Featured Events in Zurich in November, 2025 (May Updated)

The Kunsthaus Zürich presents a diverse exhibition programme that unites opposites and opens up innovative ways of viewing art. The focus is on surprising moments that invite visitors to rethink boundaries and open up new worlds of perception. This year's outstanding artists include Roman Signer, known for his spectacular installations, Monster Chetwynd, whose provocative works challenge traditional art forms, and Refik Anadol, a pioneer of AI-supported art. These and other globally unique projects offer fresh perspectives and unforgettable experiences that go beyond traditional exhibition formats. From the iconic Dada movement to cutting-edge digital art, from intimate to large-scale works, the coming year promises an inspiring journey through time, space and media at Kunsthaus Zürich.

Wilhelm Lehmbruck (1881 Duisburg – 1919 Berlin), one of the most important sculptors of his generation, moved to Zurich from Germany in 1916. During the First World War, the city became a meeting place for international artists. It was in this inspiring environment that Lehmbruck reached another peak of his powers: his last works in particular reveal him to be a visionary, charting out a new course with his ‘mental’ sculptures. Joining him in a visual dialogue is the contemporary Swiss artist Yves Netzhammer (b. 1970 Schaffhausen), whose drawings, spatial installations and computer-generated video films are a captivating blend of corporeal appearance and pictorial narrative. Netzhammer will conceive the overall spatial design of the exhibition and develop new works in resonance with Lehmbruck. The exhibition is a cooperation with the Kunstmuseum Moritzburg in Halle (Saale), in collaboration with the Lehmbruck Museum, Duisburg.

The Collection of Prints and Drawings at the Kunsthaus is a true treasure trove, hardly known to its visitors. In 2025 we highlight a selection of remarkable works from the extensive holdings of prints. Printing is far more than simply a reproductive medium. The use of printer’s ink and the play of line and surface invariably also bring unique qualities to the fore. Our selection comprises artists whose works literally ‘made an impression’ on generations that followed, by setting standards in the technique of printmaking: figures from Dürer to Munch and Kollwitz, and from Rembrandt and Goya to Roth. While this ‘tour d’horizon’ also covers all formats, from XS to XL, we deliberately avoid a hierarchical categorization of works according to size. The fact is that quite often, a print’s appeal only becomes evident when you zoom in on the minute details.

The Kunsthaus Zürich presents a diverse exhibition programme that unites opposites and opens up innovative ways of viewing art. The focus is on surprising moments that invite visitors to rethink boundaries and open up new worlds of perception. This year's outstanding artists include Roman Signer, known for his spectacular installations, Monster Chetwynd, whose provocative works challenge traditional art forms, and Refik Anadol, a pioneer of AI-supported art. These and other globally unique projects offer fresh perspectives and unforgettable experiences that go beyond traditional exhibition formats. From the iconic Dada movement to cutting-edge digital art, from intimate to large-scale works, the coming year promises an inspiring journey through time, space and media at Kunsthaus Zürich.

With "Toward Architecture," Le Corbusier created a manifesto and laid the foundation for modernism. To mark the 100th anniversary of this work, the exhibition of the same name examines the collected texts and examines current architectural discourses and future perspectives.

With "Toward Architecture," Le Corbusier created a manifesto and laid the foundation for modernism. To mark the 100th anniversary of this work, the exhibition of the same name examines the collected texts and examines current architectural discourses and future perspectives.

With "Toward Architecture," Le Corbusier created a manifesto and laid the foundation for modernism. To mark the 100th anniversary of this work, the exhibition of the same name examines the collected texts and examines current architectural discourses and future perspectives.

Wilhelm Lehmbruck (1881 Duisburg – 1919 Berlin), one of the most important sculptors of his generation, moved to Zurich from Germany in 1916. During the First World War, the city became a meeting place for international artists. It was in this inspiring environment that Lehmbruck reached another peak of his powers: his last works in particular reveal him to be a visionary, charting out a new course with his ‘mental’ sculptures. Joining him in a visual dialogue is the contemporary Swiss artist Yves Netzhammer (b. 1970 Schaffhausen), whose drawings, spatial installations and computer-generated video films are a captivating blend of corporeal appearance and pictorial narrative. Netzhammer will conceive the overall spatial design of the exhibition and develop new works in resonance with Lehmbruck. The exhibition is a cooperation with the Kunstmuseum Moritzburg in Halle (Saale), in collaboration with the Lehmbruck Museum, Duisburg.

Wilhelm Lehmbruck (1881 Duisburg – 1919 Berlin), one of the most important sculptors of his generation, moved to Zurich from Germany in 1916. During the First World War, the city became a meeting place for international artists. It was in this inspiring environment that Lehmbruck reached another peak of his powers: his last works in particular reveal him to be a visionary, charting out a new course with his ‘mental’ sculptures. Joining him in a visual dialogue is the contemporary Swiss artist Yves Netzhammer (b. 1970 Schaffhausen), whose drawings, spatial installations and computer-generated video films are a captivating blend of corporeal appearance and pictorial narrative. Netzhammer will conceive the overall spatial design of the exhibition and develop new works in resonance with Lehmbruck. The exhibition is a cooperation with the Kunstmuseum Moritzburg in Halle (Saale), in collaboration with the Lehmbruck Museum, Duisburg.

The Collection of Prints and Drawings at the Kunsthaus is a true treasure trove, hardly known to its visitors. In 2025 we highlight a selection of remarkable works from the extensive holdings of prints. Printing is far more than simply a reproductive medium. The use of printer’s ink and the play of line and surface invariably also bring unique qualities to the fore. Our selection comprises artists whose works literally ‘made an impression’ on generations that followed, by setting standards in the technique of printmaking: figures from Dürer to Munch and Kollwitz, and from Rembrandt and Goya to Roth. While this ‘tour d’horizon’ also covers all formats, from XS to XL, we deliberately avoid a hierarchical categorization of works according to size. The fact is that quite often, a print’s appeal only becomes evident when you zoom in on the minute details.

The Collection of Prints and Drawings at the Kunsthaus is a true treasure trove, hardly known to its visitors. In 2025 we highlight a selection of remarkable works from the extensive holdings of prints. Printing is far more than simply a reproductive medium. The use of printer’s ink and the play of line and surface invariably also bring unique qualities to the fore. Our selection comprises artists whose works literally ‘made an impression’ on generations that followed, by setting standards in the technique of printmaking: figures from Dürer to Munch and Kollwitz, and from Rembrandt and Goya to Roth. While this ‘tour d’horizon’ also covers all formats, from XS to XL, we deliberately avoid a hierarchical categorization of works according to size. The fact is that quite often, a print’s appeal only becomes evident when you zoom in on the minute details.

The Collection of Prints and Drawings at the Kunsthaus is a true treasure trove, hardly known to its visitors. In 2025 we highlight a selection of remarkable works from the extensive holdings of prints. Printing is far more than simply a reproductive medium. The use of printer’s ink and the play of line and surface invariably also bring unique qualities to the fore. Our selection comprises artists whose works literally ‘made an impression’ on generations that followed, by setting standards in the technique of printmaking: figures from Dürer to Munch and Kollwitz, and from Rembrandt and Goya to Roth. While this ‘tour d’horizon’ also covers all formats, from XS to XL, we deliberately avoid a hierarchical categorization of works according to size. The fact is that quite often, a print’s appeal only becomes evident when you zoom in on the minute details.

Brazilian artist Lygia Clark (1920 Belo Horizonte – 1988 Rio de Janeiro) radically redefined the concept of art and is one of the most important art practitioners in South America. One of the leading figures in the Neoconcretismo movement established in Rio de Janeiro in 1959, she encouraged a bodily experience of art that involves people in the work and makes them part of it. With installations that visitors could activate, walk through and touch, she challenged conventional notions of sculpture and expanded art into a holistic and sensual experience. Despite the pre-eminence of Abstract Expressionism and later Pop Art, Clark was remarkably successful in asserting her unconventional ideas during Brazil’s military dictatorship from 1964 to 1985 – a time when artistic freedom was under threat. In this exhibition, the first retrospective in a German-speaking country, we celebrate her unconventional and still highly exciting historical work. She herself said: ‘For me, making art is about developing as a person, which is the most important thing of all. Art should not seek to emulate a name or any kind of concept.’ Today, in an age of digital transformation and globalization mingled with self-alienation, her oeuvre speaks more than ever to all the senses. A retrospective in cooperation with the Neue Nationalgalerie in Berlin in collaboration with the Associação Cultural Lygia Clark in Rio de Janeiro. The exhibition is accompanied by a separate presentation in collaboration with Museum Haus Konstruktiv, which focuses on links between Switzerland and Brazil and, in particular, the influence of the Zurich Concrete artist Max Bill on Lygia Clark and her generation, and their emancipation from him.

Brazilian artist Lygia Clark (1920 Belo Horizonte – 1988 Rio de Janeiro) radically redefined the concept of art and is one of the most important art practitioners in South America. One of the leading figures in the Neoconcretismo movement established in Rio de Janeiro in 1959, she encouraged a bodily experience of art that involves people in the work and makes them part of it. With installations that visitors could activate, walk through and touch, she challenged conventional notions of sculpture and expanded art into a holistic and sensual experience. Despite the pre-eminence of Abstract Expressionism and later Pop Art, Clark was remarkably successful in asserting her unconventional ideas during Brazil’s military dictatorship from 1964 to 1985 – a time when artistic freedom was under threat. In this exhibition, the first retrospective in a German-speaking country, we celebrate her unconventional and still highly exciting historical work. She herself said: ‘For me, making art is about developing as a person, which is the most important thing of all. Art should not seek to emulate a name or any kind of concept.’ Today, in an age of digital transformation and globalization mingled with self-alienation, her oeuvre speaks more than ever to all the senses. A retrospective in cooperation with the Neue Nationalgalerie in Berlin in collaboration with the Associação Cultural Lygia Clark in Rio de Janeiro. The exhibition is accompanied by a separate presentation in collaboration with Museum Haus Konstruktiv, which focuses on links between Switzerland and Brazil and, in particular, the influence of the Zurich Concrete artist Max Bill on Lygia Clark and her generation, and their emancipation from him.

Brazilian artist Lygia Clark (1920 Belo Horizonte – 1988 Rio de Janeiro) radically redefined the concept of art and is one of the most important art practitioners in South America. One of the leading figures in the Neoconcretismo movement established in Rio de Janeiro in 1959, she encouraged a bodily experience of art that involves people in the work and makes them part of it. With installations that visitors could activate, walk through and touch, she challenged conventional notions of sculpture and expanded art into a holistic and sensual experience. Despite the pre-eminence of Abstract Expressionism and later Pop Art, Clark was remarkably successful in asserting her unconventional ideas during Brazil’s military dictatorship from 1964 to 1985 – a time when artistic freedom was under threat. In this exhibition, the first retrospective in a German-speaking country, we celebrate her unconventional and still highly exciting historical work. She herself said: ‘For me, making art is about developing as a person, which is the most important thing of all. Art should not seek to emulate a name or any kind of concept.’ Today, in an age of digital transformation and globalization mingled with self-alienation, her oeuvre speaks more than ever to all the senses. A retrospective in cooperation with the Neue Nationalgalerie in Berlin in collaboration with the Associação Cultural Lygia Clark in Rio de Janeiro. The exhibition is accompanied by a separate presentation in collaboration with Museum Haus Konstruktiv, which focuses on links between Switzerland and Brazil and, in particular, the influence of the Zurich Concrete artist Max Bill on Lygia Clark and her generation, and their emancipation from him.

Mumford & Sons Zurich promises to be an unforgettable evening of music and emotion, set against the backdrop of the iconic Hallenstadion in Zurich, Switzerland. Scheduled for November 20, 2025, at 20:00, this event will showcase the band's signature blend of folk rock and heartfelt lyrics. With tickets priced at 147 USD, attendees will experience a night filled with the soulful melodies and powerful performances that Mumford & Sons are renowned for. The Hallenstadion, known for its excellent acoustics and vibrant atmosphere, will provide the perfect venue for this highly anticipated concert. Fans can expect to hear a mix of classic hits and new material, making Mumford & Sons Zurich a must-see event for music lovers.

AQUA Suisse is the swiss trade fair for water, sewage and gas AQUA Suisse is the swiss trade fair for water, sewage and gas. AQUA Suisse offers you a comprehensive overview of the latest technologies and solutions as well as a meeting place where the topics of the future are discussed by experts and practitioners of the Swiss water and gas industry. Join us and make AQUA Suisse your industry forum in the metropolitan region of Zurich. Information Source: Easyfairs Group | expotobi

Pumps and Valves event will focus on industrial pumps and valves and it not only offers trends in the industry but it also provides the platform for business and intensive exchange of information Pumps and Valves event will focus on industrial pumps and valves and it not only offers trends in the industry but it also provides the platform for business and intensive exchange of information. Information Source: Easyfairs Group | expotobi