Featured Events in Munich in December, 2024 (May Updated)

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

Philippe Parreno revolutionised the experience of exhibitions. The French artist transforms galleries into choreographed spaces that follow a script, where all artworks are interconnected while a series of unexpected and interdependent events unfold. Dancers control the exhibition and guide the visitors. A moving wall dances slowly. A tower antenna relays the soundscape of the exhibition and broadcasts stories from a remote land. Its heat is transmitted from blind lamps, its everyday life is screened. Two films fade in and out between flickering circular lights. Mechanical elements rise and fall, generating soundscapes from environmental data, processed and redistributed by the Brain – a customised super-computer. The hard symmetry of the building dissolves, forming a choreography of data, breaths and voices.

Philippe Parreno revolutionised the experience of exhibitions. The French artist transforms galleries into choreographed spaces that follow a script, where all artworks are interconnected while a series of unexpected and interdependent events unfold. Dancers control the exhibition and guide the visitors. A moving wall dances slowly. A tower antenna relays the soundscape of the exhibition and broadcasts stories from a remote land. Its heat is transmitted from blind lamps, its everyday life is screened. Two films fade in and out between flickering circular lights. Mechanical elements rise and fall, generating soundscapes from environmental data, processed and redistributed by the Brain – a customised super-computer. The hard symmetry of the building dissolves, forming a choreography of data, breaths and voices.

Philippe Parreno revolutionised the experience of exhibitions. The French artist transforms galleries into choreographed spaces that follow a script, where all artworks are interconnected while a series of unexpected and interdependent events unfold. Dancers control the exhibition and guide the visitors. A moving wall dances slowly. A tower antenna relays the soundscape of the exhibition and broadcasts stories from a remote land. Its heat is transmitted from blind lamps, its everyday life is screened. Two films fade in and out between flickering circular lights. Mechanical elements rise and fall, generating soundscapes from environmental data, processed and redistributed by the Brain – a customised super-computer. The hard symmetry of the building dissolves, forming a choreography of data, breaths and voices.

Bold and free, funny, touching, disturbing – exhibits by 50 international artists show that eccentricity involves far more than outrageousness or decadence. Rejecting all forms of ideology, it is a social driver of freedom and tolerance. Around 100 works, including painting, sculpture, installation art, video, and design present a celebration of diversity beyond all rigid norms and cliches. They illustrate the perspective of the ‘ex centro’, the view from outside a fictitious centre. The exhibition ECCENTRIC explores the multifaceted spectrum of identity and humanity. The artists experiment in a variety of different media, using the most diverse materials and techniques. They observe and process on their motifs and subjects from the most surprising perspectives. They distort, deform or liquefy figures and forms, combining them into hybrid or amorphous compositions.

“Afterglow", by artist Luisa Baldhuber (b. 1994, Munich), references the design of Munich’s English Garden and transposes it as an installation composed of light and wall painting in the staff entrance of Haus der Kunst. The English landscape gardens of the 18th and 19th centuries reflected the principle of a natural landscape. Despite their intended closeness to nature, these gardens are ultimately artificial parks, based on the aesthetic of landscape painting and an idealised view of nature. In this sense, the English Garden also stands for the human desire and need for a natural landscape in an increasingly industrialised and technological environment. The sharp contrast between the “wild” and romantic natural park and the Neoclassical architecture of Haus der Kunst, built at the time of National Socialism, will also be consciously addressed in the installation “Afterglow". Baldhuber’s expansive installations, in which the artist works with the interaction of coloured light and wall paint, are aimed at overcoming the spatial boundaries of an architectural space. In doing so, she draws attention to the original architecture, questioning notions of our world that manifest themselves in buildings. The abstract ceiling picture for instance takes up the minimalistic style of the Light and Space movement that originated in Southern California in the 1960s, which is an important reference in Baldhuber’s artistic work. Through the optical expansion of the space and the shifting coloured moods, “Afterglow” rouses memories of being under the open sky and lets us dream for a moment. Curated by Anna Schneider.

“Afterglow", by artist Luisa Baldhuber (b. 1994, Munich), references the design of Munich’s English Garden and transposes it as an installation composed of light and wall painting in the staff entrance of Haus der Kunst. The English landscape gardens of the 18th and 19th centuries reflected the principle of a natural landscape. Despite their intended closeness to nature, these gardens are ultimately artificial parks, based on the aesthetic of landscape painting and an idealised view of nature. In this sense, the English Garden also stands for the human desire and need for a natural landscape in an increasingly industrialised and technological environment. The sharp contrast between the “wild” and romantic natural park and the Neoclassical architecture of Haus der Kunst, built at the time of National Socialism, will also be consciously addressed in the installation “Afterglow". Baldhuber’s expansive installations, in which the artist works with the interaction of coloured light and wall paint, are aimed at overcoming the spatial boundaries of an architectural space. In doing so, she draws attention to the original architecture, questioning notions of our world that manifest themselves in buildings. The abstract ceiling picture for instance takes up the minimalistic style of the Light and Space movement that originated in Southern California in the 1960s, which is an important reference in Baldhuber’s artistic work. Through the optical expansion of the space and the shifting coloured moods, “Afterglow” rouses memories of being under the open sky and lets us dream for a moment. Curated by Anna Schneider.

Established in 1950 as a “studio restaurant” and venue for the Munich art scene in the east wing of Haus der Kunst, P1 has developed into one of the most desirable locations in the club landscape in Germany since the mid-1980s. Whitney Houston's first concert in front of a European audience, a party for Tina Turner where counterfeit D-Mark notes rained from the ceiling, footballers in love, scandals, and spectacular celebrations – there are countless stories about P1. On the occasion of its 40th anniversary – the restaurant was opened in its current form in 1984 – Haus der Kunst now dedicates an exhibition to the club as part of the “Archives in Residence” exhibition series. P1 is one of the few clubs, if not the only nightspot, that lives next door to an art exhibition house. Not unlike Haus der Kunst, P1 continually reinvents itself. To this day, it is an essential part of international club culture and a popular destination for different generations of night owls. Clubs are spaces for artistic expression and experimentation, places for participation and identity formation, venues for encounters and desire. Sound and lighting, dance floor, and lounging area create open spaces in which guests are transported from the real world of everyday life into their own reality of an endless night. The exhibition in the Archiv Galerie of Haus der Kunst, which was developed on the basis of archive material, also opens up such a world to visitors. The design of the room is, on the one hand, a reminiscence of the initial location. On the other hand, the room elements are based on the minimalist design of the Milanese designer Matteo Thun, who designed the club in the 2000s. The idea of participation continues – retrospectively – in the exhibition. Haus der Kunst invites visitors to share their personal P1 stories and memorabilia and thus expand the exhibition digitally. As part of the exhibition, a magazine about P1 and its history and stories will be published. Curated by Sabine Brantl and Lydia Antoniou.

Established in 1950 as a “studio restaurant” and venue for the Munich art scene in the east wing of Haus der Kunst, P1 has developed into one of the most desirable locations in the club landscape in Germany since the mid-1980s. Whitney Houston's first concert in front of a European audience, a party for Tina Turner where counterfeit D-Mark notes rained from the ceiling, footballers in love, scandals, and spectacular celebrations – there are countless stories about P1. On the occasion of its 40th anniversary – the restaurant was opened in its current form in 1984 – Haus der Kunst now dedicates an exhibition to the club as part of the “Archives in Residence” exhibition series. P1 is one of the few clubs, if not the only nightspot, that lives next door to an art exhibition house. Not unlike Haus der Kunst, P1 continually reinvents itself. To this day, it is an essential part of international club culture and a popular destination for different generations of night owls. Clubs are spaces for artistic expression and experimentation, places for participation and identity formation, venues for encounters and desire. Sound and lighting, dance floor, and lounging area create open spaces in which guests are transported from the real world of everyday life into their own reality of an endless night. The exhibition in the Archiv Galerie of Haus der Kunst, which was developed on the basis of archive material, also opens up such a world to visitors. The design of the room is, on the one hand, a reminiscence of the initial location. On the other hand, the room elements are based on the minimalist design of the Milanese designer Matteo Thun, who designed the club in the 2000s. The idea of participation continues – retrospectively – in the exhibition. Haus der Kunst invites visitors to share their personal P1 stories and memorabilia and thus expand the exhibition digitally. As part of the exhibition, a magazine about P1 and its history and stories will be published. Curated by Sabine Brantl and Lydia Antoniou.

Her magnificent, deceptively realistic floral still lifes with plants and fruits, butterflies and insects from the most diverse regions of the world already became sought-after and expensive collector's items during her lifetime. Demand was so great that the Amsterdam painter could afford to produce merely a few works a year. As the daughter of the renowned professor of anatomy and botany, Frederik Ruysch, the first female member of the Confrerie Pictura, court painter in Düsseldorf, lottery game winner and the mother of ten children, she was an exceptional figure in her time. The Alte Pinakothek will present the world's first major monographic exhibition of her work. Discover the wondrous world of Rachel Ruysch (1664–1750) between art and science, perfected fine painting and artistic freedom amidst illustrious patrons in Amsterdam, Düsseldorf and Florence.

Her magnificent, deceptively realistic floral still lifes with plants and fruits, butterflies and insects from the most diverse regions of the world already became sought-after and expensive collector's items during her lifetime. Demand was so great that the Amsterdam painter could afford to produce merely a few works a year. As the daughter of the renowned professor of anatomy and botany, Frederik Ruysch, the first female member of the Confrerie Pictura, court painter in Düsseldorf, lottery game winner and the mother of ten children, she was an exceptional figure in her time. The Alte Pinakothek will present the world's first major monographic exhibition of her work. Discover the wondrous world of Rachel Ruysch (1664–1750) between art and science, perfected fine painting and artistic freedom amidst illustrious patrons in Amsterdam, Düsseldorf and Florence.

尊敬的手工藝術愛好者，準備好迎接2024年最盛大的展會——海姆 + 手工 2024。這場令人矚目的盛會將在德意志心臟巴伐利亞州的慕尼黑展覽中心隆重開幕，匯聚了來自世界各地的手工藝大師和創作才子。慕尼黑，這座充滿文化魅力和歷史底蘊的城市，將在2024年11月27日為您呈現一場視覺和靈感的盛宴。切勿錯過海姆 + 手工 2024，讓我們一同見證手工藝的奇蹟，領略匠心獨運的樂趣。細節和購票信息，敬請留意後續公佈。

在2024年12月3日，專業運動和戶外行業的引領者-『德國慕尼黑 Ispo 2024』展會將隆重登場。這場盛事將在慕尼黑展覽中心，座落於巴伐利亞風情濃厚的德國慕尼黑市，揭開神秘面紗。屆時, 衆多專家、品牌代表及運動愛好者將聚首於此，交流創新理念，展示前沿產品。票價尚未公布, 但毋庸置疑，『德國慕尼黑 Ispo 2024』將是業界一大盛事。請務必預留您的行程，一同見證這個精彩瞬間。

在2024年12月3日，專業運動和戶外行業的引領者-『德國慕尼黑 Ispo 2024』展會將隆重登場。這場盛事將在慕尼黑展覽中心，座落於巴伐利亞風情濃厚的德國慕尼黑市，揭開神秘面紗。屆時, 衆多專家、品牌代表及運動愛好者將聚首於此，交流創新理念，展示前沿產品。票價尚未公布, 但毋庸置疑，『德國慕尼黑 Ispo 2024』將是業界一大盛事。請務必預留您的行程，一同見證這個精彩瞬間。

ISPO慕尼黑2024將於2024年12月3日至12月5日在德國巴伐利亞州的慕尼黑展覽中心隆重舉行。作為全球領先的體育用品和運動時尚展覽會，ISPO慕尼黑2024匯聚了來自世界各地的行業專家、品牌代表和運動愛好者。參展者將有機會探索最新的運動裝備、創新技術及未來趨勢，並參與一系列專業研討會和網絡交流活動。這一盛會不僅是展示產品和技術的絕佳平台，更是促進行業合作和商業拓展的重要契機。無論是尋求新商機的企業，還是渴望了解最新行業動態的專業人士，ISPO慕尼黑2024都將提供豐富的資源和無限的可能性。參與者可於慕尼黑展覽中心的現場體驗這一全球體育盛事，感受運動產業的無限魅力。

ISPO Munich Online 2024, set to take place from December 3rd to December 5th, promises to be a groundbreaking event in the world of sports and outdoor industries. Hosted in the vibrant city of Munich at the renowned Exhibition Munich in Bavaria, Germany, this virtual gathering will bring together industry leaders, innovators, and enthusiasts from around the globe. With a focus on the latest trends, cutting-edge technologies, and sustainable practices, ISPO Munich Online 2024 offers an unparalleled platform for networking, knowledge exchange, and business opportunities. Attendees can expect a rich agenda filled with insightful keynote speeches, interactive workshops, and engaging panel discussions, all designed to inspire and drive the future of sports and outdoor activities. This event is an unmissable opportunity for those looking to stay ahead of the curve in an ever-evolving industry.

Mark your calendars, folks! The much-anticipated Ispo Munich, Germany 2024 is just around the corner, and it's shaping up to be quite the spectacle. This premier event for sports enthusiasts and industry professionals will be held at the Exhibition Munich in the heart of Bavaria, from December 3rd to 5th, 2024. With a stellar line-up of exhibitors showcasing the latest trends and innovations in the sports world, Ispo Munich promises to be a hub of activity and excitement. From cutting-edge sports equipment to the hottest athletic wear, there'll be something for everyone. Those looking to stay ahead of the game won't want to miss this once-in-a-lifetime opportunity to rub shoulders with the who's who of the sports industry. Whether one's interests lie in outdoor adventures, action sports, or health and fitness, this event is set to hit it out of the park. So, start planning the trip to Munich, because Ispo Munich, Germany 2024 is not just an event; it's the future of sports all under one roof!

ISPO Munich is an industry gathering and a B2B platform open only to trade visitors from the sporting goods industry ISPO Munich is an industry gathering and a B2B platform open only to trade visitors from the sporting goods industry. The event is dominated by Manufacturers & Producers of Adventure sports, Indoor sports, Medicine & nutrition, Outdoor sports, Sports equipments & accessories, Sportswear & accessories, Antiques, Automotive & accessories, Beauty services & accessories, Comics, Electronics & technologies, Models and handicrafts, Toys & games, Recreation, Country clubs, Entertainment park, Golf clubs, Gym & fitness club etc. Information Source: Messe Munchen GmbH | expotobi

Mark your calendars for the highly anticipated Juracon Munich 2024, set to take place on December 12th in the heart of Bavaria, Germany. This prestigious event will be hosted at the iconic Olympiapark München, a venue renowned for its state-of-the-art facilities and breathtaking architecture. As the city of Munich buzzes with excitement, attendees can expect a meticulously organized affair that promises to be the highlight of the year for industry professionals and enthusiasts alike. With its serious and official atmosphere, Juracon Munich 2024 will offer an unparalleled opportunity for networking, learning, and growth. Don't miss out on the chance to be part of this illustrious gathering.

“Afterglow", by artist Luisa Baldhuber (b. 1994, Munich), references the design of Munich’s English Garden and transposes it as an installation composed of light and wall painting in the staff entrance of Haus der Kunst. The English landscape gardens of the 18th and 19th centuries reflected the principle of a natural landscape. Despite their intended closeness to nature, these gardens are ultimately artificial parks, based on the aesthetic of landscape painting and an idealised view of nature. In this sense, the English Garden also stands for the human desire and need for a natural landscape in an increasingly industrialised and technological environment. The sharp contrast between the “wild” and romantic natural park and the Neoclassical architecture of Haus der Kunst, built at the time of National Socialism, will also be consciously addressed in the installation “Afterglow". Baldhuber’s expansive installations, in which the artist works with the interaction of coloured light and wall paint, are aimed at overcoming the spatial boundaries of an architectural space. In doing so, she draws attention to the original architecture, questioning notions of our world that manifest themselves in buildings. The abstract ceiling picture for instance takes up the minimalistic style of the Light and Space movement that originated in Southern California in the 1960s, which is an important reference in Baldhuber’s artistic work. Through the optical expansion of the space and the shifting coloured moods, “Afterglow” rouses memories of being under the open sky and lets us dream for a moment. Curated by Anna Schneider.