Featured Events in New York in October, 2023 (March Updated)

DIMENSIONS OF SOUND - MUSICAL JOURNEY THROUGH SPACE AND TIME “The ear lies nearest to the human soul.” (Johann Gottfried Herder, „Kritische Wälder”, 1769 ) The House of Music, Hungary is a tree of life in the heart of Városliget, with a trunk, and a crown of golden leaves on slender branches. We are standing here by its roots, which provide the institution with its spiritual sustenance. The roots are entwined, like a labyrinth, and we walk among them. Our journey begins far back in time and space, back at the birth of music itself where we can grasp the roots of Hungarian folk music and European music. Progressing through the centuries, we will follow the development of music, discovering what a series of organised tones has meant to mankind, with the emphasis on Hungarians in the light—or sometimes the shadow—of Europe. Through the language of music, the exhibition speaks for itself: Everywhere we go, we hear music playing; the subject of the exhibition is music itself. Quoting Shakespeare, we might say, “Mark the music!” Mark not only the music coming from the headphones, but also the music around and within you. When you reach the end of the path, the modern day, many sounds will have been etched into your heart and mind: music to take home with you, the music of ancient times.

A large art project called Day's End now stands in the Hudson River near Pier 52. Created by David Hammond, it's made of slender steel pipes and pays tribute to artist Gordon Matta-Clark, who transformed an abandoned shed on the same pier in 1975. The sculpture changes with the light, connecting to the history of the waterfront as a shipping hub and a gathering place for the gay community. It took seven years to complete the installation, and it's now open to the public for free. The Whitney Museum collaborated with the Hudson River Park Trust on this project, and they will work together on a maintenance plan. To celebrate its completion, the Whitney offers free admission on May 16, and there will be family workshops throughout the day. You can find Day's End at Hudson River Park, across from the Whitney Museum, on the southern edge of the new Gansevoort Peninsula, where it will remain permanently.

A large art project called Day's End now stands in the Hudson River near Pier 52. Created by David Hammond, it's made of slender steel pipes and pays tribute to artist Gordon Matta-Clark, who transformed an abandoned shed on the same pier in 1975. The sculpture changes with the light, connecting to the history of the waterfront as a shipping hub and a gathering place for the gay community. It took seven years to complete the installation, and it's now open to the public for free. The Whitney Museum collaborated with the Hudson River Park Trust on this project, and they will work together on a maintenance plan. To celebrate its completion, the Whitney offers free admission on May 16, and there will be family workshops throughout the day. You can find Day's End at Hudson River Park, across from the Whitney Museum, on the southern edge of the new Gansevoort Peninsula, where it will remain permanently.

Lincoln Center for the Performing Arts is one of the world’s premiere performing arts organizations. On October 8, 2022, David Geffen Hall reopened as a welcoming cultural anchor for New York City, some 60 years after it was first inaugurated as the home of the New York Philharmonic. The new Hall reimagines the concert-going experience by providing more inclusive public spaces for diverse cultural performances and community uses. This initiative includes an annual program of art commissions, where all members of the public are invited to engage with the work of leading contemporary artists free of charge. The democratic approach instills a sense of welcome both indoors and out, beckoning those who may never have interacted with Lincoln Center or the New York Philharmonic, and encouraging those long familiar with the campus to see it afresh. Public Art Fund partnered with The Studio Museum in Harlem to advise Lincoln Center on the selection of artists for this first iteration of the art program. Two prominent sites were identified for the site-specific commissions: the 50-foot Hauser Digital Wall in the lobby, which Jacolby Satterwhite has animated with a richly layered and inclusive celebration of performance that brings into dialogue the past, present and future; and the Hall’s 65th Street façade, which Nina Chanel Abney has transformed into a captivating tribute to the vibrant history and culture of San Juan Hill. Both artists undertook extensive research to develop their works. They emerge as gifted visual storytellers, committed to a more inclusive understanding of the past while giving us all a sense of future potential at a moment of reopening and reinvention. The artworks are commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund. Nina Chanel Abney, Nina Chanel Abney’s monumental work of art for the façade of David Geffen Hall pays homage to San Juan Hill. In the 1940s and 50s, this predominantly Black and Brown neighborhood was forcibly displaced to make way for redevelopment, including what would become Lincoln Center for the Performing Arts. Abney’s constellation of figures, words, shapes, and symbols reflects the thriving community that lived here. Featured residents include pioneering healthcare workers Edith Carter and Elizabeth Tyler. Also pictured are James P. Johnson, whose music gave rise to the Charleston dance craze, and Thelonious Monk, a pioneer of Bebop and other jazz styles. Reclaiming this important history in her bold and vibrant style, Abney aims to spark curiosity and inspire a more inclusive future. Jacolby Satterwhite, Jacolby Satterwhite’s commission for David Geffen Hall reconsiders the past, present, and future of Lincoln Center and the New York Philharmonic. weaves together archival images, live action footage, and digital animation. We see a colorful and densely layered festival of performance that traverses historical periods through virtual space. Satterwhite’s inclusive cast represents artists since the Philharmonic’s founding in 1842, while featuring young musicians and dancers from across New York City. They play instruments and dance on stages and sculptural monuments set into a landscape inspired by Central Park and surrounded by buildings covered in screens, reminiscent of Times Square. Grounded in a more democratic view of history, Satterwhite’s work offers us his playful and richly inventive vision of a creatively empowered future. is known for combining representation and abstraction. Her paintings capture the frenetic pace of contemporary culture. Broaching subjects as diverse as race, celebrity, religion, politics, sex, and art history, her works eschew linear storytelling in lieu of disjointed narratives. The effect is information overload, balanced with a kind of spontaneous order, where time and space are compressed and identity is interchangeable. Her distinctively bold style harnesses the flux and simultaneity that have come to define life in the 21st century. Through a bracing use of color and unapologetic scale, Abney’s canvases propose a new type of history painting, one grounded in the barrage of everyday events and funneled through the velocity of the internet. Abney’s work is included in collections around the world, including the Brooklyn Museum, The Rubell Family Collection, Bronx Museum, and the Burger Collection, Hong Kong. Her first solo museum exhibition, , curated by Marshall Price, was presented in 2017 at the Nasher Museum of Art, North Carolina. It traveled to the Chicago Cultural Center and then to Los Angeles, where it was jointly presented by the Institute of Contemporary Art, Los Angeles, and the California African American Museum. The final venue for the exhibition was the Neuberger Museum of Art, Purchase College, State University of New York. is celebrated for a conceptual practice addressing crucial themes of labor, consumption, carnality, and fantasy through immersive installation, virtual reality, and digital media. He uses a range of software to produce intricately detailed animations and live action film of real and imagined worlds populated by the avatars of artists and friends. These animations serve as the stage on which the artist synthesizes the multiple disciplines that encompass his practice, namely painting, performance, illustration, sculpture, photography, and writing. Satterwhite draws from an extensive set of references, guided by queer theory, modernism, and video game language to challenge conventions of Western art through a personal and political lens. An equally significant influence is that of his late mother, Patricia Satterwhite, whose ethereal vocals and diagrams for visionary household products serve as the source material within a decidedly complex structure of memory and mythology. Satterwhite received his BFA from the Maryland Institute College of Arts, Baltimore and his MFA from the University of Pennsylvania, Philadelphia. His work has been presented in numerous exhibitions and festivals internationally, including most recently at Haus der Kunst, Munich,2021; Gwangju Biennale, Gwangju,(2021; and Wexner Center for the Arts, Columbus, OH, 2021. Nina Chanel Abney , 2022 Latex ink and vinyl mounted on glass Commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund Photo: Nicholas Knight, courtesy Lincoln Center for the Performing Arts, The Studio Museum in Harlem, and Public Art Fund, NY. Jacolby Satterwhite , 2022 HD color video and 3D animation 27:23 mins Commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund © Jacolby Satterwhite. Courtesy of the Artist and Mitchell-Innes & Nash, New York Photo: Nicholas Knight, courtesy Lincoln Center for the Performing Arts, The Studio Museum in Harlem, and Public Art Fund, NY.

New York is one of the most filmed cities on earth. Generations of moviegoers have seen New York depicted and distorted, celebrated and denigrated, idealized and mocked, built up and demolished over and over again on the big screen. Over the past 100 years, legions of filmmakers have drawn attention to New Yorkers’ joys and struggles, shaping our ideas of what the city is—or could become. You Are Here draws on this rich archive of movies set in New York, combining thousands of cinematic moments across 16 screens. Sources include Hollywood blockbusters, independent films, documentaries, and experimental works. By juxtaposing these multiple visions, the dazzling montages of You Are Here make connections and contrasts that allow movies to comment on each other across time and space. Together, they shed new light on the varied New Yorks of our collective imagination. Sometimes New York stars in these movies; sometimes, a studio set or even another city stands in. In the introductory room, Scenes from the City explores the city as a film set, showing how movies have been captured on location throughout the five boroughs. From there, we invite you to enter the immersive central space, where you can explore a narrative tapestry woven from hundreds of films—one impressionistic storyline that strives to represent the multifaceted realities of our countless New York stories.

What new stories can familiar works of art tell? This exhibition showcases longstanding favorites from The New York Historical's permanent collection alongside recent Museum acquisitions and selected loans. Pointed juxtapositions raise questions, create unexpected resonances, and shift established meanings.Martin Wong’s Canal Street (1992) and Oscar yi Hou’s Far Eastsiders, aka: Cowgirl Mama A.B & Son Wukong (2021) establish a longstanding lineage for queer Asian diasporic artists in New York City. And the juxtaposition of Thomas Cole’s five-painting series The Course of Empire (ca. 1834–1836) with Contact 2,021 (2021) by contemporary Shinnecock artist Courtney M. Leonard exposes the racial and gender politics of the Hudson River School landscape tradition. The groupings aim to center long-marginalized experiences and prompt a rethinking of both American art and the way museums tell history. Curated by Wendy Nālani E. Ikemoto, senior curator of American art.

What new stories can familiar works of art tell? This exhibition showcases longstanding favorites from The New York Historical's permanent collection alongside recent Museum acquisitions and selected loans. Pointed juxtapositions raise questions, create unexpected resonances, and shift established meanings.Martin Wong’s Canal Street (1992) and Oscar yi Hou’s Far Eastsiders, aka: Cowgirl Mama A.B & Son Wukong (2021) establish a longstanding lineage for queer Asian diasporic artists in New York City. And the juxtaposition of Thomas Cole’s five-painting series The Course of Empire (ca. 1834–1836) with Contact 2,021 (2021) by contemporary Shinnecock artist Courtney M. Leonard exposes the racial and gender politics of the Hudson River School landscape tradition. The groupings aim to center long-marginalized experiences and prompt a rethinking of both American art and the way museums tell history. Curated by Wendy Nālani E. Ikemoto, senior curator of American art.

The BronxRockets Speed Walking Evening to Burn-Off Calories event, held on October 18, is an excellent alternative to running for those looking to shed pounds in a lower-impact way. This event will take place at the Joseph Yancey Track and Field in The Bronx, New York. Join two experienced captains as they lead the walk every Wednesday from 6-7pm. This walk is designed to help participants burn off calories and relieve stress from the day's work. The event is completely free, making it accessible to all interested individuals. Come and experience the benefits of speed walking as a highly effective weight loss method. The BronxRockets Speed-Walking "Evening-Burn-Off Calories" event is an ideal opportunity to achieve your fitness goals.

Welcome to the Seduce and Scheme with Fulanita event, where the world of feminized objects will be explored and reimagined. Fulanita, an incognito-alias, invites participants to join in this collaborative endeavor, aiming to disarm and subvert the conventional use of feminized objects. In the initial session, Fulanita's work and process will be shared, followed by a brainstorming session to generate creative misuses for these objects. A writing exercise will further stimulate participants' imagination. In the subsequent session, proposals and prototypes originating from the writing exercise will be presented. This in-person workshop will take place on Sunday, October 22, and Sunday, October 29, from 1-5pm, at Pioneer Works in Brooklyn. The workshop is open to all, with the price of admission set at $150. All necessary materials will be provided for the workshop. Please note that the classes will be held on the 2nd floor, accessible via stairs. For more information about Pioneer Works' accessibility, please visit their website. Paloma Izquierdo and Kyle Richardson, both accomplished artists, collaborate on this project. Izquierdo's work delves into the connection between technology, sociality, and the disruption of social spaces. With a focus on surveillance and its impact on the feminized body, she merges design and sculpture to challenge expectations. Izquierdo's unique approach applies technologies of control to feminized objects, disarming perceptions and subverting traditional norms. She received her education at the prestigious Cooper Union and the Yale School of Art. Join us at Seduce and Scheme with Fulanita for a thought-provoking exploration of feminized objects and their potential to challenge societal norms. Get ready to be inspired and engaged in this intellectually stimulating event.

Gramercy Theatre will host the highly anticipated event, CEG presents Mia x Ally, on October 26, 2023. This electrifying concert will take place at 127 East 23rd Street, New York, NY, 10010, where attendees will embark on a musical journey like no other. CEG presents Mia x Ally promises to deliver an unforgettable experience, showcasing a dynamic selection of sensational songs that will captivate and inspire. From the moment the show begins, the audience will be immersed in a world of captivating melodies and infectious rhythms. With each note played and each lyric sung, the atmosphere will be charged with energy and excitement. Fans can expect to witness the extraordinary talents of Mia and Ally, as they showcase their unique musical styles and undeniable stage presence. Be sure to mark your calendars for this extraordinary event, as tickets for CEG presents Mia x Ally will be available for purchase starting from August 9, 2023, at 15:00, and will remain on sale until October 27, 2023, at 01:00. Don't miss out on this incredible opportunity to be part of a concert experience that will leave you spellbound. Join the crowd and let the music take you on a journey you will never forget.

Welcome to the vibrant Brooklyn Poets Weekly Writing Group, an exquisite arts event that takes place in the heart of Brooklyn. Set amidst the cultural tapestry of this bustling city, this weekly gathering is a haven for wordsmiths and budding poets alike. Hosted by the renowned Brooklyn Poets, located at 144 Montague Street #2nd Floor, Brooklyn, NY 11201, this event promises to ignite your creativity and immerse you in the rich tapestry of poetic expression. Mark your calendars for the upcoming session on October 11, 2023, where talented poets from far and wide will showcase their lyrical prowess. And the best part? It's absolutely free! So, don't miss out on this remarkable opportunity to soak in the poetic ambiance and join a community of passionate individuals who share your love for the written word. Come, be a part of the Brooklyn Poets Weekly Writing Group, where inspiration knows no bounds and creativity finds its home.

Tamar Braxton - Love and War 10 Year Anniversary, a highly anticipated concert, is set to take place at the renowned Irving Plaza Powered By Verizon 5G on October 24, 2023. Located at 17 Irving Place, New York, NY, 10003, this iconic venue will serve as the backdrop for this monumental event. Tamar Braxton, the sensational singer-songwriter, will enchant the audience with a selection of her greatest hits, including "Hot Sugar," "The One," "Let Me Know," "All the Way Home," and of course, the timeless anthem "Love and War." This remarkable celebration promises to be an unforgettable experience for music aficionados and fans alike. Don't miss your chance to witness Tamar Braxton's remarkable talent and celebrate the 10-year anniversary of her groundbreaking album "Love and War." Make sure to mark your calendars for this epic event! Tickets for Tamar Braxton - Love and War 10 Year Anniversary will be available for purchase from September 8, 2023, at 14:00 until October 25, 2023, at 01:00. Secure your spot at this extraordinary concert and prepare for an evening filled with soul-stirring melodies and electrifying performances.

Don't miss out on the highly anticipated Copacoven live performance Halloween Party at Loft 51 NYC in New York City. This exclusive event will take place on Wednesday, October 25th, 2023, at the stunning Copa Loft located at 627 West 51st Street, New York, NY 10019. Get ready for an unforgettable Halloween night with live performances by NYC's best DJs. Midtown New York will come alive with the hottest beats and electrifying atmosphere at the Copacabana New York, Loft 51 Event Space. Be prepared for an epic night of music, entertainment, and a Halloween costume contest. Limited tickets are available due to the venue's capacity, so make sure to secure your spot in advance. The dress code for this Halloween extravaganza is to be creative and embrace the Halloween spirit. If you're looking for an elevated experience, bottle service is available upon request. Please note that all ticket purchases are final and non-refundable. For more information and to purchase tickets for the Copacoven live performance Halloween Party at Loft 51 NYC in 2023, call or text 347-592-0300 or visit Gametightny.com. This event is brought to you by Gametightny.com, the number one source for Halloween parties in NYC. Don't miss out on this incredible opportunity to celebrate Halloween in style at one of the hottest venues in New York City. Get your tickets now and prepare for a night to remember.

Join Senegalese novelist, Mohamed Mbougar Sarr, and New Yorker staff writer Julian Lucas at the event "Mohamed Mbougar Sarr and Julian Lucas in Conversation" at Albertine in New York City. They will be discussing Sarr's highly acclaimed novel, The Most Secret Memory of Men. This literary masterpiece, winner of the prestigious 2020 Prix Goncourt, delves into the captivating life of a misunderstood Black author, Yambo Ouologuem. Sarr's work, reminiscent of Bolaño's Savage Detectives, combines elements of a literary mystery and a coming-of-age tale. The story follows Diégane Latyr Faye, a young Senegalese writer, as he embarks on a quest to uncover the truth behind the enigmatic T.C. Elimane and his controversial book, The Labyrinth of Inhumanity. From Senegal to Argentina to France, Faye's journey leads him to confront the dark chapters of history, from colonialism to the Holocaust. This event, conducted entirely in English, offers a unique opportunity to explore themes of identity, literature, and the connection between Africa and the Western world. As the first Sub-Saharan African to win the esteemed Goncourt prize, Mohamed Mbougar Sarr showcases the power of storytelling and the timeless relevance of literature. RSVP now to secure your spot at this captivating event. Admission is free.

Experience the ultimate Haunted Halloween BASH at Treadwell Park UES in New York City! This year's event promises to be an unforgettable night of spooky fun. Get ready to be transported to a Haunted Park as Treadwell Park is completely transformed for this special occasion. Costumes are highly encouraged, so dress to impress and enter our exciting costume contest for a chance to win a FREE *OPEN BAR* happy hour for you and 10 of your friends! The party kicks off at 10PM and doesn't stop until 3AM! Dance the night away to the beats of our live DJ and enjoy Halloween drink specials that will send chills down your spine. The dance floor will be calling your name as you have a wicked good time with fellow partygoers. General admission tickets include a 2 HOUR OPEN BAR from 10PM to 12AM, featuring a selection of beer, wine, well spirits, and our specially crafted Halloween cocktails. After 12AM, the party continues with a cash bar available all night long. For a more VIP experience, reserve a VIP table which includes reserved seating and bottle service. Your table will be yours for the entire night, and a dedicated server will be available to fulfill any additional drink and food orders. Don't miss out on our limited early bird tickets which are currently on sale! Prices will increase as the event sells out, so secure your spot now for the Haunted Park HALLOWEEN BASH @ Treadwell Park UES w/2 HOUR OPEN BAR. It's going to be a night you won't want to miss!

Go far beyond our own blue planet and marvel at the latest discoveries about our cosmic neighbors. Immersive visualizations of distant worlds. Groundbreaking space missions. Breathtaking scenes depicting the evolution of our solar system.

An exhibition that reveals the mysterious world of the 5th Duke of Portland. The 5th Duke was an unusual figure in Victorian high society, and many myths and legends have grown around his memory. These include always wearing 3 pairs of socks, only eating roast chicken, and communicating exclusively by letter through his bedroom door. The actual truth behind the stories is uncertain but it seems that the famously private 5th Duke was not a conventional Victorian aristocrat. He is best known for his building projects, which include one of the world’s largest riding schools, 2¾ miles of tunnels, a subterranean ballroom and an underground donkey stable. The 5th Duke of Portland was a keen art collector, and The Portland Collection remains home to many pieces that he chose. He bought more than 50 paintings, including works by Reynolds and Mytens, over 70 miniatures and an extraordinary array of ceramics. This exhibition includes the architectural models for some of the Duke’s building projects, portraits of his lost love – the opera singer Adelaide Kemble, the Duke’s death mask, and his iconic double-letterbox bedroom door.

Kämpfe und Widerstände gegen Rassismus sind Bestandteil der Geschichte dieses Landes. Ob eingewandert, durchreisend oder hier geboren - Menschen mit Rassismus-, Antisemitismus- und Diskriminierungserfahrungen kämpfen seit Jahrzehnten für Gleichberechtigung und gesellschaftliche Veränderung. Ihre Forderungen für Teilhabe und Projekte gegen Rassismus und Unterdrückung haben die Gesellschaft wesentlich mitgeprägt. Ihre Geschichten und Perspektiven bleiben jedoch meist unsichtbar und unerzählt. Ihr Wissen, ihre Erfahrungen und ihre Stimmen werden instrumentalisiert oder fehlen in der Erinnerungskultur und in offiziellen Archiven. Zusammen mit vielen Menschen aus Ost-, West- und dem wiedervereinigten Deutschland arbeiten wir seit einiger Zeit daran, die Geschichten der Kämpfe gegen Rassismus und Antisemitismus zu erzählen. Gemeinsam suchen wir nach neuen Wegen des Sammelns, Aufarbeitens und Darstellens. Im FHXB Friedrichshain-Kreuzberg Museum ist ein offenes Archiv mit ersten Ergebnissen dieses gemeinsamen Forschens entstanden. Es handelt sich um eine Sammlung an Bruch- und Fundstücken, die bei Workshops und durch Unterstützung der Besucher:innen weiter wachsen wird. Das offene Archiv soll zu einem Debattenraum werden, der vergangene Erfahrungen mit heutigen Debatten und Kämpfen gegen Antisemitismus, Rassismus und allen Diskriminierungen zusammenbringt. Ein Kooperationsprojekt der Georg-August-Universität Göttingen, der Fachhochschule Kiel, des Dokumentationszentrums und Museums über die Migration in Deutschland e.V. (DOMiD) und des FHXB Friedrichshain-Kreuzberg Museums. Gefördert durch die Bundeszentrale für politische Bildung.

Pueblo Indian pottery embodies four main natural elements: earth, water, air, and fire. It is an art form literally of land and place, and is one of America’s ancient Indigenous creative expressions. Foregrounding Pueblo voices and aesthetics, Grounded in Clay: The Spirit of Pueblo Pottery is the first community-curated Native American exhibition in the history of The Met. The effort features more than one hundred historical, modern, and contemporary clay works and offers a critical understanding of Pueblo pottery as community-based knowledge and personal experience. Dating from the eleventh century to the present day, the featured artworks represent the aesthetic lineages of New Mexico’s nineteen Río Grande Pueblos as well as the West Texas community of Ysleta del Sur and the Hopi tribe of Arizona—sovereign Indigenous nations where pots and other ceramic works have been made and used for millennia. Visual and material languages of pottery and intergenerational narratives are highlighted throughout the exhibition. Grounded in Clay: The Spirit of Pueblo Pottery was curated by the Pueblo Pottery Collective, a group that includes sixty individual members of diverse ages, backgrounds, and professions, who represent twenty-one source communities. Selected works are from two significant Pueblo pottery collections—the Indian Arts Research Center of the School for Advanced Research (SAR) in Santa Fe, New Mexico, and the Vilcek Foundation, New York, New York.

Any act of good design must also be an act of empathy, respect, and responsibility toward all living organisms and ecosystems––as well as future generations. By translating scientific, technological, and social revolutions into objects and behaviors, design can be an agent of positive change and play a crucial part in restoring the fragile ties between humans and the rest of nature. Life Cycles: The Materials of Contemporary Design explores the regenerative power of design as it shifts its focus towards a more collaborative rapport with the natural world. The objects in this exhibition highlight the entire life cycle of the materials they are made of. From extraction to reuse or disposal, designers are exploring new ways––sometimes drawn from old traditions––to enlist materials in their efforts to bring ecosystems into balance. Cow manure collected from the streets of Indonesia is transformed into casings for loudspeakers and lamps. Bricks made from crop waste and fungi mycelium are used as a carbon-neutral building material. Bees fabricate honeycomb vases over human-made forms. These objects demonstrate that design can be elegant, innovative, and compelling, while at the same time offering new strategies for repairing our planet.

For The Met Fifth Avenue’s facade niches, Nairy Baghramian will create four abstract polychrome sculptures with components that seem to have washed up like flotsam and jetsam in the voids of their respective niches. The project is the artist’s first public installation in New York City and is the fourth in the series of contemporary commissions for The Met’s facade. Born in Iran in 1971, Nairy Baghramian fled to Berlin, Germany, in 1984, where she continues to live and work. Baghramian creates abstract sculptures that explore the dynamics of the body, gender, and dichotomies of private and public space. Her site-responsive sculptures and installations engage with architecture and often evoke bodily gestures, junctures, or fragments. Along with site responsivity, other hallmarks of Baghramian’s work are polychromy and the innovative and subversive use of different types of material. The exhibition is made possible by Angela A. Chao and Jim Breyer, Robert Denning, Cynthia Hazen Polsky and Leon B. Polsky, and The Hayden Family Foundation.

The exhibition reflects Public Art Fund's ongoing commitment to creating public exhibition opportunities for advanced career artists and artists of color, particularly those who may not have received widespread recognition earlier in their careers. Eversley’s presentation represents not only his first public sculpture in New York, but also the first outdoor placement of the artist’s large-scale polyurethane resin works. “Fred Eversley’s art immerses us in perceptual experiences that bring us outside of ourselves. He explores how an artwork may inhabit the world around it while simultaneously inviting us into the realms of imagination and mystery,” said Public Art Fund Artistic & Executive Director Nicholas Baume. “, Eversley’s first public work in his home city, takes his series of pristine cylindrical sculptures to a new scale and context, engaging with the ever-changing outdoor environment, the effects of natural light, and the countless visitors whose attention it captures.” New York-based artist Fred Eversley is a pioneer of the West Coast Light and Space and Finish Fetish movements. With his scientific background as an electrical and aerospace engineer informing his artistic practice for over fifty years, Eversley is renowned for his vivid cast resin works that invite audience-artwork interaction through a range of sensory phenomena. Dedicated to expressing ideas about energy as a physical and metaphysical concern for all of humanity, Eversley’s sculptures center on the parabola, the only shape that concentrates all forms of energy—light, sound, and heat—into a single acoustic and optical focal point. “My parabolic forms are all about energy. They are made to reflect all the infinite combinations of internal reflections, refractions, color changes, and other optical phenomena that one can experience within a single sculpture,” said artist Fred Eversley. “ and its display in Doris C. Freedman Plaza resonates with my vision of an energetic outdoor focal point to attract public audiences to spontaneously pause, slow down, and engage in numerous ways with a cosmic, mystifying object.” Eversley’s presentation with Public Art Fund marks an ambitious continuation of his new works, the artist’s first series of larger-than-human-scale, free-standing, floor-based sculptures. These recent works—which debuted at David Kordansky Gallery in May 2023—are conceptually linked to the cylindrical section sculptures the artist first exhibited in his first solo presentation at the Whitney Museum of American Art in 1970. The largest work of the series thus far, , is shaped as a plano-convex lens that focuses light into a single line. It acts as an optical instrument where stillness and motion appear to be present at the same time. Its geometrical mass gradually transitions its magenta hue, from rich saturation at its bottom to colorless transparency at the apex. The color saturation further shifts depending on the angle of the viewer and the direction of the sun. The sculpture obtains its luminous tone and reflective quality from its crystal-clear resin material and through a labor-intensive hand-polishing process. appears simultaneously reflective and transparent, liquid and solid—a manmade form with an otherworldly, ethereal quality. prompts questions about how optical and physical perceptions determine how we connect with each other and the world, communicating a kinetic, palpable sense of the mysterious presence of energy throughout the universe. The sculpture’s properties, and direct placement on the ground, entice viewers to approach and move around the work. Bending, distorting, and reflecting faces, forms, and colors, the work heightens the relationship between the viewer’s body and the cylindrical lens. This key performative facet is on full display in this outdoor work. Interacting with natural light and spontaneous passers-by, it represents Eversley’s most far-reaching and dynamic foray into the cultivation of audience-artwork interaction to date. The work's outdoor site allows for natural light to hit its surface and further generate a range of refractions and prismatic effects, connecting the viewer’s senses with the object and the environment in spellbinding ways. In this way, the sculpture expands and destabilizes multiple states of existence and perception. Straddling the scientific, metaphysical, and mystical, the sculpture functions as a portal for viewers to a world of radiant color, abstracted form, and a re-examination of one’s self and others within our surroundings. is curated by Public Art Fund Artistic & Executive Director Nicholas Baume with support from Public Art Fund Assistant Curator Jenée-Daria Strand, and developed by former Public Art Fund Senior Curator Allison Glenn. ABOUT THE ARTIST Fred Eversley (b. 1941, Brooklyn, New York) is a key figure in the development of contemporary art from Los Angeles during the postwar period. He synthesizes elements from several art historical movements associated with Southern California, including Light and Space, though his work is the product of a pioneering vision all his own, informed by lifelong studies on the timeless principles of light, space, time, and gravity. Prior to becoming an artist, Eversley moved to California to become an engineer, collaborating with NASA and major aerospace companies to develop high-energy acoustic and vibration testing laboratories. Eversley’s work on NASA’s second and third human spaceflight programs, Gemini and Apollo, developed his interest in the parabola, which began when he was a teen. His pioneering use of plastic, polyester resin, and industrial dyes and pigments reflects the technological advances that define the postwar period even as his work reveals the timeless inner workings of the human eye and mind. Eversley will unveil his largest Public Commission to date, a sculptural installation, titled “Portals”, for permanent display in Able’s Park, at One Flagler, West Palm Beach in early summer of 2024, commissioned by Related Companies in partnership with the City of West Palm Beach. He has also been the subject of solo exhibitions at the Orange County Museum of Art, Costa Mesa, California (2022–2023); Rose Art Museum, Brandeis University, Waltham, Massachusetts (2017); Art + Practice, Los Angeles (2016); National Academy of Science, Washington, D.C. (1981); Palm Springs Art Museum, California (1977); Newport Harbor Art Museum, Newport Beach, California (1976); and Whitney Museum of American Art, New York (1970). Eversley will be part of two major group shows as part of the Pacific Standard Time Art and Science Collide program 2024. Recent group exhibitions include Light and Space, Copenhagen Contemporary, Copenhagen (2021–2022); Soul of a Nation: Art in the Age of Black Power 1963–1983 (2017–2020, traveled to five venues); Space Shifters, Hayward Gallery, London (2018); Dynamo – A Century of Light and Motion in Art, Grand Palais, Paris (2013); Pacific Standard Time: Art in L.A. 1945–1980 (Getty Foundation, 2011; traveled to Gropius Bau, Berlin, 2012). His work is in the permanent collections of more than three dozen museums throughout the world, including Tate Modern, London; Guggenheim Museum, New York; Museum of Fine Arts, Houston; Whitney Museum of American Art, New York; Crystal Bridges Museum of American Art, Bentonville, Arkansas; Museum of Modern Art, New York; K11 Art Foundation, Hong Kong; and Los Angeles County Museum of Art. The first monograph dedicated to Eversley’s work was published by David Kordansky Gallery in 2022. Eversley lives and works in New York City.

Discover the fundamentals of West African dance through these informative introductory classes expertly crafted to provide a warm and inclusive environment for new and hesitant dancers. Immerse yourself in the joyous experience of West African Guinean Dance at the esteemed Dance 4 Joy event, taking place in Brooklyn at the renowned Cumbe: Center for African and Diaspora Dance. Located at 1368 Fulton Street, Brooklyn, NY 11216, this remarkable venue sets the stage for an unforgettable exploration of the rich cultural heritage embedded within West African Guinean Dance. Mark your calendars for October 1, 2023, as this event promises to enlighten and entertain. Delve into the rhythmic movements and captivating music of West African Guinean Dance, and embrace the opportunity to connect with the vibrant and diverse world of African diaspora dance. Join us at Dance 4 Joy, where you can embark on a transformative journey through the roots of West African culture. Experience the energy, grace, and artistry of this ancient dance form, and let your spirit soar. Don't miss the chance to be part of this incredible celebration of West African Guinean Dance at Cumbe: Center for African and Diaspora Dance in Brooklyn.

Belly Dance, which will take place at Cumbe: Center for African and Diaspora Dance in Brooklyn, NY, on October 1, 2023, is an event that unites women in their exploration of sensuality and its physical and spiritual significance. This captivating form of dance, known as Belly Dancing, offers a unique opportunity for women to delve into the power of their sensuality. By embracing the art of movement, participants can connect with their bodies on a deeper level, gaining insight into the profound implications of sensuality. Belly Dance creates an environment where women can come together, fostering a sense of unity and camaraderie as they embark on this transformative journey. Through this event, participants can gain a better understanding of themselves and their place in the world, all while celebrating the beauty of movement and the joy it brings. Join the women of Dance 4 Joy as they explore the mesmerizing world of Belly Dancing at Cumbe: Center for African and Diaspora Dance in Brooklyn.

Phoebe Robinson and Calise Hawkins present an exciting evening of comedy at Union Hall in Brooklyn. Don't miss "Phoebe & Calise Thot They Were Gonna Be Hella Famous By Now" on Monday, October 9. The doors open at 7pm, with the show starting at 7:30pm. This unique event features Phoebe and Calise along with a lineup of their favorite comics and friends, all showcasing new material. It's going to be a one-of-a-kind experience that promises to be both entertaining and unpredictable. Special guests include Jordan Carlos, Sabrina Wu, and more to be announced. The show is open to ages 21 and over, with general admission tickets priced at $15. The seating is mixed, allowing both seated and standing options. Located at 702 Union St., Brooklyn, NY 11215, Union Hall provides the perfect setting for an evening of laughter and fun. Don't miss out on this opportunity to catch Phoebe Robinson and Calise Hawkins in action. Get your tickets now for "Phoebe & Calise Thot They Were Gonna Be Hella Famous By Now"!

Join POWERHOUSE Arena in Brooklyn on October 10, 2023, for the highly anticipated book launch of A.K.A. Lucy: The Dynamic and Determined Life of Lucille Ball by Sarah Royal with Shelly Zimmerman. This extraordinary package offers a captivating and insightful glimpse into the extraordinary life and achievements of Lucille Ball, also known as Lucy. With its fresh perspective, exquisite design, and informative content, this book stands out like no other in its exploration of Ball's journey. AKA Lucy delves into the various facets of her persona, showcasing how she revolutionized comedy and left an indelible mark on the entertainment industry. Unveiling new aspects of her history, from her humble beginnings to her rise to stardom, her profound love story, and her pioneering role in television, this authorized biography by the estate of Lucille Ball and Desi Arnaz provides an unparalleled tribute to this iconic figure. Complete with an array of captivating photographs, vibrant illustrations, and engaging design, this volume encapsulates the essence of Lucille Ball's magnetic personality. Pop-culture historian Sarah Royal, acclaimed for her previous works, presents a vivid and comprehensive account of this comedy legend. Don't miss this opportunity to delve into the life of one of the most beloved entertainers of the 20th century.

Get ready to experience the comedic brilliance of Katt Williams on his highly anticipated "The Dark Matter Tour" at Barclays Center in Brooklyn, NY. This monumental event is set to take place on October 13, 2023, and promises to be an unforgettable night of laughter and entertainment. The show kicks off at 620 Atlantic Ave, where Katt Williams will grace the stage and captivate the audience with his unique style and infectious energy. As the clock ticks closer to the concert date, fans can anticipate a phenomenal lineup of songs that will keep them engaged and laughing throughout the night. With tickets going on sale from May 26, 2023, at 16:00, until October 14, 2023, at 00:00, this is an opportunity that comedy enthusiasts simply cannot afford to miss. From start to finish, "The Dark Matter Tour" promises to deliver an experience like no other, with Katt Williams leading the charge and leaving audiences in stitches. Be sure to secure your tickets early and be a part of this unforgettable night of comedy.

Get ready to be amazed at the *SKULL ART EXHIBIT 骸骨展VOL2*, presented by GxBxT. This epic showcase of ultra-creative art will transport you to a world of boundless imagination. On October 13th, 2023, witness the convergence of over 50 global artists, as they bring to life their interpretations of this fateful day. Hosted at The Brooklyn Brewery in Brooklyn, NY, this event promises an unforgettable experience. Immerse yourself in a vivid display of wearable art and haunting imagery, where tradition meets innovation. From 8-11pm, on Friday the 13th, let DJs Foreign Posse and MSGP New York set the mood as you explore the artistic wonders that await you. And if you can't make it on that day, don't worry, there's another opportunity on November 1st, from 7-9pm. Best of all, entry to this extraordinary event is absolutely free. Don't miss out on this unique opportunity to witness the talent of these global artists firsthand. Mark your calendars for the *SKULL ART EXHIBIT 骸骨展VOL2* on October 13th at The Brooklyn Brewery. Get ready to be captivated by an unforgettable night of creativity that transcends borders and expectations.