Featured Events in Japan in July, 2025 (July Updated)

In Iwin, where Okakura Tenshin, a modern Japanese scholar and art critic, lived in his later years, there is an inaccessible mountain along the shore. Coming out of the deep mountain forest, there is a valley. There are the remains of rain-fed rice terraces, now a swamp covered with reeds. They look like secret rice terraces. Considering the long existence of nature and the continued presence of human activities, we decided to create art works with the remains of rice terraces hidden in the forest. Then, walking through the forest covering the ruins of rice terraces and investigating the vegetation, we wanted to turn the entire forest covering the ruins of rice terraces into an art space that blends in with the surrounding plants. teamLab's project Digitized Nature explores how nature can become art. The idea of ​​the project is that immaterial digital technology can turn nature into art without harming it. The works explore how the existence of these forms can be used to create a place where we can transcend the boundaries of our understanding of the continuity of time and feel the long continuity of life. Using these manifestations of long-term presence, we can try to transcend boundaries and understand the long continuities of time, and how we can continue to accumulate meaning in this place even today.

Noritake was founded in 1904 (Meiji 37) with the aim of manufacturing dinner sets for export. A dinner set is a set of tableware with a set size and purpose for the number of people. Since successfully manufacturing such sets in 1914 (Taisho 3), the company has developed and sold shapes and patterns to meet market needs. At times, the company has sought added value beyond the tableware's original function and design in order to provide products that are in line with the times. This trend accelerated after the period of high economic growth. When consumers had the financial means to spend on interior design, Noritake sold ceramic reproductions of works by painters, calligraphers, and illustrators. In the mid-1960s, when the penetration rate of black-and-white televisions exceeded 90%, the company also began to produce melamine children's tableware decorated with characters from anime and puppet shows. The 1970s marked an era of fashion and diversification of everyday items. Noritake, which places emphasis on developing high-value-added products that add color to life, began manufacturing and selling tableware in 1977 in collaboration with a famous fashion designer. This was the beginning of the boom in designer and character products in the ceramics industry. This led to an increase in design collaborations and joint development with artists and other companies. In recent years, with the growth of content businesses such as manga and anime, the needs and target demographics of character products have expanded. The expansion of sales networks with the spread of online services has increased consumers' options, and products are increasingly required to have value other than functionality and a story. Against this backdrop, collaborations that utilize the mutual advantages of companies are not uncommon. During its long history, Noritake has cultivated the technology to commercialize high-quality models with rich colors and delicate patterns. Enjoy the world of co-creation created by sharing the desire to utilize this to deliver products that resonate with your heart.

Space cats have landed in Saitama. From now until August 31, Hyper Museum Hanno presents 'Ship's Cat Island', a new exhibition from contemporary artist Kenji Yanobe. The exhibit consists of 80 of Yanobe's works, namely sculptures and drawings of cats decked out in space gear. For a family-friendly affair, check out the 'Hyper Kids Program', an experiential workshop for parents and kids to enjoy together.

What kind of image do you have of the Crown? The origin of the Crown was Kiichiro Toyoda's desire to "make a passenger car for the masses and enrich life in Japan." This year marks the 70th year since its birth. It has continued for 16 generations as the longest-lived passenger car made in Japan. In this special exhibition, we will introduce all 16 generations of the car, dividing the period from its launch in 1955 to the present into the founding period, maturity period, and transformation period. It has not been an easy road so far. Why has it survived for 70 years? We hope you will learn about the history of the Crown's development, which has been repeated through "succession" and "innovation" in pursuit of the "Crown-like" style to suit "Japanese lifestyles" that change with the times.

At the beginning of the 20th century, many artists from all over the world gathered in Paris, the city of art. Young artists lived in studio complexes such as the Bateau Lavoir (laundry boat) in Montmartre and La Ruche (the beehive) in Montparnasse, where they deepened their connections and worked hard on their creations. This group of artists was later called the Ecole de Paris. Many of them were painters and sculptors who came to Paris from outside France and gathered mainly around Montparnasse. Representative painters include Chagall and Soutine from Russia, Modigliani from Italy, Pascin from Bulgaria, Kisling from Poland, Tsuguharu Foujita from Japan, and French painters Utrillo and Laurencin. They did not create their works based on a clear artistic theory or doctrine, like a specific school or art movement. However, inspired by new artistic styles and theories such as Fauvism and Cubism, and sometimes drawing inspiration from primitive art in Africa and elsewhere, each artist sought his own unique expression rooted in the traditions and ethnicity of his home country. Although it reached its peak in the 1920s and came to an effective end with the Second World War, the painters of the École de Paris allowed diverse and rich art to flourish in Paris. This exhibition will feature works by Laurencin, Utrillo, Modigliani, Pascin, Foujita Tsuguharu, Kisling, and others from the Sanno Museum of Art's collection.

When Charlie Brown and his sister Sally get on the school bus with their friends and head off to school, various events await them. They meet unique friends and teachers. Classes are conducted day by day, and sometimes there are tense presentations, and as a reward, there are dance events. When they get home, they do their homework, and during summer vacation, they meet new people at summer camp. The school life of the Peanuts gang is a familiar, bittersweet experience. Enjoy school life with the Peanuts gang through about 45 carefully selected comics.

Nijigen no Mori's hugely popular attraction, Godzilla Intercept Operation, will hold a "Destroyah Special Exhibition" for a limited time from Thursday, March 13th to Sunday, December 14th, 2025, as part of the "30th Anniversary of Destroyah's Birth Project". This special exhibition will allow you to enjoy the world of "Godzilla vs. Destroyah", the final installment of the Heisei vs. Godzilla series, which is celebrating its 30th anniversary since its release, through various exhibits. This is the first time that a special exhibition dedicated to "Destroyah" has been planned, and in particular, the exhibition of "Destroyah's flying objects and aggregates", which have rarely been shown in the past, and the comment panel exhibition from Hideo Okamoto, who designed Destroyah, and Shinichi Wakasa, who sculpted it, are must-see projects for fans. The "Destroyah Special Exhibition", surrounded by numerous battle scenes with Destroyah in which Godzilla used all his strength, is a special project only available at Nijigen no Mori! Godzilla fans around the world, come witness everything about Godzilla's greatest enemy, Destroyah, here!

Legend has it that the Kannon of Kiyomizu-dera Temple transforms into a blue dragon and drinks from the waterfalls at night, so this event is held to honor the Yasha Goddess, and to pray for the people who come to worship. The dancing blue dragon parades from Okuno to the cobblestone streets around Kiyomizu-dera Temple. The blue dragon is believed to be one of the four great gods that protect the city of Kyoto. In addition to the blue dragon, there are men dressed in traditional samurai clothes, and the streets are filled with music and spectacular dancing. It's really magical! The Spring Festival is on March 14-15 and April 3. The Fall Festival is September 14-15, starting at 14:00 (2pm).

From the end of the 19th century to the beginning of the 20th century, René Lalique (1860-1945) was known outside of France as an original jewelry maker. However, his work was extremely broad, leaving behind a large variety of "clothing accessories" such as decorative collars and handbags. At the 1900 Paris World's Fair, held ahead of the new century, Lalique served as general manager of the jewelry department. Later in life, he had an unexpected connection with Jeanne Paquin (1869-1936), a top designer who held that position in the fashion department. The women's fashion led by Paquin and others at the time was dresses with curved lines that harmonized with the popular decorative style "Art Nouveau." Many women worked hard to create a slim waist that was suitable for the flowing silhouette. It was in the 1920s, after World War I (1914-1918), that women were liberated from corsets that were so tight that they were damaging their health. At the same time, when the trend for decoration shifted to the linear "Art Deco" style, Lalique had already made a major shift to mass production of glass products, mainly for interior design. The custom-made clothing that he concentrated on in the early days of his debut is a perfect match for the Art Nouveau style of dress, which sought elegance with a slim waist. The Lalique Museum Hakone, celebrating its 20th anniversary, is holding a special exhibition that will highlight Lalique's works from its collection from a fashion perspective and introduce the items in the form of an illustrated book. In addition, to commemorate the 80th anniversary of Rene Lalique's death, a dress with a silhouette from the early 20th century, when he was active, has been recreated (photo right). As a highlight of the exhibition, we will be trying to wear Lalique's works for the first time, approaching the reality of Lalique in fashion. Please take a look at 18 carefully selected items from the museum that will help you understand Art Nouveau clothing, including anecdotes about the history of clothing, as if you were flipping through an illustrated book.

In this exhibition, Wurm will explore the human body, one of the most fundamental sculptural motifs, through themes of time, volume and surface, figuration, and representation. The human form—shaped by external influences such as clothing, furniture, language, and social ideologies—is depicted as fragile, mutable, and filled with boundless possibilities. Often absurd and paradoxical, Wurm’s works expose the structures underlying social norms, institutions, and power. The exhibition will feature the Japan premiere of Wurm’s latest large-scale installation, School (2024), along with recent key works from his Skins and Flat Sculpture series.

The Setouchi Triennale is a festival of art, architecture and, more generally, culture. The festival takes place in 17 locations scattered around the eastern part of Japan's Seto Inland Sea, in spring, summer and autumn. It is a must-attend event for art lovers and countryside enthusiasts. Over the past decade, it has become the most important art festival in Japan and one of the most important in Asia. The Setouchi Triennale exhibits artwork and architecture from many artists from around the world. A recurring theme is "Restoring the Ocean".

A modern art festival held every three years in the Setouchi Islands. Held for the first time in 2010, the 100-day exhibition period is divided into three seasons: spring, summer, and autumn. Visitors can experience the charm of Setouchi in each season. During the exhibition period, it attracted about 1 million visitors from Japan and abroad, making it a representative international art festival in Japan. In addition to showing the artists' vision and ideas, the exhibits in the art festival will include 17 locations in 2025, including Naoshima, Teshima, Megijima, Ogijima, Shodoshima, Oshima, Inujima, Takamatsu Port and Uno Port, Seto Ohashi, Shido and Tsuda area, Hikida area, Honjima, Takamishima, Awashima, Ibukijima, and Utazu area. It is closely integrated with local traditional culture and the characteristics of the sea, and also shows the diversity of the local area. It is an event that people who like art and culture must experience once!

Nyoirinji Temple is also known as the "Frog Temple" and is home to around 10,000 frog statues. Wind chimes are believed to ward off evil spirits, and thousands of them are placed around the shrine with wishes for a safe summer written on them. The wind chimes are hung with colorful pieces of paper that sway in the wind, creating a magical and photogenic sight. The cool sound will help you forget the summer heat. It attracts many tourists, including families with children and the elderly.

Approximately 100 pieces will be on display, ranging from Kin Shiotani's early works to new works created specifically for this exhibition, to thoroughly introduce his artistic career spanning 30 years. The paintings are difficult to interpret just by looking at them, and the long titles are hard to imagine just by reading them. Please enjoy looking at both the paintings and the titles and letting your imagination run wild, asking yourself questions like "Is this what it means?", "I see!", and "That's so true!"

The Izumi Museum has a collection of more than 3,500 pieces, with a core collection of about 500 Chinese bronzes and bronze mirrors. Both in terms of quantity and quality, it is the leader in overseas bronze collections. Therefore, the "Age of Chinese Bronze" held at the Izumi Museum this spring is also worth paying attention to. If you go to visit the Izumi Museum's reopening exhibition, we also recommend that you pay special attention to this bronze exhibition, including the museum's treasure Tiger You, the early Warring States period chime bells, the Qiang bell, the Kui God drum, the owl zun, the taotie pattern square lei, the taotie pattern square yi, the ge you and other important bronze objects in the collection are all on display.

This exhibition will be held to coincide with the Osaka-Kansai Expo, as the first of the Expo commemorative exhibitions, with the theme of "Getting to Know Osaka." The aim is to widely disseminate Osaka's urban residential culture, and it will be held to coincide with the Osaka-Kansai Expo, as the first of the Expo commemorative exhibitions, with the theme of "Getting to Know Osaka." Osaka has a long history as a major city, spanning approximately 400 years from the Edo period to the present. During the Edo period, Osaka flourished as a commercial city of water transport and the "Kitchen of the Nation." During the Meiji period, the city was modernized and industrialized as it entered the modern era, earning it the nickname "Manchester of the East." During the "Great Osaka" period, Osaka became the largest city in Japan in terms of both population and area, and during the prewar Showa period, suburban residential areas and villa areas were developed, establishing a new form of urban residence. Over its long history, Osaka has developed its own unique urban residential culture, which is the foundation of Osaka today. The theme of the Osaka-Kansai Expo is "Bringing together efforts for a future society where life shines and showing hope for the future to the world," and the city's gaze is directed toward the future. This exhibition looks back on the 400-year evolution of the urban residential culture that is the foundation of Osaka's current prosperity. We hope that this will provide an opportunity for you to experience the charms of urban living and lifestyle culture in Osaka, while also thinking about urban living from the present to the future.

Yumeshima, the site of the Osaka-Kansai Expo, is a place that gives a sense of Osaka's unique character, which developed towards the sea. The numerous documents stored in the Osaka Castle Tower retain the image of the "water city" of the past, which can no longer be seen today. Please take the time to reflect on the history of Osaka, which was nurtured by its abundant waters.

During the Sengoku period, various cultural artifacts from Europe and Asia were brought to Japan through trade with the Western countries. This exhibition will focus on the various aspects of exchange with the world that had a major impact on Japanese society, such as the introduction of Christianity and firearms.

This exhibition will focus on the Hosomi Collection and will feature folding screens that can be enjoyed spread out in space, as well as picture scrolls that can be enjoyed by playing them out in front of your eyes. In addition to the "Toyotomi Hoko Yoshino Cherry Blossom Viewing Screen," which depicts Toyotomi Hideyoshi's cherry blossom viewing procession, and the "Suzuriwari Soushi Emaki," which was once a treasured possession of Ashikaga Yoshizumi, the 11th shogun of the Muromachi shogunate, visitors will be able to experience the unique qualities of these different painting styles and appreciate the appeal of each individual work.

One of Japan’s most influential and iconoclastic artists, Tadanori Yokoo has spent over six decades reshaping the boundaries of contemporary art. From his bold graphic designs in the 1960s to his later exploration of painting, photography and installation, the Hyogo native’s oeuvre makes for a kaleidoscopic journey across time, culture and personal mythology. His ever-evolving practice is marked by a restless spirit of experimentation and a refusal to settle on a single, ‘complete’ form of expression. This ongoing journey informs ‘Mikan: Myself, Incomplete’, on display at the Gucci Ginza Gallery until August 24. Offering a glimpse into Yokoo’s inner world, the show brings together around 20 works, including six previously unexhibited new pieces. Ranging from self-portraits to depictions of family, they’re all centred on the theme of incompleteness and the ongoing journey of artistic creation.

In ancient China, where advanced civilization developed, various cultural artifacts were created using excellent technology, and many of them were decorated with designs that are novel and stimulating even to modern eyes. What kind of thinking was behind the creation of these designs, which seem far removed from our sensibilities? This exhibition will introduce the sophisticated design sense of ancient China and the myths and worldview that formed its background, focusing on masterpieces of bronze mirrors owned by the Izumiya Hakukokan Museum (Kashigatani, Higashiyama, Kyoto). We will then interpret the background of the designs from four main perspectives: "Animals/Plants," "Astronomy," "Tanabata," and "Longing for Taoist Immortals," and also introduce the influence they had on Japanese art. In addition, some of the works exhibited at the "Izumiya Biennale," a collaboration between contemporary metalworkers and ancient Chinese bronze vessels held at the Izumiya Hakukokan Museum (Kashigatani, Higashiyama, Kyoto) in 2021 and 2023, will be exhibited for the first time in Tokyo.

Fujimoto Yoshimichi (1919-1992) pursued realistic and deep color paintings, and in 1986 was recognized as a holder of the Important Intangible Cultural Property for colored porcelain. He developed the technique of "Yubyo-kasai" to depict the background, using shades of paint to create a three-dimensional motif and to make it look like it is one with the white porcelain surface. The main motif is a bird. The appeal of colored paintings lies in the layered expression created by overlapping paints and glazes, but by depicting a pale landscape like a watercolor painting under the colored painting of a bird, he created a unique expression that is realistic and spreads into the depths of the vessel, yet also has the abstractness of a ceramic pattern.Fujimoto studied craft design at Tokyo School of Fine Arts (now Tokyo University of the Arts), and after graduating he entered the Ministry of Education's Crafts Technical Training Institute, which was located on the school grounds, to gain practical skills, where he was taught by Tomimoto Kenkichi (1886-1963) and Kato Hashimoe (1900-1968), both of whom would later become Important Intangible Cultural Property Holders for overglaze porcelain. His family had no connection to pottery, and after graduating from the training institute he continued to create his own works while moving around from Tokyo to Gifu, Kyoto, Wakayama, Kagoshima, and other places as Tomimoto's assistant, ceramic designer, and instructor. During his time working at Kyoto City University of Arts (now Kyoto City University of Arts), he participated in the Sodeisha and Modern Art Association, and attracted attention for his ceramic objects, but after becoming an assistant professor at Tokyo University of the Arts in 1962, he gradually began to concentrate on overglaze painting as he created the right environment.This exhibition explores the relationship between the deepening of Fujimoto Noboru's expression and technique through works from the mid-1970s to his final years in 1991, when he developed materials and techniques and worked on colored porcelain.

Famous swords were the supreme treasure of samurai families. Not only were they excellent weapons, but over the years, they have been possessed by many rulers during times of war, or given as gifts at happy turning points in life, and as a result, their value has increased even more. In this way, for hundreds of years, many famous swords have been passed down from hand to hand, and have been preserved and passed down to the present day along with their gorgeous sword fittings that are befitting of their status. This exhibition will focus on the swords and sword fittings in the collection of the Tokugawa Art Museum, and will display famous swords associated with famous warlords and daimyo, as well as gorgeous sword fittings, while focusing on the various stories surrounding the works. This large-scale exhibition, befitting the 90th anniversary of the museum's opening, will feature a selection of national treasures, important cultural properties, and famous items. The profound world of swords and sword fittings, which continue to be fascinating even through the ages, will be introduced from both the historical background and the beauty of the works themselves.

Kuroda Jutaro, a prominent figure in the Kyoto Western-style painting scene, was not only a painter but also a prolific writer. His literary works conveyed the trends of European art, particularly those in France, and played a significant role in the acceptance of Western art in Japan. His 1947 publicationKyoto Yoga no Reimeiki(“The Dawn of Kyoto Western-style Painting”) provides a systematic account of the development of Western-style painting in Japan, focusing on Kyoto. With the publication of a revised and expanded edition in 2006, the book remains an essential work for understanding the Kyoto Western-style painting scene today. This Special Display traces the formation of Kyoto’s Western-style painting scene as told by Kuroda, introduced through the Museum Collection. From pioneers such as Tamura Soryu, the establishment of the Kyoto Prefectural School of Painting, the formation of the Kansai Bijutsukai, and the arrival of Asai Chu in Kyoto, please enjoy exploring the foundations that shaped the development of Western-style painting in Kyoto.

There are many artists and works that are still unknown to the world in Japanese art. For example, in the case of Ito Jakuchu (1716-1800), an exhibition held at the Kyoto National Museum in 2000 triggered an unprecedented boom in Jakuchu's work, but before 2000, Jakuchu was a "hidden treasure trove" for the general public. Since then, Jakuchu and other eccentric painters have been unearthed, but there are still many hidden treasures from the Jomon period to modern times. This exhibition aims to unearth these treasures once again and establish them as beautiful gems in the history of Japanese art. We would like the audience to use their own eyes to find "future national treasures."

The "Japanese Graphic Design 2025" exhibition selects about 300 works from the yearbook, covering 10 major categories including posters, book binding, product packaging, brand logos, digital media, films, and space design, supplemented by physical exhibits and video materials, to fully present the current creative enthusiasm and professional depth of Japanese graphic design.

The National Museum of Western Art will hold the "Nationalmuseum of Sweden Drawing Collection - From Renaissance to Baroque" exhibition from July 1st to September 28th, 2025. The Nationalmuseum of Sweden, located in Stockholm, the capital of Sweden, is one of the oldest art museums in the world, based on art collected by the Swedish royal family. In particular, the museum's drawing collection is known for its rich quality and quantity, even on a global scale. This time, we will hold an exhibition that introduces a selection of masterpieces from the drawing collection, from the Renaissance to the Baroque. Since drawings are easily affected by changes in the environment, light, and vibration, it is usually difficult to exhibit drawings held overseas in Japan, so this will be the first time that the world's best collection of drawings, about 80 pieces, will come to Japan. This exhibition allows you to fully enjoy the charm of drawings, which are filled with all of the artist's skill and imagination, including works by masters such as Dürer, Rubens, and Rembrandt.

Sou Fujimoto (born 1971 in Hokkaido) has design offices in Tokyo, Paris, and Shenzhen, and is involved in a wide range of projects around the world, from private homes to universities, commercial facilities, hotels, and complexes. After garnering attention with his Aomori Museum of Art Competition in 2000, he has completed a series of highly acclaimed projects, including the Musashino Art University Museum and Library (Tokyo, 2010), the Serpentine Gallery Pavilion 2013 (London), and in recent years the apartment complex L'Arbre Blanc (The White Tree) (Montpellier, France, 2019) and the music complex House of Hungarian Music (Budapest, 2021). He is currently one of the most notable Japanese architects, serving as the venue design producer for the 2025 Osaka-Kansai Expo.

To commemorate the 30th anniversary of the original popular manga "Coji-Coji" by Momoko Sakura, the creator of the Japanese national anime Chibi Maruko-chan, we will be collaborating with artist YOSHIROTTEN. Cojicoji encounters the world of YOSHIROTTEN's SUN, creating a completely new exhibition that is bathed in UNIVERSE colors never seen before.

Fukahori Ryusuke (born in Aichi Prefecture in 1973) is an artist who is fascinated by goldfish and continues to create works of art. This exhibition will feature around 300 works, from his early period to his latest, with a focus on his Goldfish Sake series, which the artist named himself after the incident of being saved by a goldfish. His virtuoso 2.5D (dimensional) paintings (which look like swimming goldfish when viewed from above, but what about from the side?) bring to life the cruelty, strangeness, beauty, loveliness and transience of life.