Featured Events in Boston in December, 2024 (April Updated)

Through assemblage and juxtaposition, Troy Montes Michie (b. 1985) creates work centering the Black male body and considers how it has historically been marginalized, fetishized, idealized, and criminalized. Often in dialogue with the canon of collage, Michie investigates society’s understanding of race, gender, sexuality, and other fields of identity and power.

Through assemblage and juxtaposition, Troy Montes Michie (b. 1985) creates work centering the Black male body and considers how it has historically been marginalized, fetishized, idealized, and criminalized. Often in dialogue with the canon of collage, Michie investigates society’s understanding of race, gender, sexuality, and other fields of identity and power.

“Utopia, Dystopia” presents two single-channel videos from the MFA collection by Tony Cokes (b. 1956) and Oscar Muñoz (b. 1951). Created in the last decade, the films grapple with the duality of utopia and dystopia, expressing the artists’ senses of how idealistic visions of society often collide with harsh realities. Utopian dreams can promise a future without oppression and celebrate freedom of expression, yet achieving these ideals frequently comes into conflict with underlying dystopian truths such as systems of control, state surveillance, and deep inequality.

“Utopia, Dystopia” presents two single-channel videos from the MFA collection by Tony Cokes (b. 1956) and Oscar Muñoz (b. 1951). Created in the last decade, the films grapple with the duality of utopia and dystopia, expressing the artists’ senses of how idealistic visions of society often collide with harsh realities. Utopian dreams can promise a future without oppression and celebrate freedom of expression, yet achieving these ideals frequently comes into conflict with underlying dystopian truths such as systems of control, state surveillance, and deep inequality.

“Utopia, Dystopia” presents two single-channel videos from the MFA collection by Tony Cokes (b. 1956) and Oscar Muñoz (b. 1951). Created in the last decade, the films grapple with the duality of utopia and dystopia, expressing the artists’ senses of how idealistic visions of society often collide with harsh realities. Utopian dreams can promise a future without oppression and celebrate freedom of expression, yet achieving these ideals frequently comes into conflict with underlying dystopian truths such as systems of control, state surveillance, and deep inequality.

Generations of artists have explored the beauties and terrors of the ocean, reflecting on the experiences of those who have lived and lost their lives among the waves. Weaving together artworks by four artists made over centuries and across the Atlantic, this exhibition follows a genealogical thread united by the sea. Echoes of John Singleton Copley’s Watson and the Shark (1778) reverberate in J. M. W Turner’s 1840 Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), which itself has influenced art created in the 21st century.

Although Vincent van Gogh (1853–1890) is today perhaps the most famous Dutch artist of all, in his own time he was relatively little known, especially when compared to artists of the Hague School. This group, named for the city where many of its members trained and worked, was comprised of those who had different styles but shared a devotion to the depiction of everyday life, looking to the Dutch countryside for their subjects and themes. The Hague School artists achieved international fame, and in the early 1900s US collectors and museums—including the MFA—eagerly sought their works. But over the decades the group’s fame faded.

“Utopia, Dystopia” presents two single-channel videos from the MFA collection by Tony Cokes (b. 1956) and Oscar Muñoz (b. 1951). Created in the last decade, the films grapple with the duality of utopia and dystopia, expressing the artists’ senses of how idealistic visions of society often collide with harsh realities. Utopian dreams can promise a future without oppression and celebrate freedom of expression, yet achieving these ideals frequently comes into conflict with underlying dystopian truths such as systems of control, state surveillance, and deep inequality.

Through assemblage and juxtaposition, Troy Montes Michie (b. 1985) creates work centering the Black male body and considers how it has historically been marginalized, fetishized, idealized, and criminalized. Often in dialogue with the canon of collage, Michie investigates society’s understanding of race, gender, sexuality, and other fields of identity and power.

Through assemblage and juxtaposition, Troy Montes Michie (b. 1985) creates work centering the Black male body and considers how it has historically been marginalized, fetishized, idealized, and criminalized. Often in dialogue with the canon of collage, Michie investigates society’s understanding of race, gender, sexuality, and other fields of identity and power.

Generations of artists have explored the beauties and terrors of the ocean, reflecting on the experiences of those who have lived and lost their lives among the waves. Weaving together artworks by four artists made over centuries and across the Atlantic, this exhibition follows a genealogical thread united by the sea. Echoes of John Singleton Copley’s Watson and the Shark (1778) reverberate in J. M. W Turner’s 1840 Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), which itself has influenced art created in the 21st century.

Generations of artists have explored the beauties and terrors of the ocean, reflecting on the experiences of those who have lived and lost their lives among the waves. Weaving together artworks by four artists made over centuries and across the Atlantic, this exhibition follows a genealogical thread united by the sea. Echoes of John Singleton Copley’s Watson and the Shark (1778) reverberate in J. M. W Turner’s 1840 Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), which itself has influenced art created in the 21st century.

“Utopia, Dystopia” presents two single-channel videos from the MFA collection by Tony Cokes (b. 1956) and Oscar Muñoz (b. 1951). Created in the last decade, the films grapple with the duality of utopia and dystopia, expressing the artists’ senses of how idealistic visions of society often collide with harsh realities. Utopian dreams can promise a future without oppression and celebrate freedom of expression, yet achieving these ideals frequently comes into conflict with underlying dystopian truths such as systems of control, state surveillance, and deep inequality.

Although Vincent van Gogh (1853–1890) is today perhaps the most famous Dutch artist of all, in his own time he was relatively little known, especially when compared to artists of the Hague School. This group, named for the city where many of its members trained and worked, was comprised of those who had different styles but shared a devotion to the depiction of everyday life, looking to the Dutch countryside for their subjects and themes. The Hague School artists achieved international fame, and in the early 1900s US collectors and museums—including the MFA—eagerly sought their works. But over the decades the group’s fame faded.

For this exhibition, five teenagers from public high schools in the Boston area collaborated with the MFA’s Center for Netherlandish Art (CNA) to explore death and decay. The works on view convey death in various ways—from the choice of subjects to how artists represent them. Even the material conditions of certain objects comment on the theme: some seemingly defy age through careful conservation, while others show the wear and tear of time. Although primarily featuring work from the MFA’s collection of Dutch and Flemish art, the exhibition also includes paintings, prints, and drawings from France, Germany, the United States, and elsewhere.

Although Vincent van Gogh (1853–1890) is today perhaps the most famous Dutch artist of all, in his own time he was relatively little known, especially when compared to artists of the Hague School. This group, named for the city where many of its members trained and worked, was comprised of those who had different styles but shared a devotion to the depiction of everyday life, looking to the Dutch countryside for their subjects and themes. The Hague School artists achieved international fame, and in the early 1900s US collectors and museums—including the MFA—eagerly sought their works. But over the decades the group’s fame faded.

For this exhibition, five teenagers from public high schools in the Boston area collaborated with the MFA’s Center for Netherlandish Art (CNA) to explore death and decay. The works on view convey death in various ways—from the choice of subjects to how artists represent them. Even the material conditions of certain objects comment on the theme: some seemingly defy age through careful conservation, while others show the wear and tear of time. Although primarily featuring work from the MFA’s collection of Dutch and Flemish art, the exhibition also includes paintings, prints, and drawings from France, Germany, the United States, and elsewhere.

Comprising nine works by three generations of female artists from the Americas, “Tha Sun Will Set: Contemporary Abstraction and the Body” draws from the MFA’s collection to trace a lineage of abstract painting spanning seven decades. The exhibition borrows its title from Christina Quarles’s In 24 Days Tha Sun’ll Set at 7pm (2022), which takes joyful liberty with the traditions of abstraction by experimenting with various painting techniques and ways of depicting figures in a landscape. Quarles’s painting arrived at the MFA in 2023, as part of an initiative to expand the Museum’s works by women, and is on view here for the first time. Also making their public debuts are Marcia Hafif’s Pop-inspired bodily abstraction 153. (1967) and Rose B. Simpson’s early earthenware piece Red (2012).

Comprising nine works by three generations of female artists from the Americas, “Tha Sun Will Set: Contemporary Abstraction and the Body” draws from the MFA’s collection to trace a lineage of abstract painting spanning seven decades. The exhibition borrows its title from Christina Quarles’s In 24 Days Tha Sun’ll Set at 7pm (2022), which takes joyful liberty with the traditions of abstraction by experimenting with various painting techniques and ways of depicting figures in a landscape. Quarles’s painting arrived at the MFA in 2023, as part of an initiative to expand the Museum’s works by women, and is on view here for the first time. Also making their public debuts are Marcia Hafif’s Pop-inspired bodily abstraction 153. (1967) and Rose B. Simpson’s early earthenware piece Red (2012).

This exhibition brings together work from emerging artists that explores the different aspects of personhood—their own and those of others. The combined work examines the concept of the self: the multifaceted nature of personal identity, the composition of cultures and contexts, and the sum of personal trials and triumphs.

At Boston-Area Singing Circles, we inspire deeper connection to ourselves, each other, and the Earth through song. We believe in the healing, freedom, and joy that can come through communal singing, and aim to make that experience more widely accessible. About Solstice: Winter Solstice marks the longest night of the year - a time for deep rest, honoring the darkness, bringing water and nourishment back down to the roots, and simplifying our needs to thrive through the winter. Winter Solstice Singing Circle: We will honor this seasonal mark with a Bonfire Singing Circle - singing towards life in the darkness. We will open with a shared meal and alter making, move outside for singing, and close the evening in reflection, sharing and sounding around the community alter. 6 - 7 pm: Indoor Community Potluck & Altar building 7 - 9 pm: Bonfire Singing Circle 9 - 10 pm: Indoor reflection & integration *Important to Bring: Warm layers, we'll be outdoors for a good portion of the evePotluck dish to share if you're ableCommunity Altar contributions (What honors life through winter? i. e. evergreen branches, seeds, root veggies, warm fabrics)Location: Hope Central Church is a 4 minute walk from the Green Street stop on the orange line, and has its own free parking lot across the street. We will be in the Parlor - enter the door at the end of the driveway on the left side of the building. RSVP & Cost: We encourage RSVPs through Eventbrite, but walk-ins are welcome too. Sliding Scale $10-30. You can pay through eventbrite, pay cash at the door, or venmo @bostonareasingingcircles. No one turned away for lack of funds. Get in Touch: If you have questions, please feel free to email us at bostonarea.singingcircles@gmail.com. Learn more about us and sign-up for our email list, whatsapp thread, and calendar at www.bostonareasingingcircles.com Information Source: Boston-Area Singing Circles | eventbrite

Experience the magic of the holiday season with the enchanting "Matt Rogers: The Prince of Christmas Tour" coming to Boston at The Wilbur on December 15, 2024. Immerse yourself in the festive atmosphere as Matt Rogers spreads cheer through his captivating performance. Don't miss this opportunity to celebrate the most wonderful time of the year at 246 Tremont St., Boston, MA, 02116. Get ready for a memorable evening filled with music, joy, and the spirit of Christmas.

Ірина Федишин з великим благодійним туром на підтримку ЗСУ. Співачка активно допомагає країні , уже назбирала концертами майже $. 2 000 000 . За ці кошти Ірина передала на фронт : 262 авто 167 дронів 2 військові катери 2000 -військових забезпечила амуніцією, формою, касками, взуттям. Це не просто концерт – це грандіозне видовище, створене за участі провідних українських дизайнерів та режисерів. Ми веземо до вас особливу програму, на яку витрачено роки клопіткої роботи, щоб показати всю красу українських традицій у новому світлі у супроводі шоу балету співачки. Ви зможете насолодитися улюбленими піснями у найкращих костюмах, які стали справжніми витворами мистецтва, а також шоу-номерами, що вже підкорили серця тисяч глядачів. Її хіти подарують вам тепло українського Різдва та святковий настрій у танцювальному ритмі! Кількість місць обмежена, тому радимо придбати квитки заздалегідь. Скористайтеся посиланням З нетерпінням чекаємо на зустріч, щоб разом поколядувати, зберегти наші традиції і створити незабутні спогади цієї святкової зими! Information Source: Iryna Fedyshyn | eventbrite

The White Bull Tavern is excited to invite you to our highly anticipated New Year's Eve Celebration for 2025. Join us on Tuesday, December 31st, 2024, at our venue located at 1 Union St in Boston. This exclusive event will take place on two floors, featuring two DJs to ensure an unforgettable night. For those who have purchased advance tickets, the second floor will be reserved for a private party. Dress to impress and enjoy light appetizers and pizza from 8pm to 9:30pm. Please make sure to check in at 8pm, as tickets will no longer be valid after 9:30pm. This event is strictly for guests aged 21 and above, and only a valid driver's license or passport will be accepted for identification. To maintain a sophisticated atmosphere, we kindly request that you adhere to our dress code. Sweatpants, joggers, hats, hoodies, and work boots are not permitted. It's New Year's Eve, so let's dress to impress and make it a night to remember. Please note that no refunds will be issued for ticket sales, and outside alcohol is not allowed on the premises. The White Bull Tavern will be serving a variety of beverages throughout the night. We kindly ask that you behave respectfully, avoid excessive intoxication, and comply with the rules and instructions provided by our security staff and management. Failure to do so may result in denial of entry or ejection from the event, without refund. We appreciate your understanding and cooperation. This is a highly anticipated event, so make sure to secure your tickets early. We look forward to celebrating the arrival of 2025 with you at The White Bull Tavern New Year's Eve Celebration.

Discover the enchantment of A Baroque Christmas, a captivating event taking place at the prestigious Jordan Hall - MA in Boston, MA, United States from September 18 to December 22, 2024. Immerse yourself in an evening of exquisite music and embrace the relaxed ambiance that awaits. This remarkable occasion is perfect for those seeking a refined and memorable night out. Don't miss the opportunity to invite friends and revel in the magic of A Baroque Christmas.

Experience the magic of Charles Dickens' A Christmas Carol at the prestigious Cutler Majestic Theatre in Boston, MA, United States. This premier event showcases the best talent and expertise in the field, immersing attendees in a world of opportunities and cutting-edge ideas. From October 23 to December 22, 2024, be part of something extraordinary and book your attendance today. Don't miss this exciting event that will transport you to the heart of the classic tale.

Cashunt's 24th Season of Boston's Holiday Hijinks is the ultimate premium Boston holiday game that has garnered rave reviews and rankings for the past 24 seasons. This exciting scavenger hunt takes place in the historic locations of Boston, offering a thrilling 2-hour city game experience from November 27, 2024 to Janurary 1, 2025. With Cashunt's Boston Christmas city hunt, guests are guaranteed an unforgettable adventure that they will be talking about for years to come. The game features various bonus rounds, including an Instagramable photo scavenger hunt, holiday trivia hunt, holiday mystery hunt, mystery card treasure hunt, comical video challenges, and secret challenges. All games come with customized materials, an interactive complimentary game app, real-time scoring, and the chance to win premium Cashunt medals as prizes. Join us at Faneuil Hall in Boston for Cashunt's 24th Season of Boston's Holiday Hijinks and let the festivities begin!

Join Marathon Sports Boston and ASICS for an unforgettable Pickle Mile to celebrate the launch of the new ASICS NOVABLAST 5! We’re bringing the fun with a twist—a 2 mile run with pickle-themed challenges along the way. Whether you're a pickle lover, a mile-runner, or just want to check out the latest in ASICS footwear, this event has something for you. Come test out the NOVABLAST 5 for yourself with an on-site demo, enjoy some pickle-inspired treats, and be part of a unique run that combines fitness, fun, and flavor! This event is free and open to the public. Information Source: Marathon Sports | eventbrite