In cooperation with the National Gallery of Slovenia, the Belvedere is presenting the highlights of Slovenian painting from the era of national emancipation, from the revolutionary year of 1848 to the collapse of the Danube Monarchy in 1918.
The exhibition focuses on the central characteristic of local painterly approaches of this period: the intensive preoccupation with color. The study of its decorative effect, symbolism, expressiveness, and technical application was rarely as central to artistic movements as it was in Slovenian painting around 1900.
Following the outstanding painter of the Vormärz period, Jožef Tominc, fascinating figures such as Jožef Petkovšek and Ivana Kobilca achieved their breakthrough in the second half of the 19th century. Around the turn of the century, the group of so-called Slovenian Impressionists, around Rihard Jakopič, Ivan Grohar, Matija Jama, and Matej Sternen, established itself. Their style shaped Slovenian art until 1918 and beyond.
The exhibition particularly focuses on the ambivalent relationship between Slovenian artists and Austria and the capital, Vienna. Several artists studied or lived temporarily in Vienna, Graz, or Lower Austria. This ambivalence was characterized by a sense of latent exclusion and simultaneous dependence on state funding. Numerous documents from the Belvedere archive shed new, differentiated light on the cultural-political connections between Vienna and Ljubljana.

Vienna

Austria

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