Latest Events in New York(May Updated)

Operation Mincemeat is the 2024 Olivier Award-winning New Musical. It’s London’s hit with 74 Five-Star reviews, making it the good reviewed show in West End history! It has been hailed by Peter Marks in The Washington Post as “the year’s funny musical.” The year is 1943 and we’re losing the war. Luckily, we’re about to gamble all our futures on a stolen corpse. Singin’ in the Rain meets Strangers on a Train, Operation Mincemeat is the fast-paced, hilarious and unbelievable true story of the twisted secret mission that won us World War II. Lauded by the UK’s Daily Mirror as “part Mel Brooks, part SIX, part Hamilton with a side order of One Man, Two Guvnors.”

Oh, Mary! is a dark comedy starring Cole Escola as a miserable, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning, alcoholism and suppressed desires abound in this one act play that finally examines the forgotten life and dreams of Mrs. Lincoln through the lens of an idiot (Cole Escola).

Discover a whole new world at Aladdin , the hit Broadway musical. From the producer of The Lion King comes the timeless story of Aladdin , a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle. It's an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite. Directed and choreographed by Tony Award winner Casey Nicholaw ( The Book of Mormon , Something Rotten! ), this "fabulous" and "extravagant" ( The New York Times ) new musical boasts an incomparable design team, with sets, costumes and lighting from Tony Award winners Bob Crowley ( Mary Poppins ), Gregg Barnes ( Kinky Boots ), and Natasha Katz ( An American in Paris ). See why audiences and critics agree, Aladdin is "Exactly what you wished for!"

Emmy® and Golden Globe Award® winner Darren Criss ( Little Shop of Horrors ) returns to Broadway alongside Helen J Shen in the new romantic musical comedy Maybe Happy Ending . Inside a one-room apartment on the outskirts of Seoul, Oliver lives a happily quiet life, listening to jazz records and caring for his favorite plant. But what else is there to do when you’re a Helperbot 3, a robot that has long been retired and considered obsolete? When his fellow Helperbot neighbor Claire asks to borrow his charger, what starts as an awkward encounter leads to a unique friendship, a surprising adventure, and maybe even…love? Winner of the Richard Rodgers Award, Maybe Happy Ending is the offbeat and captivating story of two outcasts near the end of their warranty who discover that even robots can be swept off their feet. Helmed by visionary director and Tony Award® winner Michael Arden ( Parade , Once on This Island ), with a dazzling scenic design by Dane Laffrey ( A Christmas Carol ) and book, music, and lyrics by the internationally acclaimed duo Will Aronson and Hue Park, Maybe Happy Ending is a fresh, original musical about the small things that make any life worth living. 100 minutes, no intermission

The New Objectivity movement is considered one of the most important art movements of the 20th century. It was popular in the German-speaking region of Europe from the 1920s to the 1930s. Its characteristics are that it combines critical realism, social commentary and detailed depiction of contemporary life, gets rid of the high emotional concentration of expressionism, and creates in a realistic way. Practitioners of New Objectivity are roughly divided into two camps based on different philosophical viewpoints. One side is the realists with social critical spirit, represented by Otto Dix, George Grosz, Georg Scholz, and the other side is the classicists who focus on harmony and beauty, represented by Alexander Kanoldt, Georg Schrimpf, Christian Schad. In June 1925, Gustav F. Hartlaub, director of the Mannheim Art Museum in Germany, planned and held the "New Objectivity" exhibition, bringing New Objectivity into the public eye. To commemorate the 100th anniversary of the exhibition, the New Gallery in New York will hold an exhibition with the same name. Through different types of works such as painting, sculpture, photography, decorative art, works on paper, and film, the exhibition explores the fierce debate between different camps of the New Objectivity movement and explains the cultural, political and social complexity reflected by New Objectivity.

Step into the heart of Cuba, beyond the glitz of the Tropicana, to a place where blazing trumpets and sizzling guitars set the dance floor on fire. Here, the real sound of Havana is born—and one woman discovers the music that will change her life forever. Inspired by true events, the new Broadway musical Buena Vista Social Club™ brings the Grammy® Award-winning album to thrilling life—and tells the story of the legends who lived it. A world-class Afro-Cuban band joins a sensational cast of musicians, actors, and dancers from around the world for an authentic experience unlike any you’ve seen or heard before. Don’t miss this unforgettable tale of big dreams, second chances, and the power of art to help us survive.

From groundbreaking early acquisitions to striking new additions, the Brooklyn Museum’s collection has always championed artists and artworks that catalyze imaginative storytelling and brave conversations. As we ring in our 200th anniversary, Breaking the Mold: Brooklyn Museum at 200 celebrates this unique legacy. Comprising three chapters that boast both longtime favorites and brand-new standouts, the exhibition brings fresh narratives to the fore while exploring the collection’s rich history and future evolution.

Eli Klein Gallery is pleased to present B-Side Ink, Wu Yiming’s first solo show at the gallery, as well as in New York. This exhibition will showcase the artist’s latest works, marking a significant evolution in his exploration of ink. Featuring works on paper, cardboard, and with collaged elements, Wu’s ability to bring the underlying cultural and societal significance of media and material into discourse with tradition and contemporary life is highlighted in the exhibition, which will run until May 17, 2025.

In a landmark theatrical event, two-time Academy Award® winner George Clooney makes his Broadway debut in Good Night, and Good Luck , an electrifying stage adaptation of the critically acclaimed film. Tune in to the golden age of broadcast journalism and Edward R. Murrow’s (Clooney) legendary, history-altering, on-air showdown with Senator Joseph McCarthy. As McCarthyism casts a shadow over America, Murrow and his team at CBS choose to confront the growing tide of paranoia and propaganda, even if it means turning the federal government and a worried nation against them. Under the direction of Tony Award®-winner David Cromer, from the original screenwriters Clooney and Grant Heslov, Good Night, and Good Luck chronicles a time in American history when truth and journalistic integrity stood up to fearmongering and disinformation - and won.

Two days before the outbreak of World War II, a scientific paper was published explaining the theoretical process of nuclear fission in which the controlled splitting of an atomic nucleus releases a vast amount of energy. Over the next decade, scientists around the world would perfect the process of harnessing that energy, developing two of the most impactful inventions of the modern era: the nuclear bomb and the nuclear power station. This exhibition chronicles the global development of the nuclear industry, for peaceful and offensive means, examining posters that both promoted and protested its use throughout the second half of the 20th century. It features the entire General Dynamics series, long heralded as one of the finest examples of corporate propaganda ever created, as well as over 60 other posters criticizing the proliferation of nuclear technology. Tim Medland is an independent curator who focuses on the history of visual and material culture. He holds an MA in Museum Studies from the University of Leicester, with a concentration in socially engaged practice. His research interests include environmental activism and sustainability, and the histories of transport, propaganda, colonialism, and migration.

Hutchinson Modern & Contemporary presents Catalina Chervin: States of Consciousness, curated by Edward Sullivan, a solo exhibition of the artist’s prints and drawings.

The Last Five Years follows two New Yorkers, rising author Jamie (Grammy Award® and Golden Globe nominee Nick Jonas) and aspiring actress Cathy (Tony Award® winner Adrienne Warren), as they fall in and out of love over the course of five years. With an acclaimed score by Tony Award winner Jason Robert Brown, the musical explores whether a couple, once united by their dreams, can remain connected as their paths diverge. Experience the Broadway production of beloved musicals of all time in a bold, new production, directed by Tony Award nominee Whitney White.

Sadie Sink stars in this bitingly funny new play from Kimberly Belflower that flips the script on the American classic. At a high school in a one-stoplight town in Georgia, an English class is studying The Crucible. The students, however, are more preoccupied with navigating young love, sex ed, and a few school scandals than what’s in their syllabus. But as they delve into this literary classic, the class begins to question the play’s perspective, especially whether John Proctor is the hero they’ve been taught he is. Directed by Tony Award® winner Danya Taymor, John Proctor is the Villain is a new comedy from a major new American voice, capturing a generation in mid-transformation, running on pop music, optimism, and fury - and discovering that their future is not bound by the past.

This spring, MoMA PS1 presents a retrospective of artist, activist, and musician Alanis Obomsawin (Abenaki, b. 1932), one of Canada’s most renowned filmmakers. Opening March 27, the exhibition spans six decades of her multidisciplinary practice, bringing together a selection of films, sculptures, and sound, as well as rarely seen ephemera that sheds light on their production. Tracing her lasting contributions to social change, The Children Have to Hear Another Story brings Obomsawin’s innovative model of Indigenous cinema into focus.

The first US solo museum exhibition of New York City-based artist Julien Ceccaldi (French/Canadian, b. 1987) features a newly commissioned large-scale painting that transforms the first-floor MoMA PS1 galleries at an architectural scale, casting visitors into a distorted episode drawn from the experience of everyday digital subjugation and hyperconsumerism. Ceccaldi exploits techniques common to both the animation studio and the Italian Renaissance, including trompe l’oeil, overlay, and freeze frame.

It’s the summer of 1987, and Ana García dreamsof flying away from East Los Angeles.But when her family’s garment business receives a make-or-break order for 200 dresses, Ana finds herself juggling her own ambitions, her mother’s expectations, and a community of women all trying to make it work against the odds. Based on the play by Josefina López that inspired the iconic hit film, the show features songs by Grammy Award–winning songwriter Joy Huerta (Jesse & Joy) and Benjamin Velez (Kiss My Aztec), a book by Lisa Loomer (Girl, Interrupted) with Nell Benjamin (Mean Girls), music supervision by Nadia DiGiallonardo (Waitress), and choreography and direction by Tony® winner Sergio Trujillo (Ain’t Too Proud).

“The full-of-riches new musical brings the classic record to life.” – The New York Times Step into the heart of Cuba, beyond the glitz of the Tropicana, to a place where blazing trumpets and sizzling guitars set the dance floor on fire. Here, the real sound of Havana is born—and one woman discovers the music that will change her life forever. Inspired by true events, the new Broadway musical Buena Vista Social Club ™ brings the Grammy® Award-winning album to thrilling life—and tells the story of the legends who lived it. A world-class Afro-Cuban band joins a sensational cast of musicians, actors, and dancers from around the world for an authentic experience unlike any you’ve seen or heard before. Don’t miss this unforgettable tale of big dreams, second chances, and the power of art to help us survive. “Give yourself over to Buena Vista Social Club .”

CARVALHO PARK presents the first United States exhibition of French artist, Élise Peroi. Her debut New York solo, For Thirsting Flowers, features eight standing wooden structures, encasing her delicate tapestries.

A Beautiful Noise: The Neil Diamond Musical is a stage show celebrating the life and music of the legendary singer-songwriter Neil Diamond. The musical takes the audience on a journey through Diamond's life, from his early days as a struggling songwriter to his rise to fame in the 1960s and beyond. Along the way, the show explores the stories behind some of Diamond's most beloved songs and the moments that inspired them.

In Parmigianino’s masterpiece Self Portrait in a Convex Mirror (1523), the artist does not merely picture himself painting his likeness from a mirror, he produces an object that masquerades as a mirror bearing his reflection. In the foreground, Parmigiano’s hand — seen creating this very painting — is colossal, steadying the surrounding room that tilts and curves as it enfolds him. Parmigianino’s painting insists on the artifice of all art, its reliance on illusion and distortion even in instances where fidelity to reality is the stated ambition and desired effect. As John Ashbery notes in his long poem about the painting, speculation comes from the Latin speculum, meaning mirror: even images that appear real and convincing are in fact phantasms produced by reflected light. Elli Antoniou, Élise Peroi, Marie Schumann, and Kristian Touborg can each be seen to respond to Parmigianino’s legacy, his entwining of sight and doubt, his exploration of the tensions between image and reality.

A dazzling showcase of more than 60 jewelry creations that celebrates our enduring fascination with the cosmos. For millennia, people have been moved by the grandeur of space to explore the workings of our universe—and to create captivating works of art. From the early astronomical observations of Galileo to iconic space missions such as Apollo 11, along with new findings made possible by cutting-edge tools like the James Webb Space Telescope, discoveries about the universe have influenced and inspired artistic expression. A stunning assemblage of astronomically inspired jewelry is the focus of the new exhibition Cosmic Splendor: Jewelry from the Collections of Van Cleef & Arpels.

Sean Landers (born 1962) is an American artist. He is best known for using his personal experience as public subject matter and for utilizing diverse styles and media in a performative manner, and is especially known for his word art.His work encompasses many media: painting, sculpture, photography, drawing, writing, video and audio, and he uses humor and confession, gravity and pathos in it, blurring the lines between fact and fiction, reality and fantasy, sincerity and insincerity.

Yancey Richardson presents Sawubona, an exhibition bringing together work from five different series made between 2002–2013 by South African artist and visual activist Zanele Muholi. Their fifth exhibition with the gallery, Sawubona reveals both the historical depth and visual complexity of Muholi’s overarching project of empowering the Black LGTBQIA+ community in South Africa through a collaborative process of representation. Sawubona is also the first gallery exhibition outside of Africa to feature their early work.

Stephen Friedman Gallery presents Queer Love, an exhibition bringing together a selection of significant and recently discovered erotic drawings by British artist and key Bloomsbury group member Duncan Grant (1885–1978) in dialogue with new works by contemporary queer artists including: Soufiane Ababri, Leilah Babirye, Anthony Cudahy, Kyle Dunn, Alex Foxton, Jonathan Lyndon Chase, Wardell Milan, Sola Olulode, Tom Worsfold and Jimmy Wright.

Berry Campbell Gallery presents its first exhibition of the work of Mary Ann Unger (1945 – 1998). Organized in conjunction with the Mary Ann Unger Estate, the exhibition coincides with a renewal of critical interest in the artist and includes a fully illustrated scholarly exhibition catalogue with essays by Glenn Adamson, Independent Curator and Author, and Jess Wilcox, Independent Curator.

Textiles touch every aspect of our lives and connect us to history. “Threads were among the earliest transmitters of meaning,” the artist Anni Albers wrote in 1965. Woven Histories: Textiles and Modern Abstraction reveals the links between this art form and abstraction. Incorporating basketry, apparel, and more than a century of other textile works that challenge accepted divisions between fine art and craft, this exhibition broadens the story of abstraction, suggesting that not only ideas but materials—like woven, knotted, and braided fabric—are crucial to its understanding and success. Spanning early-20th-century works by Sonia Delaunay, Hannah Hoch, and Sophie Taeuber-Arp, whose textile practices parallel their painting and drawing, mid-century works by Albers and Ed Rossbach, and contemporary works by Rosemarie Trockel, Andrea Zittel, and Igshaan Adams, this exhibition brings together more than 150 diverse, interdisciplinary objects. Highlighting issues of labor and identity that are intertwined with modern textile production, Woven Histories argues that weaving and textiles are the quintessential link between lived experience and art.

For his first major solo exhibition with Hauser & Wirth in New York, British artist Thomas J Price presents five towering figurative bronze sculptures alongside a large-scale photographic work comprising 18 separate framed images.

The Interborough Rapid Transit Company (IRT) opened New York City’s original underground subway line in October 1904. While the city was one of the most diverse in the country, before the introduction of the subway, most New Yorkers were not in regular contact with people outside their own neighborhoods. Initially extending from the Bronx to Lower Manhattan (with service to Brooklyn beginning in 1908) and forming part of the wider transit system, the convenient and affordable IRT encouraged riders to travel beyond their communities for both work and leisure. In order to entice people to regularly use the subway, the IRT printed two in-car poster campaigns, The Elevated Express and The Subway Sun, that highlighted each borough’s unique attractions. Of these, The Subway Sun was especially successful.

This spring, the presentation of late works by French avant-garde artist Francis Picabia (1879 – 1953) travels from Hauser & Wirth’s Paris gallery to 22nd Street in New York. Organized in collaboration with Comité Picabia, and co-curated by its President, Beverley Calté, and art historian Arnauld Pierre, ‘Eternal Beginning’ is the first major exhibition to focus on Picabia’s compelling final period. It features close to 30 paintings created by Picabia between 1945—when he returned to Paris from the South of France—and 1952, the penultimate year of his life. As a complement to the exhibition, Hauser & Wirth Publishers has released a catalogue with fresh scholarship in both English and French on Picabia’s late work.

Opening May 2, BANK NYC is pleased to present Tracing Infinity, a luminous exhibition of gouache and pastel works by the late Ching Ho Cheng (1946-1989). Using Cheng’s series of window light works as a catalyst, this presentation focuses on a specific transitional moment in the artist's oeuvre, tracing his evolution from highly detailed compositions to complete minimalism, characterized by subtle patches of color and light. This special exhibition marks the artist’s first solo exhibition after BANK’s celebrated presentation at Art Basel Miami in 2023. It also precedes Cheng’s inclusion in Sixties Surreal at the Whitney Museum in Fall 2025 and his upcoming traveling retrospective, Ching Ho Cheng: The Light Will Continue, which will originate at the Addison Gallery of American Art in early 2027. This will be Cheng’s first major institutional retrospective, which fervently reconsiders this Asian American artist's often overlooked life and body of work. It will also be accompanied by a monograph published in collaboration with Visual AIDS. On May 13, 2025, BANK NYC will host a public talk discussing the artist’s life and legacy with Sybao Cheng-Wilson, Director of the Ching Ho Cheng Estate, Gordon Wilkins, Robert M. Walker Curator of American Art at the Addison Gallery of American Art, and Kyle Croft, Executive Director of Visual AIDS.