音樂旮旯 - 鋼琴及原創音樂作品分享 by 王晞樂 Melodie Wong 鋼琴家王晞樂 曾在世界各地的場地演出，包括紐約國家歌劇中心、美國歌劇協會、Casa Italiana Zerilli-Marimo、Frederick Loewe 劇院、邁阿密蕭爾斯、東京昭和音樂學院和日本福岡九州大學。她的音樂作品獲得多個獎項的肯定，包括第71屆施坦威國際鋼琴比賽、第14屆大阪國際音樂比賽、第3屆澳門-亞洲青年鋼琴比賽、香港金紫荊國際鋼琴比賽，以及第2屆日本-香港國際音樂比賽，她還獲得了特別評審獎。

Information Source: Angolo Musica | eventbrite

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As long as someone lives in Hong Kong, you will see churches. Some are opened in residential buildings, a bit in office buildings, and the area inside is not large. But there are also independent churches, which are more in Sheung Wan, and have close relations with the original British colonists.

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Near Victoria Harbour|Tsim Sha Tsui, Hong Kong

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Dean71

Tickets were issued quickly, and the QR ode easy to use to enter. The day was lovely and sunny making for more people going to Disney as well. It made lines for the few rides we went on be between 40-60 minutes each. This limited us to only 4 rides in total plus 1 park character show. This was we had to catch our train back to Shenzhen then drive home. A  2 or 3 day pass would be better suited as 1 day is definitely not long enough to see much. For lunch you&rsquo;re better off going to eating areas at 11.30 or it is impossible to find seats or tables free due to crowds. Going on a weekday would also reduce crowds

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Worth a visit, but queue very long for a cable car and the attraction,buy fast pass will be better

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港漂金融民工

A must-have punch card in Hong Kong. It is recommended not to squeeze in the Peak Square, the cable car station, the lion pavilion, you can go to Luji Road, about 1 km walk, the scenery is better. Note that this is not the real &quot;top of the mountain&quot;, the real Tianping Peak has to walk about 20 minutes.

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The price is expensive. The Peak is a shopping mall. There is nothing to shop in the mall. You can overlook the scenery of Hong Kong. If you are visiting Hong Kong for the first time, you can take a look. There is a more obvious push-back feeling when going up the mountain, which is quite refreshing. There is no push-back feeling when going down the mountain.

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Comprehensive Review of the Palace Museum of Culture, Hong Kong 1. &zwnj; Architecture and Positioning: The fusion of tradition and modernity &zwnj; Hong Kong Palace Culture Museum is located in the West Kowloon Cultural District, covering an area of 1.3 30,000 square meters, with nine exhibition halls. Its architecture echoes the Oriental aesthetics of Beijing&#39;s Forbidden City, and interprets it in a modern design language. For example, its appearance is reconstructed through metal and glass materials to traditional architectural elements, and the interior combines ancient cultural relics with modern exhibition technology through spatial layout, forming a unique experience of &quot;old and modern dialogue&quot;. Some audiences commented that it is &quot;beautiful from the outside to the inside&quot;, which not only highlights the cultural heritage of China, but also integrates into Hong Kong&#39;s international urban characteristics. 2. &zwnj; Exhibition content and characteristics: model of cultural relics activation &zwnj; Museum takes &quot;let cultural relics live&quot; as the core concept, the exhibits cover calligraphy and painting, goldware, ceramics and other categories, the first exhibition is to borrow 914 precious cultural relics of Beijing Palace Museum, including the &quot;Luoshenfu Map Volume (Northern Song Dynasty)&quot; by Gu Yu, Dongjin , Song Huizong &quot;Xuejiang Guiyu Map Volume&quot; and other treasure-level works &zwnj; 12. Exhibition planning pays attention to storytelling and hierarchy, such as the &quot;Jin Zhanghua Cai&quot; Golden Appliance Exhibition through the comparison of cultural relics and contemporary life scenes, which resonates with the audience &zwnj; 2. In addition, the exhibits rotate every three months to ensure that they are &quot;changed often and new&quot; and attract audiences to visit &zwnj; 2. 3. &zwnj; Cultural Value: Promote identity and civilization dialogue &zwnj; As a new landmark in Hong Kong, the museum not only enhances the sense of identity and belonging of Hong Kong people to Chinese culture through cultural relics exhibition Chen, but also strives to promote dialogue between Chinese and foreign civilizations. Its positioning &quot;one foot rooted in tradition, one foot into the world&quot;, not only dig deep into the Forbidden City culture, but also plan international exhibitions, such as through the refracting of world history through Chinese history, to promote cross-cultural understanding. During the opening of the museum, nearly 1.3 million people were received, and more than 20,000 members repeatedly watched the exhibition, showing its wide influence as a cultural bridge. 4.&zwnj; Operation and social feedback: audience experience and sustainable development &zwnj; audiences generally recognized its interactive and educational functions. For example, the pavilion restores ancient life scenes through multimedia technology to attract young groups; at the same time, the membership system and high-frequency exhibition update strategies (such as cultural relics rotation protection mechanism) have improved the stickiness. However, some audiences mentioned the need to further improve the convenience of surrounding facilities (such as dining and transportation) to improve the overall experience. The Hong Kong Museum of Forbidden City Culture has become a model for the integration of Hong Kong culture and tourism with high-standard cultural relics exhibition, innovative curatorial concept and international vision. It not only strengthens the communication power of Chinese culture, but also injects new cultural vitality into Hong Kong. As the curator Wu Zhihua said, its mission is to &quot;let the audience start from here and then go to the mainland to understand Chinese culture in depth&quot;. If the future can be continuously optimized in service details, its influence may be further improved.

鋼琴及原創音樂作品分享 by 音樂旮旯 | The Hong Kong Chinese Church of Christ

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鋼琴及原創音樂作品分享 by 音樂旮旯 | The Hong Kong Chinese Church of Christ

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