Featured Events in Leeds in February, 2025 (May Updated)

As miffy turns 70, we look back at the well-loved character's rise to popularity through the charming books and simple illustrative style which made has made her famous across the world. The interactive exhibition will bring miffy to life through creative displays and activities which will offer an immersive and playful experience to enjoy. It will also explore aspects of Dick Bruna’s design philosophy and artwork through his 124 picture books, posters, book covers, logos and house styles for charities and worthy causes. The exhibition is curated in partnership with Mercis and will tour to Norfolks' Time and Tide museum after Leeds City Museum.

As miffy turns 70, we look back at the well-loved character's rise to popularity through the charming books and simple illustrative style which made has made her famous across the world. The interactive exhibition will bring miffy to life through creative displays and activities which will offer an immersive and playful experience to enjoy. It will also explore aspects of Dick Bruna’s design philosophy and artwork through his 124 picture books, posters, book covers, logos and house styles for charities and worthy causes. The exhibition is curated in partnership with Mercis and will tour to Norfolks' Time and Tide museum after Leeds City Museum.

As miffy turns 70, we look back at the well-loved character's rise to popularity through the charming books and simple illustrative style which made has made her famous across the world. The interactive exhibition will bring miffy to life through creative displays and activities which will offer an immersive and playful experience to enjoy. It will also explore aspects of Dick Bruna’s design philosophy and artwork through his 124 picture books, posters, book covers, logos and house styles for charities and worthy causes. The exhibition is curated in partnership with Mercis and will tour to Norfolks' Time and Tide museum after Leeds City Museum.

Moor Laughs Presents Seann Walsh + supporting comedians Come join us for a night of laughter at Yeadon Town Hall Theatre! Get ready to bust a gut with the hilarious Seann Walsh and a lineup of fantastic supporting comedians. This in-person event promises to be a riot of fun and entertainment. Don't miss out on an evening filled with side-splitting jokes and good vibes. Grab your tickets now and get ready for a night to remember! Information Source: eventbrite

Sculpture and photography have existed in close proximity ever since the birth of photography in the early decades of the nineteenth century. Sculpture was one of the first subjects to be photographed, in part on account of its immobility which proved ideal for the long exposure times required for the early photographic processes and the suitability of white plaster and marble for a black and white medium. It has remained an important subject throughout photographic history, utilised by some of the most well-known photographers over the past 150 years, from William Henry Fox Talbot (1800-77) to Walker Evans (1903-75). Throughout this time photography has continued to influence the conception, process, documentation, marketing, display and reception of sculpture. Sculptors have not only collaborated with photographers but have themselves experimented with photographic techniques in the creation and documentation of artworks, including the use of cameraless photography, polaroids, collage and montage. This display explores the role played by photography across the history and practice of sculpture from the late-nineteenth century to the present day. From offering an insight into the largely unseen processes of bronze casting in foundries, to charting the journey of monuments from foundry to public siting, photography has been used to document the lives of sculptures in their circulation across the globe. The archiving function of photography now also provides a record of what no longer survives, as in the case of sculptures commissioned for temporary events, exhibitions or site-specific installations.Sculpture Photographedpresents photographs, posters and printed material alongside maquettes, medallic portraits and objects from installations. It reveals the varying ways that sculptors have harnessed photography in the production and dissemination of their works, while photography has in turn re-examined and provided new interpretations of sculptures, both old and new. This display is located in our new Archive Gallery (formerly known as the Lower Sculpture Study Gallery), which sits between Leeds Art Gallery and theHenry Moore Institute.

Sculpture and photography have existed in close proximity ever since the birth of photography in the early decades of the nineteenth century. Sculpture was one of the first subjects to be photographed, in part on account of its immobility which proved ideal for the long exposure times required for the early photographic processes and the suitability of white plaster and marble for a black and white medium. It has remained an important subject throughout photographic history, utilised by some of the most well-known photographers over the past 150 years, from William Henry Fox Talbot (1800-77) to Walker Evans (1903-75). Throughout this time photography has continued to influence the conception, process, documentation, marketing, display and reception of sculpture. Sculptors have not only collaborated with photographers but have themselves experimented with photographic techniques in the creation and documentation of artworks, including the use of cameraless photography, polaroids, collage and montage. This display explores the role played by photography across the history and practice of sculpture from the late-nineteenth century to the present day. From offering an insight into the largely unseen processes of bronze casting in foundries, to charting the journey of monuments from foundry to public siting, photography has been used to document the lives of sculptures in their circulation across the globe. The archiving function of photography now also provides a record of what no longer survives, as in the case of sculptures commissioned for temporary events, exhibitions or site-specific installations.Sculpture Photographedpresents photographs, posters and printed material alongside maquettes, medallic portraits and objects from installations. It reveals the varying ways that sculptors have harnessed photography in the production and dissemination of their works, while photography has in turn re-examined and provided new interpretations of sculptures, both old and new. This display is located in our new Archive Gallery (formerly known as the Lower Sculpture Study Gallery), which sits between Leeds Art Gallery and theHenry Moore Institute.

Sculpture and photography have existed in close proximity ever since the birth of photography in the early decades of the nineteenth century. Sculpture was one of the first subjects to be photographed, in part on account of its immobility which proved ideal for the long exposure times required for the early photographic processes and the suitability of white plaster and marble for a black and white medium. It has remained an important subject throughout photographic history, utilised by some of the most well-known photographers over the past 150 years, from William Henry Fox Talbot (1800-77) to Walker Evans (1903-75). Throughout this time photography has continued to influence the conception, process, documentation, marketing, display and reception of sculpture. Sculptors have not only collaborated with photographers but have themselves experimented with photographic techniques in the creation and documentation of artworks, including the use of cameraless photography, polaroids, collage and montage. This display explores the role played by photography across the history and practice of sculpture from the late-nineteenth century to the present day. From offering an insight into the largely unseen processes of bronze casting in foundries, to charting the journey of monuments from foundry to public siting, photography has been used to document the lives of sculptures in their circulation across the globe. The archiving function of photography now also provides a record of what no longer survives, as in the case of sculptures commissioned for temporary events, exhibitions or site-specific installations.Sculpture Photographedpresents photographs, posters and printed material alongside maquettes, medallic portraits and objects from installations. It reveals the varying ways that sculptors have harnessed photography in the production and dissemination of their works, while photography has in turn re-examined and provided new interpretations of sculptures, both old and new. This display is located in our new Archive Gallery (formerly known as the Lower Sculpture Study Gallery), which sits between Leeds Art Gallery and theHenry Moore Institute.