Qingyang Travel Recommendations for 2024 (Updated in May)

Gansu's Four Major Grottoes|Northern Grotto Temple

|Northern Grotto Temple. The Silk Road to Gansu, the most unmissable is the grotto culture. Super! Shocking! Worthy of the four major grotto temples in Gansu, as if crossing the river of time, peeping into a corner of the culture of Longdong a thousand years ago. ⏰Business hours: Normal business during the Spring Festival, the temple closes around 4 pm. 🔸Nestled against the mountain and facing the water, there are currently more than 200 large and small grottoes, more than 2000 stone statues, and 3 main grottoes are open. 🔸Few people, excellent experience. 🔸The outer wall is wrapped with various scaffolds and rain sheds, not for maintenance, but for the protection of cultural relics. 🔆Overall highlights: ✅Unique cave: small mouth and narrow door, spacious inside the cave; ✅Vivid: The expressions and postures of the Buddhas are rich, incorporating the aesthetic views and clothing characteristics of different dynasties; ✅Color: Reflects the color matching of the Northern Wei Dynasty (165 caves) and the painting skills of the Qing Dynasty (240 caves); ✅Collision of aesthetics of three dynasties: Northern Wei opened the cave, Sui and Tang opened the niche, Ming and Qing gradually supplemented; ✅Characteristic of the Loess Plateau: After weathering, the yellow sandstone reveals clear textures, the ultimate beauty of nature. 📢Three main grotto highlights: ✔️Cave No. 165: Excavated in the Northern Wei Dynasty, it is the largest existing Seven Buddha Cave in China, and it has completely preserved the Seven Buddha statues and the largest riding Bodhisattva statue in the country. The cave door is carved with crossed-legged Bodhisattva and Asura protector on both sides. The Buddha statue on the left is brightly colored and clear, and was amazed by the ancient people's color aesthetics! ✔️ Cave No. 222: Excavated in the Tang Dynasty, a Buddha, two disciples, and two Bodhisattva statues. The main Buddha statue is said to have been built according to the face of Wu Zetian. The Bodhisattva on the right stands confidently and relaxedly, worthy of my great Tang Dynasty, open and inclusive! There are traces of vagrants living and making fires in the cave, and part of the wall has been blackened, which adds some warmth to this cave. The different Buddha niches in the cave reflect the changes from the early Tang to the late Tang. ✔️Cave No. 240: A representative cave of the Northern Wei Dynasty, some Buddha statues have been repaired by Ming and Qing clay sculptures. The cave was opened to peel off the surface soil, revealing the true body of the Northern Wei and Sui and Tang Dynasties, which can compare the aesthetic differences between the Northern Wei and Sui and Tang cultures, and can also feel the skills of Ming and Qing clay sculptures and paintings, which is very interesting! 📙Travel guide: Bring a flashlight! The light in the cave is relatively dim. If you don't ask for an explanation, it is recommended to bring a flashlight with excellent lighting effects. Ticket price! The full ticket is 30 yuan/person, half price for locals, students/retired military personnel/teachers can all have half price discounts. Bring all the documents! It is recommended to bring them. If you don't bring them, you can also look at photos and screenshots, which are relatively loose. 🚗Round trip transportation: Depart from Xifeng City, Qingyang by car, you can arrive in 30 minutes

Gansu Qingyang Luoyang Temple Grottoes

The Luoyang Temple Grottoes have a total of 5 grottoes. The No.1 grotto is rectangular in plan, with a flat chessboard-style top, a height of 2.95 meters, a depth of 4.7 meters, and a width of 3.2 meters, and the Buddha statue has been destroyed. The No.2 grotto is square in plan, with a flat chessboard-style top, a height of 2.9 meters, a depth of 3.3 meters, and a width of 3.3 meters. Inside the grotto, there is a carving of one Buddha, two disciples, and two Bodhisattvas, and the statues are severely weathered. The No.3 grotto is rectangular in plan, with a flat chessboard-style top, a height of 3.1 meters, a depth of 6.4 meters, and a width of 2.8 meters, and the statues inside have been destroyed. The No.4 grotto is slightly square in plan, with a flat chessboard-style top, a height of 2.1 meters, a depth of 3.8 meters, and a width of 3.2 meters. There is a 'concave' shaped low altar base, and the statues inside have been destroyed. The No.5 grotto is buried in soil. Between the No.1 and No.2 grottoes, and between the No.2 and No.3 grottoes, there are a total of 18 small round-arched Buddha niches, with 22 statues. On the cliff outside the grotto, there is a carved sitting Buddha that is 6 meters high, but it is blurred due to weathering.

The North Stone Cave Temple in Qingyang, Gansu

The North Stone Cave Temple was initiated and built by Xi Kangsheng, the governor of Jingzhou, in the second year of Yongping of the Northern Wei Dynasty (509 AD). Since its excavation in the Northern Wei Dynasty, the North Stone Cave Temple has been expanded and repaired through the Western Wei, Northern Zhou, Sui, Tang, Song, and Qing dynasties, forming a dense array of grottoes. The North Stone Cave Temple is one of the four major grottoes in Gansu, and together with the South Stone Cave located 15 kilometers east of Jingchuan County, it was founded by Xi Kangsheng, the governor of Jingzhou during the Northern Wei Dynasty. It is an important grotto on the northern route of the Silk Road and the sister grotto of the South Stone Cave Temple in Jingchuan. The North Stone Cave Temple is carved on a reddish-brown cliff that is 120 meters long and 20 meters high. It is divided into three levels, with 295 grottoes and 2125 statues of various sizes. On January 13, 1988, the North Stone Cave Temple was listed as the third batch of national key cultural relics protection units by the State Council.

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Xiaolongshan is located in Dongzhi Township, Xifeng District, Qingyang City, Gansu Province. It is named after the "Sister Mountain" because of its relationship with Pingliang Mountain. It is also called the Wuliang Mountain and the Phoenix Mountain because of the infinite ancestral temple of the god of Zhenshan and the mountain nesting in the shape of a phoenix. Xiaoyan is surrounded by three sides, north of Dayuan, narrow north and south, steep mountains, steep slopes, clear springs at the bottom of the ditch, lush mountains, pleasant climate and elegant environment. According to research, during the Ming Chongzhen years, some people like to establish a monument at this moment, making a wish to burn incense. 1933, the good man and the woman were married, and raised funds, and successively built temples such as Beitai Wuliang Hall, Zhongtai Yuhuang Building, Nantai Guanyin Building, and drilled dozens of holes in the cliffs on both sides, built statues and painted murals. Dedicated to the gods. Nearby people and Buddhist monks and peasants planted pines and cypresses, planted apricots, and held temple fairs on March 3rd every year. The pilgrims visited the city, worshipped the gods, visited the mountains, and enjoyed themselves. At that time, Xiaoyu had become Dong Zhizhen. A victory for the people to visit.

The Northern Caves Scenic Area is located at the intersection of Puhe and Ruhe in Zhenyuan County. It is built on the site of the Pengyang Post (the station) that began in the pre-Qin period and the ancient site of the Pengyang (county) in the Qin and Han Dynasties. The military, transportation, and trade centers on the east entrance of Xiaoguan Road are across the river from the North Cave Temple, one of the four famous caves in Gansu. Landscape Bridge, Image Tuen Mun, Range Rover, Zhenyuan Cultural Garden, Silk Road Style Park, etc. Xiaoguandao, Ziqilou, Chunqiu Academy, Pengyangyu Pavilion, Huxia Snack Square, Zhenyuan Yuxifu, Fengqingshui Street, etc.; Yuan Dingge, Tianzhu Pavilion, Jiangjun Pavilion, Father Ziting, Sijing Pavilion, Wufang Pavilion

Qingyang North Grottoes Scenic Area is located in the triangular area where Puhe and Ruhe of Liuping Village, Taiping Town, Zhenyuan County intersect with Beishi Cave Temple of Dongzhi Town, Xifeng District, with a total area of 29.8 square kilometers. The Zhenyuan area is about 18.92 square kilometers and the key land is 1.17 square kilometers. This region has superior resource endowment, obvious location advantages, and unique development conditions. As the starting point for the survival and reproduction of humanity and the integration of culture in the early days of the East, the starting point of the ancient Silk Road on the east line is the starting point of the city. Chenghui is the most profound and valuable place in Qingyang culture.

Zhou Zuling Forest Park is located in Dongshan Mountain, Qingcheng County, Qingyang City, Gansu Province. It is named after a famous tomb at the top of the mountain, Zhou Xianzu Bu Buzhu. According to historical records: After the loss of the agricultural officials, the Western migration settled in Qingyang today, creating a farming culture of the Chinese civilization in the Qingyang area of eastern Yunnan. Because of his outstanding achievements, people buried him in the mountains after his death. Zhou Zuling has a long history and is famous for its charm. First, from the Windy City Bridge, to the foot of Zhou Zuling Mountain, through the dense forest belt and the simple road of Miyazaki, the parking lot can be reached, and the buildings above the parking lot are connected by 822 stone steps. The Zhouzu Cultural District on the top of the mountain has a rigorous and standardized overall layout. Zhouzu Cultural Scenic Spot, which is dominated by Zhou Zu Dian, Zhou Wang Dian, Qiu Zhou Shengzu Archway, Jiang Yu Dian, Hou Yi Dian, Bei Ting, Bagua Pavilion, Jianting, Qifeng Pavilion and Bell and Drum Tower. Farming Culture Experience Garden Scenic Area. Zhou Zuo Farming Culture Experience Park mainly highlights the five blessings of grain, five fruits, five vegetables, five flowers and five medicines. It uses field trails and recycled turbulent water to make the trees suitable for local conditions. The five folk customs of the farmer's paradise. Major buildings such as main roads, winding roads, altars, ceremonial plazas, 24 solar columns, Qihuang Chinese Medicine Museum, Workshop Street, Exhibition Hall, and Fengqing Square have been built, which have become a collection of sacrifices, experiences, feelings, sightseeing and entertainment. In one of the tourist attractions.

Zhou Zuling Forest Park is located in Dongshan Mountain, Qingcheng County, Qingyang City, Gansu Province. It is a national AAAA-class tourist scenic spot. It is named after a famous tomb at the top of the mountain, Zhou Xianzu Bu (zhu). According to historical records: After the ancestors of the Zhou dynasty did not lose the agricultural officials, the Western migration settled in the Qingyang Qingcheng area, engaged in agricultural farming, and created the farming culture of the Chinese civilization in the Qingyang area. Became the first Zhouren leader with a clear historical record. Because of his outstanding achievements, people died after he died in the mountains. It was magnificent and surrounded by rivers. Since ancient times, the emperors have paid homage to them and become the first in the Zhou Dynasty. A clearly recorded leader.

The Baquan Temple Grottoes in Heshui, Gansu

The Baquan Temple Grottoes were built during the middle and late periods of the Northern Wei Dynasty, stretching about 40 meters from north to south, with more than 30 niches carved out. Apart from the larger central niches numbered three, four, and six, the rest are semi-arched remnants, about 1 meter in height. The sculptural themes are mostly the Buddhist figures worshipped by the Northern Wei devotees, including a Buddha flanked by two Bodhisattvas, a cross-legged Bodhisattva with attendant Bodhisattvas on both sides, preaching amidst many treasures, and a thousand Buddhas, etc. The relatively intact No. 13 niche features a finely carved image of Sakyamuni preaching while seated, with a full and graceful figure, delicate eyebrows, a straight nose, a square and round face, and a joyful expression. He is dressed in a half-shoulder cloak with a monk's robe underneath, sitting in a cross-legged pose. The drapery lines are smooth and flowing. In niche No. 5, the main Buddha and attendant figures on both sides are also exquisitely crafted. The main Buddha is depicted in a deep, cross-legged pose, wearing a shoulder-covering cloak. The garment pleats are represented by extremely fine and evenly spaced lines, creating a rhythmic beauty. This example is apt, with a serene demeanor and a high level of craftsmanship, making it a highly representative masterpiece.