Latest Events in London(July Updated)

Featuring more than 150 works in drawing, printmaking, painting, sculpture, installation and ceramics, this comprehensive exhibition offers audiences the opportunity to immerse themselves in Nara’s personal and creative worlds. Celebrated across the globe for his powerful portraits with eyes that gaze back at the viewer, and his drawings that engage with daily experiences, Nara is also known for his wood, fibreglass and ceramic sculptures as well as his installations of little houses. Nara’s work explores themes of resistance, rebellion, isolation, freedom and spirituality. This thematic exhibition reveals enduring influences on the artist’s work, particularly nature and its mythology, the peace movement, the significance of home, and his interest in punk and rock music and popular culture. Born in 1959 in Japan’s Aomori prefecture, Yoshitomo Nara completed the Master of Fine Arts programme at the Aichi University of the Arts in 1987. Nara subsequently moved to Germany in 1988 and began his enrolment at the Kunstakademie Düsseldorf. After residing in Cologne, he returned to Japan in 2000. He has exhibited in numerous museums and galleries in Europe, the United States, Japan, and Asia since the late 1990s.This is an expanded version of the touring exhibition from the Guggenheim, Bilbao, and Museum Frieder Burda, Baden-Baden, featuring additional work, including early sculptures and new paintings.

The 2025 BBC Proms season brings together many of the world’s finest international artists and orchestras, featuring more than 40 outstanding ensembles from across the UK: a series of concerts that can only be experienced at the world’s greatest classical music festival. The BBC’s own orchestras and choirs form the backbone of the Proms, making nearly 50 appearances throughout the season. The BBC Singersperform at 11 Proms, including the First and Last Nights, showcasing their broad range of repertoire. Sakari Oramo conducts the First Night of the Proms, with tenor Caspar Singh, baritone Gerald Finley, violinist Lisa Batiashvili – including the world premiere of The Elements by Master of the King’s Music Errollyn Wallen, commissioned by the BBC. The Last Night of the Proms is conducted by Elim Chan and features trumpeter Alison Balsom and soprano Louise Alder, with two world premieres, by Camille Pépin and Rachel Portman: the latter being the first woman to win an Academy Award for Best Original Score. The BBC Proms makes its debut in both Bradford, as part of Bradford 2025 UK City of Culture, and Sunderland, bringing the festival to new audiences. The Proms also returns to Bristol and Gateshead for two three-day weekend residencies, and a special Prom in Belfast marks the centenary of Radio 4’s popular Shipping Forecast. The season features a compelling line-up of international orchestras, including the Vienna Philharmonic, the Leipzig Gewandhaus Orchestra and the Royal Concertgebouw Orchestra. Major soloists include pianists Yunchan Lim and Sir András Schiff, violinists Hilary Hahn and Janine Jansen and soprano Golda Schultz. Nineteen world, European or UK premieres will be performed, including 10 works commissioned by the BBC, showcasing an extraordinary range of contemporary composition. Sir Simon Rattle conducts the Chineke! Orchestra for the first time, in their tenth-anniversary year. Anna Lapwood co-curates the first overnight Prom since 1983, featuring pianist and YouTube sensation Hayato Sumino, cellist Anastasia Kobekina, the Chapel Choir of Pembroke College, Cambridge and the boundary-crossing Norwegian ensemble Barokksolistene. The Proms marks the 50th anniversary of the death of Shostakovich with eight of his works performed during the season, including Aurora Orchestra playing Symphony No. 5 entirely from memory. Other composer anniversaries include Luciano Berio, Pierre Boulez, Samuel Coleridge-Taylor and Arvo Pärt. Legendary Studio Ghibli composer Joe Hisaishi makes his Proms debut, conducting the Royal Philharmonic Orchestra in his symphony inspired by the tragic events of Hiroshima: The End of the World. Across the season there is a wealth of opera, including a collaboration between the BBC Philharmonic Orchestra and the English National Opera for The Lady Macbeth of the Mtensk District by Shostakovich – only performed in its entirety once before at the Proms. Glyndebourne brings their new production of Mozart’s The Marriage of Figaro to the festival, and Puccini’s Suor Angelica is performed by the London Symphony Orchestra with Chief Conductor, Sir Antonio Pappano. Large-scale choral repertoire features throughout the season, from Ralph Vaughan Williams’s rarely performed oratorio Sancta Civitas on the First Night, to Striggio’s Mass in 40 Parts from Le Concert Spirituel. There is also a Proms debut from Peter Whelan and the Irish Baroque Orchestra and Chorus, with Handel’s Alexander’s Feast. The Proms continues its tradition of collaborating with other BBC brands. In addition to the 100 Years of the Shipping Forecast Prom in Belfast with the Ulster Orchestra and Poet Laureate Simon Armitage, Claudia Winkleman hosts The Traitors Prom at the Royal Albert Hall, exploring themes of treachery and betrayal in classical music. Concerts for children include a new CBeebies Prom: A Magical Bedtime Story as well as the CBeebies Prom: Wildlife Jamboree in Gateshead. The Proms continues to welcome non-classical artists, presenting their music in new orchestral settings – this year hosting the multi-Grammy winning musicians St. Vincent and Samara Joy. Trevor Nelson presents the Soul Revolution Prom and Anoushka Shankar makes a welcome return to the Proms with the world-premiere performance of her new album.

See a new special commemorative display of ceramic poppies installed at the heart of the Tower of London to mark the 80th anniversary of the end of the Second World War. The display will see nearly 30,000 of the original poppies, made for the 2014 installation, ‘Blood Swept Lands and Seas of Red’, return to the Tower, marking the sacrifices made by so many during the Second World War. The specially commissioned installation will resemble a ‘wound’ at the heart of the Tower, which was itself bombed during the Blitz. Poppies will pour across the lawn overlooked by the ancient White Tower, where the blood-red flowers will form a crater, with ripples flowing outwards.

A major exhibition featuring more than 350 objects, including precious jewels, historic gemstones, iconic watches and clocks, that chart the evolution of Cartier's legacy of art, design and craftsmanship since the turn of the 20th century.

Where does the image of the beloved and playful Hindu god Ganesha, with his elephant head and rounded belly, originate? What inspired depictions of the serene Buddha and Jain enlightened teachers? Reaching back more than 2,000 years, this new exhibition explores the origins of Hindu, Jain and Buddhist sacred art in the ancient and powerful nature spirits of India, and the spread of this art beyond the subcontinent. One of the first major exhibitions in the world to look at the early devotional art of India from a multi-faith, contemporary and global perspective, it will highlight the inspiration behind now-familiar depictions of the deities and enlightened teachers of these world religions – and how they were shared across the Indian Ocean to Southeast Asia and along the Silk Roads to East Asia. Colourful, multi-sensory and atmospheric, this exhibition was developed in collaboration with an advisory community panel of practising Hindus, Buddhists and Jains. These living religious traditions and their sacred art are now integral to the daily lives of almost two billion people around the world including in the UK. Key loans from our community partners help to tell this contemporary story. The exhibition will showcase more than 180 objects – including sculptures, paintings, drawings and manuscripts – from the South Asian collection at the British Museum as well as generous loans from national and international partners. It will highlight provenance, examining the stories, from creation to acquisition by museums, of every object in the show. From the symbolic footprints which preceded portrayals of the Buddha in human form to the cosmic serpents incorporated into Hindu art and the nature spirits who attend Jain enlightened teachers, this compelling exhibition tells the ancient stories behind these living traditions.

For over three decades, the London Marathon has been one of the world's most beloved events. With around 36,000 runners filling the streets of central London, the London Marathon races a 26.2-mile course. Characterised by crazy costumes and anything-goes, the marathon is a huge draw for runners and spectators alike. From Batman to Superman, super elite athletes to beginners can take part and stand out from the crowd, without losing their seriousness in the competition. Officially known as the TCS London Marathon, the marathon is open to anyone who is willing to commit, train and run to the finish line. The route runs straight through the city centre, passing the Thames, Blackheath and Greenwich, making it a great way to see London on foot for the first time. Along the way, you'll also see attractions such as Buckingham Palace, the Tower of London and the London Eye. Founded by New York City Marathon winner Christ Brasher, the event's mission is to get people all over the world running, while running for whatever cause they choose. It raises millions of dollars each year, not only creating some of the most accomplished athletes, but also helping people around the world who need support and funds.

Touch a piece of Mars, wrap your hands around a fragment of the Moon and snap a selfie with the Allende meteorite, which – at 4.567 billion years old – is even older than Earth! Today, there’s more evidence than ever before to suggest that life could exist beyond Earth. Our newest exhibition explores the big question – are we alone in the universe? Travel from Earth’s extreme environments out into space, stopping off at asteroids, Mars, the icy moons of Jupiter and Saturn and planets beyond our solar system in the search for life. Smell planets, touch parts of our solar system, design your own space mission and see what scientists believe could be out there in our out-of-this-world exhibition.

Gagosian presents Roman Meal, an exhibition of two new sculptures by Kathleen Ryan at 17–19 Davies Street, London. In this, her solo debut at the gallery, Ryan mines ideas of utility and excess, luxury and repulsion, pondering culture’s inherent state of perpetual transformation while maintaining an appealing sense of the absurd.

Saatchi Yates presents a monumental summer exhibition, Once Upon a Time in London. The exhibition is a celebration of London, its artists and institutions, featuring commissioned works from contemporary artists as well as major loans drawing from the rich history, diversity and cultural scene of London. For decades, London has been a major artistic crossroad where artists have challenged conventions and redefined the artistic landscape.

The sower, the woodcutter, a shepherd girl. These are the subjects that made French artist Jean-Francois Millet famous. Marking the 150th anniversary of his death, this is an opportunity to see some of Millet’s best-loved paintings and drawings. Born into a farming family in Normandy, Millet moved to the village of Barbizon in 1849 where he put the people who spent their life working on the land, often the poorest of the poor in 19th-century France, at the heart of his work. He knew these people and his realistic, unsentimental approach to painting them was completely new. See his iconic 'L’Angelus' (1857‒9) from the Musée d’Orsay, Paris, a painting typical of the dignified way he captured the working people of his age. A husband and wife stand with their heads bowed. Lit by an almost ethereal, filtered light, they’ve stopped working in the fields to say the Angelus prayer. Admired and copied by Vincent van Gogh, he inspired Impressionists and Post-Impressionist artists including Edgas Degas and Camille Pissarro. His combination of subject and effects of light and tone saw his popularity soar at the end of the 19th and beginning of the 20th century. Experience the beauty and quiet power of Millet’s work – an artist who created some of the most realist yet timeless paintings of the 19th century.

Dear Classmates, Can you believe it’s been 50 years since we walked the halls of Hampton High? Time has flown by, and along the way, we’ve built lives full of memories—raising families, building careers, welcoming grandchildren, and sharing laughter and loss. We’ve said goodbye to far too many of our classmates, which makes this reunion even more special. This is our chance to come together—not just to reminisce about football games, prom night, and those unforgettable teachers—but to celebrate everything we’ve experienced since 1975. Let’s reconnect, reflect, and make new memories. Your story matters, and the reunion wouldn’t be the same without you there. We truly hope you’ll join us. Information Source: Hampton High School Class of 1975 | eventbrite

Curious Verses’ Interconnected Festival is a London-based Fusion ‘Bellydance’ festival that was originally born online during covid times from a deep yearning to stay connected. For this upcoming 4th edition, we are incredibly excited to be bringing Piny Orchidaceae (PT), Sarah Safi Harb (LB/NL) and Sofeya (UK) to London for a weekend full of exceptional dance workshops, a sumptuous theatre show, a cozy hafla and loads of connection! We seek to offer an inspiring celebration of community and encourage meaningful & respectful exploration of the cultures that influence this dance form, and in doing so make new space for creativity, conversation, understanding and collaboration. Information Source: Curious Verses | eventbrite

Small but mighty! The work that you do through your toddler group is vital. Though it might feel like your contribution is small, you not only provide a safe space for parents and their little ones to take time out and have fun, but also offer help, happiness and hope for all those who attend.  It might sometimes seem like your toddler group is undervalued, or that you put in a whole lot of effort but don’t have all that much to show for it. You might see just a few families a week, and feel it’s not enough, or perhaps you reach many but wonder if it has any spiritual significance.   The truth is that whatever the shape and size of your toddler group, when you sow into families you have a far-reaching impact on whole communities. God is doing so much beneath the surface that you might not see.  Join us at this year’s Playtime Conference as we explore how God can do mighty things through that ‘small’ that we offer.   It’s not just toddlers who are small but mighty – your group is too!  Keynote speakers Mark Chester, Care for the Family Mark has been involved in running parent and toddler groups for over twenty years and is the founder of Who Let The Dads Out? , a network of groups specifically for dads and their children. He is the author of several books and regularly speaks to audiences throughout the UK and beyond. Rachel Turner, Parenting for Faith Rachel Turner is the discipleship pastor at Hope Church, Harrogate, and the founder of Parenting for Faith. She is the author of ten books for families, parents and church leaders including Parenting Children for a Life of Faith, Comfort in Uncertain Times, and It Takes a Church to Raise a Parent. She lectures on leadership and intergenerational church at theological colleges and consults and speaks internationally. A flavour of the day: A fantastic choice of workshops packed with fresh and creative ideas for your group A great line-up of guest speakers providing encouragement and insight Unique opportunities to network with other toddler group leaders from across the UK Time to worship, share and pray together Lunch and refreshments included An exhibition zone and shop filled with resources A chance to renew your vision and feel recharged to continue the incredible job you’re doing! Travel information We suggest using Google Maps for travel directions. However, due to limited car parking spaces onsite (40 available on a first-come, first-served basis), please car share or use public transport. The venue is also accessible via South Western Railway trains to Feltham Station. Please avoid parking at the ‘Leisure West’ centre opposite the venue. They have a four-hour maximum restriction, and a fine will apply after that. Accommodation information The Premier Inn in Sunbury is the closest hotel to use, but near Heathrow Airport there are many more options. Booking info Early bird ticket up to and including 6 June 2025 A packed lunch is included in the ticket price, you'll be given a wristband on Saturday at registration. The Riverside Vineyard Church would also like to encourage you to bring your own reusable coffee cup and water bottle so they can reduce the amount of waste produced during the event Feel free to call us on 029 2081 0800 and the team would be glad to help you with your booking Please note we do not have facilities to accommodate babies and young children at this event Information Source: Care for the Family | eventbrite

This exhibition marks the artist’s first project in London in over 20 years, following his iconic explosion event at Tate Modern in 2003, which dramatically unfolded across the Millennium Bridge and culminated in the gallery’s Turbine Hall.

InPop, the highly anticipated event, is set to take place at the renowned O2 Academy2 Islington in London on September 26, 2025, at 18:00. This event promises to be a remarkable evening, bringing together an eclectic mix of pop culture enthusiasts and industry professionals. As one of the premier events in the city's vibrant entertainment calendar, InPop will feature a diverse lineup of performances, interactive sessions, and exclusive previews of upcoming trends in the pop culture sphere. Attendees can expect an immersive experience that highlights the latest in music, fashion, and digital innovation. The O2 Academy2 Islington, known for its state-of-the-art facilities and intimate setting, provides the perfect backdrop for this dynamic event. With its central location in London, InPop offers easy access for both local and international guests, ensuring a memorable occasion for all who attend.

Lady Gaga London is set to be an electrifying event, taking place at the renowned O2 Arena in London, United Kingdom. Scheduled for October 4, 2025, at 18:30, this concert promises to be a spectacular showcase of Lady Gaga's unparalleled talent and artistry. With ticket prices at 242 USD, attendees can expect a night filled with mesmerizing performances, captivating visuals, and unforgettable moments. The O2 Arena, known for hosting world-class events, provides the perfect backdrop for this highly anticipated concert. Fans from all over the globe will gather to witness Lady Gaga's dynamic stage presence and hear her chart-topping hits live. This event is not to be missed, as it will undoubtedly be one of the highlights of the year in London's vibrant entertainment scene.

Frieze London is an iconic contemporary art fair held in the British capital, London, held in a custom-made tent in Regent’s Park every October. The fair focuses on displaying contemporary artworks of the 21st century, attracting top galleries and artists from around the world. Masters is its sister fair, held in another custom-made tent in Regent’s Park. Focusing on displaying artworks before 2000, including ancient art, classical art and modern art, it provides viewers with an opportunity to explore art history.

Mother's Cake, a renowned rock band known for its electrifying performances and unique sound, is set to take the stage at O2 Academy2 Islington in London. This highly anticipated event will occur on October 22, 2025, at 7:00 PM, promising an unforgettable night of music and energy. Fans can expect a dynamic mix of psychedelic rock, funk, and progressive elements, showcasing the band's exceptional talent and creativity. With a reputation for delivering high-octane shows, Mother's Cake is sure to captivate the audience, making it a must-attend event for rock enthusiasts. The O2 Academy2 Islington, located in the heart of London, provides the perfect backdrop for this exhilarating concert, offering top-notch acoustics and an intimate setting. Don't miss the chance to experience Mother's Cake live, where every note and beat will resonate deeply, leaving a lasting impression on all attendees.

A Virtual Reality Art Exhibition that you can view in any location and on any device. Please see the above picture instructions for how you can view it on a tablet/mobile. You can view the exhibition with or without a virtual reality headset. Copy this link to view the Virtual Reality Art Exhibition on a computer/laptop: https://edu.cospaces.io/PMB-KAV The Virtual Private View of the Exhibition was held on Thursday 14th of May 2020 at 8:15pm on Zoom (Virtual drinks provided.)

The artwork is displayed on powder-coated steel gates, designed by Whittle and made at Glasgow Sculpture Studios. It was unveiled on 5 October 2023 at the Queen’s House in Greenwich. Feeling Blue has been developed in response to RMG’s large and varied collections, as well as the history and cultural significance of Greenwich. The 160 x 155 cm tapestry is filled with richly evocative textures, symbolic shapes, and tropical colours. It was woven by hand over a period of six months by Naomi Robertson and Elaine Wilson at Dovecot Studios. They used a variety of techniques, yarns, and over 150 colour mixes to add variety and depth to the surface of the tapestry. Dominating the tapestry is the phrase ‘feeling blue’ which stands out from a background of blues and greens, the combination of different shades resembling water in motion. Blue is immediately associated with oceans and seas but there are also more emotive connotations which Whittle chose to explore. The colour blue, and in particular the term ‘feeling blue’, is used to describe sadness or depression. While the exact origin of the term is uncertain it has been suggested that it comes from the tradition of ships flying blue flags and officers bearing a painted blue band when a captain or officer died. For others, blue symbolises tranquillity. In the Queen’s House the colour blue is used throughout for decoration, notably the balustrade of the Tulip Stairs. Drawing on her research of the British naval uniform, Whittle also reflects on the legacies of British colonialism. From the mid-eighteenth-century, the Royal Navy introduced a uniform for officers made from a deep blue fabric. The colour was achieved using a dye from the indigo plant that was native to India. Until the end of the eighteenth century the indigo plant was grown, harvested and processed by enslaved people on North American plantations. Indentured labourers in India and modern-day Bangladesh also produced indigo for the East India Company. Today, Navy blue endures as a colour of authority from police to military officers, though the history of the colour and connection to colonialism is little known. Whittle continues her exploration of maritime worlds by the inclusion of coloured ropes – reminiscent of those used on ships. For Whittle, rope is a symbol of both hope and oppression. Ropes are associated with bondage, imprisonment and even execution but are equally symbolic of lifelines for people in distress. Whittle’s ongoing engagement with the climate crisis is found in the decorative coral that frames the tapestry. The delicate pastel pinks and vibrant yellows evoke the beauty of tropical oceans and are a reminder of the importance of reefs. Decorative cultured freshwater pearl beads have also been stitched onto the tapestry. As well as representing an oceanic realm, Whittle connects Feeling Blue with two sixteenth-century paintings the Armada Portrait and Sir Francis Drake which will be displayed alongside the tapestry. In both portraits, pearls are used as a symbol of wealth, some of which was derived from colonial trade and exploitation. The tapestry is hung on a set of blue ‘gates’, which are an important component of Whittle’s work. Whittle sees the ‘gates’ as reminiscent of fencing, suggesting containment and control. Placed within the gallery space the gates no longer act as a barrier. Instead, Whittle uses the gates to expand rather than restrict as visitors are free to walk around them and view the tapestry from both sides. The decorative fretwork on the panels evokes the architecture of the Queen’s House, in particular the Tulip Stairs. Alberta Whittle, said: “The commission has been a wonderful opportunity to think deeply about maritime histories and consider the powers in place that decide how these histories are portrayed. This new tapestry is a chance to explore these ideas of power alongside the rhythms of the ocean and its vulnerability under climate colonialism. The commission has also provided me with the opportunity to continue to work with Naomi Robertson and Elaine Wilson at Dovecot Studios and the rest of the fantastic weaving team.” Celia Joicey, Director of Dovecot Studios, said: "This commission represents the contemporary significance of tapestry as a collective medium. Started in the midst of the 2021 lockdown, it is testimony to a group of people responding creatively and collaboratively to the Museum collections. Feeling Blue embodies the passion, focus and skill of Dovecot’s weavers, Alberta Whittle’s endlessly interesting ideas and the care and enterprise of the commissioning team." Katherine Gazzard, Curator of Art, Royal Museums Greenwich, said: “At Royal Museums Greenwich, we are committed to working with contemporary artists whose practice engages with our historic sites and collections, as well as with the present challenges facing our communities and our planet. The opportunity to commission a contemporary tapestry from Alberta Whittle and Dovecot Studios spoke powerfully to this ethos. The finished tapestry will go on public display in the Queen’s House, our flagship art gallery. When the Queen’s House was built in the early 17th century, it was at the cutting edge of art and design. Commissions like Feeling Blue help us to honour that legacy, ensuring that, four centuries after the building’s completion, the Queen’s House continues to showcase artistic innovations and new perspectives.” ---------------------------------------------------------------------------------------------- Feeling Blue Alberta Whittle Tapestry by Dovecot Studios 2023, cotton, linen, synthetic yarn, cultured freshwater pearl beads Tapestry woven for Dovecot by Naomi Robertson, Master Weaver, and Elaine Wilson Displayed on powder coated steel gates made by Glasgow Sculpture Studios Purchased with assistance from the Contemporary Art Society

The latest Fourth Plinth commission 'Mil Veces un Instante (A Thousand Times in an Instant)’ by Mexican artist Teresa Margolles was unveiled on Wednesday 18.09.2024. The monolithic sculpture was made with plaster cast molds of the faces of 726 transgender people from Mexico and the UK. The molds were made by applying plaster directly onto each individual’s face. The resulting object is both a visual record of their respective features and, imbued with hair and skin cells, a material infusion of their physicality.

Serpentine unveils a new site-specific mural by artist Esther Mahlangu. On view in the garden at Serpentine North, the monumental painting celebrates concepts of community and unity. Umuntu ngumuntu ngabantu, which translates directly from Ndebele as ‘I am because you are’, marks her first public artwork in the UK.

Priscilla The Party! is an immersive reimagining of the iconic and award-winning musical Priscilla Queen of the Desert. Delivered in three acts with breaks between for fine dining in the Mezzanine or bar snacks on the Dance Floor. Featuring the dance-floor classics like I Will Survive, It's Raining Men and Finally, doors open one hour before show time where two cocktails cost just £15 and a pre-show entertains you before the main event. The performance ends with a dazzling finale show-casing the award-winning costumes and head-dresses which the show is famous for. The evening ends with a disco from our resident DJ. The audience can expect an extravagant display of eye-popping costumes, an exhilarating soundtrack that encourages everyone to sing along and a show which unfolds all around them. There will be immersive dance floor tickets as happens at Guys and Dolls at the Bridge Theatre, with DJ and pre-show entertainment similar to Here Lies Love at the National Theatre, a party sing-a-long atmosphere like ABBA Voyage at the ABBA Arena, cabaret tables with dining options similar to Cabaret at the Playhouse Theatre and dining options and post-show party as happens at Mamma Mia! The Party – in other words, something for everyone! From its dazzling debut in Sydney in 2006, the musical created by Allan Scott and Stephan Elliott has taken the world by storm. It initially graced the London stage in 2009, before conquering Broadway in 2011. The enduring message of acceptance and inclusivity that Priscilla carries remains as significant today as it was when the curtains first rose.

On the first Saturday of each month Abbas Zahedi hosts a support group for the collective processing of ecological grief. In collaboration with thinkers, artists and musicians, participants are invited to consider ‘How can we make sense of a world increasingly shaped by loss and disconnection?’. The discussions take place in a new commission entitled Begin Again. As part of the installation, instruments and playback devices have been plugged into Tate Modern’s utility pipes and deeper architecture. The sound composition shifts between moments of harmony and disintegration. Each sonic collapse prompts the piece to rebuild, emphasising the power of renewal and beginning again. The commission creates a space for collective listening where participants can reflect on how to protect and restore ecological connectivity.

In a time when the world is changing forever, there is one place where everyone can be free. This is Berlin. Relax. Loosen up. Be yourself. One of the most successful musicals of all time, Cabaret features the songs Willkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff, based on the play by John Van Druten and stories by Christopher Isherwood. Before the show, guests are invited to enjoy the Kit Kat Club with drinks, dining and pre-show entertainment all on offer. When booking, guests will receive a ‘club entry time’ so they’re able to immerse themselves in the club. We encourage people to arrive early, leaving plenty of time to explore every nook and cranny of the Kit Kat Club before the show begins. Please note that once the main show begins, we cannot guarantee readmission to the auditorium. This is for both your safety and the safety of the cast. It may be up to a 30-minute wait before being allowed back to your seat. If you have any requirements which mean you are likely to need to leave the auditorium for whatever reason, please speak to a member of staff before the show begins.

A celebration of the boundary-pushing career of artist Leigh Bowery Leigh Bowery’s short but extraordinary life left a distinct, undeniable mark on the art world and beyond. An artist, performer, model, TV personality, club promoter, fashion designer and musician, Bowery took on many different roles, all the while refusing to be limited by convention. From his emergence in the nightlife of 1980s London through to his later daring and outrageous performances in galleries, theatres, and the street, Bowery fearlessly forged his own vibrant path. He reimagined clothing and makeup as forms of painting and sculpture, tested the limits of decorum, and celebrated the body as a shape-shifting tool with the power to challenge norms of aesthetics, sexuality and gender. Embracing performance, club culture and fashion design, Bowery created some of the most iconic images of the 1980s and 90s that continue to resonate, with his influence seen in the work of figures such as Alexander McQueen, Jeffrey Gibson, Anohni, and Lady Gaga. This eclectic and immersive exhibition is a rare chance to experience many of Bowery’s ‘Looks’ alongside his collaborations with artists including Michael Clark, Charles Atlas, Nick Knight, Fergus Greer, Stephen Willats, Nicola Rainbird, Mr Pearl, and Lucian Freud. It will provide a fresh insight into the creative scenes in London, New York and beyond featuring Sue Tilley, Princess Julia, Jeffrey Hinton, RuPaul, Les Child, Andrew Logan, Cerith Wyn Evans, Lady Bunny, Trojan, Rachel Auburn, Scarlett Cannon, Lanah P, MINTY and Boy George. Moving from the club to the stage, to the gallery and beyond, step inside Bowery’s dynamic creative world that blurred the lines between art and life.

Discover never-before-seen royal and court fashion treasures in Dress Codes, a new exhibition at Kensington Palace. Explore the codes and conventions of royal clothing, and the powerful impact fashion can make when boundaries are pushed and dress codes evolve. Among the highlights of this exciting new exhibition are pieces worn by a young Queen Elizabeth II, Diana, Princess of Wales, Dame Vivienne Westwood, Princess Margaret and Queen Victoria. Dress Codes will showcase both recognisable and rarely-seen treasures from the Royal Ceremonial Dress Collection, a collection of 10,000 objects spanning 500 years, cared for by Historic Royal Palaces. Stunning items from the Royal Ceremonial Dress Collection on display in 2025 include an extremely rare Japanese court suit dating from the early 20th century, and a never-before-seen 1920s Reville court dress worn to Buckingham Palace. Alongside these spectacular examples of royal and court dress, discover how dress codes can be reset and re-made for today through designs by our Young Producers, aged 14-17. This new partnership with local youth groups paves the way for a new generation of young people to contribute to the arts and fashion industries.