps a finger on the pulse of the market and current business challenges. The goal of the Investor Summit is to provide participants a platform where they can meet with the top management from financially-strong investors, project developers, providers of investment opportunities and service providers. The New Energy Investor Summit targets the senior management amongst financially strong investors, suppliers of direct and indirect investment opportunities and service providers in the field of renewable energies. Information Source: Lighthouse Institute AG | expotobi

Between 21 and 29 September 2024, 11 rainbow jerseys will be awarded in road cycling and 53 in para cycling. Five world championships will be up for grabs: men's and women's individual time trial, men's and women's road race and mixed relay team time trial. The main host city of Zurich will be the finish line for all major races, which will start in one of the following locations, depending on the discipline: Zurich (Six Lakes or Oerlikon Velodrome), Gosau, Uster or Winterthur, the latter three towns in the canton of Zurich. Full schedule Saturday, September 21, 2024 17:15 – Mixed H1-5 Team Relay – Seefeld Track, Zurich-Zurich, 14.7 km Sunday, September 22, 2024 10:00 – Women’s B Individual Time Trial – Gosau–Zurich, 29.9 km 10:00 – Women’s C4-5 Individual Time Trial – Gosau–Zurich, 29.9 km 12:00 – Women’s Elite Individual Time Trial – Gosau–Zurich, 29.9 km 14:45 – Men’s Elite Individual Time Trial – Oerlikon – Zurich, 46.1 km Monday, September 23, 2024 09:15 – Junior Men’s Individual Time Trial – Zurich–Feldmeieren–Zurich, 24.9 km 12:15 – B Men’s Individual Time Trial – Gosau–Zurich, 29.9 km 14:45 – C4-5 Men’s Individual Time Trial – Gosau–Zurich, 29.9 km 14:45 – Under-23 Men’s Individual Time Trial – Gosau–Zurich, 29.9 km Tuesday, September 24, 2024 08:30 – Junior Women’s Individual Time Trial – Zurich–Herliberg–Zurich, 18.8 km 11:00 – C1-3 Women’s Individual Time Trial – Zurich – Herrliberg – Zurich, 18.8 km 11:00 – Women’s H3-5 individual time trial – Zurich – Herrliberg – Zurich, 18.8 km 11:00 – Men’s C1-3 individual time trial – Zurich – Herrliberg – Zurich, 18.8 km 11:00 – Men’s H1-5 individual time trial – Zurich – Herrliberg – Zurich, 18.8 km 16:00 – Women’s H1-2 individual time trial – Zurich – Küsnacht – Zurich, 11.3 km 16:00 – Women’s T1-2 individual time trial – Zurich – Küsnacht – Zurich, 11.3 km 16:00 – Men’s T1-2 Individual Time Trial – Zurich – Küsnacht – Zurich, 11.3 km Wednesday, September 25, 2024 10:45 – Men’s B Road Race – City and Lake Course, Zurich – Zurich, 103.2 km 10:45 – Women’s B Road Race – City and Lake Course, Zurich – Zurich, 84.7 km 14:00 – Mixed Team Relay Time Trial – City Course, Zurich – Zurich, 53.7 km Thursday, September 26, 2024 09:00 – Men’s H1-2 Road Race – Lake Course, Zurich – Zurich, 38.0 km 09:00 – Women’s H1-5 Road Race – Lakeside Circuit, Zurich – Zurich, 38.0 km 10:00 – Women’s Junior Road Race – Uster – Zurich, 73.6 km 12:15 – Men’s C4-5 Road Race – City & Lakeside Circuit, Zurich – Zurich, 90.9 km 12:15 – Men’s C3 Road Race – City & Lakeside Circuit, Zurich – Zurich, 71.6 km 14:15 – Men’s Junior Road Race – Uster – Zurich, 127.2 km Friday, September 27, 2024 08:30 – Men’s C1 Road Race – Lakeside Circuit, Zurich – Zurich, 62.7 km 08:30 – Men’s C2 Road Race – Lakeside Course, Zurich - Zurich, 62.7 km 11:00 – Men’s T1-2 Road Race – Lakeside Course, Zurich - Zurich, 31.8 km 11:00 – Women’s T1-2 Road Race – Lakeside Course, Zurich - Zurich, 31.8 km 12:45 – Men’s U23 Road Race – Uster - Zurich, 173.6 km 2024Saturday, September 28 08:15 – Men’s H3 Road Race – City and Lake Course, Zurich – Zurich, 57.8 km 10:45 – Women’s C1-3 Road Race – Lake Course, Zurich – Zurich, 56.5 km 10:45 – Women’s C4-5 Road Race – City and Lake Course, Zurich – Zurich, 70.2 km 12:45 – Women’s Elite Road Race – Uster – Zurich, 154.1 km Sunday, September 29, 2024 09:45 – Men’s H4 Road Race – City and Lake Course, Zurich – Zurich, 57.8 km 09:45 – Men’s H5 Road Race – City and Lake Circuit, Zurich - Zurich, 57.8 km 10:30 – Men’s Elite Road Race – Winterthur - Zurich, 273.9 km

The largest survey exhibition of Günther Förg’s works on paper, spanning over 30 years, opens at Hauser & Wirth Zurich, Limmatstrasse, this September. Förg’s works on paper were an integral part of his multi-disciplinary practice (which comprised drawing, painting, photography and sculpture) and ran parallel to his works on canvas. Executed in a variety of materials, from watercolor, acrylic and oil to charcoal, chalk and ink, these creations are considered works in their own right; instead of using them as preparatory sketches for paintings, the artist would often be inspired to paint and draw on paper after experimenting with his large-scale canvases. The exhibition includes well-known series, including his Grid, Color Field, Grey and Spot works, alongside lesser-known pieces, such as early works on paper from his studies in Munich, or later series such as Mostly Landscapes.

Mit Werken von Basel Abbas & Ruanne Abou-Rahme, Sammy Baloji, Lothar Baumgarten, Teresa Burga, Maria Eichhorn, Dani Gal, General Idea, Kiluanji Kia Henda, Eva Kot’átková, Susan Hiller, Zahra Malkani, Teresa Margolles, Senga Nengudi, Uriel Orlow, Elodie Pong, Ed Ruscha und Munem Wasif

Calling all aspiring business leaders and entrepreneurs! The much-anticipated Access MBA One-to-One Event in Zurich 2024 is just around the corner. Mark the calendars for October 1st, 2024, as Zürich opens its doors to host this premier event. Picture this; an opportunity to engage in personal consultations with top-tier MBA admissions directors and representatives from renowned business schools, all under one roof at the heart of Switzerland's vibrant financial district. The event is tailored for individuals seeking to catapult their careers to new heights, with a focus on personalized mentorship and guidance. Attendees will benefit from exclusive insights into the application process, scholarship opportunities, and what it takes to succeed in today's competitive business world. Rest assured, the Access MBA One-to-One Event in Zurich 2024 is so much more than just a networking affair; it's a stepping stone to future success. Don't let this chance slip through the fingers; be part of a transformative experience that could redefine the professional trajectory.

Welcome to the Zurich Wine Festival, an annual celebration that invites all wine lovers, experts and enthusiasts to a week of wine-related celebrations from October 14th to 20th. This year's Wine Festival offers a variety of enjoyable events and experiences carefully curated to please your taste buds and help you learn more about wine. You'll find special tastings, interesting masterclasses, friendly social events, and three days of fascinating wine exhibitions showcasing the best wines from around the world.

Japan has a long and rich tradition of graphic design. Its abundance of outstanding works and idiosyncratic designers makes this island nation as thrilling as ever. While Europe is well acquainted with the designers of the postwar period, Japan’s contemporary design scene has been largely invisible. Japanese Graphic Design Today will focus on this generation. By featuring designers born between 1973 and 1993, the exhibition will present an overview of the work being produced today. With numerous originals and creations that have never before been shown outside of Japan, it will provide an insight into the vast array of its contemporary design practices.

Galerie Peter Kilchmann presents the fifth solo exhibition of US artist Hernan Bas, featuring a new collection of paintings, works on paper, and the installation A Little Romeo and Juliet in All of Us (2004/24).

Mark your calendars for the must-attend Agile Leadership Day: Business Agility Day 2024, taking place on October 31st in the beautiful city of Zürich. Hosted at the prestigious Kongresshaus, this event promises to be a game-changer for industry professionals looking to stay ahead of the curve in today's rapidly evolving business landscape. The Agile Leadership Day: Business Agility Day 2024 is set to bring together thought leaders, innovators, and experts from around the globe, all under one roof. Expect to engage in enlightening discussions, participate in hands-on workshops, and network with peers at the forefront of business agility. Attendees will leave equipped with actionable insights and strategies to drive their organizations forward in an increasingly dynamic market. Set against the stunning backdrop of Zürich and the iconic Kongresshaus, this event is not just another run-of-the-mill conference. It's a unique opportunity to tap into a wealth of knowledge and experience, ensuring that leaders and their teams can thrive in the face of change. Don't miss out on the chance to be part of Agile Leadership Day: Business Agility Day 2024 - where the future of Agile leadership takes center stage.

Galerie Peter Kilchmann Zurich presents the first solo exhibition with new works by Swiss painter Valentin Rilliet (b.1996, Geneva, Switzerland, lives and works in Zurich). The artist previously showed his work at the gallery in the group show Three New Positions featuring emerging artists in 2023. The exhibition has two titles: The Mandarin title 蜀風 (Shǔ Fēng, approximately translated into Essence of Shǔ), and the English title Mountain Stories. It is Rilliet’s inaugural solo exhibition since he was added to the gallery’s program.

Galerie Urs Meile is pleased to announce Burn for the Day, the first solo exhibition by emerging Chinese artist Chen Zuo (b. 1990, Hunan Province, China) in Europe at its Zurich gallery. The show commences with a compelling statement, “Burn for the Day”. Inspired by the opening line of the poem Ta sha Xing · Yuan Xī (踏莎行-元夕)1 by the Chinese poet Mao Pang (毛滂) , “ Seeking spring through the snow, lighting lamps to keep the day going.” Chen Zuo’s rewriting distinguishes itself from a helpless compromise with the night and obedience to reality. It diverges from a more Apollonian approach characterized by rigor, order, and control. Instead, he acknowledges and embraces the unknowable future symbolized by the night and seeks the birth of a new order through a forceful intervention into the chaos. A violence that can be seen as a reaction against social conditioning and the structural oppression faced by the global South in the process of universal urbanization.

​The Annual Switzerland Institutional Forum is the region's leading conference for pension funds, insurance companies, foundations & endowments, hospital plans sovereign wealth funds The Annual Switzerland Institutional Forum is the region's leading conference for pension funds, insurance companies, foundations & endowments, hospital plans sovereign wealth funds and consultants from throughout the region. The forum’s content is developed through hundreds of one-on-one meetings with the institutional investment community and the program's speaker faculty is primarily comprised of leaders in the sector across Switzerland. Information Source: Markets Group Inc | expotobi

For the 7th exhibition at 36.1 projects, Mai 36 Galerie presents SHAVE AND A HAIRCUT, TWO BITS, Gowoon Lee’s first solo show in Switzerland. Television represents a fleeting form of collective memory. Lee navigates the tension between ultra-recognizable images and abstraction by isolating objects from familiar cartoon narratives.

Mai 36 Galerie presents 4th solo exhibition with Koenraad Dedobbeleer (*1975 in Halle, Belgium) on two floors of the Mai 36 townhouse. In his exhibition titled That Is All There Is, Perception and Memory, the artist playfully presents artworks as intricate vessels of histories that evolve and transform freely based on their juxtapositions, contexts, and modes of display.

This November, Hauser & Wirth Zurich, Bahnhofstrasse, brings together an exhibition showcasing a selection of Lehni’s unique collaborations with renowned artists that resulted in exceptional artworks and furniture. Artistic partnerships have been an integral part of the Swiss metal furniture company’s history for more than a century and they are a focal point of their ongoing commitment to crafting products of outstanding quality, sustainability and design. A series of furniture by the visionary Donald Judd is on display, alongside works by Swiss artist Max Bill, as well as sculptures by Sol LeWitt. The exhibition also highlights a series of artists’ portraits by Doris Lehni-Quarella, a trained photographer who helmed the company in the 1980s and ‘90s.

We are delighted to welcome you to the group exhibition Surprise, Surprise! This is the hundredth exhibition in our gallery. Our colleague Anna Konstantinova drew our attention to this anniversary. We seize this opportunity to take a look back at some moments in the history of the gallery.

Become a Swiss Payment Forum partner and be part of a premier event in the financial industry. The Swiss Payment Forum 2024 will take place at the prestigious Zurich Marriott Hotel in Zurich, Switzerland, from November 18 to November 19. Join industry leaders, experts, and innovators to discuss the latest trends and challenges shaping the future of payments. Don't miss this opportunity to network, gain insights, and showcase your brand at this exclusive event. Partner with the Swiss Payment Forum 2024 and position your company at the forefront of the payment industry.

When one talks about the work of Johnny Izatt-Lowry, one often wants to start with the classic movie trailer intro “In a world where…” (add stirring music). He takes from one world and places it into another. The first world is a fast-moving, stressful and at times dark one - the digital world. The other is ours - the physical. The pathos employed by Izatt-Lowry also resembles an epic; the works are understood as a wide-ranging, comprehensive narrative of a reality of our time.