Featured Events in Quanzhou in December, 2024 (May Updated)

Attraction introduction Quanzhou Marionette Show is located in Wudianshi, an AAAA-level Attraction. Wudianshi has a thousand-year history and is the origin of Jinjiang City. The red brick buildings with southern Fujian characteristics span the Ming, Qing and Republic of China periods. Wudianshi has produced 11 champions in history. During the Wanli period, Zhuang Jichang was the champion of the same subject as Yuan Chonghuan. The champion Wang Zeng, a descendant of the King of Fujian who lived in Quanzhou for generations, won three consecutive championships (first place in the first, provincial and palace examinations). It has also produced more than 1,400 Jinshi scholars, making it an outstanding representative of southern Fujian's humanities, history, art, architecture and customs. As the treasure of southern Fujian art, puppetry has not only become an indispensable part of the folk customs of Quanzhou and the entire southern Fujian region for thousands of years, but also has become a popular opera art that is appreciated by the general public and even scholars and literati with its unique skills and wonderful performances. Introduction to Quanzhou Marionette Show Quanzhou string puppetry, also known as suspended puppetry in ancient times, originated from the Qin and Han dynasties. According to historical records, it was already popular in Quanzhou and Souvenir areas at the end of the Tang Dynasty and the Five Dynasties at the latest. It has been passed down through the Song, Yuan, Ming, Qing dynasties and even today. The traditional repertoire of Quanzhou string puppetry preserves a large number of folk beliefs and customs of weddings, funerals, and celebrations in the ancient Minnan dialect area. It preserves a large number of grammars, vocabulary, and ancient pronunciations of the "ancient Heluo language" and Minnan dialect. It preserves many precious materials on the repertoires, music, and performance forms of Southern Opera in the Song and Yuan Dynasties, and has multidisciplinary research value. For thousands of years, Quanzhou string puppetry has not only coexisted with the life customs of birth, aging, illness, and death of the people in the Minnan dialect area. On May 20, 2006, puppet show (Quanzhou Marionette Show) was approved by the State Council of the People's Republic of China to be included in the first batch of national intangible cultural heritage list. Heritage number: IV-92. In December 2012, the "Fujian Puppet Show Talent Training Program", including Quanzhou String Puppet Show, was successfully selected into the List of Outstanding Practices of the World's Intangible Cultural Heritage of Humanity. History of Quanzhou Marionette Show Early stage It is said that when Wang Shenzhi came to Fujian and proclaimed himself king in present-day Fuzhou at the end of the Tang Dynasty, he built a large palace and hired many famous scholars and students from Zhongzhou. They brought puppet shows and placed them in the palace for entertainment. Puppet shows were then introduced to Quanzhou, so the dialogues of "Jia Li Opera" have a Zhongzhou accent. By the Song Dynasty, "Jiali Opera" had been widely spread among the people of Quanzhou. In the Ming Dynasty, Quanzhou puppetry was further combined with folk rituals and developed greatly. Li Tingji of Quanzhou in the Ming Dynasty once wrote a couplet for puppetry: "Driving thousands of miles away in an instant, the affairs of the past and present are completed in one night." It can be seen that the puppetry at that time was rich in content and wide in subject matter, and had the ability to express thousands of miles and encompass the past and present. Mid-term During the reigns of Emperor Qianlong and Emperor Jiaqing of the Qing Dynasty, Quanzhou's "Jiali" opera had become very mature, breaking away from the "puppet show" form of fragmentary and acrobatic performances and forming a standardized script system, which could perform large-scale and complex historical dramas. Although there are only 36 fixed characters, the roles are divided into four categories: Sheng, Dan, Bei, and Za, and 42 major dramas can be performed. For example, the traditional continuous script "Mulian Saves His Mother" can be performed for seven days and seven nights. Later In the late Qing Dynasty and early Republic of China, there were more than 50 puppet troupes in Quanzhou, covering the urban and rural areas. The "four major temples" in Quanzhou, including Dongyue Temple, Guandi Temple, Yuanmiao Temple, and Chenghuang Temple, all had fixed troupes to perform for praying to the gods. Lin Chengchi, known as the "talented scholar of Jiali", once created "Shuo Yue" and "Water Margin" and other serial plays with the literati Yang Xiumei, thus taking puppetry out of the circle that only serves weddings and funerals. Lin Chengchi, Lian Tianzhang and others also created and improved many performing arts techniques, such as drawing swords, inserting swords, playing with snakes, umbrella dance, weaving, playing with cymbals, etc., which greatly enriched the performing arts of string puppetry.

Quanzhou West Street puppet theater performances are mainly based on Jinjiang bag puppet performances, that is,Jinjiang bag puppet show, not string puppet show. Jinjiang Bag Puppet Show isLocal traditional drama in Jinjiang City, Fujian Province, one of the national intangible cultural heritages.That is, the Southern Puppetry and Palm Puppetry in Quanzhou area are called Nanguan Puppetry in Taiwan, China. In July 1951, the Southern Puppetry was named Zhangzhong Puppetry, which is a rare type of puppet show in China. Southern style puppetry is popular in southern Fujian, and its origins can be traced back to historical materials of the Jin Dynasty, Five Dynasties and Southern Song Dynasty. From the middle of the Ming Dynasty to the end of the Qing Dynasty, it was the period of the rise and development of the southern style of puppetry. According to folklore and "Taiwan General Chronicles", the puppetry originated during the Jiajing period of the Ming Dynasty, and its founder was Liang Binglin, who was later known as the "number one opera performer". In the middle of the Qing Dynasty, puppet theater performances in Jinjiang and other places flourished and spread to Taiwan. At the same time, artists such as Li Kecha appeared. At the end of the Qing Dynasty and the beginning of the Republic of China, some puppet theater troupes emerged in various counties of Quan County, such as the "Five Tiger Troupes" in southern Fujian during the Tongzhi and Guangxu years of the Qing Dynasty. During the Republic of China, puppet theater troupes in Anxi, Hui'an and other places almost spread throughout the county. Jinjiang Bag Puppetry has a unique artistic style, with meticulous division of roles, puppet head carvings with both form and spirit, delicate performances, and lifelike movements. On October 31, 2005, Quanzhou Nanpai Puppet Show (Jinjiang Puppet Show) was selected into the first batch of provincial intangible cultural heritage projects in Fujian Province. On May 20, 2006, the puppet show (Jinjiang Bag Puppet Show) was approved by the state and included in the first batch of national intangible cultural heritage lists, with heritage number IV-92.

Attraction introduction Quanzhou Marionette Show is located in Wudianshi, an AAAA-level Attraction. Wudianshi has a thousand-year history and is the origin of Jinjiang City. The red brick buildings with southern Fujian characteristics span the Ming, Qing and Republic of China periods. Wudianshi has produced 11 champions in history. During the Wanli period, Zhuang Jichang was the champion of the same subject as Yuan Chonghuan. The champion Wang Zeng, a descendant of the King of Fujian who lived in Quanzhou for generations, won three consecutive championships (first place in the first, provincial and palace examinations). It has also produced more than 1,400 Jinshi scholars, making it an outstanding representative of southern Fujian's humanities, history, art, architecture and customs. As the treasure of southern Fujian art, puppetry has not only become an indispensable part of the folk customs of Quanzhou and the entire southern Fujian region for thousands of years, but also has become a popular opera art that is appreciated by the general public and even scholars and literati with its unique skills and wonderful performances. Introduction to Quanzhou Marionette Show Quanzhou string puppetry, also known as suspended puppetry in ancient times, originated from the Qin and Han dynasties. According to historical records, it was already popular in Quanzhou and Souvenir areas at the end of the Tang Dynasty and the Five Dynasties at the latest. It has been passed down through the Song, Yuan, Ming, Qing dynasties and even today. The traditional repertoire of Quanzhou string puppetry preserves a large number of folk beliefs and customs of weddings, funerals, and celebrations in the ancient Minnan dialect area. It preserves a large number of grammars, vocabulary, and ancient pronunciations of the "ancient Heluo language" and Minnan dialect. It preserves many precious materials on the repertoires, music, and performance forms of Southern Opera in the Song and Yuan Dynasties, and has multidisciplinary research value. For thousands of years, Quanzhou string puppetry has not only coexisted with the life customs of birth, aging, illness, and death of the people in the Minnan dialect area. On May 20, 2006, puppet show (Quanzhou Marionette Show) was approved by the State Council of the People's Republic of China to be included in the first batch of national intangible cultural heritage list. Heritage number: IV-92. In December 2012, the "Fujian Puppet Show Talent Training Program", including Quanzhou String Puppet Show, was successfully selected into the List of Outstanding Practices of the World's Intangible Cultural Heritage of Humanity. History of Quanzhou Marionette Show Early stage It is said that when Wang Shenzhi came to Fujian and proclaimed himself king in present-day Fuzhou at the end of the Tang Dynasty, he built a large palace and hired many famous scholars and students from Zhongzhou. They brought puppet shows and placed them in the palace for entertainment. Puppet shows were then introduced to Quanzhou, so the dialogues of "Jia Li Opera" have a Zhongzhou accent. By the Song Dynasty, "Jiali Opera" had been widely spread among the people of Quanzhou. In the Ming Dynasty, Quanzhou puppetry was further combined with folk rituals and developed greatly. Li Tingji of Quanzhou in the Ming Dynasty once wrote a couplet for puppetry: "Driving thousands of miles away in an instant, the affairs of the past and present are completed in one night." It can be seen that the puppetry at that time was rich in content and wide in subject matter, and had the ability to express thousands of miles and encompass the past and present. Mid-term During the reigns of Emperor Qianlong and Emperor Jiaqing of the Qing Dynasty, Quanzhou's "Jiali" opera had become very mature, breaking away from the "puppet show" form of fragmentary and acrobatic performances and forming a standardized script system, which could perform large-scale and complex historical dramas. Although there are only 36 fixed characters, the roles are divided into four categories: Sheng, Dan, Bei, and Za, and 42 major dramas can be performed. For example, the traditional continuous script "Mulian Saves His Mother" can be performed for seven days and seven nights. Later In the late Qing Dynasty and early Republic of China, there were more than 50 puppet troupes in Quanzhou, covering the urban and rural areas. The "four major temples" in Quanzhou, including Dongyue Temple, Guandi Temple, Yuanmiao Temple, and Chenghuang Temple, all had fixed troupes to perform for praying to the gods. Lin Chengchi, known as the "talented scholar of Jiali", once created "Shuo Yue" and "Water Margin" and other serial plays with the literati Yang Xiumei, thus taking puppetry out of the circle that only serves weddings and funerals. Lin Chengchi, Lian Tianzhang and others also created and improved many performing arts techniques, such as drawing swords, inserting swords, playing with snakes, umbrella dance, weaving, playing with cymbals, etc., which greatly enriched the performing arts of string puppetry.

《來瘋喜劇 | 五一 必打卡 小羅脱口秀專場《小羅txt》5月2日 @泉州大劇院》是一場精彩絕倫的脱口秀活動，將於泉州大劇院-室內音樂廳隆重舉行。這場活動將於2024年5月2日開始，持續至年底。觀眾將有機會在這個獨特而幽默的演出中盡情享受小羅帶來的精彩表演。票價範圍從120元至9999元不等，讓觀眾可以依自身預算選擇適合的座位。活動地點位於府西路泉州公共文化中心，這是一個不容錯過的機會，讓您在五一期間盡情娛樂放鬆。無論是單獨觀賞，或是與親友共聚一堂，都將在這場脱口秀中獲得豐富的娛樂體驗。立即預訂您的門票，和大家一起來享受這場難忘的文藝盛宴吧！

"Little Bird" never stops. Zhao Chuan sings rock classics again For rock fans, the name "Zhao Chuan" not only represents the eternal classics in their hearts, but also symbolizes the legend of an era! Since his debut in 1988, Zhao Chuan has released about 14 albums and sung hundreds of popular songs. In 1992, he won the Best Mandarin Male Singer Award at the China Taiwan Golden Melody Awards for his album "I'm a Little Bird". In 2018, he won the Outstanding Contribution Award for Chinese Music at the Chinese Golden Melody Awards... Zhao Chuan, like the "little bird" in his singing, flies farther and farther on the road of music and reaps fruitful results. Zhao Chuan has always used the microphone as a link to convey his own emotions, and uses his singing to share his inner world with the audience. His story-filled music works have won the favor of many rock fans and have become the entry-level introductory course for many young people to listen to rock music. He is a well-deserved legend in the Chinese rock music scene! Although he has been singing "tough" rock music, you can always hear a kind of softness in his works. "I'm a Little Bird", "I'm Ugly But Gentle", "How to Say Love", "I Finally Lost You"... The lyrics are sincere and the tunes are heartfelt. He uses his high-pitched and hoarse voice to trigger the deepest resonance in the hearts of the public, and uses music to accompany people through those loneliness. After more than 30 years of debut, Zhao Chuan still maintains his love for music, singing the warmth and coldness of the world in the world, and encouraging fans to face life gently. In 2024, Zhao Chuan's "To All Those Who Know My Name" tour will start anew, with an upgraded song list and a new arrangement. He will use his unique musical style and superb singing skills to bring fans a soul-stirring audio-visual feast. More surprises, wait and see!

趙傳將於2024年12月7日在泉州舉行《給所有知道我名字的人》趙傳2024巡迴演唱會，地點設在泉州市洛江區安吉路海峽體育中心體育館。這將是一場震撼心靈的音樂盛宴，票價從380元至780元不等。趙傳作為搖滾樂壇的傳奇人物，至今已有三十多年的音樂歷程，深受樂迷喜愛。他的音樂作品充滿故事感，歌詞誠懇動人，曲調走心，將觀眾帶入他充滿情感的世界。這次巡演將呈現全新編曲的歌曲，給觀眾帶來更多驚喜，讓人期待不已。無論您喜歡搖滾音樂還是趙傳的歌曲，這將是一場不容錯過的音樂饗宴。趕快把握機會，一起來感受趙傳音樂的魅力吧！

"Little Bird" never stops. Zhao Chuan sings rock classics again For rock fans, the name "Zhao Chuan" not only represents the eternal classics in their hearts, but also symbolizes the legend of an era! Since his debut in 1988, Zhao Chuan has released about 14 albums and sung hundreds of popular songs. In 1992, he won the Best Mandarin Male Singer Award at the China Taiwan Golden Melody Awards for his album "I'm a Little Bird". In 2018, he won the Outstanding Contribution Award for Chinese Music at the Chinese Golden Melody Awards... Zhao Chuan, like the "little bird" in his singing, flies farther and farther on the road of music and reaps fruitful results. Zhao Chuan has always used the microphone as a link to convey his own emotions, and uses his singing to share his inner world with the audience. His story-filled music works have won the favor of many rock fans and have become the entry-level introductory course for many young people to listen to rock music. He is a well-deserved legend in the Chinese rock music scene! Although he has been singing "tough" rock music, you can always hear a kind of softness in his works. "I'm a Little Bird", "I'm Ugly But Gentle", "How to Say Love", "I Finally Lost You"... The lyrics are sincere and the tunes are heartfelt. He uses his high-pitched and hoarse voice to trigger the deepest resonance in the hearts of the public, and uses music to accompany people through those loneliness. After more than 30 years of debut, Zhao Chuan still maintains his love for music, singing the warmth and coldness of the world in the world, and encouraging fans to face life gently. In 2024, Zhao Chuan's "To All Those Who Know My Name" tour will start anew, with an upgraded song list and a new arrangement. He will use his unique musical style and superb singing skills to bring fans a soul-stirring audio-visual feast. More surprises, wait and see!

來自泉州的57Star livehouse將於2024年12月24日舉辦【聖誕特大號】XMAS狂歡演唱會！這將是一個嗨翻平安夜的活動，你準備好要跳舞了嗎？演唱會現場將不設座位，讓您盡情享受音樂的魅力。活動地址位於福建省泉州市豐澤區金崎路216號星悦薈廣場259室，票價範圍從12.24至328元不等。這將是一個難忘的夜晚，無論您是喜愛音樂還是熱愛狂歡派對，都不容錯過！讓我們一起在這個特別的聖誕活動中共度美好時光！

即將在2024年12月28日舉行的I豆城市演唱會將在泉州海峽體育中心體育場隆重舉行。泉州海峽體育中心位於福建省泉州市豐澤區安吉路100號，是一座現代化的綜合性體育場館，將為這場音樂盛事提供絕佳的場地。演唱會的門票價格範圍從299元到999元不等，讓觀眾可以根據自己的喜好和預算選擇合適的座位。這將是一場難得的音樂盛宴，讓您盡情感受音樂帶來的激情與感動。不容錯過的音樂盛事即將在I豆城市演唱會上隆重舉行，讓我們共同期待這場精彩絕倫的音樂饗宴！

《小王子》是法國作家安託萬·德·聖·埃克蘇佩裏於1942年創作的經典兒童文學短篇小説。該故事描述了一名飛行員在沙漠中遇見來自B612星球的小王子，並講述了小王子在各個星球上的冒險故事，代表著對愛與責任的探索。現在，北京醜小鴨劇團將根據這部經典作品進行改編，打造音樂劇《小王子》的精彩演出。這部音樂劇將於2024年12月29日在泉州影劇院（福建省泉州市鯉城區西街20號，近鐘樓）上演。票價範圍從29元至380元不等。觀眾將有機會與小王子一起展開一段感人至深的星際冒險之旅，並從中感悟生命的真諦。此次演出將以高質量視聽舞台劇的形式呈現，由中韓頂尖編導團隊操刀製作，保證觀眾享受到精彩的視覺和聽覺盛宴。快來泉州影劇院，與家人共同感受這部經典兒童文學改編音樂劇《小王子》帶來的温馨與感動吧！

林志炫是華語Live天王，橫跨華語樂壇30年，他將於2024年12月31日在泉州舉辦跨年特別場演唱會，地點設在晉江第二體育中心主體育館（地址位於晉江市雙龍東路10號）。林志炫以零瑕疵的美聲和超凡的唱功著稱，每一首歌曲都能觸動人心，無論是《蒙娜麗莎的眼淚》、《浮誇》還是《Just For You》，都是不敗的金曲。他對自己的要求是ONEtake，給每一位聽眾最基本的滿足。這將是一場無與倫比的音樂盛宴，票價從399元到999元不等。蒞臨現場，感受林志炫30年來唱功的登峯造極，欣賞他細膩詮釋的多樣曲風，這將是一次星光熠熠的音樂饗宴，不容錯過。

2024年12月31日，在蘇州市姑蘇區金門路33號的開心麻花運河劇場舉行的【跨年場】致敬BEYOND·紀念家駒經典金曲演唱會，將是一場難得的音樂盛會。此次演唱會將通過精彩的演出，向樂迷們呈現BEYOND樂隊與家駒的經典金曲，讓觀眾們沉浸在音樂的海洋中。票價範圍從100元至480元不等，讓更多的觀眾有機會欣賞到這場難得的音樂盛會。如果您是BEYOND樂隊或家駒的歌迷，絕對不能錯過這個機會在蘇州一同感受音樂的魅力。【跨年場】致敬BEYOND·紀念家駒經典金曲演唱會，定會讓您耳目一新，感受音樂帶來的震撼與感動。

Luxurious scene construction, real scene restores the style of the Edogawa period! The elegant and unique check-in point full of the essence of oriental culture allows you to travel back to the prosperous and turbulent era 400 years ago in a second The fantasy and prosperity of the floating world An Encyclopedia of Social Life in the Edo Period How Eastern Culture Originated from China Influenced the Western World Chasing the Dream of Edo Ukiyo-e Art Exhibition Now Landing in Quanzhou Zhongjun World City 1400 square meters of exhibition area 148 pieces (sets) of classic works 7 Masterpieces of Ukiyo-e Hokusai Katsushika's complete set of Thirty-six Views of Mount Fuji on display Many famous paintings by famous artists, including paintings of beauties, paintings of warriors, and paintings of famous places The exploration and efforts of several generations of painters, a legendary experience of the entry of urban culture into the mainstream A magnificent picture of the Age of Discovery, an artistic journey where Eastern and Western civilizations converge and merge

Luxurious scene construction, real scene restores the style of the Edogawa period! The elegant and unique check-in point full of the essence of oriental culture allows you to travel back to the prosperous and turbulent era 400 years ago in a second The fantasy and prosperity of the floating world An Encyclopedia of Social Life in the Edo Period How Eastern Culture Originated from China Influenced the Western World Chasing the Dream of Edo Ukiyo-e Art Exhibition Now Landing in Quanzhou Zhongjun World City 1400 square meters of exhibition area 148 pieces (sets) of classic works 7 Masterpieces of Ukiyo-e Hokusai Katsushika's complete set of Thirty-six Views of Mount Fuji on display Many famous paintings by famous artists, including paintings of beauties, paintings of warriors, and paintings of famous places The exploration and efforts of several generations of painters, a legendary experience of the entry of urban culture into the mainstream A magnificent picture of the Age of Discovery, an artistic journey where Eastern and Western civilizations converge and merge

The Space Art Exhibition (Quanzhou Station) is located at 3F-B, Wanda Plaza Chengdong Store, No. 2, Anji South Road, Chengdong Street, Fengze District, Quanzhou City, Fujian Province. The Space Art Exhibition integrates aerospace knowledge, aerospace model exhibits and other aspects, inviting you to travel around the sky and explore the stars. The interactive aerospace experience simulates and restores the real scene of space, stimulates cognitive interest, and plays with the dome; aerospace science knowledge realizes education and entertainment, and inspires children's aerospace dreams; cool light and shadow are realistic, immersing in the charm of four-dimensional space and exploring the vast universe.

The Space Art Exhibition (Quanzhou Station) is located at 3F-B, Wanda Plaza Chengdong Store, No. 2, Anji South Road, Chengdong Street, Fengze District, Quanzhou City, Fujian Province. The Space Art Exhibition integrates aerospace knowledge, aerospace model exhibits and other aspects, inviting you to travel around the sky and explore the stars. The interactive aerospace experience simulates and restores the real scene of space, stimulates cognitive interest, and plays with the dome; aerospace science knowledge realizes education and entertainment, and inspires children's aerospace dreams; cool light and shadow are realistic, immersing in the charm of four-dimensional space and exploring the vast universe.

泉州市將於2024年4月6日舉辦名為“起笑喜劇 | 4月6日【小長假】喜劇開放麥”的藝術活動。該活動將在泉州市豐澤區城東萬達廣場3樓3036-3037鋪的起笑·喜劇工廠(宇宙中心店)舉行。活動時間從2024年4月11日持續至12月28日，讓觀眾們可以在這段時間內盡情享受喜劇帶來的歡樂。票價介於19.9至29.9之間，讓更多人有機會參與其中。如果您對喜劇表演感興趣，不妨把握機會前來欣賞，讓您在這個小長假中感受愉快的娛樂時光，笑聲不斷，快樂無限。起笑喜劇 | 4月6日【小長假】喜劇開放麥活動定將為您帶來難忘的一天。

泉州大劇院將於2024年5月2日至12月31日舉辦名為“來瘋喜劇 | 五一必看 雙人 小麥主打秀《兩頭堵》5月2日 脱口秀 @泉州大劇院”的脱口秀活動。這場活動將在泉州大劇院的室內音樂廳舉行，地址位於府西路泉州公共文化中心。觀眾將有機會欣賞由小麥領銜的精彩表演，笑料不斷，絕對讓您捧腹大笑。票價範圍從120元至9999元不等，讓您可以根據自己的預算選擇適合的座位。這是一個難得的娛樂機會，絕對不容錯過。快來泉州大劇院，與親朋好友一同享受這場雙人的脱口秀表演，讓您在五一假期中放鬆身心，盡情享受歡樂時光。

這場位於泉州的大型單口喜劇專場“大咖湧泉計劃|【新疆高顏值帥哥】艾克單口喜劇專場《太陽照常升起》@領SHOW天地”將於起笑·喜劇工廠(快閃店)舉行。活動地址位於刺桐路112號，時間從2024年9月7日持續至12月31日。觀眾可根據個人需求選擇不同價位的門票，價格範圍從19元到128元不等。主辦方提醒觀眾，演出現場嚴禁攜帶有色飲料入內，並且遲到半小時以上的觀眾將被禁止入場。此外，所有觀眾均有座位，如有任何疑問，可隨時聯繫客服尋求協助。這將是一個讓您笑聲不斷的精彩夜晚，不容錯過！

From November 29th to December 1st, an unprecedented food culture feast will be grandly opened in Quanzhou! This event is not only a carnival of food, but also Quanzhou’s application to become the “World Food Capital” This is an important measure to use food as a link to showcase the profoundness of Chinese food culture, promote Quanzhou food to the world stage, and let diners around the world appreciate Quanzhou's unique food charm and feel the inheritance and innovation of Maritime Silk Road culture in food!

The Digital Cultural and Creative Week will create a super city IP and present Quanzhou's iconic cultural elements to the world in the form of cartoon images, allowing more people to understand and fall in love with Quanzhou culture. The different IPs invited will bring new perspectives and new vitality to Quanzhou Cultural and Creative Week, collide with Quanzhou's local culture, and jointly promote cultural exchange and integration.