Featured Events in Quanzhou in September, 2024 (May Updated)

Attraction introduction Quanzhou Marionette Show is located in Wudianshi, an AAAA-level Attraction. Wudianshi has a thousand-year history and is the origin of Jinjiang City. The red brick buildings with southern Fujian characteristics span the Ming, Qing and Republic of China periods. Wudianshi has produced 11 champions in history. During the Wanli period, Zhuang Jichang was the champion of the same subject as Yuan Chonghuan. The champion Wang Zeng, a descendant of the King of Fujian who lived in Quanzhou for generations, won three consecutive championships (first place in the first, provincial and palace examinations). It has also produced more than 1,400 Jinshi scholars, making it an outstanding representative of southern Fujian's humanities, history, art, architecture and customs. As the treasure of southern Fujian art, puppetry has not only become an indispensable part of the folk customs of Quanzhou and the entire southern Fujian region for thousands of years, but also has become a popular opera art that is appreciated by the general public and even scholars and literati with its unique skills and wonderful performances. Introduction to Quanzhou Marionette Show Quanzhou string puppetry, also known as suspended puppetry in ancient times, originated from the Qin and Han dynasties. According to historical records, it was already popular in Quanzhou and Souvenir areas at the end of the Tang Dynasty and the Five Dynasties at the latest. It has been passed down through the Song, Yuan, Ming, Qing dynasties and even today. The traditional repertoire of Quanzhou string puppetry preserves a large number of folk beliefs and customs of weddings, funerals, and celebrations in the ancient Minnan dialect area. It preserves a large number of grammars, vocabulary, and ancient pronunciations of the "ancient Heluo language" and Minnan dialect. It preserves many precious materials on the repertoires, music, and performance forms of Southern Opera in the Song and Yuan Dynasties, and has multidisciplinary research value. For thousands of years, Quanzhou string puppetry has not only coexisted with the life customs of birth, aging, illness, and death of the people in the Minnan dialect area. On May 20, 2006, puppet show (Quanzhou Marionette Show) was approved by the State Council of the People's Republic of China to be included in the first batch of national intangible cultural heritage list. Heritage number: IV-92. In December 2012, the "Fujian Puppet Show Talent Training Program", including Quanzhou String Puppet Show, was successfully selected into the List of Outstanding Practices of the World's Intangible Cultural Heritage of Humanity. History of Quanzhou Marionette Show Early stage It is said that when Wang Shenzhi came to Fujian and proclaimed himself king in present-day Fuzhou at the end of the Tang Dynasty, he built a large palace and hired many famous scholars and students from Zhongzhou. They brought puppet shows and placed them in the palace for entertainment. Puppet shows were then introduced to Quanzhou, so the dialogues of "Jia Li Opera" have a Zhongzhou accent. By the Song Dynasty, "Jiali Opera" had been widely spread among the people of Quanzhou. In the Ming Dynasty, Quanzhou puppetry was further combined with folk rituals and developed greatly. Li Tingji of Quanzhou in the Ming Dynasty once wrote a couplet for puppetry: "Driving thousands of miles away in an instant, the affairs of the past and present are completed in one night." It can be seen that the puppetry at that time was rich in content and wide in subject matter, and had the ability to express thousands of miles and encompass the past and present. Mid-term During the reigns of Emperor Qianlong and Emperor Jiaqing of the Qing Dynasty, Quanzhou's "Jiali" opera had become very mature, breaking away from the "puppet show" form of fragmentary and acrobatic performances and forming a standardized script system, which could perform large-scale and complex historical dramas. Although there are only 36 fixed characters, the roles are divided into four categories: Sheng, Dan, Bei, and Za, and 42 major dramas can be performed. For example, the traditional continuous script "Mulian Saves His Mother" can be performed for seven days and seven nights. Later In the late Qing Dynasty and early Republic of China, there were more than 50 puppet troupes in Quanzhou, covering the urban and rural areas. The "four major temples" in Quanzhou, including Dongyue Temple, Guandi Temple, Yuanmiao Temple, and Chenghuang Temple, all had fixed troupes to perform for praying to the gods. Lin Chengchi, known as the "talented scholar of Jiali", once created "Shuo Yue" and "Water Margin" and other serial plays with the literati Yang Xiumei, thus taking puppetry out of the circle that only serves weddings and funerals. Lin Chengchi, Lian Tianzhang and others also created and improved many performing arts techniques, such as drawing swords, inserting swords, playing with snakes, umbrella dance, weaving, playing with cymbals, etc., which greatly enriched the performing arts of string puppetry.

Quanzhou West Street puppet theater performances are mainly based on Jinjiang bag puppet performances, that is,Jinjiang bag puppet show, not string puppet show. Jinjiang Bag Puppet Show isLocal traditional drama in Jinjiang City, Fujian Province, one of the national intangible cultural heritages.That is, the Southern Puppetry and Palm Puppetry in Quanzhou area are called Nanguan Puppetry in Taiwan, China. In July 1951, the Southern Puppetry was named Zhangzhong Puppetry, which is a rare type of puppet show in China. Southern style puppetry is popular in southern Fujian, and its origins can be traced back to historical materials of the Jin Dynasty, Five Dynasties and Southern Song Dynasty. From the middle of the Ming Dynasty to the end of the Qing Dynasty, it was the period of the rise and development of the southern style of puppetry. According to folklore and "Taiwan General Chronicles", the puppetry originated during the Jiajing period of the Ming Dynasty, and its founder was Liang Binglin, who was later known as the "number one opera performer". In the middle of the Qing Dynasty, puppet theater performances in Jinjiang and other places flourished and spread to Taiwan. At the same time, artists such as Li Kecha appeared. At the end of the Qing Dynasty and the beginning of the Republic of China, some puppet theater troupes emerged in various counties of Quan County, such as the "Five Tiger Troupes" in southern Fujian during the Tongzhi and Guangxu years of the Qing Dynasty. During the Republic of China, puppet theater troupes in Anxi, Hui'an and other places almost spread throughout the county. Jinjiang Bag Puppetry has a unique artistic style, with meticulous division of roles, puppet head carvings with both form and spirit, delicate performances, and lifelike movements. On October 31, 2005, Quanzhou Nanpai Puppet Show (Jinjiang Puppet Show) was selected into the first batch of provincial intangible cultural heritage projects in Fujian Province. On May 20, 2006, the puppet show (Jinjiang Bag Puppet Show) was approved by the state and included in the first batch of national intangible cultural heritage lists, with heritage number IV-92.

Attraction introduction Quanzhou Marionette Show is located in Wudianshi, an AAAA-level Attraction. Wudianshi has a thousand-year history and is the origin of Jinjiang City. The red brick buildings with southern Fujian characteristics span the Ming, Qing and Republic of China periods. Wudianshi has produced 11 champions in history. During the Wanli period, Zhuang Jichang was the champion of the same subject as Yuan Chonghuan. The champion Wang Zeng, a descendant of the King of Fujian who lived in Quanzhou for generations, won three consecutive championships (first place in the first, provincial and palace examinations). It has also produced more than 1,400 Jinshi scholars, making it an outstanding representative of southern Fujian's humanities, history, art, architecture and customs. As the treasure of southern Fujian art, puppetry has not only become an indispensable part of the folk customs of Quanzhou and the entire southern Fujian region for thousands of years, but also has become a popular opera art that is appreciated by the general public and even scholars and literati with its unique skills and wonderful performances. Introduction to Quanzhou Marionette Show Quanzhou string puppetry, also known as suspended puppetry in ancient times, originated from the Qin and Han dynasties. According to historical records, it was already popular in Quanzhou and Souvenir areas at the end of the Tang Dynasty and the Five Dynasties at the latest. It has been passed down through the Song, Yuan, Ming, Qing dynasties and even today. The traditional repertoire of Quanzhou string puppetry preserves a large number of folk beliefs and customs of weddings, funerals, and celebrations in the ancient Minnan dialect area. It preserves a large number of grammars, vocabulary, and ancient pronunciations of the "ancient Heluo language" and Minnan dialect. It preserves many precious materials on the repertoires, music, and performance forms of Southern Opera in the Song and Yuan Dynasties, and has multidisciplinary research value. For thousands of years, Quanzhou string puppetry has not only coexisted with the life customs of birth, aging, illness, and death of the people in the Minnan dialect area. On May 20, 2006, puppet show (Quanzhou Marionette Show) was approved by the State Council of the People's Republic of China to be included in the first batch of national intangible cultural heritage list. Heritage number: IV-92. In December 2012, the "Fujian Puppet Show Talent Training Program", including Quanzhou String Puppet Show, was successfully selected into the List of Outstanding Practices of the World's Intangible Cultural Heritage of Humanity. History of Quanzhou Marionette Show Early stage It is said that when Wang Shenzhi came to Fujian and proclaimed himself king in present-day Fuzhou at the end of the Tang Dynasty, he built a large palace and hired many famous scholars and students from Zhongzhou. They brought puppet shows and placed them in the palace for entertainment. Puppet shows were then introduced to Quanzhou, so the dialogues of "Jia Li Opera" have a Zhongzhou accent. By the Song Dynasty, "Jiali Opera" had been widely spread among the people of Quanzhou. In the Ming Dynasty, Quanzhou puppetry was further combined with folk rituals and developed greatly. Li Tingji of Quanzhou in the Ming Dynasty once wrote a couplet for puppetry: "Driving thousands of miles away in an instant, the affairs of the past and present are completed in one night." It can be seen that the puppetry at that time was rich in content and wide in subject matter, and had the ability to express thousands of miles and encompass the past and present. Mid-term During the reigns of Emperor Qianlong and Emperor Jiaqing of the Qing Dynasty, Quanzhou's "Jiali" opera had become very mature, breaking away from the "puppet show" form of fragmentary and acrobatic performances and forming a standardized script system, which could perform large-scale and complex historical dramas. Although there are only 36 fixed characters, the roles are divided into four categories: Sheng, Dan, Bei, and Za, and 42 major dramas can be performed. For example, the traditional continuous script "Mulian Saves His Mother" can be performed for seven days and seven nights. Later In the late Qing Dynasty and early Republic of China, there were more than 50 puppet troupes in Quanzhou, covering the urban and rural areas. The "four major temples" in Quanzhou, including Dongyue Temple, Guandi Temple, Yuanmiao Temple, and Chenghuang Temple, all had fixed troupes to perform for praying to the gods. Lin Chengchi, known as the "talented scholar of Jiali", once created "Shuo Yue" and "Water Margin" and other serial plays with the literati Yang Xiumei, thus taking puppetry out of the circle that only serves weddings and funerals. Lin Chengchi, Lian Tianzhang and others also created and improved many performing arts techniques, such as drawing swords, inserting swords, playing with snakes, umbrella dance, weaving, playing with cymbals, etc., which greatly enriched the performing arts of string puppetry.

《來瘋喜劇 | 五一 必打卡 小羅脱口秀專場《小羅txt》5月2日 @泉州大劇院》是一場精彩絕倫的脱口秀活動，將於泉州大劇院-室內音樂廳隆重舉行。這場活動將於2024年5月2日開始，持續至年底。觀眾將有機會在這個獨特而幽默的演出中盡情享受小羅帶來的精彩表演。票價範圍從120元至9999元不等，讓觀眾可以依自身預算選擇適合的座位。活動地點位於府西路泉州公共文化中心，這是一個不容錯過的機會，讓您在五一期間盡情娛樂放鬆。無論是單獨觀賞，或是與親友共聚一堂，都將在這場脱口秀中獲得豐富的娛樂體驗。立即預訂您的門票，和大家一起來享受這場難忘的文藝盛宴吧！

2024年9月16日，福州吾樂室內合唱團將在泉州大劇院音樂廳舉行五週年專場《再回首》主題音樂會。這場音樂盛事將於當晚19:30準時開演，演出票價範圍從80元至280元不等。演出時間約為100分鐘，整場演出沒有中場休息。入場要求為身高1.2米以上的兒童必須持票入場，而身高1.2米以下的兒童則不允許進入。福州吾樂室內合唱團成立於2019年5月，是由一眾熱愛歌唱、生活，並具有豐富音樂教育背景的音樂教師和音樂愛好者組成。他們致力於分享合唱藝術之美，並以音樂建立和諧社會。除了在福建各大音樂廳舉辦過多場音樂會外，吾樂室內合唱團更在省內外參加多個音樂比賽，並贏得眾多獎項。這次的《再回首》音樂會除了福州吾樂室內合唱團的表演外，還特別邀請了泉州嶼鯉室內合唱團作為合作嘉賓，為觀眾帶來更多精彩的音樂體驗。音樂會將呈獻多首優秀合唱作品，包括《當我們一起走過》、《If music be the food of love（假令樂為愛之源）》、《再回首》等，讓觀眾在音符間尋找共鳴，共同感受音樂帶來的情感共振。這將是一場難以忘懷的音樂之夜，讓我們一同期待福州吾樂室內合唱團的精彩演出，共同享受音樂的饗宴。

宋萬博將於2024年9月16日在泉州舉行單口喜劇專場《天生非此》，這是大咖湧泉計劃的中秋專場活動之一。宋萬博是一位單口文豪、口述文學家，將為觀眾呈現精彩的喜劇表演。演出將在泉州刺桐路112號的起笑·喜劇工廠(快閃店)舉行，活動晚上8點開始。門票售價範圍從19元到138元不等。為了保持活動的進行秩序，晚到超過30分鐘的觀眾將被禁止入場。演出場地設有座位，先到先得。如有任何疑問，可以聯繫客服進行諮詢。

2024年9月16日，舞劇《海上夫人》-亞彬和她的朋友們第十三季將在泉州大劇院上演。這部由王亞彬導演、領銜主演的舞劇將呈現女主人公艾梨達的故事，探討愛情、慾望與自由之間的掙扎。從丈夫萬格爾、陌生人、女兒到海水，一切將在舞台上展開。演出時間為70分鐘，無中場休息，票價範圍從80元到480元。這部舞劇將帶領觀眾進入一段充滿情感與掙扎的旅程，揭示人性的複雜性，讓觀眾對艾梨達的故事產生共鳴。2024年9月16日，泉州大劇院將成為這場舞台劇的寫意舞台，讓觀眾沉浸在《海上夫人》的世界中。

“永慶昇平2024德雲社相聲大會專場演出-泉州站”將於2024年9月21日晚上7:30在泉州影劇院（西街）舉行。演出地點位於福建省泉州市鯉城區西街20號（近鐘樓）。票價範圍從200元至400元不等。本次演出將匯聚多位知名相聲演員，包括謝金、李鶴東、關九海、劉春山等，每位演員均擁有豐富的演出經驗和精湛的演技，為觀眾呈獻精彩絕倫的相聲表演。這將是一個難得的文化盛宴，讓觀眾們在歡笑中度過愉快的夜晚。不容錯過的精彩演出，快來感受傳統相聲藝術的魅力吧！

動力火車“都是因為愛”巡迴演唱會-泉州站將於2024年9月21日在泉州市晉江第二體育中心體育館盛大舉行。活動地點位於晉江市雙龍東路10號，票價範圍從380元到1280元不等。 這場演唱會將帶領觀眾們重温動力火車的經典情歌，讓他們在音樂中尋找到共鳴和感動。無論是青春時代的回憶還是對愛情的熱情，都將在這裡得到完美的表達。參加者可以期待一個充滿熱情、感動和能量的音樂之夜，讓動力火車的歌曲再次引領大家一起高歌。 在演唱會現場，觀眾不僅可以感受到動力火車帶來的音樂饗宴，還能和其他歌迷一起共同聆聽、共同感動。無論是搖滾區還是觀眾席，每個人都將在這裡找到屬於自己的音樂共鳴。動力火車將用他們充滿激情的演出，點燃每位觀眾心中對音樂的熱愛。 這將是一個難忘的夜晚，一個讓人縱情音樂、沉浸在愛的海洋中的夜晚。無論您是動力火車的忠實粉絲還是喜歡他們音樂的新聽眾，這場演唱會都將帶給您一個難忘的體驗。準備好跟隨動力火車的音樂，一起走進愛的世界吧！

9月22日在泉州舉辦了《你好，小方》漫才專場，特別呈現二狗超長互動版的脱口秀表演。活動將在起笑·喜劇工廠(快閃店)舉行，地址位於刺桐路112號。觀眾可提前30分鐘進場，並按先到先選的原則選擇座位。這場脱口秀的門票價格從240元至999元不等，讓您可以根據個人喜好做出選擇。快來參加這場破圈社交活動，一同享受幽默搞笑的漫才表演吧！

2024年9月28日至2024年9月29日，陶喆將在泉州舉辦“2024陶喆Soul Power II世界巡迴演唱會”。演唱會將在晉江第二體育中心體育館舉行，地址位於晉江市雙龍東路10號。票價範圍從380元至1380元。 “2024陶喆Soul Power II世界巡迴演唱會-泉州站”將帶您深入音樂本質，啓動靈魂力量。這是陶喆近10年來的首次大型個人巡演，將於泉州舉行。演唱會將呈現全新的音樂體驗，喚醒您的靈魂，帶來滿滿的音樂感動。 陶喆正式啓動“Soul Power II世界巡迴演唱會”，重新演繹“Soul Power”純粹而深刻的音樂感動。他將與一眾優秀音樂人合作，打造屬於這個時代的感動與體驗，呈現一場意義非凡的音樂盛宴。 這次巡演是陶喆繼25週年演唱會後的又一力作，展望未來，他更將推出第八張個人專輯。參與“Soul Power II”演唱會的觀眾將有機會成為新歌首唱的見證人。更多關於演出場次和售票訊息，敬請關注陶喆官方平台的最新消息。

2024年9月28日，泉州大劇院歌劇廳將上演雜技兒童劇《福見山海·貝殼裏的秘密》。這部劇由福建省雜技團與台灣李明華戲劇屋合作創作，將帶領觀眾進入一個關於海洋、環保和友誼的奇妙世界。故事描述一個在海邊生活的小女孩與好朋友發現一顆神奇的大貝殼，神秘的光芒將他們帶入深海，展開一場別開生面的海洋冒險。演出中穿插了許多互動遊戲，不僅讓小朋友們享受視覺盛宴，也提高對海洋文化的認知，培養環保意識。票價範圍從80元至280元，演出時長約80分鐘，無中場休息。這部深具教育意義的雜技兒童劇必將成為2024年福建雜技的一次創新之作，為親子帶來驚豔綻放的表演。

Luxurious scene construction, real scene restores the style of the Edogawa period! The elegant and unique check-in point full of the essence of oriental culture allows you to travel back to the prosperous and turbulent era 400 years ago in a second The fantasy and prosperity of the floating world An Encyclopedia of Social Life in the Edo Period How Eastern Culture Originated from China Influenced the Western World Chasing the Dream of Edo Ukiyo-e Art Exhibition Now Landing in Quanzhou Zhongjun World City 1400 square meters of exhibition area 148 pieces (sets) of classic works 7 Masterpieces of Ukiyo-e Hokusai Katsushika's complete set of Thirty-six Views of Mount Fuji on display Many famous paintings by famous artists, including paintings of beauties, paintings of warriors, and paintings of famous places The exploration and efforts of several generations of painters, a legendary experience of the entry of urban culture into the mainstream A magnificent picture of the Age of Discovery, an artistic journey where Eastern and Western civilizations converge and merge

Luxurious scene construction, real scene restores the style of the Edogawa period! The elegant and unique check-in point full of the essence of oriental culture allows you to travel back to the prosperous and turbulent era 400 years ago in a second The fantasy and prosperity of the floating world An Encyclopedia of Social Life in the Edo Period How Eastern Culture Originated from China Influenced the Western World Chasing the Dream of Edo Ukiyo-e Art Exhibition Now Landing in Quanzhou Zhongjun World City 1400 square meters of exhibition area 148 pieces (sets) of classic works 7 Masterpieces of Ukiyo-e Hokusai Katsushika's complete set of Thirty-six Views of Mount Fuji on display Many famous paintings by famous artists, including paintings of beauties, paintings of warriors, and paintings of famous places The exploration and efforts of several generations of painters, a legendary experience of the entry of urban culture into the mainstream A magnificent picture of the Age of Discovery, an artistic journey where Eastern and Western civilizations converge and merge

The Space Art Exhibition (Quanzhou Station) is located at 3F-B, Wanda Plaza Chengdong Store, No. 2, Anji South Road, Chengdong Street, Fengze District, Quanzhou City, Fujian Province. The Space Art Exhibition integrates aerospace knowledge, aerospace model exhibits and other aspects, inviting you to travel around the sky and explore the stars. The interactive aerospace experience simulates and restores the real scene of space, stimulates cognitive interest, and plays with the dome; aerospace science knowledge realizes education and entertainment, and inspires children's aerospace dreams; cool light and shadow are realistic, immersing in the charm of four-dimensional space and exploring the vast universe.

The Space Art Exhibition (Quanzhou Station) is located at 3F-B, Wanda Plaza Chengdong Store, No. 2, Anji South Road, Chengdong Street, Fengze District, Quanzhou City, Fujian Province. The Space Art Exhibition integrates aerospace knowledge, aerospace model exhibits and other aspects, inviting you to travel around the sky and explore the stars. The interactive aerospace experience simulates and restores the real scene of space, stimulates cognitive interest, and plays with the dome; aerospace science knowledge realizes education and entertainment, and inspires children's aerospace dreams; cool light and shadow are realistic, immersing in the charm of four-dimensional space and exploring the vast universe.

泉州市將於2024年4月6日舉辦名為“起笑喜劇 | 4月6日【小長假】喜劇開放麥”的藝術活動。該活動將在泉州市豐澤區城東萬達廣場3樓3036-3037鋪的起笑·喜劇工廠(宇宙中心店)舉行。活動時間從2024年4月11日持續至12月28日，讓觀眾們可以在這段時間內盡情享受喜劇帶來的歡樂。票價介於19.9至29.9之間，讓更多人有機會參與其中。如果您對喜劇表演感興趣，不妨把握機會前來欣賞，讓您在這個小長假中感受愉快的娛樂時光，笑聲不斷，快樂無限。起笑喜劇 | 4月6日【小長假】喜劇開放麥活動定將為您帶來難忘的一天。

泉州大劇院將於2024年5月2日至12月31日舉辦名為“來瘋喜劇 | 五一必看 雙人 小麥主打秀《兩頭堵》5月2日 脱口秀 @泉州大劇院”的脱口秀活動。這場活動將在泉州大劇院的室內音樂廳舉行，地址位於府西路泉州公共文化中心。觀眾將有機會欣賞由小麥領銜的精彩表演，笑料不斷，絕對讓您捧腹大笑。票價範圍從120元至9999元不等，讓您可以根據自己的預算選擇適合的座位。這是一個難得的娛樂機會，絕對不容錯過。快來泉州大劇院，與親朋好友一同享受這場雙人的脱口秀表演，讓您在五一假期中放鬆身心，盡情享受歡樂時光。

2024年9月6日至9月7日，中國歌劇舞劇院將在泉州大劇院歌劇廳舉行舞劇《趙氏孤兒》的演出。該舞劇以古代經典故事為靈感，由中國歌劇舞劇院舞劇團精心呈現。導演李世博、作曲家羅小堅和編劇許鋭共同打造了這部作品，將觀眾帶入一個跨越千年的感人旅程。 《趙氏孤兒》以程嬰為敍述主體，講述了一個家喻户曉、跌宕起伏的傳奇故事。故事情節曲折感人，通過舞蹈語言精彩呈現，將觀眾帶入那段生死別離、捨生取義的忠烈傳奇之中。舞劇結合了豐富細膩的情感表達、深刻的人性刻畫和張力十足的舞台呈現，展現了中華文化中“孝、信、義”的核心價值觀。 該演出分為上下兩場，上半場聚焦於“救孤”，下半場則著重於“仇”。觀眾將在劇中感受家與國、宗族與個人之間的羈絆，以及情感與理智之間的較量。舞劇《趙氏孤兒》被譽為國風舞劇的代表之作，是對中華優秀傳統文化的現代詮釋。 如果您想在2024年9月6日或9月7日晚上7:30時，親臨泉州大劇院，一同穿越千年身臨其境感受這段動人故事，那麼《趙氏孤兒》絕對是您不可錯過的精彩演出。與程嬰一起，共赴“孝、信、義”的感人之旅。票價範圍廣泛，讓更多觀眾有機會欣賞到這部舞劇的魅力。

LikeKpop「室內Kpop派對2.0」泉州站將於2024年9月6日在泉州的57Star livehouse舉行。這場活動將在福建省泉州市豐澤區金崎路216號星悦薈廣場259室舉行，票價從69元至359元不等。這將是一場讓喜愛韓流文化和Kpop音樂的粉絲聚在一起的盛會，屆時將有豐富多彩的表演和精彩的節目，絕對讓人流連忘返。無論您是Kpop的超級粉絲還是對韓國文化感興趣，這將是一個您絕不想錯過的活動。趕快預定您的門票，加入我們一起享受這場熱情奔放的派對吧！

這場位於泉州的大型單口喜劇專場“大咖湧泉計劃|【新疆高顏值帥哥】艾克單口喜劇專場《太陽照常升起》@領SHOW天地”將於起笑·喜劇工廠(快閃店)舉行。活動地址位於刺桐路112號，時間從2024年9月7日持續至12月31日。觀眾可根據個人需求選擇不同價位的門票，價格範圍從19元到128元不等。主辦方提醒觀眾，演出現場嚴禁攜帶有色飲料入內，並且遲到半小時以上的觀眾將被禁止入場。此外，所有觀眾均有座位，如有任何疑問，可隨時聯繫客服尋求協助。這將是一個讓您笑聲不斷的精彩夜晚，不容錯過！

這場由大咖湧泉計劃舉辦的喜劇專場將於2024年9月21日在泉州舉行。活動名為【聽人勸，看往事】，主題為《率性而活》。地點位於泉州市刺桐路112號的起笑·喜劇工廠(快閃店)。演出晚上8點準時開始，主辦方嚴禁遲到30分鐘以上的觀眾入場。門票售出後不退不換，票價從19元至246元不等。活動現場設有座位，先到先得，座位有限，請提前安排好您的時間。如有任何疑問，請聯繫客服尋求協助。期待您的蒞臨，共同享受一個充滿笑聲的夜晚！