Featured Events in Chicago in June, 2025 (April Updated)

K-POP IdolsStray KidsAnnounce 20 New Shows in Latin America, North America, Europe, and the UK! The highly anticipated Stray Kids World Tour will hit ChicagoWrigley Field on June 26, 2025.

Unveiling Frida Kahlo’s work for the first time in the Art Institute galleries, this exhibition focuses on the celebrated Mexican artist’s first and only trip to Europe and her brief yet pivotal encounter with Mary Reynolds, an American avant-garde bookbinder who stood at the center of a rich Parisian artistic community. Drawing upon the extensive Mary Reynolds Collection at the Art Institute of Chicago and extraordinary Kahlo loans from public and private collections in the US, Mexico, and Europe, the presentation sheds light on this little-known chapter of 20th-century art history, recounting the legacies of Kahlo and Reynolds—both artists themselves and partners of artists—as they navigated Surrealism, identity, and cross-cultural exchange on the eve of World War II.

Unveiling Frida Kahlo’s work for the first time in the Art Institute galleries, this exhibition focuses on the celebrated Mexican artist’s first and only trip to Europe and her brief yet pivotal encounter with Mary Reynolds, an American avant-garde bookbinder who stood at the center of a rich Parisian artistic community. Drawing upon the extensive Mary Reynolds Collection at the Art Institute of Chicago and extraordinary Kahlo loans from public and private collections in the US, Mexico, and Europe, the presentation sheds light on this little-known chapter of 20th-century art history, recounting the legacies of Kahlo and Reynolds—both artists themselves and partners of artists—as they navigated Surrealism, identity, and cross-cultural exchange on the eve of World War II.

Unveiling Frida Kahlo’s work for the first time in the Art Institute galleries, this exhibition focuses on the celebrated Mexican artist’s first and only trip to Europe and her brief yet pivotal encounter with Mary Reynolds, an American avant-garde bookbinder who stood at the center of a rich Parisian artistic community. Drawing upon the extensive Mary Reynolds Collection at the Art Institute of Chicago and extraordinary Kahlo loans from public and private collections in the US, Mexico, and Europe, the presentation sheds light on this little-known chapter of 20th-century art history, recounting the legacies of Kahlo and Reynolds—both artists themselves and partners of artists—as they navigated Surrealism, identity, and cross-cultural exchange on the eve of World War II.

Born in Calcutta and raised in the verdant Himalayan mountains of Kashmir, Shaw draws deeply on the landscapes and memories of his early life, many of which were fractured by political upheaval. Forced to leave Kashmir as a teenager, he relocated first to New Delhi and later to London, where he studied at Central Saint Martins College of Art and Design. His work is influenced by a broad range of sources—Mughal and Persian miniatures, Renaissance altarpieces, Old Masters paintings, Japanese arts of the Momoyama period, Kashmiri and Urdu poetry, and Hindu and Western mythology—and yet his visual vocabulary and technique are all his own.

Experience the ultimate celebration of Juneteenth with the R&B Music Experience at the Wintrust Arena in Chicago. Immerse yourself in the soulful sounds of R&B music on June 19, 2025, at 200 E Cermak Road, IL, 60616. Join us for a memorable evening filled with powerful performances, meaningful lyrics, and a vibrant atmosphere. Celebrate freedom and unity through the timeless melodies of R&B music at this special Juneteenth event.

K-POP IdolsStray KidsAnnounce 20 New Shows in Latin America, North America, Europe, and the UK! The highly anticipated Stray Kids World Tour will hit ChicagoWrigley Field on June 26, 2025.

Wafaa Bilal: Indulge Me is the first major survey of internationally renowned artist Wafaa Bilal (b. 1966, Najaf, Iraq; lives in New York, NY). Working in performance, sculpture, and with online and interactive technologies, Bilal’s interdisciplinary practice investigates the dynamic between international and interpersonal politics while highlighting the tension between his home in the United States, which he has deemed the “comfort zone,” and the “conflict zone” of Iraq. The exhibition covers the breadth of Bilal’s versatile career by exploring his performance practice, the use of power in Saddam Hussein’s regime, and Iraqi history and antiquity. It will feature archival displays of his iconic month-long performance Domestic Tension (2007) and year-long performance 3rdi (2010–11), as well as two new works including a sculptural commission for the MCA.

From large-scale figures of gods and goddesses to portraits of emperors and magnificent funerary monuments, this exhibition brings to North America, for the first time, a selection of 58 rarely seen ancient Roman sculptures from Italy’s storied Torlonia Collection.Nearly half of these sculptures, which range in date from the 5th century BCE to the early 4th century CE, have not been publicly displayed in more than 70 years and have been newly cleaned, conserved, and studied specifically for this exhibition, making for a spectacular opportunity to experience their first public presentation in decades. The Torlonia Collection is not only the largest private collection of Roman marble sculptures in Italy, but it is also arguably the most important of such private collections in the world. Comprising 622 works and a wide range of sculptural types and subjects, its holdings rival those of major institutions in Europe, including the Capitoline and Vatican Museums.

From large-scale figures of gods and goddesses to portraits of emperors and magnificent funerary monuments, this exhibition brings to North America, for the first time, a selection of 58 rarely seen ancient Roman sculptures from Italy’s storied Torlonia Collection.Nearly half of these sculptures, which range in date from the 5th century BCE to the early 4th century CE, have not been publicly displayed in more than 70 years and have been newly cleaned, conserved, and studied specifically for this exhibition, making for a spectacular opportunity to experience their first public presentation in decades. The Torlonia Collection is not only the largest private collection of Roman marble sculptures in Italy, but it is also arguably the most important of such private collections in the world. Comprising 622 works and a wide range of sculptural types and subjects, its holdings rival those of major institutions in Europe, including the Capitoline and Vatican Museums.

Renowned multimedia artist Dieter Roth’s preferred form, and the one he spent his lifetime pursuing, was the Gesamtkunstwerk, a German term for “total work of art.” Working across a diverse range of media, disciplines, and creative activities, Roth developed an artistic practice that dissolved the boundaries between art and life, upending traditional categories, hierarchies, and even timeworn notions of singular authorship. Often collaborating with other artists, including his son Björn, Roth produced an ever-expanding body of work that gestured toward the cumulative effects of a life spent making and remaking.

Kendrick Lamar and SZA are set to electrify Chicago with an unforgettable performance at Soldier Field Stadium on June 6, 2025, at 7:30 PM. This highly anticipated event, Kendrick Lamar, SZA Chicago, promises an evening of unparalleled musical artistry from two of the industry's most influential artists. With ticket prices ranging from $44 to $247, fans will experience a dynamic blend of Kendrick Lamar's thought-provoking lyrics and SZA's soulful melodies. Soldier Field Stadium, located in the heart of Chicago, IL, offers the perfect backdrop for this monumental concert. As the city gears up for this spectacular event, anticipation is building for what is sure to be a night filled with powerful performances and unforgettable moments.

Experience the ultimate musical journey with the Barenaked Ladies: Last Summer On Earth Tour 2025, coming to Chicago on June 11th. The iconic Chicago Theatre will set the stage for this unforgettable evening at 175 N State St, IL, 60601. Don't miss this opportunity to witness one of the most anticipated events of the year, as the Barenaked Ladies deliver a sensational performance that will leave you in awe. Get your tickets now and be part of a night to remember.

Chicago Cubs Game Join us on a charter bus trip to Wrigley Field! Cheer on the Cubs as they take on the Pittsburg Pirates for a Father's Day at the ballpark. Get ready for an unforgettable experience filled with thrilling moments, delicious ballpark food, and the electric atmosphere of Wrigeyville. Don't miss out on the chance to be a part of the action at Wrigley Field with fellow fans. Grab your tickets now and get ready to root, root, root for the Cubbies! Date: Sunday, June 15, 2025Departure Time: 9AM (From Coady Park Civic Center)Wrigleyville Arrival Time: 12PMGame Time: 1:20PMPrice per person: $130Seats in section 203 (3rd base line) Information Source: Paxton Park District | eventbrite

K-POP IdolsStray KidsAnnounce 20 New Shows in Latin America, North America, Europe, and the UK! The highly anticipated Stray Kids World Tour will hit ChicagoWrigley Field on June 26, 2025.

K-POP IdolsStray KidsAnnounce 20 New Shows in Latin America, North America, Europe, and the UK! The highly anticipated Stray Kids World Tour will hit ChicagoWrigley Field on June 26, 2025.

Impressionist artist Gustave Caillebotte (1848–1894)—known and beloved by many Art Institute visitors for his monumental painting Paris Street; Rainy Day—takes center stage in this major exhibition exploring the very personal interests and relationships that shaped his world.

Impressionist artist Gustave Caillebotte (1848–1894)—known and beloved by many Art Institute visitors for his monumental painting Paris Street; Rainy Day—takes center stage in this major exhibition exploring the very personal interests and relationships that shaped his world.

Jitish Kallat’s site-specific installation, Public Notice 3, returns to the Art Institute of Chicago’s Grand Staircase this fall after a 14-year hiatus. Initially unveiled on September 11, 2010, the work connects two significant historical events separated by 108 years: the First World’s Parliament of Religions which began on September 11, 1893, and the terrorist attacks on the World Trade Center and the Pentagon on September 11, 2001. At the earlier event, the World Parliament of Religions, held in an auditorium that encompassed the area that today includes both the museum’s Fullerton Hall and Woman’s Board Grand Staircase, a young Hindu monk, Swami Vivekananda electrified audiences with a powerful speech calling for an end to religious fundamentalism, intolerance, and bigotry.

Jitish Kallat’s site-specific installation, Public Notice 3, returns to the Art Institute of Chicago’s Grand Staircase this fall after a 14-year hiatus. Initially unveiled on September 11, 2010, the work connects two significant historical events separated by 108 years: the First World’s Parliament of Religions which began on September 11, 1893, and the terrorist attacks on the World Trade Center and the Pentagon on September 11, 2001. At the earlier event, the World Parliament of Religions, held in an auditorium that encompassed the area that today includes both the museum’s Fullerton Hall and Woman’s Board Grand Staircase, a young Hindu monk, Swami Vivekananda electrified audiences with a powerful speech calling for an end to religious fundamentalism, intolerance, and bigotry.

Jitish Kallat’s site-specific installation, Public Notice 3, returns to the Art Institute of Chicago’s Grand Staircase this fall after a 14-year hiatus. Initially unveiled on September 11, 2010, the work connects two significant historical events separated by 108 years: the First World’s Parliament of Religions which began on September 11, 1893, and the terrorist attacks on the World Trade Center and the Pentagon on September 11, 2001. At the earlier event, the World Parliament of Religions, held in an auditorium that encompassed the area that today includes both the museum’s Fullerton Hall and Woman’s Board Grand Staircase, a young Hindu monk, Swami Vivekananda electrified audiences with a powerful speech calling for an end to religious fundamentalism, intolerance, and bigotry.

Jitish Kallat’s site-specific installation, Public Notice 3, returns to the Art Institute of Chicago’s Grand Staircase this fall after a 14-year hiatus. Initially unveiled on September 11, 2010, the work connects two significant historical events separated by 108 years: the First World’s Parliament of Religions which began on September 11, 1893, and the terrorist attacks on the World Trade Center and the Pentagon on September 11, 2001. At the earlier event, the World Parliament of Religions, held in an auditorium that encompassed the area that today includes both the museum’s Fullerton Hall and Woman’s Board Grand Staircase, a young Hindu monk, Swami Vivekananda electrified audiences with a powerful speech calling for an end to religious fundamentalism, intolerance, and bigotry.

Descending the Staircase considers novel artistic approaches to representing the human body. Spread across two floors of the museum, the exhibition presents figures of all kinds, from the fragmented, absurd, and surreal to the curated, self-aware, and media savvy. Puppets, masks, and automatons merge bodies with objects, juxtaposing the animate and inanimate, while abstract sculptures evoke the human form through soft and fleshy materials such as nylon, wax, hair, and latex. Elsewhere, artists deploy the living body as a medium, setting it in motion with performance and gesture. Together, these artworks delve into fundamental questions about the human body in the contemporary world, including its relationship to labor and machines, its presentation in advertising and social media, and its role within the everyday domestic sphere.

Descending the Staircase considers novel artistic approaches to representing the human body. Spread across two floors of the museum, the exhibition presents figures of all kinds, from the fragmented, absurd, and surreal to the curated, self-aware, and media savvy. Puppets, masks, and automatons merge bodies with objects, juxtaposing the animate and inanimate, while abstract sculptures evoke the human form through soft and fleshy materials such as nylon, wax, hair, and latex. Elsewhere, artists deploy the living body as a medium, setting it in motion with performance and gesture. Together, these artworks delve into fundamental questions about the human body in the contemporary world, including its relationship to labor and machines, its presentation in advertising and social media, and its role within the everyday domestic sphere.

Descending the Staircase considers novel artistic approaches to representing the human body. Spread across two floors of the museum, the exhibition presents figures of all kinds, from the fragmented, absurd, and surreal to the curated, self-aware, and media savvy. Puppets, masks, and automatons merge bodies with objects, juxtaposing the animate and inanimate, while abstract sculptures evoke the human form through soft and fleshy materials such as nylon, wax, hair, and latex. Elsewhere, artists deploy the living body as a medium, setting it in motion with performance and gesture. Together, these artworks delve into fundamental questions about the human body in the contemporary world, including its relationship to labor and machines, its presentation in advertising and social media, and its role within the everyday domestic sphere.

Descending the Staircase considers novel artistic approaches to representing the human body. Spread across two floors of the museum, the exhibition presents figures of all kinds, from the fragmented, absurd, and surreal to the curated, self-aware, and media savvy. Puppets, masks, and automatons merge bodies with objects, juxtaposing the animate and inanimate, while abstract sculptures evoke the human form through soft and fleshy materials such as nylon, wax, hair, and latex. Elsewhere, artists deploy the living body as a medium, setting it in motion with performance and gesture. Together, these artworks delve into fundamental questions about the human body in the contemporary world, including its relationship to labor and machines, its presentation in advertising and social media, and its role within the everyday domestic sphere.

Renowned multimedia artist Dieter Roth’s preferred form, and the one he spent his lifetime pursuing, was the Gesamtkunstwerk, a German term for “total work of art.” Working across a diverse range of media, disciplines, and creative activities, Roth developed an artistic practice that dissolved the boundaries between art and life, upending traditional categories, hierarchies, and even timeworn notions of singular authorship. Often collaborating with other artists, including his son Björn, Roth produced an ever-expanding body of work that gestured toward the cumulative effects of a life spent making and remaking.