Sean Kelly is delighted to announce 273 Days, Natasza Niedziółka’s first exhibition with the gallery. Niedziółka’s formally vigorous and sensual works occupy a space between drawing, painting, and textile. Her repetitive patterns of multi-colored threads are hand-stitched onto various fabrics, often accentuated with colored pencil or ink. Presented in the front gallery, the exhibition features a selection of new works from her Zero and At One series and debuts a new series by the artist titled, Protest Song. There will be an opening reception on Thursday, March 14, from 6-8pm. The artist will be present.
Over the past decade, Natasza Niedziółka’s practice has featured hand-stitched thread on supports made from different materials including linen, cotton duck, and silk, highlighting the interplay between irregular manual embroidery and uniform structure. In her works, Niedziółka employs techniques of hatching and flat chromatic gradations. With each puncture of the needle, Niedziółka integrates modernist traditions into her interpretations, calling to mind artists such as Agnes Martin or Marcia Hafif. Her distinct materiality, use of subtle color, and intricate textures distinguishes Niedziółka’s work from more orthodox techniques, and offers the viewer meditative, visual experiences.
Niedziółka’s series Zero draws inspiration from the 1950s-60s German artist collective of the same name, whose radical postwar modernism was characterized by their intrinsic use of common materials, monochromatic colors, and repetition. Incorporating subdued variations in fields of color and repeating minimalistic patterns, Niedziółka’s compositions employ similar aesthetics to demonstrate her relationship with time. Abstract forms and color shifts create an optical illusion that give a fluidity to the work. Reflecting on the series, Niedziółka stated, “The work is about committing, allowing, and letting go.”

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Came here on September 19, 2017.

The Metropolitan Museum of Art is one of the most important museums in the world. With the influence of American imperialism, it has collected cultural relics and artworks from various civilizations around the world through plunder. Most of these exhibits are representative cultural relics of various civilizations. I believe that every visitor will feel mixed emotions here.

The entire museum is classified according to different civilizations on different continents. Because everyone knows the origin of the collections, the exhibition is very simple and crude, that is, putting the things of a civilization in one place, without any good narrative, it is completely a &quot;trophy&quot; display.

There are many collections here. If you want to see them carefully, you need to spend one or two days. The museum is next to Central Park, and the two places can also be arranged to visit in one day, half a day in the park and half a day in the museum.

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The representative of New York, the United States, there are two lines to go, we are on the ferry, and there are speedboats to sit, but this is the most cost-effective. I went at two o&#39;clock in the afternoon. There were not many people. It was just right to come back. If I went in the morning, there were more tour groups and the queue was very long.

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Time:	Mar 15–May 4, 2024 (UTC-5) ENDED
Location:	475 Tenth Avenue

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