Mozart's Clarinet Quintet along with his concerto for the same instrument are among the composer's most beloved compositions. Nowhere does his mastery of form take more of a backseat to sublime emotion, seamlessly moving between pathos and bliss. Brahms' quintet featuring the same instrument is also one of his great masterpieces. Come listen to both these exceptional works interpreted by internationally acclaimed cellist Brian O'Kane while mentoring a group of brilliantly talented Cambridge students. Keynes Hall, King's College Cambridge Brahms Clarinet Quintet in B minor op 115Mozart Clarinet Quintet K581 in A majorThe Young Musicians Series
The Cambridge Camerata Academy is committed to giving the future musicians of tomorrow public performance opportunities today. By pairing these outstanding talents with an established professional they get to share their love for chamber music with Cambridge audiences while at the same time getting a taste of professional life. There is a deeply entrenched Cambridge tradition of it's top musicians going on to pursue professional careers. This is the perfect opportunity to come and enjoy them now. Brian O'Kane Irish cellist Brian O’Kane enjoys a busy career as both soloist and chamber musician. Since winning first prize at the Windsor International String Competition in 2008, he has made his debuts with the RTE National Symphony Orchestra, the Philharmonia Orchestra under Ashkenazy and in recital at the Wigmore Hall. Brian is a former  Rising Star  of Ireland's National Concert Hall and he recently recorded his debut CD for the Champs Hill label. An avid chamber musician, Brian enjoys playing as a member of the Cappa Ensemble and Navarra Quartet. He has collaborated with a wide variety of artists such as Michael Collins, Aleksandar Madzar, Anthony Marwood, Pekka Kuusisto, Lawrence Power, Antoine Tamestit and Sir James Galway. Brian has also performed at concert halls and festivals throughout the world such as Sydney Opera House, Suntory Hall Tokyo, Seoul Arts Centre, Concertgebouw Amsterdam, West Cork, Radio France-Montpellier, Lockenhaus and the Weesp Chamber Music Festival, Holland of which his quartet are the artistic directors. A graduate of both the Royal Academy of Music and the Guildhall School of Music and Drama in London, Brian‘s biggest influences have come from Louise Hopkins and at Prussia Cove, Aldeburgh & Chamber Studio from studies with Ralph Kirshbaum, Steven Isserlis, Ferenc Rados and Eberhard Feltz. Brian currently plays on a Rugieri cello made in Cremona c.1690.

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