Featured Events in Toronto in July, 2025 (March Updated)

From the Bader Collection at the Agnes Etherington Art Centre, the AGO welcomes a remarkable selection of seventeenth century Dutch paintings. Shown in dialogue with paintings from the AGO’s European Collection of Art, at the centre of this focused installation are seven artworks attributed to Rembrandt van Rijn (1606-1669), shown together for the first time. Featuring intensely observed still life paintings, detailed interiors and mesmerizing portraits, these striking artworks offer a rare glimpse of Dutch artistry at work. This exhibition is co-curated by Adam Harris Levine, AGO Associate Curator European Art and Suzanne van de Meerendonk, Bader Curator of European Art, Agnes Etherington Art Centre. This exhibition is co-organized by the Art Gallery of Ontario and the Agnes Etherington Art Centre, Queen's University.

From the Bader Collection at the Agnes Etherington Art Centre, the AGO welcomes a remarkable selection of seventeenth century Dutch paintings. Shown in dialogue with paintings from the AGO’s European Collection of Art, at the centre of this focused installation are seven artworks attributed to Rembrandt van Rijn (1606-1669), shown together for the first time. Featuring intensely observed still life paintings, detailed interiors and mesmerizing portraits, these striking artworks offer a rare glimpse of Dutch artistry at work. This exhibition is co-curated by Adam Harris Levine, AGO Associate Curator European Art and Suzanne van de Meerendonk, Bader Curator of European Art, Agnes Etherington Art Centre. This exhibition is co-organized by the Art Gallery of Ontario and the Agnes Etherington Art Centre, Queen's University.

MeatEx will highlight the most important ways the meat industry is moving into the future MeatEx will highlight the most important ways the meat industry is moving into the future. From high tech processing facilities to the newest packaging trends and food safety to the growing expectations of meat quality, the exhibitors will be showcasing innovative solutions to the demands of the meat-processing industry and the butchers’ trade.For 3 days, MeatEx Canada will celebrate the quality and diversity of the Canadian meat industry and be the foremost innovation platform to bring together all key international players from the meat industry, retail trade and butcher's trade in Toronto. Information Source: Farasoo Holding Corporation | expotobi

MARVEL AT THE POWER OF COLOUR IN THE NATURAL WORLD. Anywhere you look in nature, colour holds meaning. From the fiery reds of warning to the soothing blues of calm waters, Nature in Brilliant Colour will take you on a kaleidoscopic journey through the vibrant hues of our planet. Awaken your senses, and have your perception forever altered, as you make your way through a series of spaces, each dedicated to a colour of the rainbow. Through over 200 specimens, photo-worthy projections, and shifting soundscapes, this exhibition promises to be a transformative experience that will deepen appreciation for the complex artistry of our world and celebrate its vivid and untamed beauty. This exhibition was created by the Field Museum.

MARVEL AT THE POWER OF COLOUR IN THE NATURAL WORLD. Anywhere you look in nature, colour holds meaning. From the fiery reds of warning to the soothing blues of calm waters, Nature in Brilliant Colour will take you on a kaleidoscopic journey through the vibrant hues of our planet. Awaken your senses, and have your perception forever altered, as you make your way through a series of spaces, each dedicated to a colour of the rainbow. Through over 200 specimens, photo-worthy projections, and shifting soundscapes, this exhibition promises to be a transformative experience that will deepen appreciation for the complex artistry of our world and celebrate its vivid and untamed beauty. This exhibition was created by the Field Museum.

Welcome to the INTERNATIONAL ARTS, ENTERTAINMENT & CULTURAL CONFERENCE-TORONTO 2025! Join us at Dear Mama Banquet Hall, 1270 Finch Ave W #19, North York, ON M3J 3J7 for a one-of-a-kind event celebrating creativity and diversity. Immerse yourself in a world of art, entertainment, and culture from around the globe. Engage with industry professionals, attend workshops, and experience performances that will inspire and entertain. Don't miss this opportunity to connect with like-minded individuals and expand your horizons. See you there! Information Source: AFRO CARIBBEAN CULTURE AND ARTS COMMUNITY CENTER | eventbrite

Moments in Modernismhighlights the diversity and high quality of the AGO’s modern art collection, which has been built over time by generations of museum curators and patrons. This installation will show collection strengths from artistic movements such as Pop Art, Abstraction, Realism, and Minimalism. An international approach in artistic styles will be presented, including a body of work from the AGO holdings by Brazilian artists, recognizing the global nature of modernism. A selection of contemporary works that respond to modernist movements will also be shown. Many of the artists, including Andy Warhol, Helen Frankenthaler, Jules Olitski, Gerhard Richter, and Mark Rothko are well known while others are still yet to be broadly recognized such as Tomie Ohtake, Rubem Valentim, Gene Davis and Kazuo Nakamura.A particular focus will be Canadian artists including Alex Colville, Rita Letendre, Jack Bush, Agnes Martin, Guido Molinari and Norval Morrisseau. Moments in Modernismfeatures artworks that will form the cornerstone for the expansion of the new Dani Reiss Modern and Contemporary Gallery, starting construction in 2024. The new building is being designed by architects Diamond Schmitt, Selldorf Architects and Two Row Architect to showcase the AGO's growing collection of modern and contemporary art.

A prodigious collector of contemporary art, the late Phil Lind (1943-2023) was drawn to artworks that illuminated social and political histories. An enthusiastic supporter of what has since come to be known as the Vancouver school of conceptual photography, this exhibition features works by noted Vancouver-born artists Stan Douglas, Rodney Graham, Ron Terada and Jeff Wall. Complementing these lens-based works – some intimate, some large-scale light boxes, some multimedia - are paintings, photographs and sculptures by Thomas Demand, William Eggleston, Antony Gormley, Philip Guston, William Kentridge, Thomas Ruff, Laurie Simmons, Wolfgang Tillmans and Ai Weiwei. This exhibition is curated by AGO's Curator of Modern Art Adam Welch.

At the dawn of the 20th century, on both sides of the Atlantic, the human mind was of great interest to scientists, scholars, and artists alike. What does it look like, they wondered, to learn and to dream? What is the shape of imagination? This installation of 13 beloved paintings from the AGO collections of European and Canadian Art brings together dream-like landscapes, portraits of children reading, and adults lost in thought, to consider the many ways artists gave form to that intangible thing – one’s interior thoughts. Featuring examples of Realist, Impressionist, Expressionist and Symbolist art, the installation demonstrates how this pursuit helped push the bounds of traditional representation.

At the dawn of the 20th century, on both sides of the Atlantic, the human mind was of great interest to scientists, scholars, and artists alike. What does it look like, they wondered, to learn and to dream? What is the shape of imagination? This installation of 13 beloved paintings from the AGO collections of European and Canadian Art brings together dream-like landscapes, portraits of children reading, and adults lost in thought, to consider the many ways artists gave form to that intangible thing – one’s interior thoughts. Featuring examples of Realist, Impressionist, Expressionist and Symbolist art, the installation demonstrates how this pursuit helped push the bounds of traditional representation.

For more than five decades, distinguished Toronto artist Louise Noguchi has been working in sculpture, installation, photography, and video. Unifying her work is a conviction that identity is not given—but constructed—shaped by events, beliefs, and circumstance. Spotlighting Noguchi’s work in video and sculpture, the AGO’s Associate Curator of Canadian Art Renée van der Avoird brings together three works from the AGO collection. Reverberating with sound, Noguchi’s looping video workCrack(2000) sees the artist performing as an assistant in a wild-west act, holding out flowers only to have them suddenly cut down mid-air by the lash of whip. Noguchi’s large sculptural installationFruits of Belief: The Grand Landscape(1986) brings together a head, a cornucopia, and a photographic reproduction of Thomas Gainsborough’s 1770s painting,A Grand Landscape, to examine our shared relationship to nature—as something real, constructed, and imaginary. By contrast, the third work in this exhibition, Noguchi’s 1990–91 mirror sculptureEden,addresses themes of surveillance and freedom, asking: are we approaching paradise, or withdrawing from it?

At the dawn of the 20th century, on both sides of the Atlantic, the human mind was of great interest to scientists, scholars, and artists alike. What does it look like, they wondered, to learn and to dream? What is the shape of imagination? This installation of 13 beloved paintings from the AGO collections of European and Canadian Art brings together dream-like landscapes, portraits of children reading, and adults lost in thought, to consider the many ways artists gave form to that intangible thing – one’s interior thoughts. Featuring examples of Realist, Impressionist, Expressionist and Symbolist art, the installation demonstrates how this pursuit helped push the bounds of traditional representation.

An unprecedented exhibition that examines the history and legacy of Auschwitz. Created by Nazi Germany, the most significant site of the Holocaust, Auschwitz, was not a single entity. It gradually became a system of camps that combined two functions: a concentration camp and a killing centre in which some 1 million Jews— and tens of thousands of others, including Poles, Romani people, and Soviet POWs — were detained and murdered in a systematic and industrialized fashion. This powerful exhibition, which arrives in Toronto just ahead of the 80th anniversary of the liberation of Auschwitz on January 27, 2025, explores the dual identity of the Auschwitz camp as a physical setting — the largest documented mass murder site in human history— and as a symbol of the borderless manifestation of hatred and human atrocity.

An unprecedented exhibition that examines the history and legacy of Auschwitz. Created by Nazi Germany, the most significant site of the Holocaust, Auschwitz, was not a single entity. It gradually became a system of camps that combined two functions: a concentration camp and a killing centre in which some 1 million Jews— and tens of thousands of others, including Poles, Romani people, and Soviet POWs — were detained and murdered in a systematic and industrialized fashion. This powerful exhibition, which arrives in Toronto just ahead of the 80th anniversary of the liberation of Auschwitz on January 27, 2025, explores the dual identity of the Auschwitz camp as a physical setting — the largest documented mass murder site in human history— and as a symbol of the borderless manifestation of hatred and human atrocity.

Tracing Blackness through its many migrations and manifestations, the interdisciplinary artist Oluseye blends the ancestral with the contemporary and the physical with the spiritual. Inspired by merindinlogun, a Yoruba divination ritual, Oluseye presents a new installation that illustrates the spiritual, mythological, and biographical elements that have shaped his worldview and art practice. In Yoruba culture, cowrie shells symbolize wealth and prosperity and are used by diviners to communicate with ancestors and receive guidance. Paying homage to that cultural practice and his own narratives, Oluseye presents 16 large-scale bronze cowrie shells, resting atop a hand-carved divination tray.

This exhibition brings together two of the 20th century’s greatest painters—Rita Letendre (1928–2021) and Norval Morrisseau (1932–2007). Demonstrating the expressive potential of bold colour and line, these two artists pushed the boundaries of painting. During a career that spanned over sixty-five years, Letendre used brush, airbrush, palette knife, and her hands to make her work. Vibrating with physical and emotional energy, her paintings, —five of which are on view here, —embody her ongoing quest for connection and understanding. Morrisseau’s six-panel masterpiece, Man Changing into Thunderbird (1977), illustrates the theme of transformation, an idea central to Anishinaabe philosophy. This painting records the artist’s personal evolution into Miskwaabik Animiiki, or “Copper Thunderbird”, a name he received in a healing ceremony. The name carries connotations of protection, healing, mystery, and power, and Morrisseau used it as his signature. Merging personal narrative with intense colour and elaborate design, Morrisseau called this work, “the ultimate picture for me,” - it is featured here alongside two other works by him from the 1970s.

Highlighting new acquisitions and unseen works from the AGO’s Photography Collection, this poetic exhibition takes visitors on a journey from Mexico to Argentina, from the 1920s to today. “Recuerdo,” which in Spanish can mean both “memory” and “I remember,” – reflects the exhibition’s unique display of collective and personal stories, while exploring what it means to consider art of and from Latin America. Juxtaposing photographs from press collections as well as works by artists once known and noted photographers, including Manuel Alvarez Bravo and Tina Modotti, this exhibition is curated by AGO Curatorial Assistant Marina Dumont-Gauthier. The AGO is grateful for the generous support of a Photography Fellowship provided by The Schulich Foundation.

Highlighting new acquisitions and unseen works from the AGO’s Photography Collection, this poetic exhibition takes visitors on a journey from Mexico to Argentina, from the 1920s to today. “Recuerdo,” which in Spanish can mean both “memory” and “I remember,” – reflects the exhibition’s unique display of collective and personal stories, while exploring what it means to consider art of and from Latin America. Juxtaposing photographs from press collections as well as works by artists once known and noted photographers, including Manuel Alvarez Bravo and Tina Modotti, this exhibition is curated by AGO Curatorial Assistant Marina Dumont-Gauthier. The AGO is grateful for the generous support of a Photography Fellowship provided by The Schulich Foundation.

Radical. Playful. Iconic. During the 60s, 70s and 80s, Joyce Wieland’s humorous and biting artistry helped give shape to this country’s changing ideas about gender, nationhood and ecology. An artist of great influence, whose work included textiles, collage, print, drawing and film, her legacy lives in the works of subsequent generations. In this ambitious retrospective, the first since 1987, more than five decades of artistic output come together to highlight the breadth and originality of her practice and to position her as a key figure in 20th century art and film. In addition to situating Wieland’s work in its artistic, social and political context, the exhibition will highlight the many ways she anticipated current debates about feminism, social equity and ecology. The exhibition is curated by Georgiana Uhlyarik, Fredrik S. Eaton Curator of Canadian Art, AGO and Anne Grace, Curator of Modern Art, MMFA.

The Southern Netherlands — better known today as Flanders — was home to revolutionary artists such as Peter Paul Rubens, Anthony Van Dyck, Hans Memling, and others. These extraordinary painters found new ways to depict reality, portray humanity, and tell stories that created parallels to their world then - and to our world today. This large-scale exhibition, featuring over 80 stunning art works and objects — medieval, Renaissance, and baroque paintings, sculptures and more — offers a doorway into the Southern Netherlands of 1400 to 1700, a dynamic environment where new artistic genres and styles were created and flourished. The exhibition's unique presentation introduces the visitor, through these rare, extraordinary artworks, to stories of enterprising townspeople, prosperous cities, and an ever-developing society.

In her irreverent prints and drawings, Kinngait artist Surusilutu Ashoona (1941-2011) illustrates a world both fantastical and banal, where animals wear clothing while women sew, juggle and rest in equal measure. Featuring 17 works from the AGO’s foundational Inuit art collections – generously gifted by Samuel and Esther Sarick, the Klamer Family and Dr. Michael Braudo – this exhibition marks the late artists’ first ever solo exhibition at the AGO.

The Southern Netherlands — better known today as Flanders — was home to revolutionary artists such as Peter Paul Rubens, Anthony Van Dyck, Hans Memling, and others. These extraordinary painters found new ways to depict reality, portray humanity, and tell stories that created parallels to their world then - and to our world today. This large-scale exhibition, featuring over 80 stunning art works and objects — medieval, Renaissance, and baroque paintings, sculptures and more — offers a doorway into the Southern Netherlands of 1400 to 1700, a dynamic environment where new artistic genres and styles were created and flourished. The exhibition's unique presentation introduces the visitor, through these rare, extraordinary artworks, to stories of enterprising townspeople, prosperous cities, and an ever-developing society.

In her irreverent prints and drawings, Kinngait artist Surusilutu Ashoona (1941-2011) illustrates a world both fantastical and banal, where animals wear clothing while women sew, juggle and rest in equal measure. Featuring 17 works from the AGO’s foundational Inuit art collections – generously gifted by Samuel and Esther Sarick, the Klamer Family and Dr. Michael Braudo – this exhibition marks the late artists’ first ever solo exhibition at the AGO.

A career-spanning presentation of 20 exuberant woodcut prints by one of Canada’s leading printmakers, in her first solo exhibition at the AGO, Naoko Matsubara demonstrates her masterful handling of the medium, exploring personal and art historical subjects. Composed of vibrant, complementary colours animated with incisions and wood grain, anchoring the exhibition is Tagasode (2014), a monumental 2 meter single-sheet print, recalling an ikō – a piece of furniture on which a kimono hangs. Also featured are seven woodcut prints from her series In Praise of Hands (1973-2020). Inspired by the movements of her baby’s hands, in which the artist saw the “very beginnings of human communication fluently expressed in so much variety” this series illustrates the ingenuity of hands performing actions like weaving bamboo, playing the flute and carving wood. Curated by Renée van der Avoird, associate curator of Canadian Art, in addition to a dynamic grouping of more recent, abstract woodcut prints, the exhibition is bookended by two career-spanning self-portraits—one from 1966 (age 29); and the other from 2024 (age 87).

A career-spanning presentation of 20 exuberant woodcut prints by one of Canada’s leading printmakers, in her first solo exhibition at the AGO, Naoko Matsubara demonstrates her masterful handling of the medium, exploring personal and art historical subjects. Composed of vibrant, complementary colours animated with incisions and wood grain, anchoring the exhibition is Tagasode (2014), a monumental 2 meter single-sheet print, recalling an ikō – a piece of furniture on which a kimono hangs. Also featured are seven woodcut prints from her series In Praise of Hands (1973-2020). Inspired by the movements of her baby’s hands, in which the artist saw the “very beginnings of human communication fluently expressed in so much variety” this series illustrates the ingenuity of hands performing actions like weaving bamboo, playing the flute and carving wood. Curated by Renée van der Avoird, associate curator of Canadian Art, in addition to a dynamic grouping of more recent, abstract woodcut prints, the exhibition is bookended by two career-spanning self-portraits—one from 1966 (age 29); and the other from 2024 (age 87).

A career-spanning presentation of 20 exuberant woodcut prints by one of Canada’s leading printmakers, in her first solo exhibition at the AGO, Naoko Matsubara demonstrates her masterful handling of the medium, exploring personal and art historical subjects. Composed of vibrant, complementary colours animated with incisions and wood grain, anchoring the exhibition is Tagasode (2014), a monumental 2 meter single-sheet print, recalling an ikō – a piece of furniture on which a kimono hangs. Also featured are seven woodcut prints from her series In Praise of Hands (1973-2020). Inspired by the movements of her baby’s hands, in which the artist saw the “very beginnings of human communication fluently expressed in so much variety” this series illustrates the ingenuity of hands performing actions like weaving bamboo, playing the flute and carving wood. Curated by Renée van der Avoird, associate curator of Canadian Art, in addition to a dynamic grouping of more recent, abstract woodcut prints, the exhibition is bookended by two career-spanning self-portraits—one from 1966 (age 29); and the other from 2024 (age 87).