Chinese Aesthetics in the Misty Rain of Chengkan

Hidden within the blue bricks and black tiles of Chengkan is a relaxed sense of Chinese aesthetics. Who would understand! Just after the rain in Chengkan, the air is filled with the dampness of the bluestone slabs. Holding an umbrella while wandering the ancient alleys, I suddenly came across an ancestral hall in this corner. Standing on the old stone pedestal, the black-and-red cherry blossom qipao perfectly catches the light leaking from the eaves. The white walls of Huizhou style act as a natural soft light panel. The light spots filtering through the carved wooden window frames fall right on the ankle slit of the qipao. Even the curve of the dangling earrings swaying carries the relaxed vibe of the old house. — This isn’t just a photo shoot; it’s like stepping into a Ming and Qing dynasty scroll painting of a noble lady. I remember when I first scouted the location, I was worried about “how to capture the lively spirit in a new Chinese-style wedding.” But every brick and tile in Chengkan taught me: No need to pose stiffly; standing by the old wall and smiling with eyes curved is beautiful. Stepping on the stone pedestal and pulling the skirt is also beautiful. Chinese romance is never about “holding oneself stiffly,” it’s about the harmony between people and architecture growing together naturally. (Secret tip: Sisters wanting to shoot new Chinese-style weddings, don’t just focus on Hongcun! Chengkan’s alleys are less crowded, just find an old house with a courtyard, natural light, and even rainy days can produce great shots!)