is an installation conceived of by Crowner in her Brooklyn studio, where the perception of the form, shadow, and color of the works shifts constantly throughout the day in conjunction with the movement of the sun. Often edging their way toward monochromes, the abstract paintings—created by joining panels of painted and cut canvas—are rendered in assertive shades of orange, red, and magenta, interrupted here and there by moments of night-black and off-white. A series of new bronze sculptures sit atop pedestals painted in a shadowy blue-black; installed throughout the space their highly reflective and curved surfaces float somewhere between the potency of the paintings and the openness of the room.
Just as color is not a static element, Crowner’s works shift and morph according to their environment. Dapple and spill sometimes supersede gesture and brushstroke, while the vibration of her saturated hues feels heightened by the sun’s comparatively languid light. In Crowner’s paintings extend beyond themselves, doubling as both the subjects and foils for the bronze stones. The sculptures’ polished surfaces reflect and refract the paintings, and in moments their curves look stained with color—a red, a magenta. The new paintings and sculptures installed in together conduct a rousing contemplation on the temperature and temperament of color.
Sarah Crowner earned a BA from the University of California, Santa Cruz in 1996 and an MFA from Hunter College, City University of New York in 2002. In 2023, the Pulitzer Arts Foundation hosted , an exhibition of three new site-specific artworks responding to the architecture of the Pulitzer’s Tadao Ando building and Ellsworth Kelly’s monumental wall sculpture, . Also in 2023, the Hill Art Foundation presented , a project by Sarah Crowner placing site-specific works by the artist in dialogue with sculptures and paintings from the Hill Collection, as well as key loaned works, most notably works by Cy Twombly. Other notable recent solo presentations of Crowner’s work include Serpentear at Museo Amparo in Puebla, Mexico (2022), a recently published catalogue for the show is now available through DAP; a 2022 commission by the Chinati Foundation in Marfa, TX for a site-specific tile installation that will remain on view into 2024; and a 2016 solo exhibition at the Massachusetts Museum of Contemporary Art, North Adams, MA that was accompanied by a major monograph. Her work is in the collections of major international institutions including Carnegie Museum of Art, Pittsburgh, PA; The Contemporary Austin, TX; Dallas Museum of Art, TX; Solomon R. Guggenheim Museum, New York, NY; Massachusetts Museum of Contemporary Art, North Adams, MA; Art Institute of Chicago, IL; and Walker Art Museum, Minneapolis, MN.

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泰迪小熊

It came on September 19, 2017. The Metropolitan Museum is one of the most important museums in the world. With the influence of American imperialism, through the clever capture, the collection of cultural relics and artworks from all civilizations around the world is mostly representative cultural relics of various civilizations. I believe every visitor will feel mixed here. The entire museum is classified according to different civilizations on all continents, because the history of the collection is known to everyone, so the exhibition is very simple and rude, that is, put a civilized thing in a place, there is no good narrative, it is completely a &quot;trophy&quot; display. There are a lot of collections here, if you want to look good, it takes a day or two. The museum is right next to Central Park, and two places can also be arranged to visit in a day, half a day in the park, half a day in the museum.

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dejason

The representative of New York, the United States, there are two lines to go, we are on the ferry, and there are speedboats to sit, but this is the most cost-effective. I went at two o&#39;clock in the afternoon. There were not many people. It was just right to come back. If I went in the morning, there were more tour groups and the queue was very long.

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There were many tourists on the first day of the new year, but there were not many people in China, and the waiting time was reasonable. . .
The wind on the roof was too strong. The 80th floor was indoors, and there was reflection when taking pictures. You can go up to the 86th floor to take pictures outdoors, and you can overlook the whole New York.

The Museum of Modern Art

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M86***49

The Museum of Modern Art in New York is full of creativity and modernity. The artworks in the museum span multiple fields, from Picasso to Andy Warhol, and each piece of work can inspire thinking. The exhibition is rich in content and the space is beautifully designed, which is very suitable for art lovers and cultural tourists.

Rockefeller Center

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Very crowded and packed with tourists. Many people are willing to take photos here. Quite closed with the Radio City and Saks Avenue.A must place to go in New York.

Time:	Mar 16–May 4, 2024 (UTC-5) ENDED
Location:	17 White Street, NY 10013

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