Nomadic Culture at Liaoning Provincial Museum

I'd like to share some historical information about the treasures housed in the Liaoning Provincial Museum, based on my cultural studies, to help everyone gain a more comprehensive understanding and appreciation. [One] Kazuo County, located in western Liaoning, has historically been a crossroads of the Central Plains agricultural civilization and the northern grassland culture, particularly represented by the Lower Xiajiadian Culture (Early Bronze Age) and the Upper Xiajiadian Culture (Late Bronze Age). The bronze dagger unearthed from the Nandonggou site in Kazuo County is closely related to the activities of the northern nomadic peoples. Their lifestyle, primarily nomadic and hunting-based, fostered a strong martial tradition. [Two] Characteristics of the Glazed Pottery Dog: Tang Dynasty pottery dogs were typically sculpted in a realistic style, with meticulous attention to detail, such as muscle structure, posture, and expression. Glazing techniques created a smooth surface, often with monochrome glazes like yellow or green, enhancing the artistic expression. Functional Significance: In Tang Dynasty tombs, pottery dogs often served as tomb guardians or pet symbols, embodying both the warding off of evil spirits and a reflection of the tomb owner's lifestyle and interests during their lifetime. For example, the pet dogs depicted in the "Court Ladies Adorning Their Hair with Flowers" painting reflect the aristocracy's fondness for dogs. [Three] Influenced by the Central Plains, the glazing technique employed monochrome glazes (such as yellow or green). The glaze layers are thin but even, with a high surface gloss, indicating precise control over the firing temperature. [Four] The Tri-colored Puppy, primarily in yellow, green, and white, features intermingled and flowing glazes, creating a vibrant effect. Its fierce expression symbolizes protection and peace for the tomb owner. [Five] The Yellow Glazed Pottery Dancing Horse performance was an important court activity during the reign of Emperor Xuanzong of Tang. During festivals or birthday celebrations, dancing horses would perform to the music of "Qing Bei Le" (Tilting the Cup Music), culminating in the horses holding cups to offer birthday wishes to the emperor. Such performances symbolized imperial authority and the prosperity of the era.