Featured Events in San Francisco in December, 2024 (March Updated)

Ragnar Kjartansson’s beloved video installation The Visitors (2012) is back at SFMOMA. In this mesmerizing hour-long work projected across nine screens, viewers are transported once again to the serene setting of Rokeby in upstate New York as the Icelandic artist and his musician friends perform together in various rooms of this historic mansion.

Ragnar Kjartansson’s beloved video installation The Visitors (2012) is back at SFMOMA. In this mesmerizing hour-long work projected across nine screens, viewers are transported once again to the serene setting of Rokeby in upstate New York as the Icelandic artist and his musician friends perform together in various rooms of this historic mansion.

Ragnar Kjartansson’s beloved video installation The Visitors (2012) is back at SFMOMA. In this mesmerizing hour-long work projected across nine screens, viewers are transported once again to the serene setting of Rokeby in upstate New York as the Icelandic artist and his musician friends perform together in various rooms of this historic mansion.

Widely recognized for his singular approach towards sound and new technologies, Samson Young (born 1979, Hong Kong; based in Hong Kong) utilizes performance, video, and installation to rigorously examine the cultural, political, and historical contexts of sound. Samson Young’s first West Coast solo exhibition debuts Intentness and songs, a multimedia installation that poetically traces the idiosyncratic rhythms of love, memory, and experiences of time. In this interconnected audiovisual landscape, Young draws on the duration and rhythm of human and generative AI memory recall processes as the basis for polychromatic sculptures, videos, and a mesmerizing soundscape. Visitors are invited to wander through pathways of wooden boards with markings created through a mix of techniques and 3D-printed boards etched and embedded with objects and memories excerpted from the lives of the artist and his husband.

Widely recognized for his singular approach towards sound and new technologies, Samson Young (born 1979, Hong Kong; based in Hong Kong) utilizes performance, video, and installation to rigorously examine the cultural, political, and historical contexts of sound. Samson Young’s first West Coast solo exhibition debuts Intentness and songs, a multimedia installation that poetically traces the idiosyncratic rhythms of love, memory, and experiences of time. In this interconnected audiovisual landscape, Young draws on the duration and rhythm of human and generative AI memory recall processes as the basis for polychromatic sculptures, videos, and a mesmerizing soundscape. Visitors are invited to wander through pathways of wooden boards with markings created through a mix of techniques and 3D-printed boards etched and embedded with objects and memories excerpted from the lives of the artist and his husband.

Skateboarding has always been about more than tricks and competitions. It is a culture rooted in rebellion, creativity, style, and the pursuit of freedom. This exhibition, curated by Jeffrey Cheung and Gabriel Ramirez, founders of the skate collective Unity, celebrates the dreams and realities of queer, trans, BIPOC, and women skaters as well as the diverse communities that have shaped the sport, despite histories of hypermasculinity and exclusionary attitudes. Meet the pioneers who broke barriers, from the first women and queer skaters to go pro, to the underground movements that encouraged inclusivity and change in skateboarding. Through skateboards that represent queer and women skaters and artists, skate publications and zines, artworks, photographs, videos, and more, the works featured here explore how communities have fostered unity through a shared ethos of passion and determination. Just as skaters who, despite injuries and setbacks, persistently attempt a trick until they land it, Unity through Skateboarding encourages us to keep pushing for a more inclusive world, both on and off the board.

Skateboarding has always been about more than tricks and competitions. It is a culture rooted in rebellion, creativity, style, and the pursuit of freedom. This exhibition, curated by Jeffrey Cheung and Gabriel Ramirez, founders of the skate collective Unity, celebrates the dreams and realities of queer, trans, BIPOC, and women skaters as well as the diverse communities that have shaped the sport, despite histories of hypermasculinity and exclusionary attitudes. Meet the pioneers who broke barriers, from the first women and queer skaters to go pro, to the underground movements that encouraged inclusivity and change in skateboarding. Through skateboards that represent queer and women skaters and artists, skate publications and zines, artworks, photographs, videos, and more, the works featured here explore how communities have fostered unity through a shared ethos of passion and determination. Just as skaters who, despite injuries and setbacks, persistently attempt a trick until they land it, Unity through Skateboarding encourages us to keep pushing for a more inclusive world, both on and off the board.

Skateboarding has always been about more than tricks and competitions. It is a culture rooted in rebellion, creativity, style, and the pursuit of freedom. This exhibition, curated by Jeffrey Cheung and Gabriel Ramirez, founders of the skate collective Unity, celebrates the dreams and realities of queer, trans, BIPOC, and women skaters as well as the diverse communities that have shaped the sport, despite histories of hypermasculinity and exclusionary attitudes. Meet the pioneers who broke barriers, from the first women and queer skaters to go pro, to the underground movements that encouraged inclusivity and change in skateboarding. Through skateboards that represent queer and women skaters and artists, skate publications and zines, artworks, photographs, videos, and more, the works featured here explore how communities have fostered unity through a shared ethos of passion and determination. Just as skaters who, despite injuries and setbacks, persistently attempt a trick until they land it, Unity through Skateboarding encourages us to keep pushing for a more inclusive world, both on and off the board.

The Masako Martha Suzuki Teahouse is a tranquil and refreshing highlight of the Tateuchi Japanese galleries. Located in the Henri and Tomoye Takahashi Gallery and designed by architect Sato Osamu (b. 1931), the beloved teahouse features a display of collection objects that changes seasonally. The teahouse currently offers examples of rustic ceramics including a tea bowl, freshwater jar, and flower vase by renowned artist Tsujimura Shiro (b. 1947), curated by Associate Curator of Japanese Art Yuki Morishima. In the alcove, a hanging scroll by Chuho Sou (1760–1838), the 418th chief priest of Daitokuji Temple in Kyoto, bears a three-character inscription reading Muichimotsu: “All things are nothingness.” The phrase is a Zen Buddhist reminder to free oneself from desire and attachments — an appropriate message for a tea gathering, and an intriguing thought to consider while enjoying the teahouse’s atmosphere of minimalist serenity.

Amy Sherald quickly came to the public eye with her portraits of former US President Barack Obama and his wife. She defined her portrait subjects as "Americans" to express that black people are also an integral part of American identity. The nearly 50 paintings on display continue her figurative representation of the black experience, placing the characters in historically typical and everyday environments, inviting the audience to participate in a more complex debate about the recognized concept of American identity.

Reaching new heights with both its influential style and its staggering auction prices, the work of Qi Baishi (Chinese, 1864–1957) remains an inspiration to audiences worldwide. Blending expertly minimal brushwork with passages of abstraction, Qi changed the course of traditional Chinese painting. His ink paintings capture everyday scenes and familiar moments, evoking the essential beauty of nature and the joy of life’s simple pleasures.In 1960, the de Young Museum presented a solo exhibition of Qi Baishi’s art in San Francisco, a recognition no other Chinese artist had previously achieved in the U.S. More recently, his paintings have set multimillion-dollar records as the most expensive Chinese artworks ever sold at auction. But throughout his lifetime, Qi maintained a down-to-earth sensibility rooted in his humble origins as a peasant carpenter — even as he rose to international prominence.

Reaching new heights with both its influential style and its staggering auction prices, the work of Qi Baishi (Chinese, 1864–1957) remains an inspiration to audiences worldwide. Blending expertly minimal brushwork with passages of abstraction, Qi changed the course of traditional Chinese painting. His ink paintings capture everyday scenes and familiar moments, evoking the essential beauty of nature and the joy of life’s simple pleasures.In 1960, the de Young Museum presented a solo exhibition of Qi Baishi’s art in San Francisco, a recognition no other Chinese artist had previously achieved in the U.S. More recently, his paintings have set multimillion-dollar records as the most expensive Chinese artworks ever sold at auction. But throughout his lifetime, Qi maintained a down-to-earth sensibility rooted in his humble origins as a peasant carpenter — even as he rose to international prominence.

Reaching new heights with both its influential style and its staggering auction prices, the work of Qi Baishi (Chinese, 1864–1957) remains an inspiration to audiences worldwide. Blending expertly minimal brushwork with passages of abstraction, Qi changed the course of traditional Chinese painting. His ink paintings capture everyday scenes and familiar moments, evoking the essential beauty of nature and the joy of life’s simple pleasures.In 1960, the de Young Museum presented a solo exhibition of Qi Baishi’s art in San Francisco, a recognition no other Chinese artist had previously achieved in the U.S. More recently, his paintings have set multimillion-dollar records as the most expensive Chinese artworks ever sold at auction. But throughout his lifetime, Qi maintained a down-to-earth sensibility rooted in his humble origins as a peasant carpenter — even as he rose to international prominence.

Reaching new heights with both its influential style and its staggering auction prices, the work of Qi Baishi (Chinese, 1864–1957) remains an inspiration to audiences worldwide. Blending expertly minimal brushwork with passages of abstraction, Qi changed the course of traditional Chinese painting. His ink paintings capture everyday scenes and familiar moments, evoking the essential beauty of nature and the joy of life’s simple pleasures.In 1960, the de Young Museum presented a solo exhibition of Qi Baishi’s art in San Francisco, a recognition no other Chinese artist had previously achieved in the U.S. More recently, his paintings have set multimillion-dollar records as the most expensive Chinese artworks ever sold at auction. But throughout his lifetime, Qi maintained a down-to-earth sensibility rooted in his humble origins as a peasant carpenter — even as he rose to international prominence.

Explore a “narrative landscape” through pages from the janamsakhi (ਜਨਮਸਾਖੀ), or life story, of Guru Nanak (1469–1539). Incorporating styles found in traditional Indian miniatures, these works depict the guru’s meetings with various figures — from poet-saints like Kabir to kings and fantastical creatures — set against a shifting background of green fields, rolling hills, and streams full of fish. While underscoring Guru Nanak’s expansive work and influence, these images also reflect Sikhism’s quest to bridge ideological and religious divides.

Explore a “narrative landscape” through pages from the janamsakhi (ਜਨਮਸਾਖੀ), or life story, of Guru Nanak (1469–1539). Incorporating styles found in traditional Indian miniatures, these works depict the guru’s meetings with various figures — from poet-saints like Kabir to kings and fantastical creatures — set against a shifting background of green fields, rolling hills, and streams full of fish. While underscoring Guru Nanak’s expansive work and influence, these images also reflect Sikhism’s quest to bridge ideological and religious divides.

Photographer and bookmaker Dayanita Singh (b. 1961) is one of India’s most celebrated living artists; her series Myself Mona Ahmed chronicles a decades-long relationship with her friend Mona Ahmed. Offering multiple intimate glimpses into Mona’s life at home and in the city of Delhi, this poignant work reflects the pair’s extraordinary closeness and mutual respect, conveying an artist’s deep compassion for her photographic subject.

The artworks in this gallery showcase the deep desire among athletes (and artists) to participate in games that prove — to rivals and spectators, coaches and family members, and the participants themselves — that they are worthy of the task at hand. In the game, players discover that the hours spent practicing with heads bent, in a crouch, or cradling a ball, yield a grace and beauty that only surfaces when tested. And sometimes the sociopolitical context in which one performs makes it even harder. In this exhibition, the physical, mental, emotional, and political resilience required to play is made visible. When Indigenous, Black, or women athletes refuse to give up, especially when they were historically excluded, their presence in the contest changes it. They make the game wider, deeper, and more meaningful. They make a beautiful game even more beautiful.

Major international competitions where athletes compete as members of a national team are highly anticipated and widely watched media events. Such tournaments find participants facing their fiercest competitors, and often befriending them. Host cities invest in building state-of-the-art arenas, transportation, and hospitality to increase tourism. Nations finance research and development of performance sports gear, like the racing wheelchair and hydrofoil sailboat on view here, which in turn influence the sporting goods made available to the public. Given the global attention, many athletes take the opportunity to surface inequities they have encountered for broader perspectives and debate. In addition to showcasing the highest level of performance, international games spur innovations in design and urban planning, and significant discussions that influence broader social progress.

Major international competitions where athletes compete as members of a national team are highly anticipated and widely watched media events. Such tournaments find participants facing their fiercest competitors, and often befriending them. Host cities invest in building state-of-the-art arenas, transportation, and hospitality to increase tourism. Nations finance research and development of performance sports gear, like the racing wheelchair and hydrofoil sailboat on view here, which in turn influence the sporting goods made available to the public. Given the global attention, many athletes take the opportunity to surface inequities they have encountered for broader perspectives and debate. In addition to showcasing the highest level of performance, international games spur innovations in design and urban planning, and significant discussions that influence broader social progress.

Table Manners brings together tableware, flatware, and drinkware from the SFMOMA Architecture + Design collection spanning nearly 100 years. The exhibition celebrates the ways design has shaped our relationship to food, our bodies, and communities, and how dining can be a profound communal and cultural experience. From self-filling wine glasses and teapots made of tea, to crisp modernist spoons and flatware made from discarded CDs, Table Manners explores the performance of dining. The exhibition includes works by Virgil Abloh, Joe Colombo, Zaha Hadid, Roberto Lugo, and many more, accompanied by illustrations and textiles by Lucy Stark.

Table Manners brings together tableware, flatware, and drinkware from the SFMOMA Architecture + Design collection spanning nearly 100 years. The exhibition celebrates the ways design has shaped our relationship to food, our bodies, and communities, and how dining can be a profound communal and cultural experience. From self-filling wine glasses and teapots made of tea, to crisp modernist spoons and flatware made from discarded CDs, Table Manners explores the performance of dining. The exhibition includes works by Virgil Abloh, Joe Colombo, Zaha Hadid, Roberto Lugo, and many more, accompanied by illustrations and textiles by Lucy Stark.

Inspired by the aura of global fame and popularity in Hallyu! The Korean Wave, the Koret Korean Galleries currently highlight artworks that speak to the idea of celebrity in a variety of creative ways. A brief survey of celebrity artists — renowned figures in the Korean art scene — includes works in watercolor, photography, and sculpture by Kim Whanki, Lee Gapchul, and Paik Nam June, as well as an arresting abstract painting by Korean American artist SoHyun Bae.

Inspired by the aura of global fame and popularity in Hallyu! The Korean Wave, the Koret Korean Galleries currently highlight artworks that speak to the idea of celebrity in a variety of creative ways. A brief survey of celebrity artists — renowned figures in the Korean art scene — includes works in watercolor, photography, and sculpture by Kim Whanki, Lee Gapchul, and Paik Nam June, as well as an arresting abstract painting by Korean American artist SoHyun Bae.

Moving Objects brings community voices directly into the Tateuchi Gallery, providing an opportunity to reflect and share your own point of view on the past and future of objects in the museum collection. In addition to viewing interviews with scholars and community members, visitors are invited to leave comments and feedback, becoming part of an ongoing conversation that informs the museum’s approach to history and collecting.

Moving Objects brings community voices directly into the Tateuchi Gallery, providing an opportunity to reflect and share your own point of view on the past and future of objects in the museum collection. In addition to viewing interviews with scholars and community members, visitors are invited to leave comments and feedback, becoming part of an ongoing conversation that informs the museum’s approach to history and collecting.

Moving Objects brings community voices directly into the Tateuchi Gallery, providing an opportunity to reflect and share your own point of view on the past and future of objects in the museum collection. In addition to viewing interviews with scholars and community members, visitors are invited to leave comments and feedback, becoming part of an ongoing conversation that informs the museum’s approach to history and collecting.

Moving Objects brings community voices directly into the Tateuchi Gallery, providing an opportunity to reflect and share your own point of view on the past and future of objects in the museum collection. In addition to viewing interviews with scholars and community members, visitors are invited to leave comments and feedback, becoming part of an ongoing conversation that informs the museum’s approach to history and collecting.

Conversations at a party in Oakland in 1932 changed the history of photography. At that gathering, several now-iconic Bay Area figures — including Ansel Adams, Imogen Cunningham, and Edward Weston — banded together to form Group f.64, a collective dedicated to “true” photography and the rejection of the prevailing style of Pictorialism, which mimicked painting. The group’s name was technical, referring to the camera lens setting that permits the greatest depth of field, but their mission was creative: to make photographs of startling clarity and beauty that rivaled art made in other mediums. Although Group f.64 lasted for less than a year, its legacy endured, marking the Bay Area as an epicenter for modernist photography.