The show, curated by Christine Nippe, features landscapes punctuated by abstract elements, which are often overshadowed by an expressive sky with fragments of clouds. The majority of the natural representations, which are provided with a special color, are interspersed with geometric shapes that create dynamics, depth and rhythm. These elements create a simultaneous space.
A central component of Jezierski's paintings is light: muted and bright colors as well as light and dark contrasts meet atmospherically and form their very own shimmering aura.
At the same time, Jezierski goes back to the actual question of abstraction. She is more concerned with showing the width, depth and monumentality of a space than with depicting a specific landscape. With the help of abstract elements, cuts and shifts, she disrupts her and our memory and experience of a specific place and allows us to enter a space in between abstraction and figuration.
Layers of color such as rock structures, waves and clouds pile up in her pictorial spaces and yet are repeatedly disturbed by abstract hatching, squares and structures. Her play with figuration and abstraction takes place in a zone of in-betweenness.
It is precisely this tipping point - in English Verge - that the artist is interested in. How many figurative clues, such as the sky or towers of clouds, does it take to convey a sense of space? Or rather, when does abstraction with cuts and shifts dominate over figuration? Michelle Jezierski invites viewers to engage in this perception experiment and questions our sensory impressions with her painting.
Michelle Jezierski comes from a family of musicians. At the age of 17 she decided to become a visual artist. At the Berlin University of the Arts she begins studying with the renowned professor of sculpture Tony Cragg. Cragg's influence is that she learns a lot about the use of space during this time. This was followed by a scholarship at the Cooper Union in New York with Amy Sillman. She finally completed her studies with Valérie Favre and has lived in Berlin ever since. Jezierski received scholarships from the Kunstfonds Foundation and NICA. Her works are in international collections. Her work has been shown in the Kunsthalle Dessau, the Tel Aviv Museum of Art and the Kunsthalle Emden, among others.
A publication will be published to accompany the exhibition.

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Time:	2024年3月22日–8月18日 (UTC+1) ENDED
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