Featured Events in New York in April, 2025 (February Updated)

The critically acclaimed bestselling novel Water for Elephants comes to vivid life on Broadway in a unique, spectacle-filled new musical. After losing what matters most, a young man jumps a moving train unsure of where the road will take him and finds a new home with the remarkable crew of a traveling circus, and a life—and love—beyond his wildest dreams. Seen through the eyes of his older self, his adventure becomes a poignant reminder that if you choose the ride, life can begin again at any age. Directed by Tony Award® nominee Jessica Stone (Kimberly Akimbo), with a book by three-time Tony nominee Rick Elice (Jersey Boys, Peter and the Starcatcher) adapted from Sara Gruen’s novel, and a soaring score by the acclaimed PigPen Theatre Co., Water for Elephants unites innovative stagecraft with the very best of Broadway talent in an authentic and deeply moving new musical that invites us all to give ourselves to the unknown.

Back to the Future the Musical is an extraordinary event taking place at the Winter Garden Theatre in New York. From now on, immerse yourself in this captivating experience. “Back to the Future: The Musical” is an extraordinary stage adaptation of the beloved 1985 sci-fi masterpiece “Back to the Future”. Transporting audiences through time, this captivating production follows the thrilling journey of Marty McFly. With the aid of a remarkable DeLorean time machine, invented by his ingenious friend, Marty ventures from the year 1985 to the enchanting era of 1955. Along this extraordinary odyssey, he encounters his own parents during their teenage years, facing the pivotal task of ensuring their destined love and unity, ultimately safeguarding his very existence in the future. Experience the awe-inspiring magic of the theater “Back to the Future: The Musical” Secure your tickets on Trip.com now for an unforgettable journey through time and witness the enthralling attractions that await.

The Lion King Show is an exceptional event that takes place in the vibrant city of New York. Held at the renowned Minskoff Theatre, this show promises an unforgettable experience for all attendees. From now on, immerse yourself in the mesmerizing world of The Lion King. Based on the 1994 Disney film and the original book by Roger and Erin, the musical won an Oscar for the song Can You Feel the Love Tonight. This remarkable production showcases the timeless tale of Simba, the young lion prince, as he embarks on a journey of self-discovery and courage. This visual feast successfully blends animals, puppets and real people seamlessly and is loved by audiences of all ages. Don’t miss out on this extraordinary event, Trip.com offers a wide range of ticketing options. Immerse yourself in the enchanting atmosphere of the Minskoff Theatre and witness the magic unfold before your eyes. Whether you are a fan of the original animated film or a newcomer to the story, this show guarantees to leave you in awe.

Yonezu Kenshi 2025 World Tour New York Announced! New York's music lovers will be treated to a live performance on 4 April 2025 by Japanese musical talent Yonezu Kenshi, who is set to bring a whole new musical storm to the city of New York! From ‘Lemon’ to ‘Flamingo’ to ‘Loser,’ Yonezu Kenshi's music has won the hearts of fans all over the world with his unique style, deep lyrics, and versatility. Now, Yonezu Kenshi is taking his love of music across the ocean to New York to share his musical journey with thousands of fans! For those of you in New York, don't miss this rare opportunity to sing along with Yonezu Kenshi on 4 April 2025, and stay tuned to Trip.com for the latest information!

DIMENSIONS OF SOUND - MUSICAL JOURNEY THROUGH SPACE AND TIME “The ear lies nearest to the human soul.” (Johann Gottfried Herder, „Kritische Wälder”, 1769 ) The House of Music, Hungary is a tree of life in the heart of Városliget, with a trunk, and a crown of golden leaves on slender branches. We are standing here by its roots, which provide the institution with its spiritual sustenance. The roots are entwined, like a labyrinth, and we walk among them. Our journey begins far back in time and space, back at the birth of music itself where we can grasp the roots of Hungarian folk music and European music. Progressing through the centuries, we will follow the development of music, discovering what a series of organised tones has meant to mankind, with the emphasis on Hungarians in the light—or sometimes the shadow—of Europe. Through the language of music, the exhibition speaks for itself: Everywhere we go, we hear music playing; the subject of the exhibition is music itself. Quoting Shakespeare, we might say, “Mark the music!” Mark not only the music coming from the headphones, but also the music around and within you. When you reach the end of the path, the modern day, many sounds will have been etched into your heart and mind: music to take home with you, the music of ancient times.

In the heart of New York City, the Richard Rodgers Theatre proudly presents the musical “Hamilton”. This highly anticipated event will captivate audiences from now on. Experience the captivating story of Hamilton, an extraordinary musical that delves into the life of a remarkable Founding Father. With an insatiable hunger for success and a relentless ambition, Hamilton defies all odds to leave an indelible mark on the new nation. From his humble beginnings as an orphan to becoming George Washington's trusted right-hand man, Hamilton's journey takes him from rebel to war hero. Amidst his rise to power, he becomes entangled in the first-ever sex scandal of the country, all while serving as the head of the Treasury and instilling faith in the American economy. Immerse yourself in the rich history and captivating storytelling of this critically acclaimed musical. Don’t miss the opportunity to witness this extraordinary musical “Hamilton” live on stage at the Richard Rodgers Theatre in New York City. Get your tickets now on Trip.com for an unforgettable journey into the world of Hamilton.

The story revolves around the fading star Noma Destmond. She lives in her ruined mansion on the legendary streets of Los Angeles and lives a life of the past. When the lighter screenwriter Joe Galius accidentally met her, she saw the opportunity to return to the big screen from him, and then a series of romance and tragedy occurred.

What belongs in a museum, and who decides? How can we be more democratic in defining value? As a leading arbiter of taste, style, and form, The Museum of Modern Art played an instrumental role in shaping the history of modern design. Norman Teague invites us to reimagine the past by moving beyond "good modern design" as defined by institutions like MoMA. Drawing inspiration from artists and designers traditionally excluded from museums, and assisted by generative AI, he offers a reinterpretation of design history. These reimaginings—posters and full-scale prototypes shown alongside objects from MoMA’s collection—foreground makers of color and embody the cooperative, inventive spirit that guides Norman Teague Design Studios. Teague balances reverence for design innovation with an acknowledgment of the power dynamics that shaped it. With the rise of AI forcing a wholesale reevaluation of human creativity, he reminds us of the creative potential of inviting a diversity of voices into the chorus. As in a musical jam session, collaboration, respect, and improvisation bring us back to the question that sparks every act of imagination—the what if—inviting us to contemplate both the past and the future as realms of boundless possibility.

This exhibition presents a selection of paintings and drawings by Piet Mondrian from the Guggenheim’s singular collection, one of the most representative in the world. Throughout his career, Mondrian made distinctive contributions to the development of abstract art. He sought to move painting away from the representation of nature to render a universal essence or spirit.

There is no mistaking the work of Marlon Mullen. His distinctive paintings, with their lush surfaces and bold color, extend the long-standing tradition of making art about art. For nearly 40 years, Mullen has been based at the NIAD Art Center, a progressive arts studio for artists with developmental disabilities in his native Richmond, California. Donated issues of art publications, such as Art in America and Artforum, serve as his primary subject matter. Projects: Marlon Mullen presents a selection of the artist’s paintings from the past decade. Upon selecting a glossy cover or an interior page as a point of departure, Mullen paints using acrylic on canvas, flat on a table. He maintains visual ties to his source material, while also radically transforming it. The resulting compositions reimagine the relationships among their parts. Barcodes and other details may zoom into prominence. Letters, numbers, punctuation, and the spacing between them may disappear or repeat. Imagery and graphics all become pure form to be reordered and reshaped. As this exhibition demonstrates, Mullen views magazines and art books not only as a prompt to create, but also as an invitation to engage with today’s art world on his own painterly terms.

Join Tony Award® winner James Monroe Iglehart and a talented ensemble cast as they bring Louis Armstrong’s incredible journey to life, from New Orleans to worldwide fame. This full-scale musical features a rich tapestry of characters, including the extraordinary women who helped shape his remarkable life and career. Be captivated by Armstrong’s timeless hits like “What a Wonderful World” and “When You’re Smiling,” performed by a large, dynamic cast. Don’t miss this spectacular celebration of music, filled with vibrant dance numbers, stunning sets, and unforgettable performances. Get your tickets now for an unforgettable night that honors the iconic man who defined an era.

The exhibition is co-hosted by the Shanghai Museum and the Metropolitan Museum of Art in New York, USA. It brings together more than 200 collections from important domestic and foreign institutions such as the Metropolitan Museum of Art in New York, the British Museum in the UK, the Cernuschi Museum in France, the Palace Museum, the Shanghai Museum, and the Liaoning Provincial Museum. This exhibition is a friendly exchange project between the two museums. After the closing of the Metropolitan Museum of Art in September 2025, the exhibition will move to the East Hall of the Shanghai Museum.

The exhibition is co-hosted by the Shanghai Museum and the Metropolitan Museum of Art in New York, USA. It brings together more than 200 collections from important domestic and foreign institutions such as the Metropolitan Museum of Art in New York, the British Museum in the UK, the Cernuschi Museum in France, the Palace Museum, the Shanghai Museum, and the Liaoning Provincial Museum. This exhibition is a friendly exchange project between the two museums. After the closing of the Metropolitan Museum of Art in September 2025, the exhibition will move to the East Hall of the Shanghai Museum.

The exhibition is co-hosted by the Shanghai Museum and the Metropolitan Museum of Art in New York, USA. It brings together more than 200 collections from important domestic and foreign institutions such as the Metropolitan Museum of Art in New York, the British Museum in the UK, the Cernuschi Museum in France, the Palace Museum, the Shanghai Museum, and the Liaoning Provincial Museum. This exhibition is a friendly exchange project between the two museums. After the closing of the Metropolitan Museum of Art in September 2025, the exhibition will move to the East Hall of the Shanghai Museum.

Dear Neverwinterers, this time we will pedal through NY, CT and MA via the well known Harlem valley trail. This is a really gorgeous route that we do almost every year. We will have numerous stops and possibly visit the lakes. This route has plenty of places where you can refill the water and are very environmentally friendly. Half of the trail goes via a protected bicycle lane, where you will never see the cars. There will be some small hills but most of the time it will be flat ground. Because everyone has their own cycling pace, we might split into groups at some point. April 26 (Saturday) Starts/Ends at: 6:30 AM at Grand Central Terminal (at the middle of the hall, around Service desk) https://goo.gl/maps/H6dDssrmuztGgQQXA or 10:15 AM at Wassaic train station (parking lot) https://goo.gl/maps/6kWtXz2Q9P67Rbkx7 Map: https://i.ibb.co/BVHHQFk/Wassaic-map.jpg Google map: https://goo.gl/maps/F8NTDnRDR1ndcQGaA About 8 hours ride (average speed 11 miles/hr) Total elevation: 2218ft Road type: 100% paved Total distance: about 70 miles (please take this into consideration as this event is not for rookies) Some of us might drive to Wassaic directly, so ask in group if they have space for you and your bike. For the walkie-talkie lovers, we will use frequency: 462.6125 or 462.6375 (Channel 3 and 4) Our FB group: https://www.facebook.com/groups/567293385132145 Our meetup group: https://meetu.ps/c/4ZjSr/LdM6k/d Our WhatsApp group is: https://chat.whatsapp.com/GlgGMqvMRt7I6OP0lRp6im TG: https://t.me/neverwinterfree Please apply via: Wechat: cozmo31 IG: coz_its_mo LINE: cozmo31 We have WhatsApp group to coordinate this event (please ask organizer) Disclaimer of liability: By participating in this activity you agree that organizers are not to be held responsible for any damages, injuries, or losses that may occur before, during or after the event. Information Source: Neverwinter Free Hiking and Cycling | eventbrite

Sargent is one of the greatest painters of the early 20th century, on par with Whistler. This exhibition, co-hosted by the Metropolitan Museum of Art and the Musee d'Orsay, brings together more than 90 works by Sargent, focusing on his time in France. In 1874, the 18-year-old Sargent arrived in Paris as a student. In the mid-1880s, his portrait "Madame X" was a great success at the Paris Salon. This was the peak of Sargent's creation in Paris and also the highlight of the exhibition.

A large art project called Day's End now stands in the Hudson River near Pier 52. Created by David Hammond, it's made of slender steel pipes and pays tribute to artist Gordon Matta-Clark, who transformed an abandoned shed on the same pier in 1975. The sculpture changes with the light, connecting to the history of the waterfront as a shipping hub and a gathering place for the gay community. It took seven years to complete the installation, and it's now open to the public for free. The Whitney Museum collaborated with the Hudson River Park Trust on this project, and they will work together on a maintenance plan. To celebrate its completion, the Whitney offers free admission on May 16, and there will be family workshops throughout the day. You can find Day's End at Hudson River Park, across from the Whitney Museum, on the southern edge of the new Gansevoort Peninsula, where it will remain permanently.

A large art project called Day's End now stands in the Hudson River near Pier 52. Created by David Hammond, it's made of slender steel pipes and pays tribute to artist Gordon Matta-Clark, who transformed an abandoned shed on the same pier in 1975. The sculpture changes with the light, connecting to the history of the waterfront as a shipping hub and a gathering place for the gay community. It took seven years to complete the installation, and it's now open to the public for free. The Whitney Museum collaborated with the Hudson River Park Trust on this project, and they will work together on a maintenance plan. To celebrate its completion, the Whitney offers free admission on May 16, and there will be family workshops throughout the day. You can find Day's End at Hudson River Park, across from the Whitney Museum, on the southern edge of the new Gansevoort Peninsula, where it will remain permanently.

Lincoln Center for the Performing Arts is one of the world’s premiere performing arts organizations. On October 8, 2022, David Geffen Hall reopened as a welcoming cultural anchor for New York City, some 60 years after it was first inaugurated as the home of the New York Philharmonic. The new Hall reimagines the concert-going experience by providing more inclusive public spaces for diverse cultural performances and community uses. This initiative includes an annual program of art commissions, where all members of the public are invited to engage with the work of leading contemporary artists free of charge. The democratic approach instills a sense of welcome both indoors and out, beckoning those who may never have interacted with Lincoln Center or the New York Philharmonic, and encouraging those long familiar with the campus to see it afresh. Public Art Fund partnered with The Studio Museum in Harlem to advise Lincoln Center on the selection of artists for this first iteration of the art program. Two prominent sites were identified for the site-specific commissions: the 50-foot Hauser Digital Wall in the lobby, which Jacolby Satterwhite has animated with a richly layered and inclusive celebration of performance that brings into dialogue the past, present and future; and the Hall’s 65th Street façade, which Nina Chanel Abney has transformed into a captivating tribute to the vibrant history and culture of San Juan Hill. Both artists undertook extensive research to develop their works. They emerge as gifted visual storytellers, committed to a more inclusive understanding of the past while giving us all a sense of future potential at a moment of reopening and reinvention. The artworks are commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund. Nina Chanel Abney, Nina Chanel Abney’s monumental work of art for the façade of David Geffen Hall pays homage to San Juan Hill. In the 1940s and 50s, this predominantly Black and Brown neighborhood was forcibly displaced to make way for redevelopment, including what would become Lincoln Center for the Performing Arts. Abney’s constellation of figures, words, shapes, and symbols reflects the thriving community that lived here. Featured residents include pioneering healthcare workers Edith Carter and Elizabeth Tyler. Also pictured are James P. Johnson, whose music gave rise to the Charleston dance craze, and Thelonious Monk, a pioneer of Bebop and other jazz styles. Reclaiming this important history in her bold and vibrant style, Abney aims to spark curiosity and inspire a more inclusive future. Jacolby Satterwhite, Jacolby Satterwhite’s commission for David Geffen Hall reconsiders the past, present, and future of Lincoln Center and the New York Philharmonic. weaves together archival images, live action footage, and digital animation. We see a colorful and densely layered festival of performance that traverses historical periods through virtual space. Satterwhite’s inclusive cast represents artists since the Philharmonic’s founding in 1842, while featuring young musicians and dancers from across New York City. They play instruments and dance on stages and sculptural monuments set into a landscape inspired by Central Park and surrounded by buildings covered in screens, reminiscent of Times Square. Grounded in a more democratic view of history, Satterwhite’s work offers us his playful and richly inventive vision of a creatively empowered future. is known for combining representation and abstraction. Her paintings capture the frenetic pace of contemporary culture. Broaching subjects as diverse as race, celebrity, religion, politics, sex, and art history, her works eschew linear storytelling in lieu of disjointed narratives. The effect is information overload, balanced with a kind of spontaneous order, where time and space are compressed and identity is interchangeable. Her distinctively bold style harnesses the flux and simultaneity that have come to define life in the 21st century. Through a bracing use of color and unapologetic scale, Abney’s canvases propose a new type of history painting, one grounded in the barrage of everyday events and funneled through the velocity of the internet. Abney’s work is included in collections around the world, including the Brooklyn Museum, The Rubell Family Collection, Bronx Museum, and the Burger Collection, Hong Kong. Her first solo museum exhibition, , curated by Marshall Price, was presented in 2017 at the Nasher Museum of Art, North Carolina. It traveled to the Chicago Cultural Center and then to Los Angeles, where it was jointly presented by the Institute of Contemporary Art, Los Angeles, and the California African American Museum. The final venue for the exhibition was the Neuberger Museum of Art, Purchase College, State University of New York. is celebrated for a conceptual practice addressing crucial themes of labor, consumption, carnality, and fantasy through immersive installation, virtual reality, and digital media. He uses a range of software to produce intricately detailed animations and live action film of real and imagined worlds populated by the avatars of artists and friends. These animations serve as the stage on which the artist synthesizes the multiple disciplines that encompass his practice, namely painting, performance, illustration, sculpture, photography, and writing. Satterwhite draws from an extensive set of references, guided by queer theory, modernism, and video game language to challenge conventions of Western art through a personal and political lens. An equally significant influence is that of his late mother, Patricia Satterwhite, whose ethereal vocals and diagrams for visionary household products serve as the source material within a decidedly complex structure of memory and mythology. Satterwhite received his BFA from the Maryland Institute College of Arts, Baltimore and his MFA from the University of Pennsylvania, Philadelphia. His work has been presented in numerous exhibitions and festivals internationally, including most recently at Haus der Kunst, Munich,2021; Gwangju Biennale, Gwangju,(2021; and Wexner Center for the Arts, Columbus, OH, 2021. Nina Chanel Abney , 2022 Latex ink and vinyl mounted on glass Commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund Photo: Nicholas Knight, courtesy Lincoln Center for the Performing Arts, The Studio Museum in Harlem, and Public Art Fund, NY. Jacolby Satterwhite , 2022 HD color video and 3D animation 27:23 mins Commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund © Jacolby Satterwhite. Courtesy of the Artist and Mitchell-Innes & Nash, New York Photo: Nicholas Knight, courtesy Lincoln Center for the Performing Arts, The Studio Museum in Harlem, and Public Art Fund, NY.

Edra Soto (b. 1971, Puerto Rico) explores the relationship between our private, interior lives and shared public history and culture. Graft is the latest in an ongoing series of installations based on rejas, wrought iron screens frequently seen outside homes in Puerto Rico. Rejas often feature repeating geometric motifs that can be traced to West Africa’s Yoruba symbol systems, in contrast to the Spanish architecture celebrated in official Puerto Rican tourism. Graft investigates how Puerto Rican cultural memory often masks the Black heritage of the island as folklore.

Edra Soto (b. 1971, Puerto Rico) explores the relationship between our private, interior lives and shared public history and culture. Graft is the latest in an ongoing series of installations based on rejas, wrought iron screens frequently seen outside homes in Puerto Rico. Rejas often feature repeating geometric motifs that can be traced to West Africa’s Yoruba symbol systems, in contrast to the Spanish architecture celebrated in official Puerto Rican tourism. Graft investigates how Puerto Rican cultural memory often masks the Black heritage of the island as folklore.

For the 2024 Genesis Facade Commission, South Korean artist Lee Bul (born 1964, Yeongju, based in Seoul) has created four new sculptures that combine figurative and abstract elements. The Genesis Facade Commission: Lee Bul,Long Tail Halois the artist’s first major project in the United States in more than twenty years and the fifth in the series of contemporary commissions for The Met Fifth Avenue’s facade niches. With a career that spans four decades, Lee is widely recognized as the preeminent artist from South Korea. She is known for her sophisticated use of both highly industrial and labor-intensive materials, incorporating artisanal practices as well as technological advancements into her work. Her sculptures, often evoking bodily forms that are at once classical and futuristic, address the aspirations and disillusions that come with progress. The Genesis Facade Commission is part of The Met’s series of contemporary commissions in which the Museum invites artists to create new works of art, establishing a dialogue between the artist’s practice, The Met collection, the physical Museum, and The Met’s audiences.

This groundbreaking exhibition explores the everyday clothing of ordinary women, from worn-out housecoats to psychedelic micro miniskirts and modern suits to the uniforms of fast-food workers. On view in the Joyce B. Cowin Women’s History Gallery and featuring objects from Smith College’s Historical Costume Collection on display for the first time in a museum, the exhibition traces how women’s roles have changed and evolved across race and class over the decades. Each garment holds a rich story about the women who wore it and made it, the materials used, and the context of place and time. Whether homemade or ready-made, many of the garments on display are modest and inexpensive, rarely preserved or displayed in a museum setting. Some are one-of-a-kind pieces; others are examples of clever makeshift pieces, and many were influenced by the popular styles and trends of their day. Visitors to Real Clothes, Real Lives will learn about the "real" women who worked and dressed in America for two centuries.

Public Art Fund partnered with The Studio Museum in Harlem to advise Lincoln Center on the selection of artists for this first iteration of the art program. Two prominent sites were identified for the site-specific commissions: the 50-foot Hauser Digital Wall in the lobby, which Jacolby Satterwhite has animated with a richly layered and inclusive celebration of performance that brings into dialogue the past, present and future; and the Hall’s 65th Street façade, which Nina Chanel Abney has transformed into a captivating tribute to the vibrant history and culture of San Juan Hill. Both artists undertook extensive research to develop their works. They emerge as gifted visual storytellers, committed to a more inclusive understanding of the past while giving us all a sense of future potential at a moment of reopening and reinvention.