Featured Events in Venice in March, 2024 (May Updated)

KING OF KINGS A Tribute Concert to Elvis + Neil Diamond and Michael Jackson is an extraordinary arts event that promises to mesmerize audiences with its outstanding tribute performances. Taking place in the vibrant city of Venice, at the renowned Hotel Venezia Restaurant & Bar, this concert is set to be a night to remember. On March 3, 2024, music lovers will gather at 425 U.S. 41 Bypass North, Venice, FL 34285 to witness the incredible talents paying homage to three legendary artists. With a ticket price of $45, attendees will have the opportunity to relive the magic of Elvis Presley, Neil Diamond, and Michael Jackson. Prepare to be transported back in time as the talented performers recreate the unforgettable hits that made these artists true kings in the music industry. From Elvis' iconic hip-shaking moves to Neil Diamond's soul-stirring ballads and Michael Jackson's electrifying dance routines, this tribute concert will leave audiences in awe. The energy and passion displayed on stage will make you feel as if you are witnessing the real deal. The KING OF KINGS A Tribute Concert guarantees an evening filled with nostalgia, excitement, and pure entertainment. This event is not just for die-hard fans but also for anyone who appreciates the power of music and wants to experience a one-of-a-kind performance. So mark your calendars and get ready to sing along, dance, and celebrate the music of these extraordinary legends. Don't miss out on this unforgettable night that brings together the magic of Elvis + Neil Diamond and Michael Jackson. Secure your tickets now and be part of this extraordinary tribute concert.

Start Me Up! A Tribute Concert To The Rolling Stones, a riveting arts event, is set to rock the vibrant city of Venice on March 10, 2024. This one-of-a-kind musical extravaganza will take place at the revered Hotel Venezia Restaurant & Bar, located at 425 U.S. 41 Bypass North, Venice, FL 34285. Embracing the iconic spirit of The Rolling Stones, this highly-anticipated concert promises an unforgettable experience for music enthusiasts from near and far. With tickets priced at an affordable $48, attendees will have the opportunity to immerse themselves in the timeless melodies and electrifying energy that the legendary Rolling Stones are renowned for. Start Me Up! A Tribute Concert To The Rolling Stones is a not-to-be-missed event that celebrates the unrivaled musical legacy of Mick Jagger, Keith Richards, and the entire band. So mark your calendars, secure your tickets, and get ready to be transported into a world where rock 'n' roll reigns supreme. This concert guarantees to ignite your passion for music and leave you craving more. Don't miss out on this extraordinary opportunity to witness the magic of The Rolling Stones come to life in the vibrant city of Venice.

Curated by Caroline Bourgeois, Chief Curator of the Pinault Collection, with Julie Mehretu, the exhibition brings together a selection of more than fifty works, between painting and printmaking, that the artist produced over the timespan of 25 years, including several of the artist’s recent paintings from 2021-2024. Presented over two floors of Palazzo Grassi, the exhibition unites 17 works from the Pinault Collection, as well as loans from international museums and private collections. The exhibition is punctuated by the presence of the works by some of her closest artist friends, with whom she has developed a powerful affinity over the years and with whom she has exchanged and collaborated. Organised following a principle of visual echoes, this exhibition is conceived as a free, non-chronological journey through Julie Mehretu’s work. It allows us to explore her artistic practice, to understand both how it came into being and how it is constantly renewed. The palimpsest of her work, forming multiple surfaces images, echoes with the collective dimension, the idea of working together, which we have sought to bring out here. In this exhibition, pieces by Mehretu’s friends Nairy Baghramian, Huma Bhabha, Tacita Dean, David Hammons, Robin Coste Lewis, Paul Pfeiffer and Jessica Rankin enter into a rich dialogue with her own art. Beyond their formal differences, common concerns and shared driving forces become apparent, challenging the idea that the artist is self-sufficient and showing that, on the contrary, she is connected to others, to their thoughts and sensibilities. Their works inspire her and resonate with her own, with her way of looking at the world—all the more since each of these artists, like Julie Mehretu herself, experienced displacements that deeply shaped who they became, by force or by choice, leaving or fleeing Ethiopia, Iran, Pakistan. Their participation in the exhibition is a testament to Julie Mehretu’s acute attention to these gradually woven relationships, to their seminal role and creative power. The exhibition is realised in cooperation with K21–Kunstsammlung Nordrhein-Westfalen (Düsseldorf) that will present it in 2025. It is accompanied by a visitor's guide and a catalogue published by Marsilio Arte, Venice, with texts by Hilton Als, Caroline Bourgeois, Patricia Falguières, Julie Mehretu, Jason Moran and two conversations, one between Julie Mehretu, Paul Pfeiffer and Lawrence Chua and another between Julie Mehretu and Caroline Bourgeois. The exhibition will also be enriched by a series of conferences and cultural events open to the public, that will bring light to the protagonists of the project and explore its themes within the frame of the cultural programme of the Teatrino di Palazzo Grassi. Among others, a conversation with Julie Mehretu and the artists of the “Ensemble” exhibition is scheduled on 20 March, and the performance “Archive of Desire” will be presented on 21 March. Palazzo Grassi – Punta della Dogana will present a podcast dedicated to the protagonist of the exhibition Julie Mehretu, in collaboration with CHORA Media, from April 2024.

Curated by Caroline Bourgeois, Chief Curator of the Pinault Collection, with Julie Mehretu, the exhibition brings together a selection of more than fifty works, between painting and printmaking, that the artist produced over the timespan of 25 years, including several of the artist’s recent paintings from 2021-2024. Presented over two floors of Palazzo Grassi, the exhibition unites 17 works from the Pinault Collection, as well as loans from international museums and private collections. The exhibition is punctuated by the presence of the works by some of her closest artist friends, with whom she has developed a powerful affinity over the years and with whom she has exchanged and collaborated. Organised following a principle of visual echoes, this exhibition is conceived as a free, non-chronological journey through Julie Mehretu’s work. It allows us to explore her artistic practice, to understand both how it came into being and how it is constantly renewed. The palimpsest of her work, forming multiple surfaces images, echoes with the collective dimension, the idea of working together, which we have sought to bring out here. In this exhibition, pieces by Mehretu’s friends Nairy Baghramian, Huma Bhabha, Tacita Dean, David Hammons, Robin Coste Lewis, Paul Pfeiffer and Jessica Rankin enter into a rich dialogue with her own art. Beyond their formal differences, common concerns and shared driving forces become apparent, challenging the idea that the artist is self-sufficient and showing that, on the contrary, she is connected to others, to their thoughts and sensibilities. Their works inspire her and resonate with her own, with her way of looking at the world—all the more since each of these artists, like Julie Mehretu herself, experienced displacements that deeply shaped who they became, by force or by choice, leaving or fleeing Ethiopia, Iran, Pakistan. Their participation in the exhibition is a testament to Julie Mehretu’s acute attention to these gradually woven relationships, to their seminal role and creative power. The exhibition is realised in cooperation with K21–Kunstsammlung Nordrhein-Westfalen (Düsseldorf) that will present it in 2025. It is accompanied by a visitor's guide and a catalogue published by Marsilio Arte, Venice, with texts by Hilton Als, Caroline Bourgeois, Patricia Falguières, Julie Mehretu, Jason Moran and two conversations, one between Julie Mehretu, Paul Pfeiffer and Lawrence Chua and another between Julie Mehretu and Caroline Bourgeois. The exhibition will also be enriched by a series of conferences and cultural events open to the public, that will bring light to the protagonists of the project and explore its themes within the frame of the cultural programme of the Teatrino di Palazzo Grassi. Among others, a conversation with Julie Mehretu and the artists of the “Ensemble” exhibition is scheduled on 20 March, and the performance “Archive of Desire” will be presented on 21 March. Palazzo Grassi – Punta della Dogana will present a podcast dedicated to the protagonist of the exhibition Julie Mehretu, in collaboration with CHORA Media, from April 2024.

Join Clyde & Niki Butcher at their exquisite Venice Gallery & Studio for the highly anticipated Spring Meet & Greet. This exclusive event, "Meet the Artists," will take place on Saturday, March 23rd, from 10 am to 3 pm. Visitors will have the unique opportunity to meet renowned photographer Clyde Butcher in person, who will be available to sign books and share captivating tales from his photographic expeditions. Immerse yourself in the world of Clyde's artistry as you gain an intimate behind-the-scenes look at his creative process. The showrooms will showcase Clyde's breathtaking classic Florida photographs as well as Niki Butcher's captivating hand-painted photography. Marvel at Clyde's ability to effortlessly capture the essence of the environment, from the initial concept to the striking final framed artworks. Discover the immense effort and meticulous craftsmanship that goes into each piece, including the transformation of vision onto monumental MURAL SIZED paper. This extraordinary event is completely FREE. To ensure a seamless experience, we kindly request that attendees RSVP, indicating their preferred morning or afternoon session. Don't miss out on this remarkable opportunity! For any queries, please contact us at (941) 486-0811.

Le premier étage est le théâtre d’un dialogue artistique inédit entre les pièces sculptées dans la glace du duo Perrin & Perrin et les oeuvres en savon, allégoriques et poétiques, de Mircea Cantor. Les différentes matières, formes et couleurs utilisées par les artistes s’entrecroisent, invitant à découvrir chaque sculpture sous un nouvel angle. Les travaux présentés par Mircea Cantor esquissent une réflexion sur la contamination et la pureté, la fragilité et la perte. Émergeant d’îlots de gravats qui, associés aux titres des oeuvres, évoquent les catastrophes de l’actuelle guerre en Syrie, les décorations sinueuses de l’artiste sont fabriquées en savon d’Alep, selon la recette d’origine qui, dans l’Antiquité, a fait la célébrité de cette ville. Les piliers se dressent entre histoire majestueuse et présent tragique. Le savon est un matériau paradoxal pour la figure de la saleté et de l’infestation généralement associée à la migration par le discours populiste et dans lequel sont sculptées la destruction totale de l’origine et la déliquescence du patrimoine. Les sphères de Mircea Cantor reproduisent la forme de rouleaux ou de tas de cordes et reposent sur des socles en béton endommagés. Fragiles et apparemment destinés au transport d’objets, en cohérence avec un destin fait d’errances, ces « mondes » miniatures – tels que le titre les décrit – suggèrent des fragments de vies précédentes que l’on pourrait rapidement empaqueter pour leur éviter d’être détruites, à la fois preuves d’une origine que l’on sauvegarde et fardeau que l’on porte. Duo créatif à quatre mains, Martine et Jacki Perrin oeuvrent en alchimistes. Depuis plus de quarante ans, ils explorent les richesses insoupçonnées du verre et toutes les possibilités qu’offrent la matière, dans laquelle couleurs et jeux de transparences et d’opacités se fondent, contrastent ou se révèlent. Travaillé à travers la fusion du verre, le modelage de la terre, mais aussi par la pratique du dessin et de la calligraphie, le verre se fait sculptures minérales. Perrin & Perrin sont par ailleurs à l’origine de la conception d’une méthode unique, intitulée le « Build-in-Glass », qui leur permet d’explorer en permanence de nouvelles frontières et de réinventer leur art en permanence. Les installations et sculptures en verre de Perrin & Perrin reflètent la maîtrise créative du duo. Le travail qu’ils effectuent sur le verre donne lieu à d’infinies variations des couleurs et reflets de la matière. Le bleu glacial de l’oeuvre « Eight-3 » côtoie ainsi les reflets ambrés de l’installation « Cabane », qui semble s’envoler. À cette occasion, la première monographie consacrée au travail du duo sera publiée le 7 mars 2024, dévoilant les multiples facettes de leur travail. L’ouvrage de 264 pages rassemble près de 150 oeuvres des artistes et des interventions de spécialistes, tels que les architectes et designers Nathalie Chapuis et Sylvain Dubuisson, les conservateurs Amélie Banwart, Jean-Luc Olivié et Catherine Thomas ou encore la directrice du MusVerre, Éléonore Peretti.

Le premier étage est le théâtre d’un dialogue artistique inédit entre les pièces sculptées dans la glace du duo Perrin & Perrin et les oeuvres en savon, allégoriques et poétiques, de Mircea Cantor. Les différentes matières, formes et couleurs utilisées par les artistes s’entrecroisent, invitant à découvrir chaque sculpture sous un nouvel angle. Les travaux présentés par Mircea Cantor esquissent une réflexion sur la contamination et la pureté, la fragilité et la perte. Émergeant d’îlots de gravats qui, associés aux titres des oeuvres, évoquent les catastrophes de l’actuelle guerre en Syrie, les décorations sinueuses de l’artiste sont fabriquées en savon d’Alep, selon la recette d’origine qui, dans l’Antiquité, a fait la célébrité de cette ville. Les piliers se dressent entre histoire majestueuse et présent tragique. Le savon est un matériau paradoxal pour la figure de la saleté et de l’infestation généralement associée à la migration par le discours populiste et dans lequel sont sculptées la destruction totale de l’origine et la déliquescence du patrimoine. Les sphères de Mircea Cantor reproduisent la forme de rouleaux ou de tas de cordes et reposent sur des socles en béton endommagés. Fragiles et apparemment destinés au transport d’objets, en cohérence avec un destin fait d’errances, ces « mondes » miniatures – tels que le titre les décrit – suggèrent des fragments de vies précédentes que l’on pourrait rapidement empaqueter pour leur éviter d’être détruites, à la fois preuves d’une origine que l’on sauvegarde et fardeau que l’on porte. Duo créatif à quatre mains, Martine et Jacki Perrin oeuvrent en alchimistes. Depuis plus de quarante ans, ils explorent les richesses insoupçonnées du verre et toutes les possibilités qu’offrent la matière, dans laquelle couleurs et jeux de transparences et d’opacités se fondent, contrastent ou se révèlent. Travaillé à travers la fusion du verre, le modelage de la terre, mais aussi par la pratique du dessin et de la calligraphie, le verre se fait sculptures minérales. Perrin & Perrin sont par ailleurs à l’origine de la conception d’une méthode unique, intitulée le « Build-in-Glass », qui leur permet d’explorer en permanence de nouvelles frontières et de réinventer leur art en permanence. Les installations et sculptures en verre de Perrin & Perrin reflètent la maîtrise créative du duo. Le travail qu’ils effectuent sur le verre donne lieu à d’infinies variations des couleurs et reflets de la matière. Le bleu glacial de l’oeuvre « Eight-3 » côtoie ainsi les reflets ambrés de l’installation « Cabane », qui semble s’envoler. À cette occasion, la première monographie consacrée au travail du duo sera publiée le 7 mars 2024, dévoilant les multiples facettes de leur travail. L’ouvrage de 264 pages rassemble près de 150 oeuvres des artistes et des interventions de spécialistes, tels que les architectes et designers Nathalie Chapuis et Sylvain Dubuisson, les conservateurs Amélie Banwart, Jean-Luc Olivié et Catherine Thomas ou encore la directrice du MusVerre, Éléonore Peretti.