8ight, Infinite Loop 01.–04. Feb 2025
on view 13–20H OPENING
31. Jan 2025, 18h Projektraum, Kunstquartier Bethanien | Mariannenplatz 2 | 10997 Berlin www.frei-raum.berlin | Instagram: frei_raum.berlin
Free Entry
Take action and engage in this local art project — check out our handpicked 8ight Collector’s box and make a donation to support us. Your contribution makes a meaningful difference. https://www.indiegogo.com/projects/frei-raum-berlin-and-8ight German below The exhibition unites works by eight artists who have previously presented individual installations at frei-raum.berlin, each piece reflecting the central themes of systems and infinity through the progressive growth of acoustic sources. The works span from Daria Redkina's  Air'Finite,  where weather balloons transform into musical instruments through electro-mechanical systems, making air audible through breathing sounds and reed vibrations, to mergrim's  51.428571428571429,  born from mathematical imperfection. Here, seven speakers arranged in a circle emit a loop every 5.14 seconds, producing an ever-evolving sonic landscape. This mathematical approach converges with Cem Çakmak's  Beating Variations, 60-80Hz,  where you physically experience bass frequencies through two modified floor panels, becoming part of the wave patterns generated through acoustic interference. The concept of cycles unfolds in Varoujan Chetirian's  The Distance Between  for five sound sources, where sound journeys through space and time. Echoes and reverberations bridge past and present, while archival voices and current field recordings from a decaying Armenian space center permeate the room. The Acoustic Heritage Collective's  Notes on Narrow Backroads  weaves a spatial narrative inspired by *Matsuo Basho's* travel writings through six sound sources. The installation creates a polyphonic landscape that shifts with every movement in the space. In  Bells and Cannons,  Özcan Ertek presents three large brass discs resonating with field recordings of church bells and cannon shots in endless sonic cycles. This rhythmic installation dialogues with  Diaphonie_K∞  by Ernesto Longobardi and Anna Turina, where two Kodak Carousel projectors generate perpetual Red Yellow Blue (RYB) sound patterns, creating an ever-recurring choreography of light and shadow. Ani Samperi's  Tears of Ice : an experiential process where water drips from melting ice in an inverted oil barrel onto a silver platter, manifesting transience through resonance and feedback. United in the Projektraum Kunstquartier Bethanien, these works will form an environment where each piece contributes to a larger system of meaning. The exhibition structure itself shall become a metaphor for infinity - not as an abstract concept, but as a tangible experience of cyclical processes, systemic interactions, and perpetual transformation. FREE ENTRY – Take action and engage in this local art project — check out our handpicked 8ight Collector’s box and make a donation to support us. Your contribution makes a meaningful difference. ARTISTS #1: TEARS OF ICE by Ani Samperi (US)
#2: BEATING VARIATIONS, 60-80Hz by Cem Çakmak (TR)
#3: BELLS AND CANNONS by Özcan Ertek (TR)
#4: DIAPHONIE_K∞ by Ernesto Longobardi (IT), Anna Turina (IT)
#5: THE DISTANCE BETWEEN by Varoujan Chetirian (CH)
#6: NOTES ON NARROW BACKROADS by Acoustic Heritage Collective (ES/DE)
#7: 51.428571428571429 by mergrim / Takahisa Mitsumori (JP)
#8: Air'Finite by Daria Redkine (UA) dt Die Ausstellung vereint Werke von acht Künstler:innen, die zuvor Einzelinstallationen in frei-raum.berlin präsentiert haben, wobei jedes Werk durch die progressive Erweiterung von akustischen Klangquellen die zentralen Themen der Systeme und Unendlichkeit widerspiegelt. Die Arbeiten reichen von Daria Redkinas „Air'Finite“, in dem elektromechanische Systeme Wetterballons in Musikinstrumente verwandeln, die durch die Vibration von Schilfrohr lebendige, atmende Klänge erzeugen, bis zu mergrims  51.428571428571429 , das aus mathematischer Unvollkommenheit entsteht. Hier erzeugen sieben Lautsprecher, kreisförmig angeordnet, alle 5,14 Sekunden einen Loop und schaffen eine sich stetig wandelnde Klanglandschaft. Dieser mathematische Ansatz verbindet sich mit Cem Çakmaks  Beating Variations, 60-80Hz , bei dem man Bassfrequenzen durch zwei modifizierte Bodenplatten körperlich spürt und Teil der durch akustische Interferenz entstehenden Wellenmuster wird. Das Konzept der Zyklen manifestiert sich in Varoujan Chetirians  The Distance Between  für fünf Klangquellen, in denen Sound durch Raum und Zeit reist. Echos und Nachhall verbinden Vergangenheit und Gegenwart, während Archiv Stimmen und aktuelle Field Recordings aus einem verfallenden armenischen Raumfahrtzentrum den Raum füllen. Das  Notes on Narrow Backroads  des Acoustic Heritage Collective erschafft mit sechs Klangquellen eine von Matsuo Bashos Reiseberichten inspirierte räumliche Erzählung. Die Installation erzeugt eine polyphone Landschaft, die sich mit jeder Bewegung im Raum verändert. In  Bells and Cannons  präsentiert Özcan Ertek drei große Messingscheiben, die mit Field Recordings von Kirchenglocken zusammen mit Kanonenschüssen zu endlose Klang-Zyklen resonieren. Diese rhythmische Installation korrespondiert mit  Diaphonie_K∞  von Ernesto Longobardi und Anna Turina, wo zwei Kodak-Carousel-Projektoren in ihrer maschinellen RotGelbBau (RGB) Klangmustern im Loop, eine immer wiederkehrende Choreographie aus Licht und Schatten erschaffen. Ani Samperis  Tears of Ice : ein erlebbarer Prozess, bei dem tropfendes Wasser von schmelzendem Eis in einem umgedrehten Ölfass auf eine Silberplatte fällt und durch Resonanz und Feedback Vergänglichkeit manifestiert. Diese Werke bilden im Projektraum Kunstquartier Bethanien vereint eine Umgebung, in der jedes Einzelne zu einem größeren Bedeutungssystem beiträgt. Die Ausstellungsstruktur selbst wird zur Metapher für Unendlichkeit - nicht als abstraktes Konzept, sondern als greifbare Erfahrung zyklischer Prozesse, systemischer Interaktionen und fortwährender Transformation. EINTRITT FREI – Werden Sie aktiv und beteiligen Sie sich an diesem lokalen Kunstprojekt - sehen Sie sich unsere handverlesene 8ight Collector's Box an und unterstützen Sie uns mit einer Spende. Ihr Beitrag macht einen bedeutenden Unterschied. KÜNSTLER:INNEN
#1: TEARS OF ICE by Ani Samperi (US)
#2: BEATING VARIATIONS, 60-80Hz by Cem Çakmak (TR)
#3: BELLS AND CANNONS by Özcan Ertek (TR)
#4: DIAPHONIE_K∞ by Ernesto Longobardi (IT), Anna Turina (IT)
#5: THE DISTANCE BETWEEN by Varoujan Chetirian (CH)
#6: NOTES ON NARROW BACKROADS by Acoustic Heritage Collective (ES/DE)
#7: 51.428571428571429 by mergrim / Takahisa Mitsumori (JP)
#8: Air'Finite by Daria Redkine (UA)

Information Source: frei-raum.berlin | eventbrite

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Mariannenplatz

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Mariannenplatz It is a large lawn in front of a big castle and it is lush. It is suitable for picnics and the like. There are not many people. There are lounge chairs. It is very intimate and humanized. The flowers are also carefully trimmed. ～

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The Berlin Cathedral combines the neo-Baroque and Renaissance style with a green dome towering, built during William II for the Hohenzollern dynasty and restored after World War II. The interior dome mural, the organ is shocking, and the top overlooks the Spree River and the museum island. It is a symbol of Berlin&#39;s history and architecture.

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The Berlin TV Tower (Berliner Fernsehturm) is an iconic landmark offering stunning panoramic views of the city from its observation deck. Standing at 368 meters, it&rsquo;s Germany&rsquo;s tallest structure, and visitors can enjoy a 360-degree view of Berlin&#39;s landmarks. The rotating restaurant at the top adds to the experience, though it can be a bit pricey. It&#39;s a must-visit for first-timers in the city!

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nice place with free entry. pre booking online is a must, opens one month before

Time:	Feb 1–Feb 4, 2025 (UTC+1) ENDED
Location:	Kunstquartier Bethanien More Info

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