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Coco Fusco. I Learned to Swim on Dry Land | Barcelona Museum of Contemporary Art
"I learned to swim on dry Land" is an exhibition by the artist and essayist Coco Fusco, which explores the confrontation between art and power in post-revolutionary Cuba. Through poetry, performance, and activism, the exhibition recovers the voices of dissident creators such as Virgilio Piñera and Luis Manuel Otero Alcántara. With unpublished documentation and references to the U.S. and its policies, Fusco offers a reflection on language, censorship, and cultural resistance.
Alimentaria Barcelona 2026 | Fira Barcelona Gran Via
The Alimentaria Barcelona exhibition is a platform for many operators in the sector who are aware of the importance of an event taking place with the active support of all food trade and distribution channels The Alimentaria Barcelona exhibition is a platform for many operators in the sector who are aware of the importance of an event taking place with the active support of all food trade and distribution channels.
Information Source: Alimentaria Exhibitions | expotobi
30th Anniversary Collection Exhibition | Barcelona Museum of Contemporary Art
On the occasion of MACBA’s 30th anniversary, a new exhibition of the Collection will pay homage to the museum’s trajectory.
A celebration of its three-decade-long history of critical engagement with the transformative potential of artistic production and research, the project acknowledges the collection as an embodied constellation of works that come to life and engage with each other differently amidst a radically altered cultural landscape, marked by migration, political resistance, and new forms of collectivity.
Hostelco 2026 | Fira Barcelona Gran Via
HOSTELCO will bring together a vast range of food and equipment producers and suppliers HOSTELCO will bring together a vast range of food and equipment producers and suppliers. Buyers from top hotel and restaurant chains, communities, and suppliers seeking new products.
Information Source: Alimentaria Exhibitions | expotobi
Michael Bolton is Playing on the Beach at Leroy's Concert | Moon Dog World
Michael Bolton is Playing on the Beach at Leroy's Concert Get ready for a night of smooth tunes and good vibes as the legendary Michael Bolton takes the stage at Leroy's Concert! This in-person event will be held at Moon Dog World, where you can enjoy the music while feeling the sand between your toes. Don't miss out on this unique opportunity to see Michael Bolton perform live on the beach. Grab your tickets now and get ready for a night to remember!
Information Source: eventbrite
Spiral of Time – Plaça dels Àngels – MACBA | Barcelona Museum of Contemporary Art
From July 10, 2025 to January 11, 2026 you can listen toSpiral of Timefrom the museum’s exhibition space. Asite-specificwork that, since July 2024, has been recording the ambient sounds of Plaça dels Àngels, constructing a sonic and temporal narrative of this space.
Sound is intangible and ephemeral, yet it can be one of the most defining characteristics of the places it inhabits. Spiral of Time is a site-specific work created by artist, composer, and researcher Edwin van der Heide (Hilversum, 1970) that explores sound and its relationship with space and time.
Catalan Ink against Hitler | National Art Museum of Catalonia
The exhibition of the Catalan artist Tinta against Hitler in Barcelona is the presentation of the discovery of the only Catalan and Spanish artist who worked massively for British and Allied propaganda during the Second World War. From 1941 to 1945, Mario Armengol Torrella (San Juan de la Abadesses, 1909 – Nottingham, 1995) drew about two thousand cartoons or cartoons in the service of the British Ministry of Information against the Third Reich and the Axis to publish them in newspapers and magazines in London and New Zealand, New Zealand.
The exhibition will present a selection of the originals preserved by the author and the family, which, together with the publications in which many of these cartoons will appear, will become one of the world’s largest collections of political satire of the most horrific conflict in history.
It is a spectacular fresco, so far unknown, as Armengol’s illustrations are found alongside those of the UK’s largest and most influential cartoonistscartoonists, such as David Low, Giles and Illingworth. In them you can see almost all the fronts of the war and the most prominent figures of this brutal battle. In addition, this is a style that draws from the intense tradition of Catalan cartoonists and satirical publications from the late 19th and early 20th centuries. In Armengol, this tradition crystallizes in a work of great artistic, versatile and modern quality, which goes beyond the style of the time, points to the current comics and continues to challenge us in the limits of humor in dramatic and brutal contexts.
Drawings from the National Museum. Sparks of War (1914-1918) | National Art Museum of Catalonia
In the summer of 1914, Santiago Rusiñol began writing "Glossary" and published a series of articles in "L’Esquella de la Torratxa" entitled "The Spark of War." In these collaborations, he unhesitatingly supported France, believing it to be the best vehicle for European art and civilization in the face of the threat of German expansionism. This exhibition, featuring 70 drawings from the National Museum's Painting and Print Department, reassesses the rich legacy of one of Catalonia's finest public collections of works on paper. It also helps to understand how the cartoons or jokes that appeared to illustrate periodicals during World War I became a cathartic exercise for artists and readers, who used them to overcome the fear and uncertainty surrounding the outbreak of international conflict.
Project a Black Planet: The Art and Culture of Panafrica | Barcelona Museum of Contemporary Art
Curated by MACBA director Elvira Dyangani Ose, along with Antawan Byrd, Adom Getachew and Matthew S. Witkovsky, Project a Black Planet: The Art and Culture of Panafrica is the first major international exhibition to examine the cultural manifestations of Pan-Africanism from the 1920s to the present.
It is a project developed jointly with the Art Institute of Chicago, the Barbican Centre in London and the KANAL–Centre Pompidou in Brussels. This collaboration has made the magnitude of the exhibition possible, with nearly 350 pieces by 100 artists touring the four institutions until spring 2027.
Who Is Afraid of Ideology? Part 5 DayDream | Joan Miró Foundation
Marwa Arsanios (Washington, DC, 1978) is an artist, filmmaker, and researcher based between Berlin and Beirut. Her practice addresses structural and infrastructural issues, such as the transformation of architectural spaces during conflict or artist-run spaces. Through film as a form and space for connecting struggles, she explores themes such as property, law, economics, and ecology from specific locations. For the series, Arsanios presents the fifth installment of her series Who is Afraid of Ideology?, a co-production with the Fondazione Sandretto Re Rebaudengo (Turin) and the Artium Museoa (Vitoria-Gasteiz). She explores the history of property in an Ottoman territory to rethink our relationships with the usufruct of land and its legacy.
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