Featured Events in Madrid in April, 2025 (May Updated)

The museum presents an exhibition on the importance that art had in the work of one of the most influential writers of the 20th century, Marcel Proust (Auteuil, 1871 - Paris, 1922), recognized in both literature and philosophy and art theory. The aesthetic ideas that Proust develops in his work, the artistic, monumental and landscape environments that surrounded him and that he recreates in his books, as well as the contemporary artists or the past that served as a stimulus are some of the aspects that articulate the tour of the exhibition. The aim is to highlight this link and the interrelation between art and its figure, its life and its work. To understand Proust it is important to know the Paris in which he lived, that is, the cosmopolitan and rich capital of the Third Republic, his great transformation after the urban reforms of Baron Hausmann, with the appearance of electricity, cars, shows, restaurants and cafes. Proust was fascinated not only by the arts, but of that modernity so booming in the late 19th century. The image of the modern that the Impressionist painters created through their representation of the streets and other environments of Paris is at the basis of the propolitan aesthetic: all this would mark his biography and also his writings.

A Life in a Few Lines marks the first major European retrospective of the Lebanese-born artist Huguette Caland (Beirut, 1931–2019), whose life and work spanned decades, continents and media, challenging the aesthetic and social conventions of her time. Featuring approximately 300 drawings, paintings, sculptures and work in other media, as well as documentary ephemera, the exhibition weaves a new narrative around Caland’s practice, questioning perceptions of her cosmopolitan rootlessness to show an artist deeply connected to community, communication and the idea of home. It also reveals her defiance of social and sexual norms in work that explores notions of gender, the body, belonging, love, aging and personhood, all of which is set against the broader geopolitical currents of a decolonising and neoliberalising world.

Hello Everyone is a large-scale installation that brings together works by Léa Estrucci (Barcelona, ​​1981) from 2011 to the present day. These works incorporate formal variations, constituting a fragmented and echoing archive that includes sculptures, sounds, moving images, graphic works and visual scores. Overall, it can be seen as both a retrospective and a navigable warehouse.

The Palacio de Cristal has traditionally been a space where artists are commissioned to work on a new piece conceived specifically for its unique architecture. Although the restoration and repair work currently being carried out on its structure means visitors cannot access its interior, the programme held within to support the public display of current art continues all the same. In fact, it is the radical imagination of artists that will enable the Museo Reina Sofía to continue to endow this emblematic space with cultural content. The first such artist to take part in this series is Miguel Ángel Tornero (Baeza, 1978), who contributes with a work devised for the canvases which will cover the building during its first year of restoration work.

On April 27, 2025, Rock 'n' Roll Zurich Madrid will celebrate the 47th anniversary of running and rock in Madrid, with 40,000 running enthusiasts from all over the world taking part in the most beautiful event in Spain. With three distances, marathon, half marathon and 10 km, everyone can enjoy the biggest running party in the country. You will also experience a unique festival atmosphere, with thousands of spectators taking to the streets on race day to cheer on the runners and feel part of this great celebration. In addition to an incredibly beautiful tourist route through the heart of Madrid, Rock 'n' Roll Zurich Madrid is an authentic running party with more than 30 entertainment stages and stops along the way. You will enjoy a rock 'n' roll experience like never before!

The museum presents for the first time in its entirety in Madrid the set of works of Francesco Guardi belonging to the Calouste Gulbenkian Museum, thanks to a collaboration agreement between the two institutions. With a total of 18 oils and a drawing, he is the artist best represented in this collection of more than 6,000 pieces of art assembled by financier Calouste Sarkis Gulbenkian (1869-1955), which, since 1969, has been exhibited in the museum that bears his name in Lisbon. Along with Guardi's paintings, acquired between 1907 and 1921, a drawing of the same artist, incorporated in 2002, and an oil from his son Giacomo, is shown. The works are dated between 1765 and 1791 and illustrate iconic places in Venice, such as the Rialto Bridge or the Ducal Palace, festivals such as the Ascension, the surroundings of the city and some whims, belonging at the end of his career. After an initial stage in which he served mainly as a painter of history, religious themes, frescoes and even still lifes, Guardi began to paint views of his city, first following the precise style of his predecessor Canaletto to then add vitality and illusion to his compositions. After the death of Canaletto in 1768, he became the most important vedutist in Venice.

The exhibition Marina Vargas: Revelations is part of the Kora cycle, with which the museum proposes to give visibility to works carried out by women artists of the current scene with a gender perspective. For this exhibition, Marina Vargas (Granada, 1980) has carried out a research project around the silence of women throughout history, especially in relation to the sacred and the spiritual, a topic that he has already dealt with in previous works and whose objective now is to reveal his extensive contributions. From the figure of Mary Magdalene, studied by feminist theologians such as Karen King (Harvard University), Cynthia Bourgeault (University of Pennsylvania) or Meggan Watterson (University of Columbia), Vargas traces a tour that explores the figure of women in the history of art, in the imagery, but also in the sacred story, from his biography and personal experience, with a current perspective that seeks to break the silence through which the patriarchal system has relegated them to asecond place. Revelations show the hidden through newly created works that will be presented for the first time in this exhibition.

The majlis is the traditional hospitality space in Arab and North African houses, the place where guests and travelers are welcomed, offering them shelter and cohabitation. Hospitality is also the central proposal of the exhibition that Lebanese artist and composer Tarek Atoui (Beirut, 1980) presents at the Thyssen-Bornemisza National Museum, in collaboration with TBA21 Thyssen-Bornemisza Art Contemporary. It is called At-Triq, which means "the one who comes from the night" or "the star of the morning," and is part of a long-term research project on the rural musical traditions of the Arab world on sub-Saharan pilgrimage and trade routes.Atoui shows in the museum the first chapter of his proposal, with which he approaches the Tamazgha, the North African territories inhabited by the Amazigh or Berber people, source and deposit of musical, artistic, artisanal and intellectual traditions. After two years of exchange with musicians and artisans from the Moroccan Atlas region and other nearby areas, the artist presents a space of poetic hospitality - composed around the majlis, a place that welcomes, receives and resonates, while generating a multiplicity of affinities and experiences.In At-Triq, music is the protagonist and becomes itself an act of hospitality. Through intertwined textures and materials, this sound installation invites visitors to inhabit the thresholds between the traditional and the contemporary, the familiar and the unknown, revealing the nomadic inclinations present in these affinities.

This exhibition showcases a selection of works by Roberto Fabelo, a Cuban artist who works in diverse languages, including painting, sculpture, and illustration. It explores works in different formats, selected by curator Mario José Hernández, among strange and dreamlike images that combine elements of reality and fantasy with meticulous attention to detail in a symbolic interpretation. Using vibrant colors and intricate compositions in his paintings, drawings, and sculptures, he often depicts fantastic creatures, anthropomorphic animals, and human figures, drawing comparisons to Goya due to their rich symbolism and allegorical narrative.

Salon De Gourmets is the biggest Fine Food and Beverages Fair in Europe and one of the most prestigious in the world. This event showcases products like processed and packaged food, seafood, meat, processed and packaged food, poultry products, dairy products, food additives and ingredients, bakery and confectionery equipment, wine, liquor and beverages, coffee and tea etc. The Salon De Gourmets event will be hosted by 1,270 exhibitors including the food and beverage industry, dieticians, nutritionists, food technologists, food processing equipment, processing and manufacturing equipment, beverage dispensers, agricultural products , processed and packaged food, seafood , meat, processed and packaged food, poultry products, dairy products, food additives and ingredients, bakery and confectionery equipments, wine, liquor and beverages, coffee and tea, health and organic food, traditional food, food processing equipment, juice extractor, seafood entrees, food supplements and confectionery equipment. Information Source: IFEMA | expotobi

Motortec 2025 is set to be a pivotal event in the automotive industry, taking place from April 23 to April 26 at the renowned IFEMA - Feria de Madrid in the vibrant city of Madrid, Spain. This prestigious gathering will serve as a hub for industry professionals, showcasing the latest innovations and trends in automotive technology. With a focus on sustainability and cutting-edge advancements, Motortec 2025 promises to deliver an unparalleled experience for exhibitors and attendees alike. The event will feature a diverse range of exhibitors, from leading manufacturers to emerging startups, all eager to present their groundbreaking products and services. Attendees can expect insightful seminars, networking opportunities, and live demonstrations that highlight the future of mobility. As the automotive world converges in Madrid, Motortec 2025 stands as a beacon of progress and innovation, fostering connections and sparking conversations that will shape the industry for years to come.

REBUILD Expo 2025, set to take place in the vibrant city of Madrid at the renowned IFEMA - Feria de Madrid, promises to be a cornerstone event for the construction and building sectors. From April 23 to April 25, industry leaders, innovators, and professionals will converge to explore the latest advancements and sustainable practices shaping the future of construction. With a focus on cutting-edge technologies, the expo will showcase groundbreaking solutions in architecture, engineering, and design. Attendees will have the opportunity to engage with thought-provoking seminars, interactive workshops, and insightful panel discussions, all aimed at fostering collaboration and innovation. The REBUILD Expo 2025 is not just an event; it is a pivotal gathering that will redefine the landscape of modern construction, offering a platform for networking, knowledge exchange, and strategic partnerships.