Featured Events in Munich in June, 2025 (May Updated)

Great music, great theatre, great entertainment In summer, Torwood invites visitors to the Olympiapark for music and culture or just a stroll through the colorful "Creative Market". On the festival grounds, visitors can enjoy wonderful theatre and performance groups and hear live music from all over the world in the tents. Time at Torwood means time for concerts. In the Musik-Arena, the Torwood Festival presents newcomers and legends of German and international music. From the craft market and the international food market to many other venues where visitors can enjoy themselves, there is a lot to explore. From music and theatre to environmental events or children's entertainment, more than 90% of the performances are unticketed and free.

For the first time, the exhibition “Five Friends” focuses on a circle of artists who had a decisive influence on post-war art in the fields of music, dance, painting, sculpture and drawing. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Cy Twombly created a special connection between the artistic genres and media through their intimate exchange.

For the first time, the exhibition “Five Friends” focuses on a circle of artists who had a decisive influence on post-war art in the fields of music, dance, painting, sculpture and drawing. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Cy Twombly created a special connection between the artistic genres and media through their intimate exchange.

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

The exhibition "Colors of Japan – Woodcuts from the Collection of the Bavarian State Library" presents masterpieces of Japanese color woodblock prints from three centuries: from the beginnings of multi-color printing in the mid-18th century to shin-hanga, the so-called "New Prints" of the 20th century. In Japan during the Edo period (1603–1868), these "pictures of the floating world" (ukiyo-e), as these prints are also called, were an integral part of urban life and entertainment culture. Popular motifs included beauties, stage stars, and landscapes. What distinguishes Japanese color woodblock prints is the combination of artistic excellence and craftsmanship. The special stylistic characteristics and diverse cultural and historical references of this art form are evident in works by artists such as Utamaro, Hokusai, Hiroshige, Yoshitoshi, and Hasui. Originating as a commercial art form and produced in large numbers, many prints are now considered works of art of the highest rank.

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

The sun at the beach, the scanner at the supermarket checkout or the signal in a fibre optic cable: when light encounters matter – or matter encounters light – exciting things happen!

The first institutional survey exhibition of Shu Lea Cheang (b. 1954, Tainan, Taiwan) takes the taiwanese-american artist’s first feature film Fresh Kill (1994) as a starting point, presenting the artist and filmmaker’s world-building practices and updating works from the past three decades. Cheang moved to New York City in the 1980s, where she joined the vibrant scene of independent cinema and started experimenting with video, live TV, and network technologies. Since the 1990s, her work has challenged and furthered our understanding of digital culture. Cheang anticipated the advance of alternative currencies, investigated gamified societies, and probed biotechnologies. Her works often develop over several years through different stages and media, including video, installation, performance, and various forms of cinema. The exhibition updates works and artefacts into new landscape formations extending through four gallery spaces. Trash appears as a primary theme that leads Cheang’s investigation into the entanglement of biosphere and technosphere. Each gallery is its own world in which internet-based installation and software interaction invite the audience to explore and play.

The sun at the beach, the scanner at the supermarket checkout or the signal in a fibre optic cable: when light encounters matter – or matter encounters light – exciting things happen!

The first institutional survey exhibition of Shu Lea Cheang (b. 1954, Tainan, Taiwan) takes the taiwanese-american artist’s first feature film Fresh Kill (1994) as a starting point, presenting the artist and filmmaker’s world-building practices and updating works from the past three decades. Cheang moved to New York City in the 1980s, where she joined the vibrant scene of independent cinema and started experimenting with video, live TV, and network technologies. Since the 1990s, her work has challenged and furthered our understanding of digital culture. Cheang anticipated the advance of alternative currencies, investigated gamified societies, and probed biotechnologies. Her works often develop over several years through different stages and media, including video, installation, performance, and various forms of cinema. The exhibition updates works and artefacts into new landscape formations extending through four gallery spaces. Trash appears as a primary theme that leads Cheang’s investigation into the entanglement of biosphere and technosphere. Each gallery is its own world in which internet-based installation and software interaction invite the audience to explore and play.

This year marks the 100th anniversary of the birth of Robert Rauschenberg, an important contemporary American artist. The Artists Foundation will present a series of exhibitions, the most special of which is the "Five Friends". The "Five Friends" exhibition focuses for the first time on Rauschenberg and his four friends and collaborators - John Cage, Merce Cunningham, Jasper Johns and Cy Twombly, who are artists who have had a decisive influence in the fields of music, dance, painting, sculpture and drawing after the war. Their creations transcend media, connecting and influencing each other. The exhibition will display more than 150 paintings, scores, stage props, costumes, photographs and documents, and will also host a series of dance performances and concerts to reproduce the dialogue between the works of the five artists.

This year marks the 100th anniversary of the birth of Robert Rauschenberg, an important contemporary American artist. The Artists Foundation will present a series of exhibitions, the most special of which is the "Five Friends". The "Five Friends" exhibition focuses for the first time on Rauschenberg and his four friends and collaborators - John Cage, Merce Cunningham, Jasper Johns and Cy Twombly, who are artists who have had a decisive influence in the fields of music, dance, painting, sculpture and drawing after the war. Their creations transcend media, connecting and influencing each other. The exhibition will display more than 150 paintings, scores, stage props, costumes, photographs and documents, and will also host a series of dance performances and concerts to reproduce the dialogue between the works of the five artists.

Great music, great theatre, great entertainment In summer, Torwood invites visitors to the Olympiapark for music and culture or just a stroll through the colorful "Creative Market". On the festival grounds, visitors can enjoy wonderful theatre and performance groups and hear live music from all over the world in the tents. Time at Torwood means time for concerts. In the Musik-Arena, the Torwood Festival presents newcomers and legends of German and international music. From the craft market and the international food market to many other venues where visitors can enjoy themselves, there is a lot to explore. From music and theatre to environmental events or children's entertainment, more than 90% of the performances are unticketed and free.

Guns N' Roses and Rival Sons are set to electrify Munich with an unforgettable performance at the iconic AllianzArena. On June 20, 2025, at 18:00, this legendary event will bring together the raw energy of Guns N' Roses and the soulful rock vibes of Rival Sons, promising an evening of unparalleled musical excellence. With ticket prices ranging from 60 EUR to 342 USD, fans will experience a night where rock history is made. AllianzArena, located in the heart of Munich, Germany, will serve as the perfect backdrop for this monumental concert, offering state-of-the-art facilities and an atmosphere charged with anticipation. This event is not just a concert; it's a once-in-a-lifetime experience that will resonate with rock enthusiasts long after the final chord is struck.

LASER World of PHOTONICS, the prestigious trade fair and congress for photonics components, systems, and applications, has been setting industry standards since 1973. This world-leading event, taking place in Munich from June 24th to June 27th, 2025, boasts an impressive portfolio of cutting-edge advancements and innovations. Hosted at the renowned Messe München, this event brings together researchers, technology experts, and industry professionals to showcase the latest research, technological breakthroughs, and practical applications in the field of photonics. With its vast size, diverse range of exhibits, and unwavering relevance, LASER World of PHOTONICS is an unparalleled platform for networking, knowledge exchange, and business opportunities. Mark your calendars for this must-attend event, where you can explore the fascinating world of photonics and witness the future unfold before your eyes. Join industry leaders, researchers, and experts from around the globe as they gather in Munich to shape the future of this rapidly evolving field. LASER World of PHOTONICS - Munich 2025 is your gateway to the future of photonics.

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

The sun at the beach, the scanner at the supermarket checkout or the signal in a fibre optic cable: when light encounters matter – or matter encounters light – exciting things happen!

The first institutional survey exhibition of Shu Lea Cheang (b. 1954, Tainan, Taiwan) takes the taiwanese-american artist’s first feature film Fresh Kill (1994) as a starting point, presenting the artist and filmmaker’s world-building practices and updating works from the past three decades. Cheang moved to New York City in the 1980s, where she joined the vibrant scene of independent cinema and started experimenting with video, live TV, and network technologies. Since the 1990s, her work has challenged and furthered our understanding of digital culture. Cheang anticipated the advance of alternative currencies, investigated gamified societies, and probed biotechnologies. Her works often develop over several years through different stages and media, including video, installation, performance, and various forms of cinema. The exhibition updates works and artefacts into new landscape formations extending through four gallery spaces. Trash appears as a primary theme that leads Cheang’s investigation into the entanglement of biosphere and technosphere. Each gallery is its own world in which internet-based installation and software interaction invite the audience to explore and play.

The exhibition "Colors of Japan – Woodcuts from the Collection of the Bavarian State Library" presents masterpieces of Japanese color woodblock prints from three centuries: from the beginnings of multi-color printing in the mid-18th century to shin-hanga, the so-called "New Prints" of the 20th century. In Japan during the Edo period (1603–1868), these "pictures of the floating world" (ukiyo-e), as these prints are also called, were an integral part of urban life and entertainment culture. Popular motifs included beauties, stage stars, and landscapes. What distinguishes Japanese color woodblock prints is the combination of artistic excellence and craftsmanship. The special stylistic characteristics and diverse cultural and historical references of this art form are evident in works by artists such as Utamaro, Hokusai, Hiroshige, Yoshitoshi, and Hasui. Originating as a commercial art form and produced in large numbers, many prints are now considered works of art of the highest rank.

The exhibition "Colors of Japan – Woodcuts from the Collection of the Bavarian State Library" presents masterpieces of Japanese color woodblock prints from three centuries: from the beginnings of multi-color printing in the mid-18th century to shin-hanga, the so-called "New Prints" of the 20th century. In Japan during the Edo period (1603–1868), these "pictures of the floating world" (ukiyo-e), as these prints are also called, were an integral part of urban life and entertainment culture. Popular motifs included beauties, stage stars, and landscapes. What distinguishes Japanese color woodblock prints is the combination of artistic excellence and craftsmanship. The special stylistic characteristics and diverse cultural and historical references of this art form are evident in works by artists such as Utamaro, Hokusai, Hiroshige, Yoshitoshi, and Hasui. Originating as a commercial art form and produced in large numbers, many prints are now considered works of art of the highest rank.

This year marks the 100th anniversary of the birth of Robert Rauschenberg, an important contemporary American artist. The Artists Foundation will present a series of exhibitions, the most special of which is the "Five Friends". The "Five Friends" exhibition focuses for the first time on Rauschenberg and his four friends and collaborators - John Cage, Merce Cunningham, Jasper Johns and Cy Twombly, who are artists who have had a decisive influence in the fields of music, dance, painting, sculpture and drawing after the war. Their creations transcend media, connecting and influencing each other. The exhibition will display more than 150 paintings, scores, stage props, costumes, photographs and documents, and will also host a series of dance performances and concerts to reproduce the dialogue between the works of the five artists.

This year marks the 100th anniversary of the birth of Robert Rauschenberg, an important contemporary American artist. The Artists Foundation will present a series of exhibitions, the most special of which is the "Five Friends". The "Five Friends" exhibition focuses for the first time on Rauschenberg and his four friends and collaborators - John Cage, Merce Cunningham, Jasper Johns and Cy Twombly, who are artists who have had a decisive influence in the fields of music, dance, painting, sculpture and drawing after the war. Their creations transcend media, connecting and influencing each other. The exhibition will display more than 150 paintings, scores, stage props, costumes, photographs and documents, and will also host a series of dance performances and concerts to reproduce the dialogue between the works of the five artists.

For the first time, the exhibition “Five Friends” focuses on a circle of artists who had a decisive influence on post-war art in the fields of music, dance, painting, sculpture and drawing. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Cy Twombly created a special connection between the artistic genres and media through their intimate exchange.

For the first time, the exhibition “Five Friends” focuses on a circle of artists who had a decisive influence on post-war art in the fields of music, dance, painting, sculpture and drawing. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Cy Twombly created a special connection between the artistic genres and media through their intimate exchange.