Gagosian is pleased to announce Pie Sell, Lee Slip, Eel Lips, an exhibition of new paintings by Katharina Grosse at its gallery at Park & 75, New York. This exhibition follows Katharina Grosse: Studio Paintings, 1988–2022: Returns, Revisions, Inventions, a retrospective that originated at the Mildred Lane Kemper Art Museum in Saint Louis and traveled to the Kunstmuseum Bern and Kunstmuseum Bonn through September 2024.Grosse uses a compressor-driven spray gun to apply industrial paints directly onto landscapes, architecture, objects, and panels. This tool extends her reach and accelerates her gestures, balancing impulsiveness with intent. In her studio outside Berlin, she produces works on canvas in a practice that is consistent with the spontaneous flow of her improvisational, performative process. Painting in the studio also permits her to develop works over a longer period than the institutional and organizational constraints of her in-situ projects generally allow. In her studio paintings as much as in her environmental works, Grosse uses paint to claim territory at immersive scales, introducing new conceptions of color and space that disorient and reorient the viewer. To make them, she sprays paint onto unstretched canvases in a varied palette of vibrant primary and secondary hues, making use of chromatic and spatial juxtaposition. The propulsive, rhythmic marks traverse the paintings as tapering lines and whiplash curves that spiral back on themselves, capturing the trajectories of the artist’s full-body movements.

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Time:	Nov 12–Dec 21, 2024 (UTC-5)
Location:	Park Avenue & East 75th Street, New York

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