Featured Events in Munich in May, 2025 (May Updated)

探索最新印刷技術的尖端，InPrint 慕尼黑 2025 展會將於2025年5月11日在德國慕尼黑Messe München Gmbh舉辦。這場盛會匯聚了來自全球的印刷行業專家，共同分享和展示先進的印刷機械、材料和服務。不論是專業人士或是對印刷技術懷抱熱忱的愛好者，InPrint 慕尼黑 2025 都提供了一個絕佳的平台，讓參與者了解業界的最新動向，建立商業聯繫。這裡，您將體驗到創新與傳統交織的魅力，開啟您商業機遇的大門。切勿錯過這個打開未來印刷可能性的重要事件。

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

For the first time, the exhibition “Five Friends” focuses on a circle of artists who had a decisive influence on post-war art in the fields of music, dance, painting, sculpture and drawing. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Cy Twombly created a special connection between the artistic genres and media through their intimate exchange.

For the first time, the exhibition “Five Friends” focuses on a circle of artists who had a decisive influence on post-war art in the fields of music, dance, painting, sculpture and drawing. John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Cy Twombly created a special connection between the artistic genres and media through their intimate exchange.

The exhibition "Colors of Japan – Woodcuts from the Collection of the Bavarian State Library" presents masterpieces of Japanese color woodblock prints from three centuries: from the beginnings of multi-color printing in the mid-18th century to shin-hanga, the so-called "New Prints" of the 20th century. In Japan during the Edo period (1603–1868), these "pictures of the floating world" (ukiyo-e), as these prints are also called, were an integral part of urban life and entertainment culture. Popular motifs included beauties, stage stars, and landscapes. What distinguishes Japanese color woodblock prints is the combination of artistic excellence and craftsmanship. The special stylistic characteristics and diverse cultural and historical references of this art form are evident in works by artists such as Utamaro, Hokusai, Hiroshige, Yoshitoshi, and Hasui. Originating as a commercial art form and produced in large numbers, many prints are now considered works of art of the highest rank.

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

準備好探索未來的烘焙工藝嗎？那就千萬不要錯過IBA-慕尼黑2025展會！本屆展會將於2025年5月18日於德國巴伐利亞的慕尼黑Messe München Gmbh隆重開幕。IBA-慕尼黑2025集結了來自世界各地的烘焙行業專家和領先企業，將為參觀者帶來最前沿的烘焙技術、設備和創新理念。展覽會現場將展示多項最新產品和技術，讓您獲得一手行業資訊。不論您是業界專業人士還是烘焙愛好者，IBA-慕尼黑2025都將為您提供一個難得的學習和交流機會。立即預訂您的門票，共同迎接烘焙業的未來展望！

The sun at the beach, the scanner at the supermarket checkout or the signal in a fibre optic cable: when light encounters matter – or matter encounters light – exciting things happen!

The first institutional survey exhibition of Shu Lea Cheang (b. 1954, Tainan, Taiwan) takes the taiwanese-american artist’s first feature film Fresh Kill (1994) as a starting point, presenting the artist and filmmaker’s world-building practices and updating works from the past three decades. Cheang moved to New York City in the 1980s, where she joined the vibrant scene of independent cinema and started experimenting with video, live TV, and network technologies. Since the 1990s, her work has challenged and furthered our understanding of digital culture. Cheang anticipated the advance of alternative currencies, investigated gamified societies, and probed biotechnologies. Her works often develop over several years through different stages and media, including video, installation, performance, and various forms of cinema. The exhibition updates works and artefacts into new landscape formations extending through four gallery spaces. Trash appears as a primary theme that leads Cheang’s investigation into the entanglement of biosphere and technosphere. Each gallery is its own world in which internet-based installation and software interaction invite the audience to explore and play.

After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism. Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.

The sun at the beach, the scanner at the supermarket checkout or the signal in a fibre optic cable: when light encounters matter – or matter encounters light – exciting things happen!

The first institutional survey exhibition of Shu Lea Cheang (b. 1954, Tainan, Taiwan) takes the taiwanese-american artist’s first feature film Fresh Kill (1994) as a starting point, presenting the artist and filmmaker’s world-building practices and updating works from the past three decades. Cheang moved to New York City in the 1980s, where she joined the vibrant scene of independent cinema and started experimenting with video, live TV, and network technologies. Since the 1990s, her work has challenged and furthered our understanding of digital culture. Cheang anticipated the advance of alternative currencies, investigated gamified societies, and probed biotechnologies. Her works often develop over several years through different stages and media, including video, installation, performance, and various forms of cinema. The exhibition updates works and artefacts into new landscape formations extending through four gallery spaces. Trash appears as a primary theme that leads Cheang’s investigation into the entanglement of biosphere and technosphere. Each gallery is its own world in which internet-based installation and software interaction invite the audience to explore and play.

This year marks the 100th anniversary of the birth of Robert Rauschenberg, an important contemporary American artist. The Artists Foundation will present a series of exhibitions, the most special of which is the "Five Friends". The "Five Friends" exhibition focuses for the first time on Rauschenberg and his four friends and collaborators - John Cage, Merce Cunningham, Jasper Johns and Cy Twombly, who are artists who have had a decisive influence in the fields of music, dance, painting, sculpture and drawing after the war. Their creations transcend media, connecting and influencing each other. The exhibition will display more than 150 paintings, scores, stage props, costumes, photographs and documents, and will also host a series of dance performances and concerts to reproduce the dialogue between the works of the five artists.

This year marks the 100th anniversary of the birth of Robert Rauschenberg, an important contemporary American artist. The Artists Foundation will present a series of exhibitions, the most special of which is the "Five Friends". The "Five Friends" exhibition focuses for the first time on Rauschenberg and his four friends and collaborators - John Cage, Merce Cunningham, Jasper Johns and Cy Twombly, who are artists who have had a decisive influence in the fields of music, dance, painting, sculpture and drawing after the war. Their creations transcend media, connecting and influencing each other. The exhibition will display more than 150 paintings, scores, stage props, costumes, photographs and documents, and will also host a series of dance performances and concerts to reproduce the dialogue between the works of the five artists.

歡迎踏入2025年領先的世界烘焙、糖果和零食貿易展覽會，這是一場集合全球創新口味和前沿技術的盛會。位於德國慕尼黑的Messe München Gmbh，將於2025年5月18日為您展現一場味蕾的饗宴。屆時，來自各地的烘焙大師、甜品創造者和零食研發專家將匯聚於此，分享他們對食品工藝的熱情和嶄新理念。這是一個發掘最新食品趨勢、建立業界聯繫以及探索商機的絕佳機會，各位業內人士絕對不容錯過。敬請預留時間，共同參與這場別開生面的烘焙界盛事。詳情將於近期公佈，敬請期待。

2025年，全球法律界的矚目盛會「國際律師協會」將在德國慕尼黑盛大舉行。本次會議將於5月18日在Messe München Gmbh會展中心隆重開幕，此次聚會將聚集來自世界各地的法律專業人士，共同探討法律領域的最新動向及未來挑戰。會議地點位於風光明媚的巴伐利亞，絕對是法律交流與知識分享的最佳平台。屆時，與會者將有機會與國際知名法律專家交流心得，並參與深入的專題研討會。對於渴望在法律領域持續進步的專業人士而言，「國際律師協會 2025」是不容錯過的重要事件。

Philippe Parreno revolutionised the experience of exhibitions. The French artist transforms galleries into choreographed spaces that follow a script, where all artworks are interconnected while a series of unexpected and interdependent events unfold. Dancers control the exhibition and guide the visitors. A moving wall dances slowly. A tower antenna relays the soundscape of the exhibition and broadcasts stories from a remote land. Its heat is transmitted from blind lamps, its everyday life is screened. Two films fade in and out between flickering circular lights. Mechanical elements rise and fall, generating soundscapes from environmental data, processed and redistributed by the Brain – a customised super-computer. The hard symmetry of the building dissolves, forming a choreography of data, breaths and voices.

Philippe Parreno revolutionised the experience of exhibitions. The French artist transforms galleries into choreographed spaces that follow a script, where all artworks are interconnected while a series of unexpected and interdependent events unfold. Dancers control the exhibition and guide the visitors. A moving wall dances slowly. A tower antenna relays the soundscape of the exhibition and broadcasts stories from a remote land. Its heat is transmitted from blind lamps, its everyday life is screened. Two films fade in and out between flickering circular lights. Mechanical elements rise and fall, generating soundscapes from environmental data, processed and redistributed by the Brain – a customised super-computer. The hard symmetry of the building dissolves, forming a choreography of data, breaths and voices.

Philippe Parreno revolutionised the experience of exhibitions. The French artist transforms galleries into choreographed spaces that follow a script, where all artworks are interconnected while a series of unexpected and interdependent events unfold. Dancers control the exhibition and guide the visitors. A moving wall dances slowly. A tower antenna relays the soundscape of the exhibition and broadcasts stories from a remote land. Its heat is transmitted from blind lamps, its everyday life is screened. Two films fade in and out between flickering circular lights. Mechanical elements rise and fall, generating soundscapes from environmental data, processed and redistributed by the Brain – a customised super-computer. The hard symmetry of the building dissolves, forming a choreography of data, breaths and voices.

The sun at the beach, the scanner at the supermarket checkout or the signal in a fibre optic cable: when light encounters matter – or matter encounters light – exciting things happen!

The first institutional survey exhibition of Shu Lea Cheang (b. 1954, Tainan, Taiwan) takes the taiwanese-american artist’s first feature film Fresh Kill (1994) as a starting point, presenting the artist and filmmaker’s world-building practices and updating works from the past three decades. Cheang moved to New York City in the 1980s, where she joined the vibrant scene of independent cinema and started experimenting with video, live TV, and network technologies. Since the 1990s, her work has challenged and furthered our understanding of digital culture. Cheang anticipated the advance of alternative currencies, investigated gamified societies, and probed biotechnologies. Her works often develop over several years through different stages and media, including video, installation, performance, and various forms of cinema. The exhibition updates works and artefacts into new landscape formations extending through four gallery spaces. Trash appears as a primary theme that leads Cheang’s investigation into the entanglement of biosphere and technosphere. Each gallery is its own world in which internet-based installation and software interaction invite the audience to explore and play.