Featured Events in Munich in April, 2025 (May Updated)

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

The exhibition "Colors of Japan – Woodcuts from the Collection of the Bavarian State Library" presents masterpieces of Japanese color woodblock prints from three centuries: from the beginnings of multi-color printing in the mid-18th century to shin-hanga, the so-called "New Prints" of the 20th century. In Japan during the Edo period (1603–1868), these "pictures of the floating world" (ukiyo-e), as these prints are also called, were an integral part of urban life and entertainment culture. Popular motifs included beauties, stage stars, and landscapes. What distinguishes Japanese color woodblock prints is the combination of artistic excellence and craftsmanship. The special stylistic characteristics and diverse cultural and historical references of this art form are evident in works by artists such as Utamaro, Hokusai, Hiroshige, Yoshitoshi, and Hasui. Originating as a commercial art form and produced in large numbers, many prints are now considered works of art of the highest rank.

For the first time, the exhibition “Five Friends” focuses on a circle of artists who had a decisive influence on post-war art in the fields of music, dance, painting, sculpture and drawing. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Cy Twombly created a special connection between the artistic genres and media through their intimate exchange.

For the first time, the exhibition “Five Friends” focuses on a circle of artists who had a decisive influence on post-war art in the fields of music, dance, painting, sculpture and drawing. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Cy Twombly created a special connection between the artistic genres and media through their intimate exchange.

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

The sun at the beach, the scanner at the supermarket checkout or the signal in a fibre optic cable: when light encounters matter – or matter encounters light – exciting things happen!

The first institutional survey exhibition of Shu Lea Cheang (b. 1954, Tainan, Taiwan) takes the taiwanese-american artist’s first feature film Fresh Kill (1994) as a starting point, presenting the artist and filmmaker’s world-building practices and updating works from the past three decades. Cheang moved to New York City in the 1980s, where she joined the vibrant scene of independent cinema and started experimenting with video, live TV, and network technologies. Since the 1990s, her work has challenged and furthered our understanding of digital culture. Cheang anticipated the advance of alternative currencies, investigated gamified societies, and probed biotechnologies. Her works often develop over several years through different stages and media, including video, installation, performance, and various forms of cinema. The exhibition updates works and artefacts into new landscape formations extending through four gallery spaces. Trash appears as a primary theme that leads Cheang’s investigation into the entanglement of biosphere and technosphere. Each gallery is its own world in which internet-based installation and software interaction invite the audience to explore and play.

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

The sun at the beach, the scanner at the supermarket checkout or the signal in a fibre optic cable: when light encounters matter – or matter encounters light – exciting things happen!

The first institutional survey exhibition of Shu Lea Cheang (b. 1954, Tainan, Taiwan) takes the taiwanese-american artist’s first feature film Fresh Kill (1994) as a starting point, presenting the artist and filmmaker’s world-building practices and updating works from the past three decades. Cheang moved to New York City in the 1980s, where she joined the vibrant scene of independent cinema and started experimenting with video, live TV, and network technologies. Since the 1990s, her work has challenged and furthered our understanding of digital culture. Cheang anticipated the advance of alternative currencies, investigated gamified societies, and probed biotechnologies. Her works often develop over several years through different stages and media, including video, installation, performance, and various forms of cinema. The exhibition updates works and artefacts into new landscape formations extending through four gallery spaces. Trash appears as a primary theme that leads Cheang’s investigation into the entanglement of biosphere and technosphere. Each gallery is its own world in which internet-based installation and software interaction invite the audience to explore and play.

The exhibition "Colors of Japan – Woodcuts from the Collection of the Bavarian State Library" presents masterpieces of Japanese color woodblock prints from three centuries: from the beginnings of multi-color printing in the mid-18th century to shin-hanga, the so-called "New Prints" of the 20th century. In Japan during the Edo period (1603–1868), these "pictures of the floating world" (ukiyo-e), as these prints are also called, were an integral part of urban life and entertainment culture. Popular motifs included beauties, stage stars, and landscapes. What distinguishes Japanese color woodblock prints is the combination of artistic excellence and craftsmanship. The special stylistic characteristics and diverse cultural and historical references of this art form are evident in works by artists such as Utamaro, Hokusai, Hiroshige, Yoshitoshi, and Hasui. Originating as a commercial art form and produced in large numbers, many prints are now considered works of art of the highest rank.

This year marks the 100th anniversary of the birth of Robert Rauschenberg, an important contemporary American artist. The Artists Foundation will present a series of exhibitions, the most special of which is the "Five Friends". The "Five Friends" exhibition focuses for the first time on Rauschenberg and his four friends and collaborators - John Cage, Merce Cunningham, Jasper Johns and Cy Twombly, who are artists who have had a decisive influence in the fields of music, dance, painting, sculpture and drawing after the war. Their creations transcend media, connecting and influencing each other. The exhibition will display more than 150 paintings, scores, stage props, costumes, photographs and documents, and will also host a series of dance performances and concerts to reproduce the dialogue between the works of the five artists.

This year marks the 100th anniversary of the birth of Robert Rauschenberg, an important contemporary American artist. The Artists Foundation will present a series of exhibitions, the most special of which is the "Five Friends". The "Five Friends" exhibition focuses for the first time on Rauschenberg and his four friends and collaborators - John Cage, Merce Cunningham, Jasper Johns and Cy Twombly, who are artists who have had a decisive influence in the fields of music, dance, painting, sculpture and drawing after the war. Their creations transcend media, connecting and influencing each other. The exhibition will display more than 150 paintings, scores, stage props, costumes, photographs and documents, and will also host a series of dance performances and concerts to reproduce the dialogue between the works of the five artists.

Philippe Parreno revolutionised the experience of exhibitions. The French artist transforms galleries into choreographed spaces that follow a script, where all artworks are interconnected while a series of unexpected and interdependent events unfold. Dancers control the exhibition and guide the visitors. A moving wall dances slowly. A tower antenna relays the soundscape of the exhibition and broadcasts stories from a remote land. Its heat is transmitted from blind lamps, its everyday life is screened. Two films fade in and out between flickering circular lights. Mechanical elements rise and fall, generating soundscapes from environmental data, processed and redistributed by the Brain – a customised super-computer. The hard symmetry of the building dissolves, forming a choreography of data, breaths and voices.

Philippe Parreno revolutionised the experience of exhibitions. The French artist transforms galleries into choreographed spaces that follow a script, where all artworks are interconnected while a series of unexpected and interdependent events unfold. Dancers control the exhibition and guide the visitors. A moving wall dances slowly. A tower antenna relays the soundscape of the exhibition and broadcasts stories from a remote land. Its heat is transmitted from blind lamps, its everyday life is screened. Two films fade in and out between flickering circular lights. Mechanical elements rise and fall, generating soundscapes from environmental data, processed and redistributed by the Brain – a customised super-computer. The hard symmetry of the building dissolves, forming a choreography of data, breaths and voices.

Philippe Parreno revolutionised the experience of exhibitions. The French artist transforms galleries into choreographed spaces that follow a script, where all artworks are interconnected while a series of unexpected and interdependent events unfold. Dancers control the exhibition and guide the visitors. A moving wall dances slowly. A tower antenna relays the soundscape of the exhibition and broadcasts stories from a remote land. Its heat is transmitted from blind lamps, its everyday life is screened. Two films fade in and out between flickering circular lights. Mechanical elements rise and fall, generating soundscapes from environmental data, processed and redistributed by the Brain – a customised super-computer. The hard symmetry of the building dissolves, forming a choreography of data, breaths and voices.

The sun at the beach, the scanner at the supermarket checkout or the signal in a fibre optic cable: when light encounters matter – or matter encounters light – exciting things happen!

The first institutional survey exhibition of Shu Lea Cheang (b. 1954, Tainan, Taiwan) takes the taiwanese-american artist’s first feature film Fresh Kill (1994) as a starting point, presenting the artist and filmmaker’s world-building practices and updating works from the past three decades. Cheang moved to New York City in the 1980s, where she joined the vibrant scene of independent cinema and started experimenting with video, live TV, and network technologies. Since the 1990s, her work has challenged and furthered our understanding of digital culture. Cheang anticipated the advance of alternative currencies, investigated gamified societies, and probed biotechnologies. Her works often develop over several years through different stages and media, including video, installation, performance, and various forms of cinema. The exhibition updates works and artefacts into new landscape formations extending through four gallery spaces. Trash appears as a primary theme that leads Cheang’s investigation into the entanglement of biosphere and technosphere. Each gallery is its own world in which internet-based installation and software interaction invite the audience to explore and play.

The exhibition "Colors of Japan – Woodcuts from the Collection of the Bavarian State Library" presents masterpieces of Japanese color woodblock prints from three centuries: from the beginnings of multi-color printing in the mid-18th century to shin-hanga, the so-called "New Prints" of the 20th century. In Japan during the Edo period (1603–1868), these "pictures of the floating world" (ukiyo-e), as these prints are also called, were an integral part of urban life and entertainment culture. Popular motifs included beauties, stage stars, and landscapes. What distinguishes Japanese color woodblock prints is the combination of artistic excellence and craftsmanship. The special stylistic characteristics and diverse cultural and historical references of this art form are evident in works by artists such as Utamaro, Hokusai, Hiroshige, Yoshitoshi, and Hasui. Originating as a commercial art form and produced in large numbers, many prints are now considered works of art of the highest rank.

This year marks the 100th anniversary of the birth of Robert Rauschenberg, an important contemporary American artist. The Artists Foundation will present a series of exhibitions, the most special of which is the "Five Friends". The "Five Friends" exhibition focuses for the first time on Rauschenberg and his four friends and collaborators - John Cage, Merce Cunningham, Jasper Johns and Cy Twombly, who are artists who have had a decisive influence in the fields of music, dance, painting, sculpture and drawing after the war. Their creations transcend media, connecting and influencing each other. The exhibition will display more than 150 paintings, scores, stage props, costumes, photographs and documents, and will also host a series of dance performances and concerts to reproduce the dialogue between the works of the five artists.

This year marks the 100th anniversary of the birth of Robert Rauschenberg, an important contemporary American artist. The Artists Foundation will present a series of exhibitions, the most special of which is the "Five Friends". The "Five Friends" exhibition focuses for the first time on Rauschenberg and his four friends and collaborators - John Cage, Merce Cunningham, Jasper Johns and Cy Twombly, who are artists who have had a decisive influence in the fields of music, dance, painting, sculpture and drawing after the war. Their creations transcend media, connecting and influencing each other. The exhibition will display more than 150 paintings, scores, stage props, costumes, photographs and documents, and will also host a series of dance performances and concerts to reproduce the dialogue between the works of the five artists.

For the first time, the exhibition “Five Friends” focuses on a circle of artists who had a decisive influence on post-war art in the fields of music, dance, painting, sculpture and drawing. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Cy Twombly created a special connection between the artistic genres and media through their intimate exchange.

For the first time, the exhibition “Five Friends” focuses on a circle of artists who had a decisive influence on post-war art in the fields of music, dance, painting, sculpture and drawing. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Cy Twombly created a special connection between the artistic genres and media through their intimate exchange.

備受矚目的2025年德國寶馬展將在歷史悠久的慕尼黑展覽中心隆重舉行。這場盛會匯聚了來自世界各地的汽車愛好者、專業人士和業界領導者，共同探索寶馬最新的創新技術和未來趨勢。位於巴伐利亞的展覽慕尼黑，將於2025-04-07為公眾揭開序幕，展現寶馬品牌的非凡魅力。諸位車迷，萬勿錯過這場汽車界的盛事，敬請鎖定2025年德國寶馬展，見證車壇新篇章的開啟。

bauma 2025 is renowned as a driving force behind innovation and success in the global industry for construction machinery, building material machines, mining machines, construction vehicles, and construction equipment. Held at the prestigious Messe München in Munich every three years, bauma attracts visitors from over 200 countries and regions. As the world's leading trade fair, it presents the perfect platform for conducting business with members of the target group and exploring international markets. With its upcoming edition in 2025, bauma 2025 is poised to once again showcase cutting-edge advancements and facilitate global collaboration within the industry. From April 7th to April 13th, attendees can immerse themselves in the latest technological advancements, connect with industry experts, and gain valuable insights into the future of the construction and mining sectors. Whether you are a professional seeking to stay ahead of the curve or a company looking to expand your business globally, bauma 2025 stands as an indispensable event for anyone involved in the construction machinery and equipment industry.

Bold and free, funny, touching, disturbing – exhibits by 50 international artists show that eccentricity involves far more than outrageousness or decadence. Rejecting all forms of ideology, it is a social driver of freedom and tolerance. Around 100 works, including painting, sculpture, installation art, video, and design present a celebration of diversity beyond all rigid norms and cliches. They illustrate the perspective of the ‘ex centro’, the view from outside a fictitious centre. The exhibition ECCENTRIC explores the multifaceted spectrum of identity and humanity. The artists experiment in a variety of different media, using the most diverse materials and techniques. They observe and process on their motifs and subjects from the most surprising perspectives. They distort, deform or liquefy figures and forms, combining them into hybrid or amorphous compositions.

在慕尼黑這個歷史悠久的城市，它著名的展覽慕尼黑將迎來一場令人期待的展會——寶馬2025。專業的汽車愛好者和行業內的重量級人物將於2025年4月7日齊聚於此，共同見證寶馬最新科技的驚人展示。在位於巴伐利亞的展會現場，參觀者將有機會近距離了解寶馬未來的藍圖，並親身體驗這家世界級汽車製造商的創新實力。詳細的票價信息及其他參展細節，將於展會前夕公布。對於追求卓越和前沿科技的人來說，寶馬2025絕對是一場不容錯過的盛事。