Featured Events in Vienna in March, 2025 (May Updated)

In ihrer rohen, wilden Form und dennoch als Teufel erkennbar, nehmen Sarah Ortmeyers Skulpturen DIABOLUS (PROTECTOR) den Carlone-Saal und das Belvedere ein. Inmitten der epochenübergreifenden Sammlung werden diese wesenhaften Schutzteufel zu zeitlosen und weltumspannenden Schatten im Widerstand gegen das Generische.

24 of Klimt's paintings are at the heart of Vienna's Belvedere collection, including masterpieces such as The Kiss and Judith. In the early 20th century, Klimt was commissioned to paint the magnificent dome for the Festival Hall of the University of Vienna. The "Academic Paintings" he created caused great controversy with their unidealized allegorical figures, unfamiliar symbols and shocking erotic elements. Unfortunately, the originals are now lost and only black and white photographs remain. This year, the Belvedere Museum in Vienna has partnered with Google to use artificial intelligence and imaging technology to reveal the original colors of the reconstructed works, providing the world with a new perspective on this greatest Austrian artist.

To mark the 200th anniversary of Johann Strauss's birth, the Theatermuseum in Vienna is opening its doors to a unique exhibition about the Waltz King. This show offers you the perfect opportunity to experience the splendor of the Strauss era in the city that made his music a world sensation.

Hans Haacke (* 1936) is a legend of political conceptual art – at the same time, his work is highly topical and of great relevance today. As a founding figure of artistic institutional critique, Haacke redefined the relationship between art and society and influenced generations of artists. From the 1960s onward, Hans Haacke first reflected on biological, physical, and ecological systems, then turned his attention to sociopolitical structures and subjected them to a precise, often ruthless analysis. He thus addressed the abuse of power, mechanisms of exclusion and inequality, historical-political distortions, the entanglements of public institutions, politics, and economics, and, last but not least, anti-democratic tendencies. The exhibition invites you to rediscover the relevance of Hans Haacke's art and to grasp its significance for pressing questions of our time: How do capital, ideology, and history influence us? What images, rhetorics, and manipulative strategies does nationalist populism employ? What about the complicity of the art field, but also the critical potential of art? The retrospective illuminates the versatility of this work in a comprehensive selection from all creative periods from 1959 to the present. In addition to numerous iconic works, it also includes those projects that Hans Haacke developed specifically for the Austrian context.

In its spring exhibition, the Kunsthistorisches Museum presents masterpieces by Pieter Bruegel d. E., Giuseppe Arcimboldo, Jacopo and Leandro Bassano as well as other outstanding artists of the 16th century. century. The focus is on the question of the interplay between humans, nature and time – a topic that is relevant then as now.

In its 29th edition, the special presentation Point of View, which regularly presents different artworks temporarily in the permanent exhibition of the Picture Gallery of the Kunsthistorische Museum, focuses on a masterful portrait of the nine-month-old Princess Maria Teresa of Naples and Sicily, allowing visitors to explore the work of the court painters Anton Raphael Mengs and Diego Velázquez. In 1770, Anton Raphael Mengs (1728–1779), the celebrated court painter to King Charles III of Spain, returned to Italy to relax and at the same time to create portraits on behalf of his employer: in Naples he was to portray, among others, the family of King Ferdinand IV and his wife Maria Carolina of Austria. A highlight of this work can be seen as the now freshly restored portrait of Marie-Therese of Bourbon-Sicily, which shows the royal couple's first-born daughter. The portrait of the approximately nine-month-old princess impresses with its artistic sophistication. With it, Mengs created a work that combines traditional representation with a new naturalness and liveliness. The picture thus reflects a changed conception of childhood that became widespread in the 18th century - influenced by the educational ideas of Jean-Jacques Rousseau, which Maria Carolina particularly valued.

The special exhibition presents museum and domestic pests and shows how today's pest control measures differ from historical ones. It also presents new findings on the influence of climate change on pest problems in museums. An impressive photo art project by the well-known Austrian photographer Klaus Pichler complements the exhibition.

From February 2025, the Kunsthistorisches Museum will be dedicating an exhibition to the now largely forgotten artist Daniel Neuberger (1621-1680) and his impressive art of deception. This will be the first time ever he is honoured with a retrospective exhibition. Daniel Neuberger and the Art of deception demonstrates the master's virtuosity in sculpting with wax and imitating a wide variety of materials and surfaces. His artworks, frequently measuring no more than a few centimetres, were highly sought-after all over Europe and still impress today with their eye-deceiving illusionism.

The aim of the exhibition is to emphasize the role of the medal as an object of art. Moreover, it will illuminate how the role of artists developed from the universal genius of the Renaissance and early Baroque to specialists for separate genres of the arts during the later years of the monarchy. The exhibition Imperial Impressions is dedicated to artists who were active at Habsburg courts and residences. It focuses on masters who were at ease in several genres of the arts, such as architecture, painting, and sculpture. It is the fact that they also made medals that warranted their inclusion in this exhibition, however. As the objects on display were mostly produced for members of the imperial family, they were of the highest quality. The period of the presented artists ranges from around 1500 to the end of the monarchy in 1918. The exhibition will show significant medals and provide in-depth context. The presentation of renowned works together with exceptional works from the field of medal-making art introduces visitors to a new, unusual viewpoint at familiar objects from the collection. The exhibition comprises about eighty works: medals, coins, paintings, gemstones, ivory and goldsmithery. Most object stem from the museum’s own collection, complemented by loans from the Numismatic Collection at the Staatliche Museen zu Berlin and from the Tyrolean Landesmuseen.

The New York Times has called Matthew Wong »one of the most talented painters of his generation.« This Chinese-Canadian artist straddled the frontier between Far-Eastern and Western art and was influenced equally by van Gogh and Shitao, both of whom significantly figured in his individual development. Wong, who committed suicide at age 35, was an autodidact who came late to art: his impressive oeuvre arose during a brief period encompassing his final eight years of life. The artist engaged with modernist stances as well as with varieties of expressive art produced by his contemporaries. This exhibition is conceived as a juxtaposition of around 44 paintings and 12 works on paper by Wong with selected works by van Gogh. It is being mounted in cooperation with the Van Gogh Museum in Amsterdam, Kunsthaus Zürich, and the Matthew Wong Foundation.

The Bank Austria Kunstforum Wien is dedicating its spring show to Anton Corbijn - an artist who works across media with photography, film and design and has significantly influenced the way we perceive pop culture since the 1970s. In the course of his international career spanning more than five decades, countless iconic, mostly black-and-white portraits of artists from music, film, literature, art and fashion have been created, which form the focus of the exhibition, which takes place around the artist's 70th birthday.

The special presentation Vitrine EXTRA, which periodically showcases different ancient objects as temporary additions to the permanent exhibition at the Collection of Greek and Roman Antiquities in the Kunsthistorisches Museum, explores the colorful traces of Greco-Roman antiquity in its sixth edition. Based on a relief depicting the god of light, Mithras, the presentation highlights the vibrant polychromy of Roman statues and monuments – impressively showcasing how colorful they originally were!

Leonardo da Vinci and Albrecht Dürer in a double pack in the Albertina: Drawing in light and dark is "the beginning and the gateway to painting" - as Cennino Cennini put it in a famous treatise on painting around 1400. On coloured primed paper, it was often possible to work in the dark, but also in the light, with breathtaking virtuosity. This opened up completely new aesthetic experiences for artists and their audiences. Master drawings such as Leonardo's head studies or Dürer's Praying Hands paved the way for the recognition of drawing as an art form equal to painting and are still among the most famous works of the Renaissance today.

I have often called my pictures "painted music". Or I have spoken of "making music with colours and forms". (Arnold Schönberg, 1930) In addition to a large selection of paintings and drawings, the extensive show presents music autographs, writings, letters, photographs, catalogues and ephemera from the archive that contextualise Schönberg's years of painting. Contemporaries from the visual arts enter into a written dialogue with the painting composer. Digitally animated scores, film clips and voices from the past take you into a world that only seems to have disappeared.

Maria Hahnenkamp (* 1959, Eisenstadt) has been working with, through, about, and also against the medium of photography and its specific devices since the late 1980s. As an artist's artist, she has been known for decades for her media-critical and feminist artistic work and is a seminal figure in Austrian contemporary art history. Belvedere 21 will dedicate its first major institutional solo exhibition to Maria Hahnenkamp in spring 2025. The central themes of the exhibition are emptiness, space, craftsmanship, and ornament. With a selection of around 100 works, she will present, among other works, photographs, works with photographic paper, slide projections, video works, installations, and in-situ wall drillings in an architecture by Walter Kräutler.

With his poetic and conceptual works, the Swiss artist Ugo Rondinone (* 1964) creates meditative imagery into which visitors are immediately drawn. His minimalist sculpture arched landscape, an earth-covered archway, is simultaneously an object, architectural form and reference to art history and makes diverse references to the historical ceiling fresco in the Carlone Hall, in which false architecture plays a central role.

The ECR Conference is an international meeting and one of the leading events in radiology The ECR Conference is an international meeting and one of the leading events in radiology. It brings together attendees from the radiology arena such as radiology professionals, rECR 2025 - Vienna, Austria - сonferenceadiographers, physicists, industry representatives, and press reporters for both the medical and consumer press. Information Source: ESR - European Society of Radiology | expotobi

Kazuko Miyamoto (* 1942 Tokyo) is an important protagonist of the art scene in New York's Lower East Side, who combines her Japanese origins with Western art practices and thereby expands the boundaries of minimal art. Since moving to the USA in 1964, as an early member of the A.I.R. Gallery and with her Gallery Onetwentyeight, founded in 1986, she has been promoting the presentation of feminist and (post-)migrant art. As a producer of works by the American artist Sol LeWitt, Miyamoto first came to Linz in 1980 and established a lifelong artistic and friendly network here.

Erwin Wurm (* 1954 Bruck/Mur) is one of today’s most successful and best-known international contemporary artists. On the occasion of his 70th birthday, ALBERTINA MODERN presents the first comprehensive retrospective of his multifaceted work which invites us in sculptures, drawings and instructions, videos and photographs to contemplate the paradoxes and absurdities of our world.

Erwin Wurm is one of the most successful and well-known international contemporary artists today. For the first time, a comprehensive retrospective of his diverse oeuvre in all artistic media will be on display at the Albertina modern on the occasion of his 70th birthday.

New social challenges and innovative forms of work organization have had just as much of an impact on the design of things as updated production techniques, marketing opportunities and distribution channels. 100 selected objects - furniture, household appliances, tools and lighting, entertainment electronics and toys, as well as design for personal care, health, sustainable mobility and collaboration with robots - in the MAK exhibition represent the diversity and innovative power of Austrian product design from 2000 to the present. They are role models for design quality with regard to functionality, technological innovation, resource conservation and ergonomics, but also for wit, charisma and the emotional content of products. In 25 thematic categories - from A for "Alpine" to Z for "Circular" - there are surprising and exciting things to discover in familiar objects.

The ALBERTINA Museum is presenting the highlights of its large collection of works by Jim Dine - a representative selection of the artist's generous donation that represents his oeuvre in a multifaceted way.

The company Joh. Backhausen & Söhne, founded in 1849, is one of the most traditional furniture and decorative fabric producers in Viennese history. From 1903 onwards, the company devoted itself intensively to collaborating with contemporary artists, including outstanding protagonists of Viennese modernism such as Josef Hoffmann, Koloman Moser, Otto Wagner, Joseph Maria Olbrich, Jutta Sika, Dagobert Peche, My Ullmann and Otto Prutscher. Backhausen specialised in the implementation of their designs and established itself as the main supplier of the Wiener Werkstätte initiated by Hoffmann, Moser and Fritz Waerndorfer. The fruitful symbiosis culminated in the furnishings of the Sanatorium Purkersdorf in 1904/05, the Villa Skywa-Primavesi in 1913–1915 and the Palais Stoclet in Brussels in 1905–1911.

Dagobert Peche (1887–1923) had the formal language of the Wiener Werkstätte explode. He responded to the geometry of the Wiener Werkstätte founder Josef Hoffmann and Koloman Moser with opulent decors, which were obtained from nature; everyday objects he deliberately gave a complexity that logic and utility value deliberately underwent logic and utility. In theory, Peche underpined his approach with the writing The Burning Bush, in which he called for the "overcoming of the utility" in order to arrive at a new artistic expression. The architect graduated from 1911 turned to arts and crafts and experimented with various materials – silver, glass, ceramics, leather and paper. He designed jewellery, furniture and exhibition displays as well as sensational fabric and wallpaper patterns.

Moulages are wax casts of clinical specimens, used mainly in medical teaching at the end of the 19th century. Behind each moulage is a patient - the medical histories combined with the wax casts provide an insight into the healthcare system of the time. The new exhibition displays some of the more than 3000 listed specimens from the Pathological Anatomical Collection in Vienna. The history and technique of the production of moulages in Vienna, particularly by Carl and Theodor Henning, documents the transition from arts and crafts to medical teaching aids.

How did color get into photography? The exhibition True Colors - Color in Photography from 1849 to 1955 answers this question with outstanding works from the ALBERTINA Museum's photo collection. The desire for color in photography has dominated the world of photography from the very beginning. True Colors traces the development of color photography, from the first experimental techniques in the 19th century to generally applicable analog color photography.

In cooperation with the National Gallery of Slovenia, the Belvedere is presenting the highlights of Slovenian painting from the era of national emancipation, from the revolutionary year of 1848 to the collapse of the Danube Monarchy in 1918. The exhibition focuses on the central characteristic of local painterly approaches of this period: the intensive preoccupation with color. The study of its decorative effect, symbolism, expressiveness, and technical application was rarely as central to artistic movements as it was in Slovenian painting around 1900. Following the outstanding painter of the Vormärz period, Jožef Tominc, fascinating figures such as Jožef Petkovšek and Ivana Kobilca achieved their breakthrough in the second half of the 19th century. Around the turn of the century, the group of so-called Slovenian Impressionists, around Rihard Jakopič, Ivan Grohar, Matija Jama, and Matej Sternen, established itself. Their style shaped Slovenian art until 1918 and beyond. The exhibition particularly focuses on the ambivalent relationship between Slovenian artists and Austria and the capital, Vienna. Several artists studied or lived temporarily in Vienna, Graz, or Lower Austria. This ambivalence was characterized by a sense of latent exclusion and simultaneous dependence on state funding. Numerous documents from the Belvedere archive shed new, differentiated light on the cultural-political connections between Vienna and Ljubljana.

Explore accurate ATX Open WTA 250 Day 6 sporting information for 1st March, as well as links for Tennis news, tickets and more with Fixture Calendar. The ATX Open is an annual tennis tournament held in Australia0, Texas, Australia3. This prestigious sporting event features some of the top players from around the globe, competing for the title and a prize purse of over $100,000. The tournament is held at the state-of-the-art courts of the Texas Tennis Center within the University of Texas, providing a stunning backdrop for the intense matches. Fans can expect to see talented players such as Australian Open winner, Naomi Australia1, and former world number one, Andy Murray, battling it out on the court. With a rich history and a stunning venue, the ATX Open is a must-see event for any tennis enthusiast. Information Source: fixturecalendar.com