Dubuffet and Giacometti, both born in 1901 in France and Switzerland, respectively, forged deeply philosophical artistic outlooks inspired by the devastation and disorientation of the two world wars. While there is no record of direct correspondence between them, the Paris-based artists rubbed shoulders often enough to interpret reciprocity in their practices. They exhibited regularly with Pierre Matisse Gallery, where Dubuffet’s first solo exhibition occurred in 1947 and Giacometti’s in 1948. With singular bodies of work articulating the alienation and estrangement of a generation, the artists became icons of a postwar European vision at home and across the Atlantic.
In New York, they both found acclaim and were among the roster of artists in the Museum of Modern Art’s (1959) curated by Peter Selz, who also organized solo exhibitions for each of them (Dubuffet in February 1962 and Giacometti in June 1965) at the museum. In the late 1950s, prior to Dubuffet’s commission to create his landmark (1969–72) for Chase Manhattan Plaza, Giacometti was initially chosen for the space. Unfamiliar with the city and unconvinced about how his figures would compete with the surrounding skyscrapers, he withdrew from the project. However, when he traveled to New York for his MoMA retrospective, shortly before his untimely death at the beginning of the following year, Giacometti made a special visit to the plaza and asked his wife Annette to stand where his sculptures would have been.
is made possible by generous loans from American and European institutions, including Fondation Beyeler, Riehen; Fondation Maeght, Saint-Paul-de-Vence; and Pierre and Tana Matisse Foundation, New York, as well as from worldwide private collections. The exhibition will be accompanied by a fully illustrated catalogue featuring new research by Nairne, as well as essays by Giacometti expert Casimiro Di Crescenzo and Dubuffet scholar Camille Houzé.

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Time:	May 1–Jun 8, 2024 (UTC-5) ENDED
Location:	980 Madison Avenue, Third Floor, NY 10075

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