Featured Events in Osaka in April, 2025 (February Updated)

Overview Theme: Designing Future Society for Our Lives Subthemes: Saving Lives Empowering Lives Connecting Lives Concept: People's Living Lab 1. A space where 8 billion people from around the world will not only view exhibits but will co-create our future society. 2.Even before the Expo begins, an online platform for sharing challenges and solutions from around the world will be launched. 3.A place where the world’s knowledge such as cutting-edge technology will be brought together, used to create new ideas, and shared, all to help resolve global issues facing mankind. Purpose World Expo has both cohesive and communication capabilities. We will use these capabilities as a trigger to sustain growth and development of Osaka, Kansai as well as Japan following on from the 2020 Tokyo Olympics and Paralympics. What is a World Expo? A World Expo is an event that brings together people and innovations from around the world in an effort to address issues facing humankind on a global scale. The Osaka Expo 1970, Japan’s, and Asia’s, first ever, became a symbol of Japan’s rapid economic growth and one of the country’s most lauded events. Twenty years after the Aichi Expo 2005, Expo 2025 Osaka, Kansai will bring the international community back to Japan. A World Exposition is a place, where new technologies and products are born, triggering greater convenience in our daily lives. Elevator (New York Exhibition, 1853), telephone (Philadelphia Centennial Exposition, 1876) Family restaurants, wireless telephones, electric cars, moving sidewalks (Expo 1970 Osaka) Entry tickets embedded with IC chips, AED, dry mist (Aichi Exposition, 2005) Goals of Expo 2025 Osaka Kansai To contribute to the achievement of the Sustainable Development Goals (SDGs)Achievement of Japan’s national strategy Society 5.0EXPO for SDGs In 2025, the world will be a mere five years away from 2030, the year the United Nations has set as the target for achieving the Sustainable Development Goals (SDGs), making it a crucial one for ramping up efforts to achieve these goals. Therefore, Expo 2025 Osaka, Kansai will become a key platform for reaching the SDGs by 2030. The key is “Society 5.0” “Society 5.0” is Japan’s national strategy to develop a human-centered society that progresses economically and resolves social issues through a system that combines both cyber and physical spaces in a sophisticated manner. It refers to a new form of society chronologically following hunting, farming, industry, and information societies. A society that is able to resolve a variety of issues on a global scale with technologies such as the Internet of Things (IoT), Artificial Intelligence (AI), robotics, big data, and biotechnology is a society that will have achieved the SDGs. What we will realise at Expo 2025 Osaka, Kansai Bringing together the wisdom of the world, including breakthrough technologies, to create and communicate new ideasExpansion of domestic and overseas investmentCreation of innovation through activation of human interactionActivation of regional economies and small and medium enterprisesA chance to communicate the wealth of Japan’s cultureThe multiple merits of a world expo held in Osaka, Kansai, Japan Activation of Japan’s economy and the Osaka, Kansai regional economy, and strengthened management of small and medium enterprises resulting from expanded business opportunities are expected to have an economic ripple effect of about JPY 2 trillion.Further development of Osaka, Kansai’s world-class life sciences and biomedical achievements through new innovation in line with Expo’s theme.Further enrichment of Osaka, Kansai’s proud, long history and culture through interaction with foreign cultures, and elevation of its global recognition.Enabling Japan’s young, next-generation creators in a variety of fields to communicate their talents to the world.Japan possesses one of the safest environments and most advanced transport infrastructure in the world, and Osaka, Kansai can be easily accessed from major cities in the world.

The Monster Hunter 20th Anniversary Great Hunting Exhibition Osaka will be held in Osaka, Japan from February 20, 2025 to April 5, 2025. This Osaka exhibition will provide "Anniversary Theater", "Weapon Projection", "Equipment Interaction", "Monster Encyclopedia AR Experience", "Black Dragon Invasion" and sales of Great Hunting Exhibition commemorative peripheral products.

It is often said that it is difficult to understand what is depicted in 20th century art. But is that really the case? The 20th century, which experienced major wars in succession and is also known as the "century of refugees," was a time when many artists were forced to leave the lands they were used to living in and emigrate. In particular, artists who traveled to the United States pioneered new forms of expression, such as abstract expressionism, pop art, and minimal art, by promoting abstract expressionism. At the same time, the loneliness and alienation they felt in a foreign land continued to smolder deep questions that could not be easily answered, such as who they were and what art is. This was spurred on by the capitalist society of mass production and mass consumption. For example, after the sudden death of Marilyn Monroe in 1962, Warhol often created works with her as the subject, but we must not ignore the inner conflict of the great actress engraved in her death. The self that we really want to be, and the self that is forced to play the role of a seductive woman for the sake of a consumer society. Perhaps a similar conflict led Warhol to utter these not-so-simple words: "If you want to know everything about Andy Warhol... just look at the surface. That's where I am. There's nothing behind." Don't overthink it, start by taking a good look at the "surface." Enjoy the various "surfaces" with your eyes and heart, featuring 39 pieces of 20th century art from the Ohara Museum of Art (originally planned to be 35 pieces) and the Yakushi Nyorai standing statue (special exhibit) from our museum's collection.

It is often said that it is difficult to understand what is depicted in 20th century art. But is that really the case? The 20th century, which experienced major wars in succession and is also known as the "century of refugees," was a time when many artists were forced to leave the lands they were used to living in and emigrate. In particular, artists who traveled to the United States pioneered new forms of expression, such as abstract expressionism, pop art, and minimal art, by promoting abstract expressionism. At the same time, the loneliness and alienation they felt in a foreign land continued to smolder deep questions that could not be easily answered, such as who they were and what art is. This was spurred on by the capitalist society of mass production and mass consumption. For example, after the sudden death of Marilyn Monroe in 1962, Warhol often created works with her as the subject, but we must not ignore the inner conflict of the great actress engraved in her death. The self that we really want to be, and the self that is forced to play the role of a seductive woman for the sake of a consumer society. Perhaps a similar conflict led Warhol to utter these not-so-simple words: "If you want to know everything about Andy Warhol... just look at the surface. That's where I am. There's nothing behind." Don't overthink it, start by taking a good look at the "surface." Enjoy the various "surfaces" with your eyes and heart, featuring 39 pieces of 20th century art from the Ohara Museum of Art (originally planned to be 35 pieces) and the Yakushi Nyorai standing statue (special exhibit) from our museum's collection.

There are many "borders" in our daily lives. These boundaries range from physical to psychological, social and cultural, and shape our actions, thoughts and values. However, artists attempt to dismantle these existing frameworks and present new perspectives on identity, culture, physical space, time and genre. This exhibition introduces works that question the very nature of what we call "borders." Artists scheduled to be exhibited: Ming Wong, Alin Runjiang, Evelyn Tao-Chen Wang, Mika Tajima, Chikako Yamashiro, Christian Boltanski, Felix Gonzalez-Torres, Danh Vo, Wolfgang Tillmans, and more.

Collection 2 in 2024 will focus on the work of three artists, Louise Bourgeois and Leonor Antunes, who were acquired by the museum in 2023, and Ruth Asawa, who was acquired in 2024 and will be exhibited in Japan for the first time, and will focus on the artist's technique and the way in which the work unravels and reconstructs existing materials, structures, and history. In addition, many works acquired in recent years will be introduced. The title of this exhibition is inspired by the title of a work by Bourgeois that she exhibited in the Turbine Hall of Tate Modern in 2000, "I Do, I Undo, I Redo," and the creative process of artists such as Aiko Tezuka, two of whose works were acquired in 2023.

Collection 2 in 2024 will focus on the work of three artists, Louise Bourgeois and Leonor Antunes, who were acquired by the museum in 2023, and Ruth Asawa, who was acquired in 2024 and will be exhibited in Japan for the first time, and will focus on the artist's technique and the way in which the work unravels and reconstructs existing materials, structures, and history. In addition, many works acquired in recent years will be introduced. The title of this exhibition is inspired by the title of a work by Bourgeois that she exhibited in the Turbine Hall of Tate Modern in 2000, "I Do, I Undo, I Redo," and the creative process of artists such as Aiko Tezuka, two of whose works were acquired in 2023.

Shells fascinate people with their beautiful shells. There are tens of thousands of known species on Earth, making them extremely diverse creatures. The Japanese archipelago is particularly affected by both warm and cold currents, and has many islands, making it one of the areas with the largest number of shellfish species in the world. Perhaps because of this background, many people in Japan have been fascinated by shellfish since ancient times, and have tried to study them academically. This special exhibition brings together everything from herbal books to early illustrated books, actual specimens that have led to historic discoveries, and the latest research techniques, unraveling the history of shellfish research from the Edo period to the present day in Japan and its results. Come and experience what it means for researchers to be "addicted" to shellfish in this special exhibition.

Shells fascinate people with their beautiful shells. There are tens of thousands of known species on Earth, making them extremely diverse creatures. The Japanese archipelago is particularly affected by both warm and cold currents, and has many islands, making it one of the areas with the largest number of shellfish species in the world. Perhaps because of this background, many people in Japan have been fascinated by shellfish since ancient times, and have tried to study them academically. This special exhibition brings together everything from herbal books to early illustrated books, actual specimens that have led to historic discoveries, and the latest research techniques, unraveling the history of shellfish research from the Edo period to the present day in Japan and its results. Come and experience what it means for researchers to be "addicted" to shellfish in this special exhibition.

At the beginning of the 20th century, many artists from all over the world gathered in Paris, the city of art. Young artists lived in studio complexes such as the Bateau Lavoir (laundry boat) in Montmartre and La Ruche (the beehive) in Montparnasse, where they deepened their connections and worked hard on their creations. This group of artists was later called the Ecole de Paris. Many of them were painters and sculptors who came to Paris from outside France and gathered mainly around Montparnasse. Representative painters include Chagall and Soutine from Russia, Modigliani from Italy, Pascin from Bulgaria, Kisling from Poland, Tsuguharu Foujita from Japan, and French painters Utrillo and Laurencin. They did not create their works based on a clear artistic theory or doctrine, like a specific school or art movement. However, inspired by new artistic styles and theories such as Fauvism and Cubism, and sometimes drawing inspiration from primitive art in Africa and elsewhere, each artist sought his own unique expression rooted in the traditions and ethnicity of his home country. Although it reached its peak in the 1920s and came to an effective end with the Second World War, the painters of the École de Paris allowed diverse and rich art to flourish in Paris. This exhibition will feature works by Laurencin, Utrillo, Modigliani, Pascin, Foujita Tsuguharu, Kisling, and others from the Sanno Museum of Art's collection.

Jean-Michel Folon (1934-2005) is a unique artist born in Belgium. Poetic and humorous, his works are expressed with soft colors and a light touch, and they take the viewer on a journey of the imagination while also containing rich messages that bring awareness to the various things happening in the world. This exhibition commemorates the 20th anniversary of Folon's death and the 25th anniversary of the Folon Foundation, which he founded during his lifetime, and introduces the warm and profound appeal of his work through approximately 230 diverse works, including paintings, sculptures, and posters.

Attention Spells Return fans! The first large-scale manuscript exhibition is here! Since its serialization in "Weekly Shonen Jump", this dark fantasy work liberated in the modern era has been attracting attention and has caused great repercussions in TV anime series and theatrical animated movies. This time, we welcome a grand exhibition of original paintings, and let’s experience the world of martial arts described by the author Akumi Shigeta. Through the ingenious story structure, it swings back and forth between despair and hope, firmly grasping the hearts of readers.

Attention Spells Return fans! The first large-scale manuscript exhibition is here! Since its serialization in "Weekly Shonen Jump", this dark fantasy work liberated in the modern era has been attracting attention and has caused great repercussions in TV anime series and theatrical animated movies. This time, we welcome a grand exhibition of original paintings, and let’s experience the world of martial arts described by the author Akumi Shigeta. Through the ingenious story structure, it swings back and forth between despair and hope, firmly grasping the hearts of readers.

Kawanabe Kyosai (1831-1889) was an artist active from the Edo period to the first half of the Meiji period. With solid painting skills and classical studies, he painted a variety of subjects such as gods, Buddhas, beautiful women, customs, birds and animals in a style that was humorous, satirical and seductive, regardless of the format, such as hand-painted paintings, woodblock prints and printed books, and his versatility earned him praise for being able to "paint anything." In recent years, it has been reaffirmed that at the root of such artistic achievement lies the training and pride of the Kano school. Kyosai learned painting from ukiyo-e artist Utagawa Kuniyoshi (1797-1861) at the age of seven, entered the Kano school at the age of ten, and completed his training at the early age of 19. His involvement in both ukiyo-e and the Kano school makes his artistic career even more colorful. This exhibition, the first Kawanabe Kyosai exhibition in Osaka, will focus on works from the collection of the Kawanabe Kyosai Memorial Museum of Art, a public interest incorporated foundation founded and directed by Kyosai's great-grandson Kawanabe Kusumi, and will also touch upon the "Caricature Scroll" formerly owned by Kyosai, as well as Kano school and Chinese paintings from the Kosetsu Museum of Art's collection, creating an opportunity to celebrate him as a traditional painter. The more thoroughly one attempts to view his artistic career in a mainstream manner, the more things will slip through the cracks. It may be that this is where the essence of Kyosai's paintings can be found.

Kawanabe Kyosai (1831-1889) was an artist active from the Edo period to the first half of the Meiji period. With solid painting skills and classical studies, he painted a variety of subjects such as gods, Buddhas, beautiful women, customs, birds and animals in a style that was humorous, satirical and seductive, regardless of the format, such as hand-painted paintings, woodblock prints and printed books, and his versatility earned him praise for being able to "paint anything." In recent years, it has been reaffirmed that at the root of such artistic achievement lies the training and pride of the Kano school. Kyosai learned painting from ukiyo-e artist Utagawa Kuniyoshi (1797-1861) at the age of seven, entered the Kano school at the age of ten, and completed his training at the early age of 19. His involvement in both ukiyo-e and the Kano school makes his artistic career even more colorful. This exhibition, the first Kawanabe Kyosai exhibition in Osaka, will focus on works from the collection of the Kawanabe Kyosai Memorial Museum of Art, a public interest incorporated foundation founded and directed by Kyosai's great-grandson Kawanabe Kusumi, and will also touch upon the "Caricature Scroll" formerly owned by Kyosai, as well as Kano school and Chinese paintings from the Kosetsu Museum of Art's collection, creating an opportunity to celebrate him as a traditional painter. The more thoroughly one attempts to view his artistic career in a mainstream manner, the more things will slip through the cracks. It may be that this is where the essence of Kyosai's paintings can be found.