A group exhibition that aims to reverse the dramaturgy of the museum by putting the artwork at the centre so we can address its will, its energy and its poetic intention.
What would happen if we separated the artwork from the museographic context that surrounds it? Would it be possible to think of museography as a kind of aphasia, a loss of language? Would it be possible to break up the dramaturgy of the museum that guides us in how to move through its spaces, how to register the artistic experiences they offer us, and how to apprehend the sensations that emanate from them? If we assumed that this shift were possible, what other meanings might arise, allowing us to interpret the work in a different way, and also to reinvent the museum as an institution? If that were within the realm of possibility, could we respond directly to the will of the work, to its energy and desire, to its ‘poetic intention’? Martinican poet and philosopher Édouard Glissant states that the poem must never deny the “way of the world”: can the museum put the work of art and the ways in which it reflects the world at the centre of everything?

Province of Barcelona

Spain

Barcelona

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It was very hot, but there were a lot of tourists. Although the ticket was 11 o&#39;clock, the ticket inspector didn&#39;t look at the time. We were actually half an hour early, but the use of the control did have advantages to avoid tourists. Because of the visit to Sagrada Familia and the Palace of G&uuml;l, so a little understanding of Gaudi&#39;s design style, basically the same structure and characteristics, in short, a good experience.

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The Gaudi three-piece set is a must-see when visiting Barcelona. I bought a double ticket on Ctrip, and also got a limited edition Casa Batll&oacute; playing card&hearts;️. The city of architecture is worthy of being the city of architecture. Fulfilling the dream of Gaudi should be the biggest gain of this trip to Banya

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Looking at Picasso&#39;s works again, I suddenly understood. The primitive, bold and strong things deeply attracted me and stimulated my sensory nerves! Picasso used various painting methods to express his own emotions casually. Basically, it was not purely aesthetic, but rational and abstract. He reconstructed and combined objects to bring people newer and deeper feelings!

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The Museum of Contemporary Art in Barcelona is an art gallery in Barcelona, Spain. Barcelona Museum of Contemporary Art opened on November 28, 1995. The building was designed by Richard Meyer, an American architect. The Gallery mainly collects works of art in the late 20th century. The exhibits are replaced roughly every three to four months.

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Mandarin Oriental, Barcelona

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MACBA Collection: Prelude. Poetic Intention | Barcelona Museum of Contemporary Art

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